A WALNUT AND MARQUETRY LONGCASE CLOCKThe case fundamentally circa 1695 and with later elementsWith a caddy top above 10 3/4in. square glazed door, the trunk with three panel bird amongst foliage marquetry panels, the sides each with plain walnut veneer panel in two pieces, above the base with partial marquetry panel, the associated 10in. square dial detailed Thos. Nichols, Oundle, with later twin train striking movement, anchor escapement, case and movement associated218cm highCondition reportTogether with crank winding key and two brass-cased weights. There is a brass bob pendulum. As stated case and movement/dial are associated.The case is circa 1695 and with later elements due to damage and repair. The hood’s pierced panel above the door is replaced with a later oak fillet. The fillet around the inside of the door is replaced. The part just below the caddy may be later? The main part of the case is relatively original. The backboard is complete as are the internal side pieces. The cheeks have been reduced and have later risers and an associated seatboard. The front marquetry panel is about 66% present, the lost part now veneered in walnut. The plinth at the base is later.The movement and dial are associated and it would require a service to be in going condition.
We found 173444 price guide item(s) matching your search
There are 173444 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
173444 item(s)/page
A GEORGE III PAINTED STRIKING LONGCASE CLOCK WITH SWEEP CENTRE SECONDSThe movement signed John Hunt, WorleThe case with a moulded pediment above a blind fret frieze and arched glazed dial door, the trunk inset with an arched door, on a stepped base and plinth foot, the 12in. arched brass dial with painted moon phase indicator, above brass spandrels enclosing a silvered chapter ring with matted centre and inscription plate, above calendar aperture, the twin train five knopped and ringed pillar movement with anchor escapement and strike on a bell, movement and case possibly associated210cm highCondition reportWith pendulum and two lead weights, together with crank key. The movement is in good order and may benefit from a clean and service. The case is in reasonable condition, marks and knocks consistent with age. Decoration refreshed. There is a cut-out to the lower part of the dial door.
A LATE GEORGE II/EARLY GEORGE III PARCEL-GILT, RED LACQUER TO IMITATE TORTOISESHELL AND CHINOISERIE DECORATED LONGCASE CLOCKThe case circa 1760, the associated movement by William Gilbert, Gosport, circa 1795The case decorated in red lacquer to imitate tortoiseshell and decorated with chinoiserie figures, pavilions and landscapes, with an ogee pediment and three ball finials, above an arched glazed door, flanked by three-quarter columns, the trunk inset with an arched panel door, on a base and stepped plinth, the later associated movement with arched 12in. silvered and engraved dial, with HIGH WATER AT GOSPORT to the upper edge, above blue painted age of the moon and outer high water time to the arch, the dial with sweep centre seconds, signed in a recess Willm Gilbert, Gosport above another sector for the date, the twin train movement with anchor escapement and strike on a bell, movement and case associated249cm high overallCondition reportWith its pendulum and two-brass cased weights. There is no key. The movement will require a service. The movement and case are associated as stated above. The case is in good reasonable condition considering the age, some marks and knocks consistent with age. A split to the base panel. Some flaking in places.
A GEORGE III MAHOGANY LONGCASE CLOCKBy John Jackson, LondonThe case with an arched hood and three brass finials, above glazed door, flanked by fluted columns, the trunk inset with an arched panel door, flanked by fluted canted angles, on panelled plinth base, the 12in. arched brass dial, signed Jno Jackson, London, with strike/silent to the arch, the chapter ring enclosing subsidiaries for calendar and seconds, with four knopped pillars, deadbeat escapement and strike on a bell, movement and case possibly associated232cm high overallCondition reportThe hood perhaps had an ogee pediment which has been removed to reduce its height. The three brass finials are replacements. The case has been repolished. The door has a slight warp to it, pulling away at the top on the left edge. The dial is lacquered brass, when once it would have been silvered. There are some lines of corrosion to the surface. The movement requires a service. There is a pendulum, no key and two associated wrought-iron weights.
