Attributed to Ugo Cipriani (Italian, 1887-1960). An Art Deco bronzed spelter group of an archer shooting at two antelopes, green onyx and black marble plinth, CITES Submission reference TTCVABWS 82cm wide, 24cm deep, 55cm high***CONDITION REPORT***Overall in honest original condition, perhaps some very slight rubbing to the extremities notably the top of her head and muzzles of the antelope, ivory bow has some cracking and breaks to the lower section just beneath her hand, a few minor chips around the plinth.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Philippe Matteau (Matto). An Art Deco bronze and marble group of three dancing pan pipers, on variegated green marble plinth with attribution plaque, 80cm wide, 15cm deep, 40cm high***CONDITION REPORT***Overall in good original condition, the figures with a green patination although some rubbing down to the bronze at the extremities, plinth in good order with small title plaque to the right side.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Alexandre Kelety (French/Hungarian, 1874-1940). A French Art Deco bronze group of two tillermen, on black marble plinth, signed in the bronze, 47cm long, 17cm deep, 23cm high***CONDITION REPORT***Good original condition with a dark greenish patination and some slight rubbing on the raised extremities, signed in the bronze along with foundry stamp, BRONZE and the number 17, plinth with numerous chips around the edges and corners.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Johan Jussi Rickhard Mäntynen (Finnish, 1888-1978). A bronze model of a lynx, signed and dated 1930 in the bronze, 29cm long, 22cm high***CONDITION REPORT***Overall of a dark near matt blackish patination, looking rather dusty and dirty, with some scattered oxidisation marks, back edge of the plinth bends upwards, unclear whether this is intentional.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Henri Fugère (1872-1944). An Art Deco silvered bronze figure of a nude dancer standing upon a tapered signed two tone marble plinth, 13cm wide, 39cm high***CONDITION REPORT***Looks to be in honest untouched condition, some oxidisation to the silvering, one small chip to the front left foot of the plinth, signed on the back of the plinth.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Armand Godard (French, 1824-1887). An Art Deco ceramic group of a reclining beauty with a kid, signed, impressed marks, 52.5cm wide***CONDITION REPORT***Good condition apart from two small, shallow chips to one corner of plinth at footrim.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Georges Chauvel (French 1886-1962). An Art Deco ceramic figure of a sleeping Diana, signed, impressed marks, 41cm wide***CONDITION REPORT***One corner of plinth with two small, shallow chips; two other corners of plinth each with one very small chip.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Charles Vyse (1882-1971) - a Chelsea Pottery figure, 'The Lavender Girl', the hexagonal plinth underside inscribed with monograms CV, Chelsea and dated 1921, 22.5cm high***CONDITION REPORT***Small flake to glaze at rear side of plinth, not easily seen, approx. 5mm diameter; otherwise good.With a former bill of sale, Richard Dennis, 1986, as shown.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
An early 20th century silver model of a City Imperial Volunteer, holding a rifle, on horseback, early 20th century, on an ebonised plinth base, apparently unmarked, overall height 49.5cm.***CONDITION REPORT***One of the reins leading from the bit in the mouth is broken. Quite tarnished in places and some green oxidisation in places, otherwise in good condition. Base once had a plaque attached. Some chips, splits and scuffing to the base in places.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A late Victorian silver two handled trophy cup, with horse racing inscription relating to the South Down Hunt Point to Point, by James Deakin & Sons, Sheffield, 1895, height 22cm, 39oz, on ebonised plinth base.***CONDITION REPORT***Very tarnished, otherwise in good order. Hallmarks clear.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Japanese lacquer cabinet (shodana), Meiji period, finely decorated in gold and silver lacquer with trees and river landscapes, the upper section fitted with two sliding drawers above an arrangement of asymmetric shelves, a pair of cupboard doors and five short drawers, on a shaped plinth, 100.5cm wide, 41cm deep, 94cm high***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A fine Belle Époque Cartier silver, gold, diamond and guilloche enamel mounted 'Mignonette' timepiece, on an agate plinth base, the Roman dial with millegrain set rose cut diamond hour and minute hands and white beaded enamelled border, each side panel set with a single rose cut diamond, indistinct marks to border edge, in original Cartier gilt tooled leather carrying case (lacking handle), with key, height 58mm.