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Lot 629
A vintage 20th Century home made gun stock / butt gun desk / table lamp light having a panel beaten conical copper shade with the gun stock forming the support. Small storage / cigar chest in front with eagle decoration atop with all raised on a oak plinth base. Measures approx; 59cm x 34cm x 25cm.
Lot 473
A mixed cluster of three vintage table lamp light dating from the first half of 20th Century comprising of a reeded brass column example upon a domed brass bass with a wooden plinth below (later fixture). Together with a carved oak example and turned mahogany stem. All sold as untested with wear commensurate with age, overall good. Tallest measures approx; 34cm x 14cm diameter.
Lot 402
AB Good Furniture - A mid 20th Century Air Ministry style golden oak chest of drawers having a chamfered edge top with a straight bank of three drawers having curved oak handles. All raised on a plinth base with makers plaque to inner top drawer. Wear commensurate with age, overall good. Measures approx; 77cm x 91cm x 46cm.
Lot 534
A Gauge One Live Steam (Spirit Fired) 0-6-2 Tank Steam Locomotive, model is kit and/or factory built to a good standard (maker unknown), single inside cylinder, usual cab controls, burner and spirit tank present - the locomotive is unsteamed, finished in overall black, unnumbered or named, locomotive is 14 inch long/6 inch high and mounted on a display plinth 6 x 16 inches.
Lot 177
An early 20th cast lead garden statue of a young boy playing a pair of classical pipes on a square plinth base. 81 cm highCondition report: Some dark bands to the arms of the figure around the bicep area possibly joints in the construction but could possibly be old repairs.The figures are in good weathered condition and stand well.
Lot 4
A Flight, Barr and Barr Worcester vase, circa 1825With a broad everted rim and twin gilded handles, the circular foot supported on a bronzed and gilded square plinth, finely painted with a covey of six partridges within a rural landscape, reserved on a claret ground below a band of white 'jewels', gilded borders around the rim and foot, 15cm high, script mark referring to Coventry Street address in puce, inscribed 'Partridges'Footnotes:ProvenanceO'Donaghue CollectionTwinight CollectionIllustrated by Henry Sandon, Flight and Barr Worcester Porcelain 1783-1840, p.173, bottom left. The panel is particularly finely painted.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 76
A Swansea soup plate from the Lysaght service, circa 1817-20With a lobed rim, painted at the factory by Henry Morris with a basket of flowers resting on a stone plinth, including a passionflower, stocks and bluebells, the plinth hung with a garland of nasturtiums, the deep blue border richly gilded, 24.3cm diamFootnotes:ProvenanceSydney Heath CollectionBonhams Wales and West sale, 12 July 2008, lot 161Twinight CollectionThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 60
A large Derby vase, circa 1815Of slender campana form, boldly painted in the manner of William 'Quaker' Pegg with garden flowers including a fine passionflower, red poppy, variegated tulip, roses and chrysanthemums on a striking black ground, the square plinth, foot and lower section with elaborate neoclassical gilding, 32.3cm high, patch marks, crown and crossed batons mark in red, number 24 inside footFootnotes:ProvenanceTwinight CollectionFor a very similar vase, see Bonhams sale, 1 May 2013, lot 123. See also John Twitchett, Derby Porcelain (2002), p.96, colour plate 54.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 74
A Swansea tureen and cover from the Lysaght Service, circa 1817-20Of square shape, the gently domed cover surmounted by a gilded pineapple finial, painted at the factory by Henry Morris with a basket of flowers on a stone plinth, one inside the tureen and two baskets on the cover, the rich blue borders elaborately gilded, 24cm wide (2)Footnotes:ProvenanceSidney Heath CollectionSir Leslie Joseph CollectionBonhams sale, 5 December 2007, lot 486Twinight CollectionIllustrated by WD John, Swansea Porcelain (1958), illustration 36. Tureens from this service are extremely rare.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 75
