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Lot 252
Late 19th century oak housekeeper's cupboard, the break front open section carved "W. & J. A. Hird, 1884", above three planked triple panel cupboard doors enclosing shelves, the projecting lower section with six graduated short drawers on plinth base, 166cm wide. Condition Report. Height of top - 168cm, height of base - 89cm, total height - 257cm.Depth of base 58cm.
Lot 68
Large Victorian glass frigger in the form of a three masted sailing ship with sailors climbing rigging surrounded by a flotilla of five smaller vessels, contained in a large oval glass dome with stained rectangular plinth base on four bun feet, slight damages, total height approx. 57cm, width 56cm.
Lot 572
British Medals, William & Mary, Coronation 1689, silver medal, by Jan Smeltzing, busts vis-à-vis, he laureate, hair long and over lion shoulder-plate to armour, wearing Order, she hair high in front, lovelocks, crucifix brooch on dress, MAIUS PAR NOBILE SCEPTRIS, in ex. G HENR ET MAR PR AUR M BRIT R 1689, rev. rays above Britannia who greets Hollandia on shore with distant fleet, Phrygian cap on plinth to l., M BRIT EXP NAV BAT LIB RESTASSERTA, 58.5mm. (MI.672/44; Eimer 309b; Woolf 10:12; vL.III, 379), extremely fine and very rare *ex Collection Stucker, Émil Bourgey Auction, Paris, 21-23 November 1977, lot 105 bt. B. A. Seaby, 1978
Lot 624
British Medals, George III, Accession 1760, silver medal, by J. Kirk, draped and armoured bust l., GEORGIUS III REX, rev. heart within wreath on inscribed plinth, BORN MAY 24 1738 PROCLAIMED OCTR 26 1760, and around, ENTIRELY BRITISH, signed KIRK below plinth, corded edge, 35.5mm. (BHM.4, R2), in Georgian velvet lined red leather case, virtually mint state, toned and extremely rare *bt. Christopher Eimer, November 1994
Lot 625
British Medals, George III, Accession 1760, silver medal, by J. Kirk, draped and armoured bust l., GEORGIUS III REX, rev. heart within wreath on inscribed plinth, BORN MAY 24 1738 PROCLAIMED OCTR 26 1760, and around, ENTIRELY BRITISH, without signature KIRK on reverse, below plinth, plain edge, 35.5mm. (BHM.4, var., R2), struck from different dies to previous lot, extremely fine and rare *bt. B. A. Seaby, 1978
Lot 722
British Medals, William IV and Queen Adelaide, Accession 1830, white metal medals (3), by Thomas Halliday, similar obverses, all 38.5mm., bare head, rev. (i) bust of Queen Adelaide r., PRESENTED TO THE PURCHASERS OF THE PAUL PRY (BHM.1418); rev. (ii) crown, sword and sceptre on plinth (BHM.1419); rev. (iii), Coronation, bust of Queen Adelaide r., legend on ribband (BHM.1482, R3); and a larger but similar version of the second medal, 45.5mm. (BHM.1417), extremely fine or nearly so, scarce and rare (4) The name Paul Pry derived from a theatrical farce by John Poole (1825), about an interfering busybody. The name was taken up by a newspaper intended to expose political corruption and fraud. The medal would be linked to the English paper rather than its better known namesake, published by one Anne Royall in America.
Lot 729
British Medals, William IV and Queen Adelaide, Coronation 1831, a group of white metal medals (6), (i) by T. W. Ingram, bare head r., signed below, rev. lion before plinth, 35.5mm. (BHM.1490); (ii & iii) crowned bust r., in robes, revs. Queen Adelaide r. and lion before plinth [as first medal in lot], 35.5mm. (BHM.1491, 1492); (iii & iv) conjoined busts r., revs. the couple crowned, LONG LIVE THE KING & QUEEN, 38 & 33mm. (cf. BHM.1510); (v) Adelaide alone, bust r., rev. William crowned by Britannia, 34.5mm. (BHM.1525), generally very fine or better, the first three pierced, but spot on face on last (6)
Lot 734
British Medals, William IV, Coronation 1831, silver medal, by Thomas Wells Ingram, crowned bust r., wearing Coronation regalia, signed below bust, WILLIAM IV DEI GRATIA, rev. crown and regalia rest on plinth, trophies either side, lion and cornucopia to fore, BORN …, 36mm. (BHM.1492, not recorded in silver, nor so in supplement), in velvet lined square maroon leather case of issue, choice mint state *bt. Christopher Eimer, July 1992 It is a puzzle why Brown (BHM) does not fully attribute the medal when it is signed T. W. INGRAM. BIRMM.
Lot 122
A good quality Edwardian Oil Lamp, oak and brass with graduated green to clear etched glass shade, Hinks burner, cut clear glass reservoir set on a square section brass base incorporating four brass mounted turned oak Corinthian style columns on a square brass plinth and stepped base, 88cm high including clear glass funnel
Lot 1674
Foreign Medals, Sweden, Johann Carl Hedlinger (1691-1771), self-portrait medals (2), the ‘Lagom’ medal, in copper, 1733, his head l., rev. an owl with helmet, spear and shield stands to the left, head turned back, Λ Α Γ Ο Μ, 35.5mm. (Felder 134; Hild.6; illus), a most pleasing example, mount-mark on top edge, otherwise extremely fine, scarce; bronzed white-metal, 1730, head and shoulders bust l., IOHANNES CAROLVS HEDLINGER, rev. fringed cloth covers plinth, on which sits a mirror, NE DISSIMVLA NE LVSINGER, 41.5mm. (Felder 114; Hild.169), this struck from flawed dies, scratch on reverse, very fine, very rare (2) *ex Alan Irvine Collection The Greek legend on the first spells the Swedish word ‘Lagom’, which became Hedlinger’s motto, implying ‘not too much and not too little’.
