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Lot 544
A collection of silver items and some silver flatware, comprising: an embossed silver pin tray, London 1896; a silver small trophy cup on a wooden plinth; a silver mustard pot, with glass liner, Birmingham 1900; a silver double stamp case in the form of an envelope; two silver salts; a hip flask cup base; a folding silver fruit knife; a pair of George II bottom marked tablespoons, London 1758; a George IV silver butter knife; a pair of sugar tongs by Peter, Ann & William Bateman; a set of six Victorian silver Scottish Queen's pattern single struck tea spoons; a small silver sifting spoon; a silver mustard spoon; a plated vesta case and a plated mustard pot in the form of a tankard; with a metal hunting horn, 482g (15.5 ozs) weighable silver
Lot 547
A collection of silver items, comprising: a small rose bowl, on an ebonised plinth; an Edwardian ring tree; a mustard pot with a salt, with glass liners; a mustard pot; three dressing table bottles; a glass pin box with silver cover; a hand mirror and a perfume bottle, 364g (11.75 oz) of weighable silver
Lot 140
An impressive George IV silver dessert bowl, Philip Rundell for Rundell, Bridge and Rundell, London 1821-22. the large well-modelled clam shell supported by three hippocamps in a wild sea setting and supported by three groups of clam shells and turtles, engraved with the crest and monogram of Harriet Duchess of St. Albans, 27cm high, 40cm wide, 39cm deep, weight 298oz/rNote: A similar set of four silver-gilt dessert bowls with covers were made for the Royal Collection by John Bridge 1826-27. Literature: Jones, Windsor, p.160, pl. LXXXI; Bury, ‘Rundell’s’, I, p.152 (one of a set), Exhibited: Royal Goldsmiths: The Art of Rundell & Bridge 1797-1843, Christopher Hartrop, exhibition by Messrs Koopman Rare Art Ltd. 2005. Heraldry: The monogram AGBC is for Angela Georgina Burdett -Coutts, granddaughter of the banker Thomas Coutts and heiress to Harriet, Duchess of St Albans. Literature: J. B. Hawkins, The Al-Tajir Collection of Silver and Gold, London 1983, vol.1, p.164-65. Note: Similar set of eight exhibited Christie’s,’ The Glory of the Goldsmith: Magnificent Gold and Silver from the Al-Tajir Collection’, London, 1989, no.151. The design for these salt cellars is attributed to the painted and sculptor William Theed (1764- 1817), on the basis of its close similarity to the artist’s bronze ‘Thetis returning form Vulcan with Arms for Achilles,’ in the Royal Collection and exhibited in the Royal Academy of Arts Bicentenary Exhibition, fig. 171, p.50. Theed supplied designs and worked as the chief modeller for Rundell, Bridge & Rundell, and a design drawing for these salt cellars from an album belonging to Rundell’s is now in the Victoria and Albert Museum (see A. Phillips and J. Sloane, Antiquity Revisited: English and French silver-gilt from the Collection of Audrey Love, 1997, pp.48-49), There are at least three variations of this model, each with a differing base: A set of twenty four with oval bases by Paul Storr of 1810 is in the Royal George IVs Palace, 1991, cat. No.95, p.133; a set of four salt cellars with oval base, by William Pitts of 1813, is illustrated in Antiquity Revisited, cat. No.6, p.47;, A set of four, each on rectangular plinth with chased vitruvian scroll border, by Paul Storr from 1812, sold from the collection of Charles and Fay Plohn, Sotheby’s, New York, July 16, 1970, lot. 138. A set of four salt cellars, each with a base similar to the present lot, was produced by John Samuel Hunt in 1855 and sold at Christie’s, London, March 17, 1999, lot.50. As a successor to Paul Storr, Hunt evidently retained and continued to use the moulds.
