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Click here to subscribeThe Queen's Own Highlanders (Seaforth and Camerons):- an officer's four part white and gilt metal crossbelt plate, the reverse with hooks and lugs; an officer's three part white metal glengarry badge mounted on an oak plaque; two Queen's Own Cameron Highlanders White Metal Glengarry Badges, and a sporran badge mounted on a brass plinth, also a rank crown, brass clip and part of a belt buckle etc
A Bamileke, Cameroon Stool, carved from a single piece of wood, the circular seat pierced with a circular hole, the supports carved as four figures standing with hands joined, on a ring plinth, 40cm; an Ashante Stool, with dished rectangular seat on a two pierced and diaper panelled uprights and rectangular plinth,49cm; a Carved Wood Panel, possibly the back for a chair, as a stylised mask with large wing shape ears, 49cm by 33cm (3)
An Afar, Ethiopia Headrest, with dished elliptical top on a central rectangular double pierced panel support flanked by similar solid panels, all with line incised decoration, on a domed elliptical plinth, 18cm; an Afar, Ethiopia Wood Mortar, made from a single trunk, hollowed out from the top and with panelled spool shape body, 23.5cm
David Linley, An oak, brown oak, and ripple sycamore wardrobe, late 20th century, with stepped pediment above the pair of quarter veneered and line inlaid doors enclosing a high shelf and a hanging rail, on plinth base and bun feet, 217cm high, 108cm wide, 68cm deep together with Studio of David Linley, An original design drawing for this wardrobe, ink and wash on paper, framed and glazed, 53cm high, 43cm wide overall Provenance: This wardrobe was purchased from David Linley Furniture Limited, the receipt dated 22nd September 1998
An oak rocking horse, dated 2005, by Stevenson Brothers, with chestnut mane, red leather and suede paneled saddle, on a trestle rocker frame supported by dual baluster columns, dual plinth base, with applied label for the maker and serial numbered 5695, 120cm high overall, the base 141cm long, 45cm wide
λBernard McGuigan (British, b. 1956), a pair of white carved sandstone busts, each of a young woman with long hair, one with head inclined to the right, the other to the left, bare shoulders and upper breasts, rectangular pedestal base with natural finish, 81cm high, 61cm wide, 51cm deep, on a rectangular plinth, 77cm high, Provenance: purchased by the vendor from the artist In the tradition of renowned 20th century sculptors such as Barbara Hepworth and Henry Moore, British sculptor Bernard McGuigan uses the technique of 'direct carving' forms into stone by hand. His stylised and abstracted works are characterised by a sense of tranquility, and are often fashioned in varieties of English and French limestone and sandstone. McGuigan has previously exhibited at the Royal Academy of Arts, and was an associate of the Royal Society of British Sculptors. He has also received awards from the British Design Association. λ Indicates that this lot may be subject to Droit de Suite royalty charges. Please see our Terms & Conditions for more information.λ
Ï’David Linley, An American walnut, ebony and burr walnut breakfront sideboard, late 20th century, the black granite top over three long drawers with brass mounted knop handles, flanked by two banks of three short drawers, above a plinth base, 80cm high, 160cm wide, 61cm deep, together with Studio of David Linley, An original design drawing for this sideboard, ink and wash on paper, framed and glazed, 53cm high, 43cm wide overall Provenance: This sideboard was purchased from David Linley Furniture Limited, the receipt dated 14th July 1998 This sideboard is illustrated and described in Linley, Design and Detail in the home (Little, Brown, 2000), page 98 Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A carved marmo nero Belgio urn in Neoclassical taste, probably first quarter 19th century, the everted circular basin lobed overall, on a waisted socle, 20cm high, 38cm diameter; on an associated square section plinth, the overall height 27cm; with a quantity of composition models of apples; and a pair of metal mounted composition planters in Regency taste, of recent manufacture, the rectangular section bodies cast with swags, raised on paw feet, containing rushes, the vessels 20cm high, 42cm wide Provenance: the urn purchased from Christopher Hodsoll, 20th June 2000 The planters are illustrated and described in Linley, Design and Detail in the home (Little, Brown, 2000), pages 98 and 99
A pair of mahogany and marble topped console tables, incorporating 19th century elements, each with a rectangular verde antico marble top, banded in slate, above a carved mahogany lioness monopodium and a rectangular verde antico clad plinth, 95cm high overall, 74cm wide, 38.5cm deep Provenance: purchased from Christopher Hodsoll, PF 1679 25.2.99 These consoles are part illustrated in Linley, Design and Detail in the home (Little, Brown, 2000) - pages 98 & 99
A George III oak thirty-hour longcase clock, late 18th century, the posted countwheel bell striking two handed movement with anchor escapement and 11 inch square brass dial with floral spray engraved centre signed centre signed ‘MATT’W BANCE, HUNGERFORD’ within Roman numeral chapter ring and rococo scroll cast spandrels to angles, in a case with moulded cornice and turned pilasters to hood over rectangular caddy moulded trunk door and plain plinth base, 209 cm high Matthew Bance is recorded in Baillie, G.H. ‘Watchmakers & Clockmakers of the World’ as working in Hungerford 1793-97.
