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A Ref No. M29D Two Cylinder Vertical Steam Plant with Flyball Governor, 13mm bore and stroke, brass steel construction, overall size 17x 9 x 10cm high, mounted to a wooden plinth 30 x 15cm, appears new/unused; supplied with an aluminium Steam Boiler, boiler dimension 176mm long, 78mm diameter, overall unit dimension 220 x 90 x 135 high mm, fitted with four glass spirit burners, plus a small quantity of spares, etc.
Thwaites & Reed, London, a limited edition interpretation of an 18th Century brass rack clock, 1973, No.094/500, pineapple finial, cast leaf border 12cm circular white enamel dial with Roman numerals, mounted on a grey veined marble and wooden plinth with plaque, 54cm high, with accompanying documentation
Leroy, Paris, a late 19th Century French clock garniture, gilt metal four-glass case with white marble urn finial, extensive gilt ormolu mounts of bows suspending branches of fruit, 11cm white enamel convex dial with Arabic numerals, signed 'Leroy, H....de La Cour', raised on a white marble plinth, toupie feet, the movement striking on a bell, 45cm, high, the matching pair of white marble and gilt ormolu mounted candelabra in the form of corinthian columns with vintner cherubs and trailing vine, toupie feet, 31cm high (3) (key and pendulum)
A Chinese hardwood tripod occasional table, mid to late 19th Century, serpentine-edged circular top, fretwork frieze, dragon carved support, circular plinth, scroll feet, the top and base inlaid with bone/ivory to form dragons, beasts, sealife, scrollwork, and pagoda river landscapes with figures, 72cm high, 56cm diameter. Exemption Certificate No.98S8R65T
A Victorian hallmarked silver creamer. The creamer jug having a circular plinth base and scrolled handle with beaded rim. Hallmarked for London, 1900. Makers mark GJDF for Josiah Williams & Co (George Maudsley Jackson & David Landsborough Fullerton). Weight approx 119g. Measures approx 15cm x 9cm.
Six 1970's hallmarked silver goblets. The six goblets each standing on a circular stepped plinth base rising to a fluted stem supporting the gilded bowl. Each having an etched design with central vacant cartouche. Each pair having a Holmes, London box. The goblets in the style of Hester Bateman. Hallmarked for London 1973. Makers mark LGS for LGS London. Combined weight 529g. Measures approx 12cm x 6.2cm.
A George III hallmarked silver creamer. The creamer or jug having a circular plinth base rising to a bulbous form decorated with floral and foliate repousse design and having a central vacant cartouche. Hallmarked for London, 1778. Makers mark ASNA for Ann Smith & Nathaniel Appleton. Weight approx 81g.
A Victorian hallmarked silver goblet trophy. The goblet having a circular plinth base with baluster form stem and an etched and repousse floral design. The goblet being inscribed as a trophy 'Highgate School, 1/2 Mile open, 1939 W.J Brighton.' Hallmarked for London 1868. Makers mark JB partially rubbed. Weight approx 248g. Measures approx 18.2cm x 8.5cm.
A George III hallmarked silver goblet. The early 19th century goblet having a square plinth base rising to a tapered stem holding a bulbous cup with gilded interior. The goblet having an etched floral repeated pattern to rim and central monogram. Hallmarked for London, 1804. AF Goblet, misshaping to base. Makers mark SH attributed to Solomon Hougham. Weight approx 214g. Measures approx 8.5cm x 15.2cm.
A Victorian hallmarked silver creamer. The cream jug standing on a circular plinth rising to a bulbous form with floral repousse design and central cartouche etched with armorial shield. Hallmarked for London, 1839. Makers mark IWWM J Wrangham & William Moulson. Weight approx 205g. Measures approx 15cm x 11cm x 8cm.
A collection of Victorian and later hallmarked silver items.The lot to include a George V Arts and Crafts silver bowl. The bowl sitting on a circular plinth and having a planished finish. Hallmarked for Chester, 1921. Makers mark partially rubbed. A Victorian silver topped scent bottle. The bottle having a glass oval form rising to a silver hinged lid. Hallmarked for Birmingham, 1892. Makers mark L.S attributed to L Spiers. A Edward VII cut glass perfume bottle with silver lid. Hallmarked for Chester, 1909. Makers mark BPDC for Boots Pure Drug Company. A salt spoon hallmarked for London 1890. Makers mark EFHT for Horace Woodward & Co (Edgar Finley & Hugh Taylor). Combined weight approx 522g. Measures approx 10cm x 4.5cm / 6.5cm x 1.8cm.
George V hallmarked silver trophy cup. The cup having a circular stepped plinth base raising to a bulbous form with scrolled handle. Inscription to the body 'John Henry Vine Hall. July 4 1911. Ronald Stanley Pile "1.6.52'. Hallmarked for Sheffield, 1933. Makers mark only partially legible. Weight approx 146g. Measures approx 9.8cm x 10.5cm x 7cm.
