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Turi Weinmann, 1883 Regensburg - 1950 Grünwald, Studium an den Akademien München und Karlsruhe, Aufenthalte in Florenz und Rom, Bronzeskulptur, stehender Mädchenakt, spielerisch gelöstes Standmotiv, um 1920, auf Plinthe signiert, auf rotem Marmorsockel, Alterssp., H. 42 cmTuri Weinmann, 1883 Regensburg - 1950 Grünwald, studied at the Munich and Karlsruhe academies, stays in Florence and Rome, bronze sculpture, standing girl nude, playfully solved standing motif, around 1920, signed on the plinth, on a red marble base, traces of age, H. 42 cm
Unbekannter Bildhauer des späten 19./frühen 20. Jh., Bronzeskulptur, tänzelnder Faun, Plinthe mit Gießerstempel AG Gladenbeck Berlin, auf schwarzem Marmorsockel, Alterssp., H. 43cmUnknown sculptor, late 19th/early 20th. Century, bronze sculpture, prancing faun, plinth with foundry mark AG Gladenbeck Berlin,on black marble base, traces of age, H. 43 cm
Bronzeskulptur, Frankreich, Napoleon III/Mitte 19.Jh., Bronze, braun patiniert, Darst. des römischen Volkshelden Gaius Mucius Scaevola, der durch Zurschaustellung von Mut und Standhaftigkeit der Rettung Roms diente, auf Plinthe signiert Rolland Paris, Gießerstempel H. Vissac Paris, berieben, H. 42 cmBronze sculpture, France, Napoleon III/mid- 19th century, bronze, brown patina, depicting the Roman folk hero Gaius Mucius Scaevola, who served to save Rome by showing courage and steadfastness, signed Rolland Paris on the plinth, foundry mark H. Vissac Paris , rubbed, h. 42 cm
Joseph Uphues, 1850 Sassenberg - 1911 Berlin, Steinmetzlehre, Studium der Bildhauerei an der Akademie Berlin, Meisterschüler von u. Zusammenarbeit mit Reinhold Begas, Bronzeskulptur, Bogenschütze, nach antiken Vorbildern, nackter Knabe in pathetischer Haltung, auf Plinthe signiert, roter Marmorsockel, H. 39,5 cmJoseph Uphues, 1850 Sassenberg - 1911 Berlin, stonemason apprenticeship, studied sculpture at the Berlin Academy, master student of and collaboration with Reinhold Begas, bronze sculpture, archer, based on antique models, naked boy in a pathetic posture, signed on the plinth, red marble base, H .39.5 cm
Bronzeskulptur, Werkstätten Hagenauer, Wien, Bronze, poliert, stilisierte Darstellung einer , gestreckt Stehenden, auf quadratischer Plinthe, gemarkt Handmade/WHW/Hagenauer Wien, berieben, H. 22 cmBronze sculpture, Werkstätten Hagenauer, Vienna, Bronze, polished, stylized depiction of a stretched standing figure, on a square plinth, marked Handmade/WHW/Hagenauer Wien, rubbed, H. 22 cm
Franz Offland, 1856/62 Berlin - 1933 ebenda, Studium an der Akademie Berlin, Bronzeskulptur Ault, Doppelaulos blasender Jüngling mit Weinlaub im Haar, auf Plinthe signiert, runder Marmorsockel, patiniert, berieben, H. 46 cmFranz Offland, 1856/62 Berlin - 1933 ibid, studied at the Berlin Academy, bronze sculpture Ault, youth blowing a double aulos with vine leaves in his hair, signed on the plinth, round marble base, patinated, rubbed, H. 46 cm
Große Pendule, Frankreich, um 1820, reich verziertes und vergoldetes Bronzegehäuse, reich verzierte Füsse, umlaufender Blattfries, Sockel mit floralem Blattdekor, imTondo Lyra, Uhr flankiert von Opfersäule mit Rose der Aphrodite und Schmetterling, Harfenistin in antikem Gewand auf kleine Plinthe stehend (ehem. ohne), Lünette in Blattdekor, Emailzifferblatt, großes Pendulenwerk mit Fadenaufhängung des Pendels, Halbstd.-Schlag auf Glocke, Rückendeckel (Glas fehlt), Pendel sek., H: ca. 44cm, WZ 3, GZ 2, dekorativLarge Pendulum, France, around 1820, opulent decorated and gilt bronze housing, decorated feet with cord decor, encircling leaf frieze, pedestal with floral leaf decoration, in Tondo Lyra, clock flanked by round column with bowland butterfly on Rose, Harp playing girl in antique garment, on small plinth standing (formerly without), bezel in leaf decoration, enamel dial, large Pendulum work with wire suspension of pendulum, half hour-stroke on bell, back cover (glass missing), pendulum sec., H: approx. 44cm, condition of movement 3, housing 2, decorative
After Louis-Marcel Botinelly (French, 1883-1962): A French Art Deco Patinated Bronze Group, modelled as a reclining nude female and two nude children, on an architectural plinth base, stamped in cast LOUIS BOTINELLY Susse Fres Edts Paris cire perdue 2 and foundry stamp, 60cm by 19cm, 39cm high
René Lalique (French, 1860-1945): Statuette Suzanne, designed 1925, No. 833, frosted glass, moulded mark R LALIQUE, 23cm high (damaged) on an illuminated bronze plinth stand, decorated with a pair of peacocks to each side, unmarked, 24.5cm longMarcilhac, page 399.The base of the glass has been chipped and glued 4.5cm by 4.5cm, 2.5cm high. Surface wear. Nicks to head, hands and edges. Line going throught her shoulder below her chin. The bronze base has had holes drilled to each end.
