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An early 19th century oak and mahogany banded longcase clock by Carruthers of Langholm, with two-train striking movement, subsidiary date and second dials, the case raised on bracket feet (see illustration). CONDITION REPORT: The clock movement is extremely dirty and dusty. It is however ticking for approximately 1 minute before stopping and the strike mechanism does operate when advanced to the hour. The movement seems to be complete but definitely requires a clean if it is to run correctly. The case is in generally very good condition with no significant faults. Neither door is warped and the feet and plinth are original. The colour of the case is generally good. There will have been some form of pediment between the swan's necks which is missing.
A late Victorian oak plan chest, with pair of panelled doors and raised on a plinth base. Width 108 cm. CONDITION REPORT: The plan chest top is in generally good condition. There is a slightly open join between the first and second planks on the top but there is no movement. The moulded edge is in good condition. The left hand side is in good order with only a slightly open join to the timber in the middle of the centre panel. The same comments apply to the right hand side. The cupboard doors are in generally good condition with no losses. There are vertical stress fractures across two of the panels on the left hand door. The interior drawer fronts are mahogany. The top drawer has drilled repairs to the top left and right hand side joining the drawer to the bearers. The repair is crude simply screws through the timber. This could be improved upon dramatically. All remaining drawers are in generally good order. The runner between drawers 3 and 4 has a small beading loss. There are other small surface scratches and marks to the drawer fronts but no significant issues. The piece is structurally sound and there is no evidence of woodworm. The plan chest has never been highly polished and has a good original patination that would benefit from a clean and wax.
Victorian - Chain Drive Nice Quality Skeleton Clock with Fusee Movement and Original Chain Drive, Raised on Solid Brass Feet with a Stepped Wooden Plinth / Base. Complete with Glass Dome. Height With Dome 18 Inches High. Excellent Condition In All Aspects. Works Very Well. This Is a Nice Example of a Victorian Skeleton Clock.
An early 19th century mahogany longcase clock by Edward Renouf & Co. of Jersey, the arched painted dial with fan spandrels and fruit and flowers, the Roman chapter ring with Arabic outer minute track, subsidiary seconds dial at 12 and date dial at 6, engraved and gilded hands, eight day bell strike movement, the hood flanked by turned columns and surmounted by turned finials, over an arched trunk door, deep base and shallow plinth, 81¾in. (207.5cm.) high.
A late 19th century French gilt metal figural mantel clock, modelled as a dandy musician seated upon rockwork, his sword at his side, around a silvered Roman dial signed 'Gaillard Dezaire a Vendome', on a sarcophagus shaped plinth with stylised foliate decoration, on foliate feet, the eight day movement signed 'B.P.&F.', no. 6083, with outside countwheel strike, striking on the hour and half-hour, 17in. (43cm.) high., * Condition: Striking correctly and winds, but lacks pendulum. No losses or damage to metal work. Some minor age spotting to gilt in places. Good condition overall.
A late 17th / early 18th century Continental carved oak chest, the plain, two plank top on long iron strap hinges, the interior with candle box, over linen fold carved panelled sides and a deeply panelled front with large, decorative iron lock-plate and iron corner strap mounts, the two outer panels with classical male and female heads in high relief within lozenge and foliate carving, the smaller centre panel with green man, over a deep frieze plinth with foliate bas relief carving and outset scroll 'feet', 35¼ x 19¾in. (89.5 x 50.25cm.), 19in. (48.25cm.) high.
A George III mahogany rounded breakfront sideboard, the plain top with ebony stringing to the front, over two central drawers flanked by shaped cupboards, the curved doors with ebony stringing, enclosing four drawers on the left and a drawer over a single shelf to the right, all with turned horn handles, raised on a plinth with one concealed drawer beneath each cupboard, 69 x 28¼in. (175.5 x 72cm.), 37½in. (95.25cm.) high.