Ï’ A French Japonisme stained hardwood mantel clock, late 19th century, the eight-day bell striking movement stamped J.W.B 34528 and with Japy Freres Medaille D'Honneur roundel, the ivory dial with gilt Japanese character numerals behind a glazed bezel, the case with applied mother of peal and bone cranes on a waisted scrolled cloud form, on a plinth base and gilt lion paw feet, 41cm high Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A George II oak thirty-hour longcase clock, mid 18th century, the posted countwheel bell striking two handed movement with anchor escapement and 11 inch square brass dial with ring-turned decoration to the matted centre within Roman numeral chapter ring signed ‘William Abbott, Sarson Fecit’ and twin cherub and crown pattern spandrels to angles, in a case with moulded cornice and reeded pilasters to hood over shaped-top caddy moulded trunk door and plain plinth base, 205 cm high William Abbott is recorded in Baillie, G.H. ‘Watchmakers & Clockmakers of the World’ as working in Sarson (Hants) during the early 18th century.
A gilt brass `Atmos` timepiece, Jaeger-LeCoultre, Switzerland, mid to late 20th century The single train movement wound via the expansion and contraction of an aneroid chamber mounted to the rear of the mechanism and regulated by torsion escapement with rotating balance suspended at the base of the movement signed JAEGER-LECOULTRE to centre and numbered 367239 to suspension platform, the circular gilt on black baton numeral chapter ring with Arabic quarters, the rectangular glazed case with canted angles, on plinth base with bracket feet, 22.5cm high
A French white marble and gilt metal mounted timepiece, 19th century, of urn form, with eight-day movement signed N Boulu a Paris 962 to back plate, the white enamel Roman numeral dial similarly marked, the case with sphere finial above the shaped case on stepped rouge griotte and white marble plinth and gilt metal feet, 43cm high,
A pair of white painted and parcel gilt console tables in Regency style, of recent manufacture, 'Blenheim Console' pattern, each with a pink veined marble top, moulded frieze, and two reeded S scroll front supports on a concave plinth base, each with applied label for Niermann Weeks to the rear, 88cm high, 99cm wide, 39cm deep
David Linley, An ebonised columnar table lamp, early 21st century, with fluted shaft above stepped plinth bases, with a cream pleated shade, 73cm high overall, stamped LINLEY to the base, a pair of walnut columnar table lamps, of baluster form, 35cm high excluding fitments, Stamped LINLEY to the stepped plinth base, and a pair of mahogany and gilt metal mounted Corinthian column table lamp bases, early 21st century, possibly by David Linley, each with brass capital above fluted stem and stepped plinth base, with ovoid pleated cream fabric shades, 67cm high overall (5)
λMichael Bergt (American, b. 1956) The Yes Man, 1991 Kinetic bronze sculpture Edition 2/9 52.5cm high, 25cm wide With an associated onyx plinth Michael Bergt works across various media, and is perhaps best known for his historically inspired egg tempera paintings, which channel the Italian Renaissance. One such work was selected to feature in the 2018 BP Portrait Award at the National Portrait Gallery. Bergt is however by no means a traditionalist, and his bronzes show a fascination with the human form and often push the body's boundaries. The present work shows the humorous and slightly surreal element that characterises the artist's oeuvre. Bergt is a fellow of America's National Sculpture Society, and his work is held by collections across the United States. λ Indicates that this lot may be subject to Droit de Suite royalty charges. Please see our Terms & Conditions for more information.
S.B Shaw Billingboro (sic), a 19thC oak and mahogany longcase clock, the swan neck pediment with brass finials and roundel's above turned pillars, the shaped door with molded pilasters on a plinth, the arched painted dial with moon phased floral spandrels, with an eight day four pillar movement, 209cm H.
An early Victorian mahogany secretaire cabinet bookcase, with moulded cornice, scroll and floral carved support doors, with arched glazed panels and adjustable shelves, the secretaire drawer having writing slope, pigeon holes and oak drawers, with mahogany fronts, over two flamed arch panelled doors to base, with matched carving and plinth base, 235cm H, 122cm W, 56cm D.
An Art Deco style bronze sculpture of Leda and the Swan, with Leda as a reclining nude in 1920s flapper-style headband, mounted on black marble base, 36 x 59cm. CONDITION REPORT Some scuffs and marks to the casting, in need of a clean as covered in sticky residue, damaged to one corner of the black marble plinth.
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