Auguste Trémont, 1892 – 1980POULAIN, 1923Höhe: 31,4 cm. Breite: 26,3 cm. Tiefe: 8,7 cm.Mitgegossene Signatur auf der Plinthe.Schwarzbraune Patina. Bronzefigur eines auf rechteckiger, flacher Plinthe stehenden Fohlens mit erhobenem Kopf und aufgerichteten Ohren. Der Bildhauer begann seine Ausbildung an der Handwerkerschule in Luxemburg, ging 1909 nach Paris und wurde Schüler der Ècole des arts décoratifs. Im Stahlwerk Düdelingen arbeitete er als Zeichner, was durch die Gestaltung einer Briefmarke mit Darstellung von Arbeitern dokumentiert ist. Nach dem ersten Weltkrieg zog er nach Paris zurück, entschied sich jedoch, sich der Tierdarstellung zuzuwenden. 1923/24 entstanden seine ersten Tierplastiken, die er in der Galerie Ruhlmann (später Galerie Edgar Brandt) und der Galerie Malesherbes ausstellte. Zu seinen bekanntesten Werken zählen die beiden Löwen am Eingang des Luxemburger Stadthauses. Während des zweiten Weltkrieges wirkte er in Paris, schuf jedoch danach Denkmäler für die Kriegsopfer. Darstellungen seiner Hand auf zahlreichen Briefmarken; 1918 Auszeichnung mit dem Prix Grand-Duc Adolphe. Seine Werke in mehreren öffentlichen Sammlungen in Paris, Luxemburg, Differdinge etc. (1380855) (11)Auguste Trémont, 1892 – 1980POULAIN, 1923Height: 31.4 cm. Length: 26.3 cm. Depth: 8.7 cm.Blackish-brown patina, signature cast within plinth.Bronze sculpture on rectangular, flat plinth of a standing foal with raised head and pricked ears.
Two late 19th century Italian micromosaic papier presseone depicting the Coliseum, the other Pliny's Doves, both of shaped barbed oval form, the former with an oval view of the ancient Roman arena, the latter with the bowl on a rectangular plinth, 2cm high, 10cm wide and 6.5cm deep, the later 1.8cm high, 9.5cm wide and 6.5cm deep (2)For further information on this lot please visit Bonhams.com
An Italian patinated bronze figural group of the Capitoline Wolfafter the antique, probably late 19th century the model with the infant Romulus and Remus suckling from the She Wolf with aged verdigris patination, on rectangular veined marble plinth base, 23.5cm high, 32cm wide, 15.5cm deep overallFootnotes:The Capitoline Wolf depicts a scene from the legend of the founding of Rome showing a she wolf suckling the mythical twin founders of the capital. Perhaps one of the most recognisable icons of ancient mythology, the group has been housed in the Palazzo dei Conservatori on the Campidoglio (the ancient Capitoline Hill), Rome, Italy) since 1471 and has served as the inspiration for numerous later replicas.For further information on this lot please visit Bonhams.com
An Italian 19th century porphyry, porfido verde and marble inset ebony and ebonised cabinet incorporating a total of forty-four stone tablets of various proportionsMost or possibly all of the tablets almost certainly of an earlier dateThe moulded top above eight short mahogany lined drawers flanking a central architectural facade, each drawer front comprised of two porphyry or porfido verde inset twin moulded panels, the central bay comprised of a short mahogany lined drawer disguised as a marble balustrade with marble tablet angles, over a central door configured as a blind arched portico inset with marble specimens and with Tuscan pilasters, with one panelled tablet inset mahogany lined drawer below, on a moulded plinth base, each side comprised of nine red porphyry inset moulded panels of various proportions, originally terminating in four bun feet, now lacking, with an old printed and pen-inscribed paper label which reads: 'PHILP & SON, 77 Kimberley Rd., Cardiff... Mr Throne, 71 Glebe Street, Penarth', approximately: 80cm wide x 37cm deep x 49cm high, (31in wide x 14 1/2in deep x 19in high)Footnotes:ProvenanceFormerly with A.T. Philp & Son, Cardiff, Wales, approximately 50 years ago, where presumably purchased by Mr Thorne, of 71 Glebe Street, Penarth, Wales, probably 1970sAlfred T. Philp & Son is the recorded trading name of this Cardiff antiques store during the period 1950-1970. A replica of an image showing the front of the shop in 1961, when it was evidently based at 36 Royal Arcade in Cardiff, is ready to inspect online, Photograph Antiques Yearbook, 1961, Tantivy Press. This picture is also available to view at antiquetrade.leeds.ac.uk However it is interesting to note that the printed and pen-inscribed paper label, discovered to the interior of this piece by the current owner and vendor, reveals that at the time of Mr Thorne's purchase the cabinet was with the company when it was trading as Philp & Son. Also, by that time, the label makes it clear that the Cardiff address of the business was in fact 77 Kimberley road, so it seems logical to assume that by then they had re-located their operation.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A very impressive late 19th century French patinated bronze and marble model of the Vendôme Columnthe tapering column modelled after Trajan's Column with spiralling battle scenes, the domed top above a square galleried viewing platform surmounted by a figure of Napoleon in contemporary dress, the laurel draped plinth with further scenic battle reliefs and an applied inscription, raised on a white marble shallow square base, 142cm high, 27cm wide, 27cm deep, together with a modern metal carrying case (2)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