Peter Dalby (1936-2022) Lancashire: An English Oak Cabinet on Stand, the cabinet with secret top, above two panelled doors, opening to reveal nine drawers each with painted decoration, on a carved plinth base, on a stand, cabinet 43.5cm wide, 24cm deep, 42cm high, stand 53cm wide, 31.5cm deep, 98.5cm highFrom the estate of Peter Dalby (1936-2022)In good order, escutcheon holes have been stained (see images)
René Lalique (French, 1860-1945): Statuette Thais, designed 1925, No. 834, frosted glass, wheel-cut mark R LALIQUE, 22cm high on an illuminated bronze plinth stand, unmarked, 24cm longMarcilhac, page 400.Chip on edge 1cm long with hairlines running out. Internal chip on base. Nicks to base. Nick to tip of right hand. Drilled holes to each end of bronze base.
Knightman Family: An Old Mill Furniture (Balk): An English Oak Chest of Drawers, with raised upstand, over two short over three graduating long drawers, with brass lacquer handles, on bracket plinth base, recessed carved knight trademark, 105.5cm wide, 48cm deep, 105cm highFrom the estate of Horace Knight (1933-2021).In good order.
JOHANNES DER TÄUFER ALS KIND Wohl Belgien, 18.Jh., Holz vollrund geschnitzt und gefasst, auf Vorderansicht gestaltete und auf einer einfachen Plinthe in angedeutetem Kontrapost stehende Figur des Heiligen, Johannes ist nur mit einem knielangen Fellgewand bekleidet, als weiteres kennzeichnendes Attribut hält er des Lamm Gottes in seiner linken Hand, H: 48 cm. Rest.JOHN THE BAPTIST AS A CHILDProbably Belgium, 18th century, full-round carved and painted wood, the figure of the saint standing on a simple plinth in an indicated counterpost, John is dressed only in a knee-length fur robe, as a further characteristic attribute he holds the Lamb of God in his left hand, h: 48 cm. Rest.
KRUSE, MAX (1854-1942) "Der Siegesbote von Marathon" Bronze, schwarzbraun patiniert, an der Plinthe seitlich der Namenszug, vorne bezeichnet "NENIKHKAMEN", Marmorsockel, H: 34 cm. Normale Altersspuren, Lorbeerzweig fehlt.| KRUSE, MAX (1854-1942) "The Messenger of Victory at Marathon".Bronze, black-brown patinated, the name inscribed on the side of the plinth, inscribed "NENIKHKAMEN" on the front, marble base, h: 34 cm. Normal signs of age, laurel branch missing.
A fine 1:8 scale model of the 1960 Monaco Grand Prix winning Lotus-Climax 18 by R.A.E. Models,by Robert Alan Edney Models of Chertsey, detailed hand-built kerbside model of the single-seater (chassis No. 912), with detailed cockpit and open side panels, finished in dark blue race livery and wearing race number 20, as driven to victory by Stirling Moss at the Grand Prix event, measuring 42cm long, mounted on a tiled effect Perspex display plinth with facsimile Stirling Moss signature, measuring 60 x 27 x 14cm overall. This lot is subject to the following lot symbols: â—Šâ—Š £30 + VAT uplift and storage at £6 + VAT per lot per day.For further information on this lot please visit Bonhams.com
A fine bust of Juan Manuel Fangio by Peter Close,cold-cast bronzed resin, signed by artist to back, limited edition number 15/500, mounted on a wooden plinth, 32cm tall overall, together with a bust of Jim Clark by Steve Paterson, cold-cast bronzed resin, mounted on a wooden plinth with plaque, entitled 'Gentleman Jim', 35cm tall overall. (2)For further information on this lot please visit Bonhams.com
Antonin MERCIÉ (1845-1916) Jeanne d'Arc à Vaucouleurs, Joan of Arc in prayer, bronze figure standing in armour, her helmet and sword placed at her feet, gilt-bronze and ivory, signed on the plinth, H55x W15.5 x D14 cm( For a similar larger figure see : Lot 459, Mobilier d'un château décoré par Erté (Part. II) 13 nov 2019, Marc-Arthur Kohn S.A.S, DROUOT-RICHELIEU, Paris, France) Ivory Registration Ref: 4LKG2KNNCondition Report: Ivory Registration Ref: 4LKG2KNNCracks in top of ivory head. One across bridge of nose, other fine cracks in face.Light wear and tear to metal.
George III mahogany longcase domestic regulator clock, inscribed Desbois & Wheeler, Grays Inn Passage, London, the triangular pediment over a silvered circular dial with subsidiary seconds dial, above a trunk door and plinth base, the twin train eight day movement with deadbeat escapement striking on a bell, with pendulum supported by the case, and two brass bound weights of differing sizes, dial 12" diameter, total height 199 cmPurchased by the vendor from Pendulum of MayfairCondition Report: With brass covered weights and pendulum. Clock movement has not been tested.Overall in good restored condition.
19th century eight day mahogany longcase clock, the swan neck pediment over a floral painted dial inscibed G Monk of Brescot with subsidiary seconds dial and date aperture, over a panelled case, the movement with false plate and striking on a bell, 250 cm high, dial 33cm, with pendulum and two weightsCondition Report: Restored dial with previous cracking evident, some bear metal showing at 1 o'clock. False plate on the back of the dial (not stamped). Replacement metal winding cable. Case good commensurate with age and use, plinth at base may be a later addition.
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172950 item(s)/page