Lot 152
THE HUNTLY TESTIMONIAL, A Regency silver ten-light candelabrum centrepiece, Paul Storr for Rundell, Bridge & Rundell, London, 1814-15. the triform base on four massive lion’s leg supports linked by openwork foliage, inscribed in English and Gaelic below a band of palm and acanthus, applied with three couchant deerhounds on whose backs rests an upper plinth applied on each side with arms and coronets, mounted with three standing kilted Highlanders surrounding a palm-trunk stem rising to a canopy of openwork leaves from which spread three tiers of foliate scroll reeded branches, detachable nozzles, fully marked, and stamped with London signature of Rundell, Bridge and Rundell, 101cm high, 56.5cm wide, 847oz all in, Heraldry: The coronet of a Marquess above a shield quartered 1. GORDON, 2. BADENOCH, 3. SETON, 4. FRASER for George, Marquess of Huntly. Provenance: Sotheby’s, New York, 14th April 1999 lot 216. Note: General George Gordon, GCB (1820), Col. Royal Scots Fusiliers and Governor of the Castle of Edinburgh, eldest son of the 4th Duke of Gordon was summoned to Parliament as Lord Gordon of Huntly with the courtesy title of Marquess of Huntly. Born in 1770 and married in 1813 to Elizabeth Brodie, Lord Huntly succeeded as 5th Duke of Gordon in 1827 but died without issue in 1836 when the dukedom became extinct and the Marquessate devolved upon a kinsman. There is a strong similarity to the design by Flaxman for the candelabrum presented to The Marquess of Salisbury. The classical figures replacing the Highlanders, the stags replacing the deerhounds which are part of the crest, The coronet of a Marquess above a shield quartered 1. GORDON, 2. BADENOCH, 3. SETON, 4. FRASER for George, Marquess of Huntly. . Provenance: ;, Sotheby's New York 14th April 1999,, General George Gordon, GCB (1820), Col. Royal Scots Fusiliers and Governor of the Castle of Edinburgh, eldest son of the 4th Duke of Gordon was summoned to Parliament as Lord Gordon of Huntly with the courtesy title of Marquess of Huntly. Born in 1770 and married in 1813 to Elizabeth Brodie, Lord Huntly succeeded as 5th Duke of Gordon in 1827 but died without issue in 1836 when the dukedom became extinct and the Marquessate devolved upon a kinsman.
Lot 261
Reproduction mahogany breakfront bookcase, the upper section of 3 compartments enclosed by 4 astragal glazed doors over centre drawer and cupboard enclosed by 2 doors flanked with side by 6 graduating cockbeaded drawers with wide satinwood crossbanding and kingwood inlay, raised on plinth base 74", height 90".
Lot 341
A late 19th Century walnut box with fitted interior, the hinged cover inset a brass panel with Tonbridge type surround, engraved, Gloves and Handerkerchiefs, 26cm (10.25") wide and a Chinese carved hardwood, jardiniere stand inlaid butterflies, animals and foliage, with pierced plinth, 24cm (9.5") wide
Lot 378
A repeating carriage clock, circa 1870, the gilt brass four glass case with swan neck swing handle, having Corinthian columns to the sides and with frieze and plinth applied garlands of flowers and foliage, the circular convex enamel dial with Arabic numerals, garlands of flowers set pierced gilded hands within a rectangular surround of pierced acanthus scrolls, the eight-day repeat movement striking on a gong, marked S J RETYPOLLFR, 22cm (8.75") high
Lot 581
A VICTORIAN WALNUT MIRROR-BACK CREDENZA, the shaped mirror back with carved foliate cresting and scrolling frame over the shaped marble top with central mirrored door below, (bearing the trade label for Joseph James of Penrith), flanked by carved fruit decorated pendants and arched mirrored doors, raised on a shaped plinth base. 44cm x 153cm x 189cm
Lot 598
A VICTORIAN OAK BUREAU BOOKCASE having a moulded cornice and plain frieze above two glazed doors flanked by carved pendants, the lower stage having a moulded rectangular top above the cylinder action lifting to reveal the fitted interior and sliding adjustable writing surface, all above two panelled cupboard doors flanked by carved pendants, raised on a plinth base. 58cm x 118cm x 232cm
Lot 471
A GEORGE II BRASS DIALLED-30 HOUR-OAK LONGCASE CLOCK by Joshua Horrocks of Lancaster (1748- 1764), the flat-topped hood having a moulded cornice and plain frieze, over a square glazed door flanked by well turned tapering columns, the arched and cross-banded trunk door between canted corners, over a plain base with moulded plinth. The brass dial having Roman hours and Arabic minutes framing the engraved maker's name and crescent form date aperture, all framed by applied ornate spandrels. 30cm x 57cm x 202cm
Lot 473
AN EARLY 18TH CENTURY THIRTY HOUR OAK LONG CASE CLOCK possibly George I, by Dollif Rollinson of Halton near Leeds, having a flat topped hood with stepped moulded cornice above the square glazed hood door with integral tapering columns. The long trunk door over a stepped moulded base and plinth, the silvered dial having Roman hours, Arabic minutes and inscribed maker's name, framing a subsidiary 'strike silent' dial, crescent form date aperture and engraved foliate motifs, all framed by applied ormalu spandrels. 204cm