***CONDITION REPORT***Slight damage to the enamel in one corner and small chips around the key orifice on the back panel. Some scuff marks to the leather case exterior and some fraying to the silk interior in places. Old white sticky label to base. Watch ticks when wound but the hands do not appear to move so in need of some attention. Hands don't adjust properly, possibly not on central pivot firmly?? We cannot guarantee any of the watches to be in working order.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
After Joseph Chinard (French 1756-1813). A French white marble bust of Juliette Récamier, 32cm wide, 24cm deep, 63cm high Juliette Recamier was celebrated for her beauty and her many illustrious love affairs. Many artists portrayed her elegant looks but Chinard's bust is still considered the most successful. A terracotta version is in the Getty Museum of Art. Another was recently exhibited at the New Orleans Museum of Art in "Jefferson's America & Napoleon's France" celebrating the Louisiana Purchase Bicentennial.***CONDITION REPORT***Honest untouched condition, now rather dirty with small spots and other marks scattered throughout, minor chipping around the rectangular integral plinth but essentially good order.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Vienna style porcelain urn and cover,20th century, the twin handles modelled as eagles, painted Greek mythology scenes, on a plinth, painted blue underglaze beehive mark,56cm highCondition ReportWear to the gilding and painted decoration. The urn wobbles on its base and can be removed from the plinth. Nibbles and chips, particularly to the corner. No apparent crazing.
A pair of Art Deco style elephant bookends, modern, each balancing a ball on its trunk, raised on a gold-flecked resin plinth, 17.5cm wide 9.5cm deep19.5cm highCondition ReportMinor nibbles to the edges of the resin bases, and one with a deeper surface scratch. Wear and minor marks to the patination of the elephants.
A George III mahogany longcase clockc.1775, by John Holmes of London, the hood with a sphere finial above a break-arch moulding, with a glazed door flanked by canted front edges and glazed side panels, the flame-veneered arched door above a panelled base and stepped plinth, the 12-inch silvered dial set with Roman numerals and centrally inscribed 'Holmes, London', with a strike/ silent function, a subsidiary seconds dial and a calendar aperture, the twin-train movement with five knopped pillars, maintaining power, anchor escapement and offset pivoted crutch, the wooden rod 'Ludlam' pendulum suspended from a substantial bridge on the backplate, with a massive gilt-painted lead disc-shaped bob, above a calibrated brass sphere for rating, 50cm wide26cm deep226cm highJohn Holmes is recorded as having worked from 156 Strand in London between 1761 and 1802. Holmes was regarded as one of the finest clockmakers of his time and F J Britten comments 'he seems to have been one among the leading mechanicians and when the turret clock at Greenwich Hospital was destroyed by fire in 1779, he was given the order for a new one. The Wetherfield Collection contains two long mahogany case clocks of his manufacture, one a particularly choice example of Chippendale dating from about 1770'.For an almost identical example, see Christie's, 'Important Clocks and Marine Chronometers', 20 February 2008, lot 99. Another similar example with an enamel and brass dial sold in these rooms 23 March 2022, lot 598.Literature: T Robinson, 'The Longcase Clock', 1981, p.168; T Mercer, 'Chronometer Makers of the World', 1991, p.165; T Reid, 'Treatise on Clock and Watch Making', 1832, p.404, pp.432-453.Condition ReportA few small knocks, tiny splits and areas of light cosmetic wear to the case commensurate with age and use. Some light wear, tiny scratches and marks to the dial. The clock was purchased at auction in 2016 and was subsequently worked on by Brian Baskerville, and we are told has since been running well in the vendor's home prior to consignment. Ticks and strikes when wound, however we feel that the clock may benefit from a light service by the successful purchaser. Please see additional photos.