Jean Baptiste (August Clesinger, French 1814-1883), a lot of significant historical art interest - an original terracotta maquette for one of Clesinger's finest works, 'La Jeunesse de Bacchus', depicting the young Bacchus swathed in lion pelt and fruit laden vines riding upon the back a panther, on integral rectangular base bearing signature 'J. Clesinger', seated on a slate plinth, c.1869, 21in. (53.5cm.) long, 17in. (43.25cm.) high. * A plaster version of this figure was offered in by Oger & Dumont & Delorme, Paris, on 16th October 2006, estimate 10,000-12,000 Euros. An example of the full size bronze, seated on a Brescia marble pedestal, was offered at Sotheby's New York, 'Property from the Estate of Rochelle Sepenuk' auction, 21st October 2008, lot 26, hammer price $18,750.
A late Victorian mahogany library bookcase, the flared, ogee and dentil carved cornice over three glazed doors enclosing nine adjustable shelves, over a base with three drawers over three panelled cupboards, each with single shelf, all divided by fluted pilasters, on plinth base, 75¼ x 17in. (191 x 43cm.), 90½in. (230cm.) high.
An Edwardian mahogany wardrobe by Maples of London, with central mirrored door and two side doors with satinwood cross-banded panels, the centre and right hand doors enclosing hanging space with brass rail and hooks, the other side with four mahogany fronted shelves, all below a cross-banded and moulded cornice, on a plain plinth base, 77 x 23in. (196 x 58.5cm.), 83in. (211cm.) high.
A Victorian mahogany chiffonier, with raised semi-circular back with moulded and carved surround, the plain top over two shaped frieze drawers above two single panel doors enclosing a single shelf over a deep drawer on the right, standing on a plain plinth, 47¾ x 17¾in. (121.75 x 45cm.), 56in. (412.25cm.) high.
An Edwardian mahogany safe cabinet by the Milner Safe Co., the caddy moulded top over two single panel doors, opening to reveal a Milners cast iron safe with combination lock, over three drawers below with octagonal embossed brass handles, within panelled sides, raised on a plinth base, 22 x 23¼in. (55.75 x 59cm.), 51in. (129.5cm.) high.
A large and impressive stump carved wooden bust of the Madonna, probably 13th / 14th century, French or Spanish, the hooded face inclined slightly to the left, with finely carved features and elongated nose, lime washed finish, 22¼in. (56.5cm.) high, evidence of charring to the back, standing upon a shallow plain oak plinth with velvet border.
A George III mahogany breakfront secretaire bookcase, the three 13 pane astragal doors of the top section below an ogee moulded cornice and enclosing three adjustable shelves, over three deep drawers, the central drawer with fitted secretaire interior comprising a central cupboard flanked by four pigeon holes and fourteen drawers of varying size, the drop front with green tooled leather writing surface, above four cross banded flame veneered doors, on a shallow plinth base, 73 x 19¼in. (185.5 x 49cm.), 95½in. (242.5cm.) high.
An early 18th century walnut double-dome two door cabinet top, with deeply moulded cornice, the interior with pigeon holes and lacquer drawers in scarlet and black with two candle slides below, 37 x 12½in. (94 x 31.75cm.), 43in. (109cm.) high, one pane missing, on a Regency period rosewood, faux rosewood and parcel gilt two door base cabinet, on an added plinth base, 37in. (94cm.) high. (2)
A late Victorian mahogany double pedestal desk, with inset tooled red leather top, over a long kneehole drawer and two short drawers, the pedestals with three graduated drawers, all with original brass swing handles, on moulded plinth bases with brass and china castors, 59 x 35½in. (150 x 90cm.), 30¼in. (77cm.) high.
A late Victorian small walnut veneered pedestal desk, the cross banded top with tooled green leather and three drawers, on two pedestals of three crossbanded graduated drawers with brass swan neck handles, on plinth bases and wooden roller castors, 41½ x 23in. (105.5 x 58.5cm.), 28¾in. (73cm.).
