* ALASTAIR MICHIE RWA (SCOTTISH 1921 - 2008),BLADEbronze sculpture on plinth, signed, titled and numbered 3/10 on label35cm high, including plinth.Note: Alastair Michie was born in France to Scottish parents: his mother, Anne Redpath, was one of the greatest Scottish painters of the 20th Century, his father, James Michie, was an architect. His youngest brother, David Michie, was also a celebrated painter. Alastair Michie began architecture studies in Edinburgh but this was interrupted by war service with the RAF, in which he served with distinction as a night fighter pilot in reconnaissance aircraft over Germany and occupied territory. After the war ended he began to work as an illustrator and designer. After seeing the work of the American abstract expressionists at the Venice Biennale in 1962, Michie was inspired to paint. He also went on to sculpt and achieved widespread critical and commercial success in both mediums. Michie displayed his work in numerous exhibitions and galleries at home and abroad. He was elected a fellow of the Royal Society of British Sculptors in 1994, and around the same time, followed his mother in exhibiting at the Royal Scottish Academy in Edinburgh and went on two years later to a major solo show at the Mall Gallery in London. In 2000, he received an honorary doctorate from the University of Bournemouth. Alastair Michie was also a regular exhibitor at the Royal Academy (London).
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Skulptur. Fischer.Circa 14 cm x 15 cm x 5 cm. Wohl China / Japan alt. Unter dem Sockel Zeichen. Aus Teilen. Teils farbig.Objekt kann versendet werden.Sculpture. Fisherman.Approximately 14 cm x 15 cm x 5 cm. Probably China / Japan old. Mark under the plinth. Partly colored.Object can be shipped.
Trophy - 'The Brylcreem Cricket Cup', enscribed on the base 'awarded to Derek Shackleton, Hampshire, for his bowling performances throughout the 1958 season', the twin handed urn and lid By Garrard and Company, London, 1958, weight 10oz, height 23.5cm, on a turned ebony plinth, with photograph showing Derek and the other winners and a portrait photograph (3)
Trophy - 'The Brylcreem Cup', inscribed on the base '1960 Bowling D Shackleton Hampshire v Warwickshire at Portsmouth 9 wickets for 30 runs 13th May', the twin handled urn and lid by Garrard and Company, London, 1960, weight 10oz, height 23.5cm, on a turned ebony plinth, with an invitation to Derek to attend the award ceremony and receive the trophy from Miss Anna Neagle, together with a press photo of him receiving the trophy and a case pair of inscribed yellow metal cufflinks, marked 9ct (included with the lot) from Jimmy Hill, Colin Ingleby-Mackenzie and Colin Cowdrey, and a portrait photograph (6)
2550 first class wickets for Derek Shackleton, the match ball presented to Derek by Gloucestershire County Cricket Club, after taken 4 for 36 on 30/8/1967, on an ebonised plinth and press photographs of him receiving a match ball on a similar stand from a cricket committee, plus portrait photo
Boxing Interest: A Victorian large silver presentation goblet, plain body applied roundel for AMATEUR ATHLETIC CLUB with central Greek logo and engraved inscription, the knopped stem with beaded decoration on spreading circular foot, hallmarked by Daniel & Charles Houle, London, 1877, 12.53 ozt (390 grams), 24cm high, with ebony raised plinth (2) The presentation inscription reads: PRESENTED BY THE A.A.C TO J H Douglas March 1877 ON HIS WINNING THE MIDDLE WEIGHT BOXING CHAMPIONSHIP for three years in succession. Condition Report: dents to body
Stephan Balkenhol. (1957 Fritzlar - lebt in Karlsruhe). o.T. (Männliche Figur). 2005. Antimon-Hartbleiguss. Auf flacher Plinthe verschraubt. 33 x 18 x 8 cm. Auf der Unterseite der Plinthe mit eingelassener Bezeichnung. - Gering angestaubt. Exemplar der Griffelkunstvereinigung, Hamburg. Antimony hard lead casting. Screwed on flat plinth. Inscribed on the underside of the plinth. - Slightly dusted.
Stephan Balkenhol. (1957 Fritzlar - lebt in Karlsruhe). o.T. 2008. Antimon-Hartbleiguss. Auf flacher Plinthe verschraubt. 33 x 18 x 8 cm. Auf der Unterseite der Plinthe mit eingelassener Bezeichnung. Exemplar der Griffelkunstvereinigung, Hamburg. Antimony hard lead casting. Screwed on flat plinth. Inscribed on the underside of the plinth.
An Edwardian mahogany veneered Lancet cased mantle clock with oval inlay and stringing, on a moulded plinth raised on four bun feet, eight-day French rack striking movement, striking the hours and half hours on a coiled gong, two-part dial with a gilt centre, enamel chapter ring with roman numerals and minute markers, steel fleur di lis hands within a beaded cast bezel with a flat bevelled glass. With Pendulum
A German 19th century striking mantle clock in a wooden case on a canted plinth, curved top with carving and finials, 30hr Junghans movement striking the hours on a coiled gong, with a full-length glazed door, dial with Roman numerals, minute track and Junghans logo, moon hands and winding collets, visible faux mercury pendulum.