A REGENCY ORMOLU-MOUNTED WHITE MARBLE MANTEL TIMEPIECEBy Cope, Rathbone Place, Oxford Street, LondonThe drum-shaped case with engine-turned surround, enclosing an engine-turned gilt dial, ‘Breguet’ moon hands, the signed fusée movement with locking pendulum nut, raised on scrolls and a stepped white marble plinth, on turned bun feet21cm highCondition ReportThe timepiece appears to be in good original condition. The movement appears to have been recently cleaned.
A MINIATURE BRASS LANTERN CLOCK WITH ONE-IN-PASSING HOUR STRIKEThe dial inscribed Tho. Tompion, LondonOf typical form, surmounted by a bell and pierced frets, above 4 1/2in. silvered chapter ring, enclosing an engraved centre inscribed Tho Tompion / London, with silvered alarm disc (decorative only), fitted with a chain fusée movement, anchor escapement and pendulum locking block and nut, perhaps incorporating some earlier elements?23.5cm high (excluding ebonised plinth)Condition reportThere is a steel winding key. The left hand door handle is loose.
A VICTORIAN WALNUT DRUM-TOP STRIKING MANTEL CLOCKBy French, Royal Exchange, LondonThe drum-top case supported on a pair of scrolls, above panelled base and stepped plinth, the 5in circular signed dial with blued steel quatrefoil hands, the twin train fusée movement with signed backplate, striking on a bell, and with pendulum locking nut29cm highCondition reportThere is a key. The clock is in good condition. The bell may be a replacement?
A PAIR OF ITALIAN LIMEWOOD FIGURAL PRICKET CANDLESTICKS (2)19th Century Each modelled as a female figure in flowing drapery, holding a torchère in one arm, upon a scroll plinth, 72cm highCondition Report:Various splits, cracks and losses as expected due to age. Historic evidence of pitting, possible woodworm and evidence of former paint layers. One with crack to the lower arm. One with addition to the base where it has been stabilised. We recommend viewing all additional images.
A GEORGE III ORMOLU-MOUNTED BLUE JOHN CANDLE URNLate 18th Century The leaf clasped urn shaped body with a Greek-key frieze and reversible foliate finial and candle nozzle, flanked by scroll handles, the fluted socle and square plinth with Greek-key feet, replacement chains, 19.5cm highParts of this particular urn design are comparable to features seen in Matthew Boulton’s and James Fothergill’s Pattern Book I, p. 170. See N. Goodison, Ormolu, The Work of Matthew Boulton, London, 1974, pl 163. The scroll handles are atypical, being more French in inspiration, as is the key pattern foot which is not recorded.
DONALD WELLS (BRITISH, 1929-2014): A 'TREEFORM' PATINATED BRONZE SCULPTURE20th Century The green patinated abstract form, with smooth tapering trunk terminating in a textured canopy, on integrated oval base, upon a black marble plinth, 27cm high including base ARRProvenance:Label to the underside states it was purchased from the Keith Chapman Gallery in October 1989.
A CARVED EBONISED WOOD DISPLAY PLINTH MOUNTED WITH SILVERED METAL LIZARDSSecond half 20th Century Designed as a rocky outcrop, applied with eight silvered-metal lizards, 56cm x 42cmCondition Report:Some tarnishing to the lizards. Occassional cracks to the wooden surround. The flat top area measures 41cm x 27cm
EDMUND KOLTZ (AUSTRIAN, 1855-1929); A BRONZE PORTRAIT BUST OF A WOMANLate 19th / Early 20th Century Cast with signature to the reverse 'Ed. Koltz', numbered 75/113, modelled with eyes downcast, mounted on a polished granite plinth, 48.6cm highEdmund Koltz was a Viennese based sculptor who's work is also associated with the prominent entrepreneur and works of art manufacturer, Friedrich Goldscheider, who established his business in Vienna in 1885.
