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Late Period, 664-332 BC. A carved amethyst amulet of Horus in the form of a falcon standing on a rectangular plinth, wings folded back over body; ribbed suspension loop to the back. 11 grams, 30mm (1 1/4"). From an old British private collection; formed between 1975 and 1985. Very fine condition.
Late New Kingdom, 1294-1077 BC. A limestone stela with rounded top and flat sides; to the top the winged sun-disc of Ra Horakhty with uraei framing the disc of the sun; below, the owner with broad collar and long kilt, one hand raised in prayer, the other holding an offering vessel; in the centre a large offering table heaped with food and flowers; in front of the offering table the figure of Osiris standing on plinth with mummiform body and wearing the White Crown of Lower Egypt, hands extended forward holding a staff topped by the ankh and djed symbols, wearing broad collar with large menat counterpoise behind; columns of hieroglyphs behind the figures, two large was sceptres flanking the scene; below, four horizontal columns of hieroglyphs beginning on the right with an offering formula to Osiris and the owner's name, a priestly treasurer, and the name of his mother; vertical columns of hieroglyphs to the sides of the stela. 6.37 kg, 27cm (10 1/2"). Property of a London gentleman; part of his family collection since the 1970s. Stelae such as this were placed in a chapel above a tomb, usually in front of a statue of the deceased that was placed in a niche, and where the relatives came to offer food and drink and pray to the spirit of the dead person; the stelae also acted as a spiritual portal through which the soul of the deceased could pass to partake of the offerings left in the chapel. These stelae are inscribed with the name and title of the tomb owner along with prayers to Osiris; they generally depict the deceased, and members of their family, worshipping the gods. The act of mentioning the name of the deceased at regular funerary rituals was an integral part for the survival of the soul in the afterlife, as well as allow later generations to remember their lineage. As well as prayers and spells to help the deceased they also had 'autobiographies', which were accounts of the life of the deceased, praising their qualities as well as good deeds carried out when they were alive, thus furthering their chances in the afterlife. Fine condition.
A VICTORIAN MAHOGANY BOOKCASE in two parts, the outswept moulded cornice above a pair of glazed doors flanked by corbels and enclosing two shelves, the lower section comprising a rectangular top above a long ogee drawer, a pair of arched panelled doors below enclosing a shelf, on a plinth base 190cm high, 104cm wide, 39cm deep
ART NOUVEAU STYLE OAK SECRETAIRE-BOOKCASE, THE SUPERSTRUCTURE WITH MOULDED CORNICE AND SHELVES ENCLOSED BY PAIR OF FRAMED GLASS PANEL DOORS, WRITING COMPARTMENT FITTED WITH PIGEON HOLES AND SYCAMORE DRAWERS ENCLOSED BY TOOLED HIDE-LINED VERTICAL WRITING BOARD FLAP CARVED ON THE EXTERIOR WITH CENTRAL MARGUERITE DISC SURROUNDED BY SCROLLING FOLIAGE ON MATTED AND FIELDED PANEL, ABOVE TWO FRIEZE DRAWERS WITH BEVELLED EDGES AND BASE CUPBOARD, ENCLOSED BY A PAIR OF FRAMED DOORS WITH MATTED PANELS CARVED IN RELIEF WITH FOLIATE ARABESQUES, PLINTH SUPPORT, 4' WIDE X 78' HIGH, CIRCA 1890
A Cast Bronze Car Mascot in the form of a Devil Cock-a-Snook, mounted on a rectangular base and fixing bracket, 7.5cm high; and a Desco chromed car mascot in the form of a horse standing on a grassy base, mounted on a wooden plinth base, 12cm high Buyer's premium of 20% (+VAT) applies to this lot
18th century oak longcase clock, engraved arched brass dial signed Webster Whitby with silvered chapter, twin mock winding squares and date, case with broken arched hood, and fluted canted angles on a plinth base, 30hour movement, H131cm Condition Report Click here for further images, condition, auction times & delivery costs
A 1980's Danish designed solid teak shelving system including five uprights, three glazed cabinets, one fall front cabinet, three plinth bases and two shelves, manufactured in Singapore CONDITION REPORT: Discolouration from being stored in a damp environment for some time. See images. Missing some caps which cover the screw holes to uprights (see illustrated example)
Jean Jacques Pradier (Swiss, 1790-1852): Sapho à la Colonne, a gilt bronze figure of a classical maiden standing beside a column holding a lyre, on a bowfront plinth base, signed J.PRADIER 1848 and stamped VP, foundry mark for Victor Paillard, 45cm high See illustration For a similar example see Sotheby's, New Bond Street, 12.7.2017, lot 9 See Lapaire (C) James Pradier (1790-1852) et La Sculpture Français de la Generation Romantique, Catalogue Raisonne Zurich/Lausanne 2010, pg.202, 375-376, nos.326 and 327
A Mahogany Eight Day Longcase Clock, signed Nathaniel Brown, Manchester, circa 1780, swan neck pediment, trunk door flanked by wood stop fluted pilasters, 13-inch arched brass dial with silvered chapter ring, moonphase aperture signed on a silvered plaque, four pillar movement with anchor escapement and rack striking on a bell, 226cm high see illustration 10.10.17, Case has been cleaned, hood with small chips in parts, front panels have been re-painted, left hand side of the trunk with one crack, plinth sides with cracks, right hand side of the plinth with a small piece of wood replaced, later feet, dial is discoloured and needs cleaning, movement is complete, movement is dirty and needs cleaning, with pendulum and two weights.
A Mahogany Three Month Duration Longcase Regulator, signed Taffinder, Rotherham, Exhibition 1851, Class 10 No.54, arched pediment, glazed trunk door depicting carved scroll decoration beneath the dial, plain rectangular plinth raised upon bracket shaped feet, 12-inch silvered dial, outer minute track with a corresponding centre minute hand, two dials for hours and seconds, large A-framed five pillar movement, deadbeat escapement with polished steel pallets, 196cm high see illustration By repute this clock was presented at The Crystal Palace Exhibition in 1851.10.10.17, Top of the pediment with cracks and veneer slightly lifting, small chips in parts and later added small pieces of wood, right hand side door aperture edges with signs of repair, later side glazed door panels, front of the plinth with one split, dial with small scratches, movement is complete, with pendulum and one weight.
A Lamb of Manchester Ash and Ebonised Aesthetic Three Piece Bedroom Suite, comprising a triple door wardrobe with carved roundels, stylised brass hinges enclosing hanging space, sliding drawers and four deep drawers with recessed brass handles, raised on a plinth base, 212cm by 58cm by 220cm, a matching dressing table numbered 2483 with rectangular pivoting mirror above two short and two long drawers, 107cm by 54cm by 154cm, and a pot cupboard stamped 2464 with gallery back above a cupboard door with ebony stringing, 42cm by 38cm by 82cm (3)
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