A George III mahogany bookcase, the moulded cornice over two glazed doors and two panelled doors, within panelled uprights, on a plinth base, 203cm wide 46cm deep 262cm highProvenance: The Clive and Jane Wainwright Collection. Condition ReportLosses to bottom rear of top section. Probably been cut to fit. Minor wear and tear. One piece of moulding loose to side of cornice - the piece is present.
A 19th Century Staffordshire porcelain figure of Napoleon. The figure wearing black bicorn hat, blue jacket and black boots, stood besides a white column base atop a plinth base. Marked to underside with crossed mark. Presented in contemporary cylindrical glass case on faux wooden base. The china figurine to measure approx. 19cm, the glass dome 29cm.
British Royal Family interest - a mid 20th century 1950s bisque bust of Queen Elizabeth II, commemorating her coronation in 1953. The bust depicting the Queen shoulders up, with tiara and hand painted hair & facial features, mounted atop square plinth base. Column base marked ERII 1953 and mounted on red baize. Measures approx. 24cm tall.
M. J. Hummel by Goebel - A large collection of vintage 20th century Goebel porcelain china figurines. The lot comprising a Millennium Collection with complete Worldwide Wanderers on pentagon plinth base, a 'Wishes Come True' final issue 2008 figure on base, an exclusive edition 2002/2003 'Summer Adventure' figure on base, together with an assortment of single character figurines. All marked to base. Largest measuring approx. 20cm x 16cm x 15cm.
A 19th century French gilt bronze of model of a recumbent greyhound on a rouge marble plinth, 19cm wide***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A LATE 19TH CENTURY FRENCH ALABASTER MANTEL CLOCK UNDER A GLASS DOME, the rectangular clock with gilt spelter lion surmount, the case with four painted roundels, enamel chapter ring with Arabic numerals, Brocot escapement with open movement, gilt columns flanking the case, on turned feet, with pendulum and key, height 34cm, gilt wood plinth, the glass dome on an ebonised plinth, height 47cm (1 + pendulum and key) (Condition Report: chipping to the alabaster case on rounded corners, movement quite tightly wound but runs, gilding on lion worn)
Gipsy Moth IV - Lot to include a limited edition, highly detailed model of Gipsy Moth IV, 406 of 500, the models built as part of the 40th anniversary of Sir Francis Chichester's voyage. Each model is mounted to a mahogany plinth made from a section of the keel of Gipsy Moth IV replaced during the restoration work and the model measures 36 cm x 31 cm including plinth. Also included in the lot is a print after Montague Dawson entitled Horn Abeam, commissioned by Frost & Reed to commemorate the journey, framed chart of the voyage made by Sir Francis Chichester, related publications and press clippings. [4]. [W]
Deutsches Reich 1933 - 1945 - Kunst : Porträtbüste Adolf HitlerSchwarz patinierter Eisenguß. Plinthe abgebrochen. Mit neuzeitlichem Granitsockel. Obgleich unsigniert dürfte es sich bei dieser Skulptur um ein Werk des bekannten Bildhauers Ernst Seeger handeln. Der Kopf in mehrfacher Lebensgröße und in der Ausführung aus Eisen ungewöhnlich und selten. Hervorragend für eine nach wissenschaftlichen Grundsätzen aufgebaute museale Ausstellung zum Thema "Führerkult im 3. Reich" geeignet. Höhe: 50 cm.The Third German Reich 1933 - 1945 - Art in The Third Reich 1933 - 1945 : Portrait Bust of Adolf HitlerBlack patinated cast iron. Plinth broken off. With modern granite base.Although unsigned, this sculpture is probably the work of the well-known sculptor Ernst Seeger.The head in multiple life size and in iron execution unusual and rare.Excellently suited for a museum exhibition on the subject of the "Führer cult in the 3rd Reich".Height: 50 cm.