ALFRED EMILE O' HARA COMTE DE NIEUWERKERKE (1811-92): A FRENCH BRONZE EQUESTRIAN GROUP DEPICTING THE DEATH OF THE DUKE OF CLARENCE OR 'MORT DE MONSEIGNEUR LE DUC DE CLARENCE'19th Century Modelled with two armoured figures on caparisoned horses, the base cast with inscription 'par le Cte E. de Nieuwerkerke', dated 1838, with foundry inscription 'fondu par E. Quesnel. Paris' and 'Susse frères éditeurs place de la bourse', on marble plinth, 55cm high, 60cm wide; 19cm deep
A mahogany 'X' frame folding luggage stand, early 20th century, applied with three leather retaining straps, 46cm H x 46cm W x 49cm D, along with a giltwood standard lamp, the fluted and acanthus column upon a leaf moulded circular plinth and compressed bun feet, 156cm high (2)Condition reportGeneral light rubbing wear to the standard lamp, no visible damage, repairs or faults
A Regency style mahogany standard lamp, early 20th century, the tapering acanthus moulded column extending to a turned collar and circular plinth base upon bun feet, 130cm high (not including light fitting) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A burr elm veneered twin pedestal desk, late 20th century, the rectangular moulded top inset with a gilt tooled skiver, over three frieze drawers, upon twin pedestals each with three graduated and cock beaded drawers and plinth bases, 77cm H x 122cm W x 60cm DCondition reportKneehole aperture 60cm H x 53cm WLight general wear particularly to the front of the desk and around the beading on the drawers.White heat/polish marks to the side of the desk.One drawer has a 2cm chip/loss to the beading.The two bottom drawers on the RH pedestal are a single drawer moulded as two drawers, and is a little tight.All other drawers appear to run smoothly, light scuffs and marks to the plinth bases commensurate with age and use.
An Arts & Crafts Gothic Revival ash inlaid wardrobe, attributed to Charles Bevan, possibly designed for Marsh, Jones & Cribb, Leeds, the ecclesiastical cornice above a central mirrored door flanked by two geometrically inlaid doors, all enclosing a fitted interior with linen press slides and drawers, raised on plinth base, 231cm H x 180cm W x 55cm D, along with a conforming bedside cabinet (2) (at fault)Condition reportMultiple trefoil details missing from the cornice, beading missing from the top of the right and left hand sides below the cornice causing the cornice to tilt.Slight concave bow to both wardrobe doors, door also lacking a lock.All slides and drawers feel 'tight' due to damp.Minor split to the back boards, dry and faded patina to the LHS of the wardrobe with some joint splints to the plinth base.General evidence of damp throughout particularly to the base, although no visible evidence of woodworm.The bedroom suite was originally removed from a counties border farmhouse property in an untouched condition.The pot cupboard has a dull faded patina with damp damage to the plinth, very minor evidence of woodworm to the gallery.Both items will require a degree of restoration.
A Victorian style oak triple wardrobe, by Oakwood, Traditional Furniture, Chester, late 20th/early 21st century, the moulded cornice over three fielded panelled cupboard doors, upon polished 'H' brass hinges, the right hand door opening to three fitted drawers, with hanging rails to the double compartment, all upon a plinth base with integral ogee bracket feet, 214cm H x 184cm W x 66cm DWardrobe disassembles into five parts, cornice, plinth base and the three main sections.Width without cornice 171cmSolid oak rather than veneered.
A pair of continental carved gilt resin architectural terms, 20th century, each modelled as a monarch's head on scrolled plinth above leaves, berries and flowers, each 94.5cm long, with a pair of cast metal wall mounts, each modelled with bows, grapes and flowers, each 60cm long, and a further pair of plaster wall mounts modelled as fruiting vines, each 50cm long (6)
A pair of Vienna porcelain twin handled vases and covers, mid 19th century, each of urn form, decorated with a central reserve of a courting couple, surrounded by alternating green and red panels of gilt flora and foliage, on a spreading circular foot, set to a square plinth decorated with a neo - classical scene, gilt banding throughout, the domed covers with acorn finials, painted maker's mark to base, each 46cm high (2)Condition report: Each vase shows surface wear commensurate with age, including rubbing to the gilt, minor surface scratching. No obvious chips, cracks, crazing, or any signs of damage nor restoration.
