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Lot 926
A Victorian mahogany breakfront triple wardrobe, with detachable moulded cornice above a central mirrored door with foliate carved arched surround opening to a series of trays and drawers and flanked on either side by a panelled door enclosing cloth lined hanging space and with plinth base beneath. Width 86 ins, height 83.5 ins (see illustration).
Lot 931
A late Victorian walnut bookcase, in two sections, the top half with a foliate carved pediment to moulded cornice above a pair of glazed doors enclosing adjustable shelves, with open aperture beneath, with turned supports, the base fitted with two short drawers above a pair of foliate and urn carved panelled cupboard doors, with plinth base beneath. Width 48 ins.
Lot 967
A Victorian flame mahogany bookcase, in two sections, the top half with a moulded cornice and rounded corners above a banded frieze and pair of glazed doors enclosing adjustable shelves, the base with moulded edge and rounded corners and pair of panelled cupboard doors also enclosing adjustable shelves with plinth beneath. Width 56 ins (see illustration).
Lot 995
A Victorian walnut Davenport, with rear pen and stationery compartment, with fretwork gallery above the sloped front with tooled leather writing surface and interior fitted with drawers, with foliate carved scrolling front supports and four side drawers with wooden knob handles and plinth below, with recessed castors to the short turned legs. Width 21 ins (see illustration).
Lot 996
An early Victorian mahogany secretaire bookcase, in two sections, the top half with a moulded cornice above a pair of glazed doors with wooden astragals enclosing adjustable shelves, the base with secreatire drawer well fitted with a series of cupboards, drawers and pigeonholes and with wooden knob handles above a pair of panelled cupboard doors enclosing drawers, a tray and shelf, flanked by turned columns and with plinth base. Width 45 ins (see illustration).
Lot 470
Oak mirror back sideboard with two drawers over two cupboards, carved panels to door on barley twist front legs and stretchers. Back panel with centre mirror, two carved panels wither side with plinth above supported by two barley twist supports. Brass drop handles. 122 cm wide x 163 cm high.
Lot 65
ERNEST ARCHIBALD TAYLOR (1874-1951) FOR WYLIE & LOCHHEAD, GLASGOW MAHOGANY BEDROOM SUITE, CIRCA 1900 comprising a wardrobe, the projecting cornice above a frieze carved with Glasgow roses in bas relief, above two central doors each inset with two stained and leaded glass panels depicting Glasgow roses, over two short over two long drawers and flanked by mirrored doors raised on a plinth base, 222cm wide, 64cm deep; also a MATCHING WASHSTAND, with tiled rectangular top above twin panelled doors with corresponding carved Glasgow roses, 121cm wide, 77cm high, 56cm deep; a BEDSIDE CABINET, with three quarter gallery above a single panelled door on square legs linked by stretchers; and a WALL MIRROR, to match (formerly from a dressing table), 67cm wide x 106cm high (4) Note: E.A. Taylor was born in Greenock, Scotland, one of seventeen children. He was initially apprenticed as an engineer and designer in the shipbuilding firm Scott and Co, working there until 1898. He then began studying at the Glasgow School of Art, where his fiancée, Jessie Marion King, was also a student. Taylor began work as an interior designer, being particularly influenced by the stained glass and furniture designs of Charles Rennie Mackintosh. He gained employment with the Glasgow cabinet-makers, Wylie and Lochhead, winning great acclaim for his furniture at the 1901 Glasgow International Exhibition. This brought him two major commissions, where he made prominent use of stained glass in his interiors. In 1902, Taylor and King worked together on a series of stained glass panels for the Turin International Exhibition of Modern Decorative Art and, by 1907, Taylor was working as head of furniture design at Wragge and Co, marrying King the following year. The couple then began concentrating on art, moving to Paris where they established an art school known as the Shieling atelier. Prior to her marriage, Jessie M King had purchased a house at Kirkcudbright, and at the outbreak of World War I she and Taylor returned there. Here, they became involved in the Kirkcudbright art community, which was seen as the “Scottish St Ives.” Taylor continued to play a major part in the Kirkcudbright art scene until his death in 1951
Lot 68
An antique stained oak library bookcase, the upper part with foliate carved cornice above a pair of plain glazed doors, the lower part having a single frieze drawer with cast metal drop handles above a pair of cupboard doors with decorative panels on plinth base (as viewed, hinges replaced 104cms wide x 184cms high)
Lot 97
A late 19th/early 20th century Maple & Co mahogany linen press, the upper part with shallow moulded cornice and enclosed by a pair of panelled doors revealing 4 full width pull out trays and the lower part with 2 short and 2 long drawers with brass drop loop handles and shaped back plates with locks by Hobbs & Co, on plinth base (120cms wide x 210cms high)
Lot 282
A late 19th/early 20th century treen smokers stand, the shaped pipe rack, chalice shape tobacco jar and vesta holder and ash tray mounted on a shaped and moulded plinth base decorated with a transfer of a dancing courtly figure and having a mounted metal striker, together with an Oriental style painting on canvas mounted on board depicting a typical landscape scene with figures, water and mountains (stand 33cms wide)
Lot 295
A late 19th century French gilt brass and blue/white porcelain mounted mantle clock, the barrel shaped body with flanking lion mask ring handles and surmounted by a twin handled urn and the base plinth with inset porcelain panel and the 8 day striking movement with conforming dial. The movement stamped "John Bennett, Cheapside, London" and the case stamped "P H Mourey" (as viewed, glass missing, some damage, 35cms high)
Lot 297
A late 19th century French gilt brass mantle clock, the barrel case mounted with Sevres style pink, white and floral ceramic panels with conforming dial and surmounted by a seated young boy in classical attire reading a book and the shaped plinth base on ornate bracket feet. The 8 day striking movement with Roman numerals in tablets and the dial marked "J.W. Benson, Ludgate Hill, London" (as viewed, front glass and back plate missing, approx 32cms high)
Lot 298
A late 19th century French gilt metal and porcelain mounted 3 piece mantle garniture comprising a clock of rectangular form with domed top surmounted by an ornamental vase finial with ram`s head handles and flanked by foliate scrolled brackets, raised on a rectangular plinth with scrolled and animalier outswept supports, the 8 day striking movement with decorative ceramic dial and Roman numerals, together with a pair of matching urns on conforming plinth bases (clock approx 35cms high)
Lot 300
A late 19th century French mantle clock by Mougin, the cartouche shaped white marble case asymmetrically set on a conforming rectangular plinth with gilt metal surmount of a bow and quiver of arrows in a floral garland and having an attendant spelter winged figure, the base raised on out swept scrolled gilt metal supports and the 8 day movement striking on a gong and the white enamelled dial with delicate floral garlands and Arabic numerals (approx 40cms high)
Lot 353
A pair of Sevres style porcelain candle sticks fashioned as naked putti, one holding a moulded wheat sheaf to support the foliate sconce, the other a vine and grapes, in blue glaze with gilded highlights and delicate polychrome floral bands to the circular plinth raised on a square base with inverted corners, with grey painted crossed "L`s" (approx 28cms some damage)
Lot 365
An impressive pair of late 19th century French porcelain figures, one representing Africa as a semi nude female holding an elephant tusk and with attendant lion on naturalistic plinth base and the other representing the Americas as a similarly scantily clad female wearing feathers and a head dress holding a terrapin with a bow and quiver or arrows and attendant crocodile, both with separate gilt heightened and rococo scrolled plinth bases (both approx 52cms overall height)
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