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AN 18TH CENTURY CHINESE BROWN SOAPSTONE FIGURAL GROUP depicting five Buddhist lions on rocks, resting with there front paw resting upon an orb, standing upon a shallow flat carved plinth. Signed. Shallow chip to the front of figure, other minor nicks. 6ins x 5.5ins. Provenance: Purchased Spinks & Son, 21st July 1948.
A PRESENTATION SILVER FIGURE modelled as a seated child reading, maker`s mark T.F. London 1996, mounted on a hardwood plinth with plaque inscribed "Enid Blyton 1897-1997 for Outstanding Contribution to Children", 10 1/4" high, 60ozs gross, together with an album of tributes presented to her daughter Gillian Baverstock by the Enid Blyton Book and Ephemera Collectors Society at the Centenary Party 1997 (2)
A PINE LONGCASE CLOCK by Baker, Hull, the thirty hour single hand movement with anchor escapement and outside count wheel striking on a bell, 10" square brass dial with Roman numerals, the centre chased with foliage and with calendar dial over signature roundel, in scumble work case, the moulded cornice on attached columns, arched door, panel base on plinth, 79 1/4" high
A GRANDMOTHER CLOCK, circa 1930, the eight day movement with anchor escapement striking on a gong, the 5" silvered dial with Arabic numerals, the lacquered and gilded chinoiserie case with flowers, figures and garden scene on a blue ground, arched hood, panelled trunk and base, on plinth, 53 1/2" high
AN OAK LONGCASE CLOCK by Gabriel Smith, Chester, the eight day movement with anchor escapement striking a bell, 13" arched brass dial, the centre chased with name cartouche, secondary dial and calendar aperture, silvered chapter ring with Roman and Arabic numerals, the arch with silvered boss chased with an eagle, the case with arched split pediment centred by a brass turned finial and raised on fluted columns, banded door with moulded edge, on panel base and plinth, 87 1/2" high
A MAHOGANY PARTNERS DESK, the banded top with green leather lining, cushion moulded frieze with two drawers at either side, over kneehole flanked by a panelled cupboard door with pilasters having lotus carved capitals, and enclosing four drawers with brass drop handles, on moulded plinth, 48 1/4" x 44 1/4" x 31 3/4"
A VICTORIAN WALNUT AND MARQUETRY CHIFFONIER of D form with white marble top, arched mirrored back with carved and pierced scrolling foliate crest and side brackets, two central glazed doors flanked by protruding brackets and flanked in turn by panelled doors, on plinth, 61 1/4" x 18 1/2" x 76" high
A late Victorian mahogany Pedestal Desk by James Shoolbred & Co of serpentine outline and with satinwood cross banding, the raised back surmounted by a pierced brass gallery above a centre stationery compartment with hinged lid flanked by four small bow fronted drawers, tooled leather writing surface above a centre frieze drawer with four further graduated drawers to each pedestal with brass handles and on a plinth base. 4` (122cms) wide.
An early 20th Century formerly electroplated and enamelled Boudoir Alarm Timepiece, retailed by Brook & Sons of Edinburgh, the plinth-shaped case formerly silvered and with green and dark blue enamelled detail, and raised on four bladed button feet, to an 1 ¼” Roman enamel dial with outside minute track and blued steel hands, with gilt alarm hand, to a spring driven movement, and contained within its original box of issue, timepiece 2 ¼”
An early 20th Century Oak, Walnut and Boxwood line inlaid Bracket Clock, the domed case with overhanging side cornices and applied brass handles, over further pierced brass sound frets, centring an arched glazed door with bevelled glass to a plinth base, and raised on compressed bun feet, to a 6” arched brass dial with engraved detail, and applied and silvered Arabic chapter ring with outside minute track and blued steel fleur-de-lys hands, to a square brass movement signed Junghans with anchor escapement and strike on five rods, height 17”
An early 20th Century Mahogany cased 8 Day Bracket Clock, the arched case with overhanging cornice and centred with a cast brass carry handle, over quarter columns to a plinth base, and raised on compressed bun feet, to a plain arched brass door set with bevelled glass, to a 6 ½” arched and silvered dial with subsidiaries for regulation and chime/silent, over an engraved Roman chapter ring with outside minute track and blued steel spade hands, to a brass movement with rectangular plates and anchor escapement, strike on five rods, height 15”
An early 20th Century Walnut cased Mantel Clock, HAC, No 3233, the architectural case with Palladian pediment over flat fronted Corinthian columns, to a moulded plinth base, and with a 6 ½” square brass dial, with applied foliate spandrels enclosing a silvered Roman chapter ring, with outside minute track, matted centre and blued steel hands, to a rectangular brass spring-driven movement with anchor escapement and strike on a coiled gong, height 15 ½”
An early 20th Century Oak cased Mantel Clock, Winterhalder & Hoffmeier, and retailed by J W Benson, Ludgate Hill, London, the architectural case with Palladian pediment to a brickwork frieze over flat fronted Corinthian columns, with further brickwork frieze and moulded plinth base, to a square lacquered brass door with bevelled glass enclosing a 6 ½” square brass dial with applied cherubs, masks, spandrels, and silvered Roman and Arabic chapter ring with half-hour markers and matted centre with black painted hands, to a square brass movement with anchor escapement and strike on two blued steel coiled gongs, height 16”