Lot 503
AN EDWARDIAN MAHOGANY MIRROR-BACKED SIDEBOARD, the raised back having a carved stylised tree- panel frieze with central rectangular mirror plate, flanked by twin arched mirrors, shelves and further mirrors, over the moulded rectangular top, the three frieze drawers with shaped brass handles and back plates over three plain panelled doors which enclose shelving and single cellerette drawer, raised on a plinth base. 58cm x 149cm x 169cm
Lot 531
A LARGE 19TH CENTURY BREAK-FRONT BOOKCASE, having a moulded cornice above the central break- front sections with brass glazed doors, flanked by turned columns and conforming brass glazed doors. The lower stage having a rectangular break-front top, over the central panelled cupboard doors opening to reveal three fitted drawers, flanked by further panelled doors, raised on a plinth base. 61cm x 107cm x 246cm
Lot 536
AN ARTS AND CRAFTS LIGHT OAK BOOKCASE OVER CUPBOARD, the moulded break-front cornice over a plain frieze and long central glazed door, enclosing shelving flanked by narrow lead glazed doors The lower stage having a moulded rectangular top above two large cupboard doors with geometric panels, raised on a substantial plinth base (this bookcase is a former fixture of Penrith Town Hall). 51cm x 166cm x 237cm
Lot 45
A Hornby `O' gauge Schools class 04/04/2000 `Eton'. A 20 volt electric example, RN 900 In Southern Railway lined olive green livery. In sound general condition, but in need of some restoration. The leading wheels of the bogie are solid cast and require replacement. Together with a section of ballasted track secured to a simple wooden plinth.
Lot 47
A fine gauge 1 live steam locomotive. A beautifully constructed ex-LSWR Drummond D15 04/04/2000 tender locomotive, RN E470, constructed by the late Jim Dunford. In Southern Railway lined olive green livery, complete with copper safety valves, whistle and steam pipes etc. Fitted with sprung buffers, vacuum pipes and screw couplings. A red oval plate to each cab side sheet with the inscription `Southern Railway E470'. The 8-wheel bogie water-cart tender is fitted with detailed tool boxes, water tank cover, brake wheel and reproduction coal. Mounted on a simple wooden plinth; a wooden carrying case is also supplied. VGC. Believed to be in operating condition but not tested. Sold as collector's item only. Plate. Inside front cover
Lot 213
2 large scale Wooden Model Ships. A Royal Navy Destroyer with 3 twin gun positions and a pom-pom, torpedo tubes, searchlight and radar scanner, 2 life boats and life rafts, anchors and chains, finished in battle ship grey. Approx 4' long, beam 5" height 19" to top of mast. mounted on a wooden plinth. Together with a cargo vessel Santa Lucia registered in London. Partially detailed with 5 cargo hatches, 3 forward and 2 aft, derricks, winches, anchors, plus 4 life boat positions 1 missing. Hull painted green and grey, white superstructure, single red funnel on which is a white Maltese cross company marking. Approx 3' in length, 6" beam, 9" to top of mast. Both basically GC. Minor restoration required.
Lot 243
12 Mainly Corgi Pickfords and Eddie Stobart vehicles. Including Diamond T Ballast x 2 with trailer/load set -55201 Pickfords, Scammell Highwayman Low Loader with load/plinth set Pickfords (16703), ERF EC Curtainside Stobart (75201), ERF and Volvo curtainsides Stobart; together with Days Gone 4-piece Pickfords set (PI 1004). Boxed, minor/some wear, contents as new.
Lot 262
Corgi Prototypes. A 1/18th. Scale resin hand made mock up MGF sports car finished in metallic dark grey with red seats, mounted on a wooden plinth with mock-up MG badge. Plus 3 metal hand decorated samples: Ford Transit van in an unused livery Scottish Pride, a Morris J van Beefy OXO and a Routemaster double decker bus in Stagecoach livery. GC-VGC some damage/repair to MG. Plate. 4
Lot 525
N Gauge models, approx 100 all different, each one mounted on a small plinth for display. Believed to have been issued on a regular basis to subscription collectors and also believed to be the complete collection. Together with a collection of die-cast Fire Engines plus a couple of framed collector cards of the same.
Lot 344
LARGE PATINATED BRONZE MODEL OF THE LEGENDARY NATIONAL HUNT HORSE, "GOLDEN MILLER", signed with a monogram and dated 1935, rich brown patina, on a rectangular marble plinth. Bronze 53cm by 70cm. Note: Golden Miller is considered one of the greatest National Hunt horses of all time. In 1934 he became the first horse ever to win the Cheltenham Gold Cup and the Grand National in the same season. This feat has never been achieved since. He won the Cheltenham Gold Cup in five consecutive years (1932-36).
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173487 item(s)/page