Deutsches Reich 1933 - 1945 - Kunst : Max Bezner: Porträtbüste Hermann GöringGoldpatinierte Bronze. Am hinteren Halsabschnitt Künstlersignatur: "Max Bezner 1937". Auf der Plinthe bezeichnet: "GUSS G: HEINZE BERLIN". Lebhafte Darstellung Görings in Überlebensgröße in Luftwaffen Generalsuniform mit dem Orden Pour le Mérite. Unterhalb des Kinns Bajonetteinstich. Altersgemäße Beschädigungen und Gebrauchspuren. Höhe: 52 cm. Max Bezner (* 1872 in Stuttgart; ? 1939 in Berlin) war ein deutscher Bildhauer und Landschaftsmaler. Bezner, 1894 noch Zeichenlehrer in Stuttgart, studierte Bildhauerei bei Alfred Boucher in dessen Künstlerkolonie La Ruche in Paris. Er lebte danach in Berlin und war dort als Bildhauer tätig, nebenbei malte er auch Landschaften. Zu Ausführungen in Bronze, Stein, Terrakotta und Porzellan schuf er Statuen, Büsten, Statuetten, Porträtreliefs und Medaillen, insbesondere für den Berliner Hof und den deutschen Hochadel. Porträtiert wurden von ihm unter anderem Kaiser Wilhelm II., Otto von Bismarck, Paul von Hindenburg (aufgestellt unter anderem im Tannenberg-Denkmal), Erich Ludendorff, Karl Helfferich, Ulrich von Wilamowitz-Moellendorff und Gustav Roethe. Außerdem schuf er Entwürfe für die Majolika-Werkstatt in Cadinen. 1928 lieferte er auf Haus Doorn dem exilieriten Kaiser eine Marmorreplik seiner Porträtbüste ab.Im selben Jahr wurde er zum Ritter des Königlichen Hausordens von Hohenzollern ernannt. In der Zeit des Nationalsozialismus fertigte er Porträtköpfe von Adolf Hitler und Hermann Göring. The Third German Reich 1933 - 1945 - Art in The Third Reich 1933 - 1945 : Max Bezner: Portrait Bust of Hermann Göring Gold-patinated bronze. Artist's signature on the back of the neck: "Max Bezner 1937".Inscribed on the plinth: "GUSS G: HEINZE BERLIN".Realistic depiction of Göring (larger than life size) in Luftwaffe general's uniform with the Order Pour le Mérite. Bayonet damage below the chin. Damages and traces of use according to age.Height: 52 cm.Max Bezner (* 1872 in Stuttgart; ? 1939 in Berlin) was a German sculptor and landscape painter.Bezner, in 1894 still a drawing teacher in Stuttgart, studied sculpture with Alfred Boucher in his artists' colony La Ruche in Paris. Afterwards he lived in Berlin where he worked as a sculptor and also painted landscapes. Among others, he portrayed Kaiser Wilhelm II, Otto von Bismarck, Paul von Hindenburg (erected in the Tannenberg Monument, among others), Erich Ludendorff, Karl Helfferich, Ulrich von Wilamowitz-Moellendorff and Gustav Roethe. He also created designs for the majolica workshop in Cadinen. In 1928 he delivered a marble replica of his portrait bust to the exiled emperor at Haus Doorn.In the same year he was made a knight of the Royal House Order of Hohenzollern. During the National Socialist era, he made portrait heads of Adolf Hitler and Hermann Göring.