A Beswick 'Polled Hereford Bull', model no. A2574, satin matt finish, upon wooden plinth, 18.5cm high, a Beswick 'Hereford Cow and Calf - on wooden plinth', model no. 1360/1827C, printed maker's mark to base, 13.5cm high, a Beswick 'Cheetah On Rock', model no. 2725, printed maker's mark to base, 18cm high, and a Beswick 'Huntsman (On Rearing Horse)', style two, model no. 868, printed maker's mark to base, 23cm high (4)
A pair of 'temple' table lamps, probably Oka, each of tapering pagoda form, upon an integral stepped plinth base, with cylindrical velour shades, 67cm high (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A Regency style mahogany standard lamp, early 20th century, the reeded acanthus column extending to a bat wing carved collar over a circular plinth base, upon lobed bun feet, 165cm high excluding fitting Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A pair of Oka 'Gela' wooden table lamps, of vase form, painted in ivory shades with brown detail, upon integral plinth bases, 48cm high (2) (at fault) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A Ralph Lauren 'blue label' at home Regency column chrome table lamp, of typical fluted form upon an integral plinth base, complete with shade, 92cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A French gilt metal and rouge marble mantel clock, late 19th century, the case surmounted with a winged cherub upon a rocky outcrop, apace with a the 9cm white enamelled dial, applied with Arabic numerals and floral swags, enclosing the two train movement, signed 'Marti, Paris', lacking saucer bell, all upon a variegated marble plinth base, 34cm high
An Edwardian mahogany bracket clock, with arched case and 21cm silvered dial applied with Roman numerals, enclosing the two train movement with hammers striking on five coiled gongs, with pull repeat cord to the side, all upon a moulded plinth base and ball feet, 38.5cm high, with pendulum No key, both barrels wind however they feel tight and the clock doesn't appear to run, the movement will require some attention.
A mid 18th century oak cased eight day longcase clock, signed ‘E.Bullock, Ellesmere’ (Shropshire), the moulded cornice and tapering half pillars flanking the 31cm square brass dial, centred with a date and moon phase aperture, applied with Roman and Arabic numerals, signed with the makers name, enclosing the two train movement striking on a saucer bell, the profusely later carved case inset with a glazed circular viewing window, over a conforming lower board and bracket feet, 216cm high, two weights and pendulum, bezel diameter 26cmCondition reportGlass side panels and glass door appear to be later associated.Additional laths have been applied to the top of the backboard on both sides, along with runners and cut aways to the cheek pieces indicating a level of alteration/restoration.General tarnishing to the dial, movement is un-tested however appears dirty and dusty, evidence that it hasn't run for some time.Glass viewing aperture is later, hinges are also later with blocks added to the interior, the plinth base also appears to be later.Case with some minor chips and splits commensurate with age and use.Overall the case appears to have undergone a degree of restoration.
An early George III oak dresser base, the cleated plank top over a central arched cupboard door, encircled by seven graduated drawers, applied with brass swan neck swing handles, upon a plinth base, 85cm H x 203cm W x 54cm DCondition reportMinor separation splits to the top and LH side. RH edge has a rough sawn finish opposed to the cleated LH edge.General minor chips marks and losses to the drawer fronts, the bottom LH drawer has a split in the drawer liner, later added braces to the interior and subsequently feels tight, all other drawers run smoothly.The dresser appears to be structurally sound however it would benefit from a 'clean and tidy'.