An early 20th Century Mahogany cased Bracket Clock, the arched case surmounted by a cast carry handle, to a further glazed arched door and side panels, to a plinth base, with a 7” arched brass dial signed to a silvered boss “Tempus Fugit”, with further cast spandrels and silvered Roman and Arabic chapter ring, with outside minute track and matted centre with black painted hands, to a single fusee movement with plates united by four plain pillars and anchor escapement, height 16”
An early 20th Century Mahogany and Boxwood line inlaid Mantel Clock, the lancet-shaped case with central inlaid rosette within strung borders, to a plinth base and raised on lacquered brass ball feet, with cast brass bezel and convex bevelled glass enclosing a 4” Arabic enamel dial with outside minute track and quarters and blued steel spade hands, to a circular brass movement with anchor escapement and strike on a blued steel coiled gong, height 11”
An early 20th Century Oak cased Mantel Clock, the architectural case with arched pediment and overhanging cornice to a single glazed door with bevelled glass, and raised on a moulded plinth base with compressed bun feet, to a 5 ½” square brass dial with applied spandrels and silvered Roman chapter ring with outside minute track, matted centre and blued steel hands, to a rectangular brass spring driven movement signed Junghans, with anchor escapement and strike on a blued steel coiled gong, height 13”
A Mahogany and Boxwood Strung Mantel Clock, the arched case with hinged carry handle and inlaid panels to a shaped plinth base, and raised on splayed bracket feet, to a concave cast brass bezel with convex glass enclosing a 4” Roman enamel dial with outside minute track and blued steel spade hands, to a late fitted French carriage clock movement, with platform escapement and strike on a backmounted bell, and numbered 1904, height 10 ½”
A late 19th Century American Walnut cased 8 Day Wall Clock, the rectangular case with a plain pediment and columns flanking glazed and panelled door, with reverse printed detail of a paddle steamer, and raised on a plinth base to a painted square Roman dial, with outside minute track and visible movement to the centre with black painted hands, and with an 8 day weight driven movement with anchor escapement, strike on a coiled gong, height 31 ½”
An early 20th Century Oak cased Timekeepers Clock, National Time Recorders Co, the plinth-shaped case with overhanging cornice and single glazed door with bevelled glass, to an oak mask with carved spandrels enclosing a signed 9” painted Roman dial with outside minute track and black painted hands, to an 8 day spring driven movement with anchor escapement (ticket mechanism removed), height 31”
An early 20th Century French Lacquered Brass Champleve enamel and green onyx four glass mantel Clock, L Marti, the plinth-shaped case with floral and foliate decorated panel of red, pink and dark blue on a light blue field, to a moulded cornice and replicated decoration to the frieze and columns, on a polished rectangular green onyx base, and set with four bevelled glasses, to a further enamelled chapter ring enclosing a 2 ¾” gilt chapter ring with painted Arabic numerals and outside minute track to a pale pink, yellow and blue enamelled central boss with blued steel hands, to a circular brass movement with anchor escapement and strike on a blued steel coiled gong, with similarly decorated pendulum bob, height 9”
An early 20th Century Lacquered Brass and Champleve enamelled Mantel Clock, the case with an arched pediment with cast detail and applied foliate coloured enamelled panel, to an overhanging cornice over ¾ columns, to a moulded plinth base and set with a cast an beaded bezel with bevelled glass enclosing a gilt 3 ½” dial with black painted Arabic lozenges and further enamelled central detail, with blued steel fleur-de-lys hands, to a circular brass movement with anchor escapement and strike on a blued steel coiled gong, height 10 ½”
An early 20th Century green onyx and Champleve enamelled four glass Mantel Clock, the plinth-shaped case with overhanging cornice to coloured enamel frieze bands, enclosing four bevelled glasses within lacquered brass frames on a rectangular plinth base, to a cast brass bezel enclosing a 3 ½” Arabic enamel dial, with outside minute track and decorated with floral and foliate swags, and with gilt fleur-de-lys hands, to a circular brass movement with anchor escapement and strike on a blued steel coiled gong, and fitted with a twin mercury pot pendulum, height 11”
A late 19th Century black and green variegated marble Mantel Clock, the breakfront plinth-shaped case with scrolling side pieces and overhanging cornice to an inlaid base, to a cast brass bezel set with bevelled glass enclosing a 3 ½” Roman chapter ring with outside minute track and centred with a visible Brocot escapement and blued steel moon hands, signed for Camerer, Cuss & Co, to a circular brass movement with strike on a bell, height 9”
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172950 item(s)/page