Deutsches Reich 1933 - 1945 - Kunst : Arno Breker: Porträtkopf Adolf HitlerDer Kopf in doppelter Lebensgröße. Bronz. Ohne Sockel. Auf dem rückseitigen Halsabschnitt Künstlersignatur: "A. Breker 1935". Höhe: ca. 42 cm. Ungereinigter Zustand mit Korrosionsspuren. Plinthe teilweise abgebrochen. Bedeutende Porträtbüste des bekannten Bildhauers Arno Breker. Exemplare dieser Büste wurden unter anderem in der NeuenReichskanzlei Berlin sowie in München und dem Luftgau Kommando 4 in Dresden ausgestellt. Neben dieser Porträtbüste schuf Breker im Jahr 1939 auch ein Reliefbildnis Adolf Hitlers, das in unterschiedlichen Größen in Eisenguß ausgeformt wurde. Eines der wenigen Originalexemplare des wohl bedeutendsten Führerbildnisses aus der Zeit des 3. Reiches. Eindrucksvolle Skulptur dieses zusammen mit Thorak bedeutendsten Bildhauers des 3. Reiches. Hervorragend für eine nach wissenschaftlichen Grundsätzen aufgebaute museale Ausstellung zum Thema "Führerkult im 3. Reich" geeignet. The Third German Reich 1933 - 1945 - Art in The Third Reich 1933 - 1945 : Arno Breker: Porträtkopf Adolf HitlerThe head in double life size. Bronze. Without base. Artist's signature on the back of the neck: "A. Breker 1935".Height: ca. 42 cm.Uncleaned condition with traces of corrosion. Plinth partly broken off.Important portrait bust of the well-known sculptor Arno Breker. Examples of this bust were exhibited in the Neue Reichskanzlei Berlin as well as in Munich and the Luftgau Kommando 4 in Dresden.In addition to this portrait bust, Breker also created a relief portrait of Adolf Hitler in 1939, which was cast in iron in various sizes.One of the few original copies of what is probably the most important portrait of the Führer from the period of the Third Reich.Impressive sculpture by this famous, together with Thorak, most important sculptor of the 3rd Reich. Excellently suited for a museum exhibition on the subject of the "Führer cult in the 3rd Reich".
Charles Fletcher of Barnsley - Oak and Mahogany 8-day longcase clock, c 1830, with a swans neck pediment, silk backed open fret work beneath and a break arch hood door, flanked by reeded pilasters with wooden capitals, trunk with reeded quarter columns and a break arch topped door, plinth with inlaid banding on a shaped base, painted dial with Arabic numerals, seconds and date dials, stamped brass hands and painted depictions of the four seasons to the spandrels, dial pinned via a false plate to a rack striking movement with a recoil anchor escapement, striking the hours on a cast bell. With weights and pendulum.Dimensions: Height: 212cm Length/Width: 49cm Depth/Diameter: 25cm
G Fortier of Sittingborn - Early 19th century 8-day mahogany longcase clock c1825, with a break arch pediment and hood door flanked by reeded pilasters with brass capitals, plain case with a long trunk door with a conforming break arch top, plinth with applied skirting, painted dial with upright Arabic numerals, date and seconds dials, floral spandrels and a rural depiction of a country house and river to the arch, replacement steel hands with brass pointers to the calendar and seconds dials, dial pinned directly to a rack striking movement. With weights, pendulum and winding key.Dimensions: Height: 206cm Length/Width: 46cm Depth/Diameter: 23cm
Unsigned - mid-19th century 30 hour oak and mahogany longcase clock, with a swans neck pediment and ball and eagle finial, square hood door flanked by turned pilasters, trunk with recessed pillars and a short trunk door, square plinth with a raised panel on bracket feet, painted dial with Roman numerals, minute track, brass hands and painted spandrels, with a count wheel chain driven striking movement striking the hours on a bell. With pendulum and weight. Dimensions: Height: 210cm Length/Width: 49cm Depth/Diameter: 24cm
20th century Art Deco- oak cased 8-day longcase clock c1930, flat topped case with a fully glazed door on a stepped plinth, silvered circular dial with Arabic numerals and pierced steel hands, chain driven twin train movement with 4 gong rods. With pendulum and two brass cased weights.Dimensions: Height: 217cm Length/Width: 47cm Depth/Diameter: 26cm
1950's - 8-day oak cased grandmother clock, flat top with chamfered corners, long trunk with applied beadwork decoration, rectangular plinth raised on bracket feet, circular silvered dial with Arabic numerals and spade hands, three train Westminster chiming movement chiming the quarters and hours on 8 gong rods. With pendulum. Dimensions: Height: 153cm Length/Width: 24cm Depth/Diameter: 17cm
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