A black lacquered chinoiserie pedestal table, late 19th/early 20th century, signed 'Charles Elson' to the table top, the central panel richly painted in gilt depicting figures in a pagoda landscape, enclosed by conforming detail and a Greek key pattern frieze, upon a bird cage movement and turned baluster pedestal similarly embellished extending to a quatreform plinth base upon four gilt painted paw feet, 76cm H x 91cm DCondition reportVisible rubbed joint running the diameter of the table, further light rubbing to the gilt on the table top with some losses.Similar minor rubbing to the pedestal and plinth base.Very minor play in the table top movement, other table joints appear firm with little or no play.
A Victorian ebonised and walnut banded credenza, the central cupboard door inset with an oval French porcelain plaque, flanked by glazed cupboard doors enclosing an arrangement of shelves, punctuated by fluted and tapering pillars, upon a plinth base and mushroom shaped feet, 108cm H x 177cm W x 42cm D (lacking rear foot, at fault)
A George III and later oak and mahogany crossbanded Montgomery dresser, the high back with a moulded cornice over three enclosed shelves, flanked by a pair of spice cupboards applied with geometric moulding, upon the dresser base, formed with three drawers and shaped spandrels upon legs of tapering square section and an associated pot board plinth base, 205cm H x 192cm W x 46cm D
Alabaster carved sculpture of Canova's Three Graces, 34.5cm, presented on an associated carved plinth, under a Victorian glass dome with ebonised oval base, total height 64cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
After Joseph Nollekens, small bronze bust of William Pitt in Romanesque style, mounted on a square plinth, height 22cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Fernand Cian (Italian, 1889-1954), marble sculpture of a young girl, signed, mounted on a scagliola marble plinth, height 50cmNB: Cian - full name Fernando Ciancianaini - exhibited at the Salon des Artistes Français from 1911-1928. An Italian by birth, he settled in Paris where he studied under Laporte-Blairsy, gaining a mention honorable in 1921. (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Victorian pitch pine dresser, late 19th Century, fitted with two central short drawers and two long deep drawers, flanked by two raised panel cupboard doors opening to a single shelf, all raised on a plinth base, width 234cm, depth 60cm, height 89cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
TWO BOXED BIZARRE MODELS 1:43 SCALE MODEL VEHICLES, the first is a LSR 276.816 mph 7th March 1935 Daytona Beach USA, Blue Brid, numbered B1051, in blue with UK and USA flag decals, the second is a Silver Bullet Kaye Don LSR Attempt Daytona Beach USA 1930, in silver with UK and USA flag decals and written decals to the side reading ' SUNBEAM SILVER BULLET designed and built by the Sunbeam Motor Car Co LTD Wolverhampton England', both models appear in new condition inside their logo'd boxes and fixed to a wooden plinth inside
TWO BOXED BIZARRE MODELS 1:43 SCALE MODEL VEHICLES, the first is a John Cobb Railton Special Bonneville 15th September 1938 LSR 350.068 mph, numbered B1053, in silver and black with USA and UK flag decals, appears in new condition inside its detailed cardboard box, model is fixed to a wooden plinth, the second is a MG EX135 G.GARDNER BONNEVILLE 1951, Class F Records Up to 137.40 MPH, numbered B1055, in metallic green with flag decals and MG logo to the bonnet, appears in new condition inside plastic casing and detailed outer cardboard box, model is fixed to a wooden base inside plastic casing, Railton measures approximately - length of box 26cm, plinth 25cm, model 20cm, M.G measures approximately - length of box 15.5cm, plinth 15cm, model 11.5cm
A BOXED MINICHAMPS LOTUS FOR 79 M.ANDRETTI WORLD CHAMPION 1978 1:18 SCALE DIECAST MODEL VEHICLE, numbered 100 780005 model attached to a black plastic plinth, addition parts sealed to the back wall inside, model is visible through clear plastic window, appears in new condition inside plastic and cardboard box
Loading...-
173444 item(s)/page