After Giambologna, called Giovanni da Bologna or Jean Boulogne (Italian, 1529-1608): A patinated bronze figure of Marsprobably late 18th or early 19th centurythe naked god modelled in contrapposto in walking stance, his head with curling hair and beard turned to sinister, his left arm clutching the hilt of his dagger, the blade later replaced, raised on a later stepped rectangular marble plinth base, the figure 39.5cm high, the plinth base, 4cm high, 28.5cm wide, 17cm deepFootnotes:Jean de Bologne made two versions of his 'Walking Mars', one signed, the other documented to around 1587. A further version was executed by Giovanni Francesco Susini (1575-1653) in the second quarter of the 17th century and was in the Palazzo Corsini in Florence before it entered the Robert H. Smith collection of bronze sculptures masterpieceFor further information on this lot please visit Bonhams.com
A late 19th century patinated bronze figure of the Apollo Belvedereafter the antiquecast by the Barbedienne Foundry, the semi-clad god, with drapery, folded over his left arm and standing beside a rustic tree stump entwined with a serpent, on circular shallow plinth base, inscribed F.BARBEDIENNE.FONDEUR and with A.Collis reduction mechanique pastille, 45.5cm highFor further information on this lot please visit Bonhams.com
An Italian carved marble bust of the head of a classical male youthin the Renaissance taste, probably 19th centurythe sitter with curling hair looking slightly to sinister, mounted on later square polished marble plinth, the head 32cm high, the base 15.5cm highFootnotes:ProvenanceProperty of a gentleman, removed from a Knightsbridge residenceBy repute with Didier Aaron Ltd, LondonFor further information on this lot please visit Bonhams.com
A late 19th century Italian green patinated bronze figure of The Dancing Faunprobably Naples the mythological horned male creature with upheld hands standing on a square plinth, 80cm high approximatelyFootnotes:The original statue of The Dancing Faun was discovered in 1830 in the ruins of the most impressive and opulent Roman home at Pompeii, later known as the House of the Faun. Thought to be a copy of Hellenistic work it was removed to the Museo Borbonico (later the Museo Nazionale) and its fame was such that by 1838, an English traveller declared it 'the Venus de Medicis of Sylvans' Its smaller size made copies of the piece particularly attractive for the interiors and gardens of modest houses and it was hugely popular model for the catalogue of the Naples Museum by the early 20th century.The model, available in a number of edition sizes, was listed as number 5002 on page 217 of the 1910 edition of the J. Chiurazzi & Fils - S. De Angelis & Fils Naples foundry.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An Italian carved white marble figure of Cleopatra (also known as Ariadne, Dido or a Nymph)after the antique, probably late 18th / early 19th centurythe recumbent female clad in elaborated folded drapery, her head resting on left hand, the right arm raised over her head, raised on a Verde Antico marble plinth base, 16cm high, 24cm wide, 9.5cm deep approximately For further information on this lot please visit Bonhams.com
An early 19th century bronze figural lamp base formed as a classical musein the manner of Thomas Hope (British, 1769-1831)the maiden clad in an asymmetric draped robe, her hair dressed with spiraling curls, holding aloft a palmette girdle oil lamp fitting with verdigris patination, on Verde antico marble square plinth base, 55.5cm high For further information on this lot please visit Bonhams.com
An Italian gilt bronze figure of the Emperor Augustuscast by the Nelli foundry, Rome, probably late 19th / early 20th centurymodelled with raised right arm, his left arm holding a staff and clad in a short tunic, elaborately cast figural breastplate and drapery, a putto seated on a dolphin to the rear of his right foot, the circular rotating base with beaded edge and baluster handle, the upper surface edge with stamped NELLI, ROMA foundry mark, raised on a black and veined marble cylindrical plinth base, 45cm high, 23cm diameter overall including the plinth baseFor further information on this lot please visit Bonhams.com
A late 19th century Italian micromosaic panel depicting Pliny's DovesRoman, c.1880the square panel inset with the central mosaic motif, the bowl set on a rectangular plinth and mounted within a red marble circular border and a further malachite border with cut key corners reserved on a black marble ground, the whole mounted within a contemporary giltwood and composition frame, the inner spiral and stiff leaf sighting within concave fluted and egg and dart and spiral moulded outer borders, the panel, 22cm x 22cm, the frame, 39cm x 39cm overallFor further information on this lot please visit Bonhams.com
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173487 item(s)/page