Napoleon interest - a 19th century bronze inkstand, the rectangular cover with a figure of Napoleon on horseback upon a rocky outcrop, after the painting by Jacques-Louis David, inscribed `Napoleon Annibal Carolus Magnus MP.`, lifting off a plinth base with bronze powder pot and water trough and two porcelain inkwells (one cracked), 7in. (17.75cm.) high; together with a brass bust of 'Wellington The Iron Duke, Waterloo', 4in. (10.2cm.) high. (2), * Condition: Small ding to one side of base and small dent to one lower corner. Tip of finger on Napoleon's outstretched arm missing. Good patina overall with just minor wear as expected to edges. One inkwell cracked. Bust in good condition.
A good quality William IV mahogany cupboard bookcase, the moulded cornice over two thirteen pane astragal doors, flanked by flat pilasters headed by carved lotus leaves, enclosing three adjustable shelves, the base with two single panel doors with plain pilasters enclosing a single adjustable shelf, on a plain ogee moulded plinth, 48¾ x 13¾in. (124 x 35cm.), 85in. (216cm.) high.
A good George III mahogany gentleman's dressing chest, the top with two flaps covering the inset fitment for a wash set and a rising mirror at the rear, over three banks of six drawers with oak linings and original brass swan-neck handles on pierced backplates, raised on a shaped plinth base, 36 x 15¾in. (91.5 x 40cm.), 33½in. (85cm.) high.
A pair of 18th century tall narrow carved wood shelves, with painted interiors, cut down from a larger bookcase, the exteriors previously stripped, each with five shelves below a deep carved and moulded cornice over the sides with scroll and leaf corbels and on deep moulded plinth bases, 22 x 11in. (56 x 28cm.), 80in. (203.25cm.) high. (2)
A marble statue of a pretty elegant girl by Raffaello Romanelli (1856-1928) , Italian , Florence.In 1915 the San Francisco Examiner described Raffaello Romanelli as ‘to Italy what Rodin is to France’ (11 June 1915). Professor Raffaello was the second generation of a dynasty of Florentine sculptors active from the 1820s. Like his father, Pasquale, and his son, Romano, he worked in a traditional style, making numerous public monuments as well as more commercial subject marbles and portrait busts. At the height of his career, around the turn of the century, Raffaello had an international reputation and was regarded by many as ‘Italy’s greatest living sculptor’ (The Anglo-American Gazette, Nice, 14 March 1908). His model for the equestrian monument to Czar Alexander II of 1914 received widespread acclaim.Height 90 cm width 33 cm depth 30 cm, standing on modern plinth height 78.5 cm width 40 cm
An Arts & Crafts oak triple wardrobe, pronounced overhanging cornice, above shaped arched central mirror, flanked by cross-banded panelled doors, decorative over-sized hand-beaten copper hinges, inlaid copper panels stylised with tulips, plinth base, 211 cm x 212 cm x 66 cm; a conforming oak dresser base, 111 cm x 78 cm x 55 cm (2)
AFTER JOHN SKEAPING, (1901-1980), patinated bronze study of a mounted French light cavalry Hussar with death's head emblem to his cap, signed oval naturalistic base. Black marble plinth. Mid 20th Century. 56.5cm high. CONDITION REPORT: Good original condition, minor wear in places, no obvious damage, there is a casting floor to the base.
An early 19th century Anglo-Indian carved ebony cheval glass, the rectangular plate supported by turned and carved columns, each bearing the family Arms of Norton and Rose within reserves, with square plinth bases, on lion paw feet 167 x 118cm (65 x 46in) Provenance: Research has confirmed the arms on one panel are those of George Norton who was called to the bar in 1816 and who became advocate-general in Bombay in 1825 and advocate-general in Madras from 1827-1854. The arms on the other panel are thought to be those of the Rose family of Waddesdon, Buckinghamshire - possibly the family of George Norton's wife, whose father was John Rose. John Rose was admitted to Grays Inn, in 1800, the second son of Thomas Rose of Winchendon, Buckinghamshire. The research by the College of Arms is available from the auctioneers. A detached moulding from the right hand coloumn that frames the armorial. There are still some mouldings missing from this area There are some blemishes to the mirror plate, but otherwise the condition can be regarded as good. NB. The armorial details
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173487 item(s)/page