Lot 168
A Victorian walnut and rosewood country house pillar letter box by Edwards and Jones Makers, 161 Regent Street, London, the domed hexagonal top with letter slot above a pillar column and bowed door enclosing a lined interior, bevelled moulding on a circular plinth. 43cm high * John Batson designed this model of the street pillarbox in 1872
Lot 176
An oak clerks desk, 19th century, the top with low gallery back with a carved fall front inscribed in Ty Issa Trefonen Oswestry above a carving of a farm house and out buildings within a flower head surround and enclosing three drawers, the front with grooved gadrooning on a plinth base. 60cm wide, 50cm deep, 32cm high
Lot 195
A third quarter 18th-century mahogany longcase clock with an 8-day movement by Thomas Mudge, London, the London mahogany case has a break arched hood with reeded and fluted columns with brass capitols, the straight-sided trunk has a break-arched moulded door with flame mahogany veneer, the base has a raised moulded panel to the centre, standing on a single moulded plinth, the 8-day movement has a break arched brass dial with strike/silent subsidiary to the arch, gilt mask and foliate spandrels, silvered chapter ring with outer Arabic five-minute marks and Roman numerals, the matted centre features a subsidiary seconds dial, calendar aperture and applied signature cartouche, the substantial 8-day movement is united by five knopped pillars, features bolt and shutter maintaining power, rack striking on a bell and long-shanked dead-beat escapement with a long brass crutch, 215cm high
Lot 196
A late 18th-century flame mahogany longcase with associated movement and dial, signed Justin Vulliamy, the hood with architectural top has finely detailed mouldings to the door and cornice, reeded and fluted canted corners, the trunk, which also has canted, reeded and fluted corners, stands on a rectangular base with raised moulded panel and double moulded plinth, the 17th-century 8-day movement has an anchor escapement, internal countwheel, strikes the hours on a bell, and is united by five knopped and finned pillars, the later 11-inch silvered dial has outer Arabic five-minute markers, Roman numerals, calendar aperture, subsidiary seconds dial, and spurious signature, 207cm
Lot 197
An early 18th century walnut and seaweed marquetry month duration longcase by Edmund Day, London, the caddy-topped hood is surmounted by three gilt wood flambeau finials and has a finely pierced silk-lined fret, ebonised mouldings and brass terminals to the tapering ebonised columns, the trunk with convex throat moulding, panelled walnut veneer to the sides and all over seaweed marquetry to the front with ebonised mouldings, the square base has ebonised mouldings and a walnut plinth, the twelve inch dial has foliate engraving between the cherub and foliate spandrels, calendar aperture, subsidiary seconds dial and ringed winding holes, the signed silvered chapter ring has outer Arabic five-minute markers, Roman numerals, wheatear half-hour marks and inner quarter track, the blued-steel hands are elaborately pierced and sculpted, the four pillar month duration movement is united by four knopped and finned pillars, has passing half-hour strike with external countwheel to strike the hours on a bell, and anchor escapement with seconds-beating pendulum, 235cm tall
Lot 198
An early 18th century walnut and marquetry longcase clock with associated 11-inch dial and 8-day movement, signed D. Quare, London, the hood with seaweed marquetry to the cornice over a silk-lined fret with tapering ebonised columns, the dial aperture surrounded by floral marquetry, the trunk with burr walnut veneers to the sides, convex throat moulding, seaweed border and bird and foliate marquetry with inlaid bowmen to the door, and bulls' eye glass aperture, the square base with floral, bird and serpentine inlay with a seaweed border, standing on a moulded walnut plinth, the later 11-inch dial with mask and foliate spandrels, ringed winding holes and decorative steel hands, the silvered chapter ring with outer Arabic five-minute marks, Roman numerals, wheatear half-hour markers and inner quarter marks, the 8-day weight-driven movement has four ringed and finned pillars, internal countwheel for striking the hours on a bell, and anchor escapement with a seconds-beating pendulum, 215cm high
Lot 206
A Victorian table clock in George III style, 8” arched silvered dial with Roman numerals and subsidiary chime silent and eight bells and Westminster dials in the arch, surrounded by foliate scroll work, the eight-day movement striking on eight bells and a gong case with three urn and flame finials, fluted corinthian side columns and silk fish grills to each side, raised on a moulded rectangular stepped plinth and foliate and paw bracket feet. 62cm high, 43cm wide, 25cm deep
Lot 231
A pair of Regency rosewood and ormolu mounted chiffoniers, each with a low mirror gallery back and shelf supported by ormolu part fluted pilasters above a rectangular top and two indented panel cupboard doors enclosing shelves flanked by ormolu mounted half pilasters and raised on a plinth base, 85cm wide, 33cm deep, 116cm high
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173487 item(s)/page