A late 19th century French mantle clock in a brass break-front case with a shaped pediment and cornice, applied cast brass ornamentation on a stepped plinth, two-part dial with a gilt centre and enamel chapter ring, Arabic numerals and steel fleur di Lis hands, with an eight-day rack striking movement, striking the hours and half-hours on a coiled gong.
A French 19th century mantle clock in a Belgium slate case with a flat top and stepped plinth, white enamel dial with gothic Roman numerals and minute markers, steel fleur di Lis hands within a brass bezel and glass with a decorative gilt slip, eight-day movement striking the hours and half hours on a bell, with pendulum.
A late 19th century French mantle clock in a Belgium slate case with an arched top and stepped plinth, with recessed pillars flanking a two-piece dial with an enamel chapter ring and embossed gilt centre, chapter ring with gothic Arabic numerals and minute markers, steel fleur di Lise hands within a cast brass bezel and bevelled glass, eight-day rack striking movement striking the hours and half hours on a coiled gong, with pendulum.
A 19th century oak and mahogany longcase clock by William Pybus, Caistor, Lincolnshire, Swan neck pediment with brass paterae and a central brass finial, break arch door flanked by reeded pillars with capitals, trunk with canted corners, full length crossbanded door with a flat top and angled corners, on a rectangular plinth with a shaped base, 12�painted break arch dial inscribed �W Pybus, Caistor� with painted and gilt decoration to the arch and spandrels, upright Arabic numerals, 15 minute Arabic�s and minute markers, matching stamped �thistle� brass hands and semi-circular calendar aperture with calendar disc behind, subsidiary seconds dial and hand, dial pinned directly to an eight-day rack striking movement with recoil escapement, striking the hours on a cast bell. With pendulum and weights. There were two father and son clockmakers both called William Pybus working in Caistor from 1783 to 1861. This clock c1820-30.Dimensions: Height: 210cm Length/Width: 44cm Depth/Diameter: 23cm
A mid Victorian longcase clock with a thirty-hour chain driven countwheel movement striking the hours on a cast bell, the12� painted dial with roman numerals and minute track pinned directly to the movement, dial inscribed �John Smith, Scarborough� with a biblical scene from the old testament in the break arch and matching painted spandrels to the corners, semi-circular calendar aperture with date disc behind, with matching stamped brass hands (hour hand broken but present), in an oak and mahogany case with a tall swan neck pediment, glazed brake arch door flanked by reeded pillars with brass capitals, trunk with applied �sun ray� carving above a short flat topped oak door with mahogany crossbanding, with ropework quarter columns and contrasting inlaid panels, on a square plinth with missing feet. John Smith is recorded as working from various addresses in Scarborough between 1834 to 1851, he is thought to have been succeeded by his widow on his death.No pendulum or weight.Dimensions: Height: 220cm Length/Width: 48cm Depth/Diameter: 23cm
A provincial Victorian 30hr longcase clock in a contrasting light oak and mahogany case with a movement by Thomas Snow of Knaresborough, swan neck pediment with turned wooden paterae and acanthus carving to the centre, with shaped back splats and turned mahogany columns flanking the break-arch door, trunk inlaid with contrasting veneers and reeded corner pillars, short flat-topped door with a recessed panel and crossbanding, on a square plinth with a conforming recessed panel and shaped feet, 13� fully painted dial inscribed with the makers name and a depiction of a rural scene with a bridge and river to the break arch, matching fully painted spandrels to the corners, broad Roman numerals and minute track with a semi-circular date aperture and date disc, matching stamped brass hands, dial pinned directly to the chain driven countwheel movement striking the hours on a bell. With pendulum and weight. The Snow family were a prolific family of predominantly rural clockmakers working in numerous North Yorkshire market towns during the 18th and 19th century. Thomas Snow is thought to have worked in Otley and Birstwith as well as working in High Street, Knaresborough from 1834-44. Dimensions: Height: 230cm Length/Width: 52cm Depth/Diameter: 25cm
An 18th century Georgian oak longcase clock by William Coulton of York c.1750, with a flat-topped hood, glazed break arch door and integral side pillars, trunk with a full length flat-topped door on a square flat-bottomed plinth, with a 12� brass dial and chapter ring engraved with Roman numerals, five minute Arabic�s, half hour markers, minute track and quarter hour track, with �cherub face� spandrels and dolphin spandrels to the arch, convex boss to the arch engraved with the face of a radiant sun, engraved and matted dial centre with a square date aperture and calendar disc behind, subsidiary seconds dial and hand, dial pinned directly to an eight-day rack striking movement with a recoil anchor escapement, striking the hours on a bell, minute and hour hand missing. With pendulum bob and weights.The Coulton family were a prestigious family of York clockmakers working from various locations in the city from 1701-1792.Dimensions: Height: 230cm Length/Width: 52cm Depth/Diameter: 25cm
A 19TH CENTURY BRASS SKELETON CLOCK, the 4 3/4" silvered dial on a brass, chain driven fusee movement striking to a bell, the dial marked 'J. Kippax, Retford', on a stepped oval marble base, oval wooden plinth and under a glass dome (cracked), with key and pendulum, height excluding plinth and dome 37cm
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