A Swansea platter from the Lysaght Service, circa 1817-20Of rectangular form with a lobed rim, painted at the factory by Henry Morris with a basket of flowers resting on a stone plinth, including daffodils, roses, tulips and stocks, the plinth hung with a garland of purple flowers, the deep blue border richly gilded, 32cm wideFootnotes:ProvenanceSidney Heath CollectionBonhams sale, 5 December 2007, lot 489Twinight CollectionThere appear to be a number of services painted with this distinctive pattern. They are mostly likely to have been made during the Bevington period, sharing the same creamy paste and simplified handle forms with a number of other services from this slightly later period. This tray or platter is one of a number of forms not found in the earlier Dillwyn period and provides an unusually large surface area for decoration. Another similar example is illustrated by W D John, Swansea Porcelain (1958), illustration 36This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 3118
Two Turntable-Tuning Based And Other Wireless Receivers: An early McMichael with trademark speaker fret in brown bakelite; an HMV type 462 battery set with rear opening panel; an early Marconi type 246 plinth receiver; and a Sobel type 615 with curved louvre speaker fret, all in wooden cases (4)
Lot 155
Portrait of the Hon. Henry Arthur Cole (1809-1890), half-length, standing beside a classical column with his arm resting on a plinth draped in red clothoil on panel30.5 x 25cmProvenance:By descent to the sitter's niece, Lady Jane Evelyn Cole (1855-1941), By whom given in 1919 to her nephew Lowry Arthur Casamaijor Cole (1878-1955)Thence by descent to his son Reverend Arthur Lowry Frederick Cole (b.1911) By whom bequeathed to the present owner.Footnote: The present lot is by family tradition believed to have been copied by the artist from the prime original still at Florence Court, Enniskillen, County Fermanagh. The sitter was the son of John Willoughby Cole, 2nd Earl of Enniskillen (see lot 154) and Lady Charlotte Paget. He held the office of Member of Parliament for Enniskillen between 1844 and 1851 and Fermanagh between 1855 and 1880. He gained the rank of Lieutenant-Colonel in the 7th Hussars and in the 12th Foot.Condition report: 48 x 43cm (framed)Oil on a small wooden panel. The support and paint layers are in a good condition overall. The paint layers are applied in a thin, smooth manner. The darker paint passages have developed a slight texture as it has dried. There are small areas of overpaint around the edges of the panel and on the sitter’s hand. The varnish is very matte and has yellowed with age. There is a light layer of surface dirt with brown accretions.
Lot 318
the broken arch pediment above a pair of glazed doors with fitted drawer above a pair of panelled doors, on a plinth base, 240 x 133 x 58cmProvenance:Landwade Hall, Exning, SuffolkCondition report: Alterations to cornice and small loss, the side of the top half has some damage, cracks to front panels
Lot 331
bronze with green and brown patina, mounted to a slate plinth,the bronze 12.7cm high (17cm high overall)Literature:M. Poletti & A. Richarme, Barye, Catalogue raisonné des sculptures, Paris, 2000, no. A54, pp. 178-9Condition report: The bronze in good condition with even patina. Some minor fritting to the slate base. Two bronze pins secure the model to the base.
Lot 353
the 11inch (28cm) circular silvered dial signed 'Heywood London', the six pillar movement with shaped plates, six spoke wheels, wooden rod pendulum with large bob, the front plate marked for Handley and Moore and numbered 1465, the hood with brass finial above arched trunk door upon a plinth base,200cm high, 49cm wideThe estate of the late Robert MilesFootnote: George Handley and John Moore were former apprentices of John Thwaites who went into partnership in 1798. The partnership continued until 1824 when Handley died, after which Moore continued alone. William Heywood is recorded as working in King Street, Covent Garden 1807-10, and at Goodge Street from 1815-42.Condition report: Had been working OK for several days. But now moved into the saleroom for viewing, does not work for long, as needs levelling properly. Has case key and winding key. See photos for general condition. A pretty clock.
Lot 392
the circular hood dividing to reveal the 12inch circular dial signed ‘Henry Harper London’, with 5 pillar movement and elongated weights within a long shaped trunk and plinth base, 18th century and adapted, 209cm highProvenance:Landwade Hall, Exning, SuffolkCondition report: Not currently working. Very elongated weights to fit shape of case. Case probably 19th century. See photos.
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