There are 172950 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA Michael Sutty porcelain figural group 'The Latham Centrepiece, Lt. Matthew Latham and Ensign Charles Walsh defending The King's Colour, Albuhera, 16th May 1811', no. 42/75, 14in. (35.6cm.) long, 10in. (25.4cm.) high, on mahogany plinth with brass title plaque. Condition: Fine condition, with no damage noted.
An Art Deco figure signed L. Carvin cast metal, depicting an elegant lady with two greyhounds descending onyx steps with chrome sides, on a variegated marble plinth, 16½in. (42cm.) high, 18in. (45.7cm.) long. Condition: Chain dog leads missing. 20mm chip to upper of marble plinth, major glued repair to front of marble plinth, right leg not secured to base,12mm crack to side of bottom tier of plinth. tiny chips to top tier of onyx step, small pitt to back of figures head, probably occured in the casting process.
A Michael Sutty porcelain figural group 'The Battle of Waterloo, Sergeant Ewart of the Royal Scots Greys Capturing the Eagle Standard of the French 45th Regiment, 1815', un-numbered and marked 'Colour sample - Original 1975' to base, 11in. (28cm.) long, 10½in. (26.7cm.) high, on mahogany plinth with brass plaque. Condition: Detached staff (comes with model but need to be glued back in place). No other damage noted.
Pair of Bronze Dolphin Candlesticks, each base comprising the bewhiskered dolphin head resting on a decorated square low plinth above a plain stepped base; the stem, showing the dolphin's body as a coiled, scaly snake, terminating in a shell-like tail, below a scalloped drip pan and an acanthus decorated sconce; 20thC
A late 19th century mahogany cased lancet top bracket clock with boxwood line and floral motif inlay, on moulded plinth and 4 brass bun feet, with silvered dial and 3 barrel German movement striking Westminster chimes on coiled gongs, height 15", on non-matching ebonised carved scroll bracket
A mid George III ebonised bracket clock by John Rigby, London, with bevelled bell top, oval acanthus carrying handle, 4 pineapple finials, canted reeded side columns with 1/3 brass stopping, pierced fish scale panels to the side, front and back lined with red silk, moulded plinth and 4 brass bracket feet, the arched silvered dial with strike/silent dial to the arch and inset date indicator, twin fusee movement with replacement anchor escapement striking on bell, with engraved signed back plate, height 21½"
A late George III ebonised bracket clock by James McCabe with brass acanthus and line inlay, the arced top surmounted by brass pineapple finial on 2 concentric circular pads, having twin ring side handles, pierced Gothic brass side panels on cream silk, on square plinth bases and 4 ball feet, with white painted dial, subsidiary strike/silent dial to the arch, twin train fusee movement, anchor escapement, striking the hours on a bell, and the quarter full Whittington chime on 8 bells, on matched carved and scrolled ebonised bracket, height 28"
An early/mid-19th century lyre shaped brass mantel clock with classical female bust finial, the knife edge hung twin metal gridiron pendulum supporting the clock and movement as bob, the lower lyre cased with raised leaf decoration, on square base and plinth with 4 square feet, the matt gilt dial with subsidiary seconds dial, 8 day French movement with count wheel striking on bell, height 25"
An early 19th century ebonised lancet top bracket clock by Young, Dundee, having brass beading and extensive brass acanthus and flower inlay, with twin brass ring handles and Gothic arch side panels lined with cream silk, on plain rectangular plinth and 4 ball feet, with circular painted dial, twin train fusee movement with pull hour repeat and border engraved back plate, striking on bell, height 20", on later carved scroll bracket (front panel a.f.)
A mid George III arch top mahogany bracket clock with brass ring handle on brass mounted pad top, 4 turned vase finials, reeded brass mounted corners, front quarter panel and similar arched side panels with fish scale brass piercing lined with pink silk, on moulded rectangular plinth and brass bracket feet, having circular painted dial with twin train fusee movement striking on bell, the back plated with engraved border, height 19"
A Regency period rosewood bracket clock by W Mayo, Manchester, with brass finial on stepped conical base, the case having brass moulding, gilded canted side columns, twin brass handles with pierced brass side panels lined with cream silk, on rectangular plinth and turned pad feet, circular painted dial and 8 day single train fusee movement, height 20", on tapering mahogany bracket
An 18th century longcase clock, the hood with ball and spire brass finials, swan neck pediment and brass mounted side pillars, full length door and quarter turned reeded columns to the trunk, on plinth, arched brass dial with 8 day striking movement by John Simmons, Fleet Street, London, height 87"
A Derby figure of a gardener representing Earth from the four Elements, his right hand on a plant pot resting on a plinth, grapes and a melon in is left, the blade of his spade resting on the canted square base, incised No.3 A restorer has tidied up his hat the plant in the pot and would have restored the handle of the spade which is now missing
A large pair of Britannia standard Monteith style rosebowls, by Carrington & Co, London 1913, each circular with two lion mask and scrolled loop handles, the body chased and embossed with foliate scrolling below a detachable monteith ring with mask and scroll border, inscribed 'Presented to Lady Adelaide Spencer by The Women of Northampton on her Marriage, February 18th 1914', each raised on a circular ebonised plinth, 24.75cm high, 29cm diameter, 160.59oz (2) Generally in very good condition, some slight distortion to the rims and minor bruises to the bases of the bowls
Ottomar Elliger the Younger (Flemish, 1666-1735) The Death of Alexander the Great, lying upon a bed with his physician Philip and his wife, Roxana signed and dated lower left "O Elliger" on the stone plinth oil on canvas 56 x 72cm (22 x 28in) Provenance: From a Hertfordshire country house. Quite dirty and with bloom all over the figures. This will clean up beautifully.
A gilt brass 'Atmos' timepiece, Jaeger-LeCoultre, mid to late 20th century A gilt brass 'Atmos' timepiece, Jaeger-LeCoultre, mid to late 20th century, t he single train movement wound via the expansion and contraction of an aneroid chamber mounted to the rear of the mechanism and regulated by torsion escapement with rotating balance suspended at the base of the movement signed JAEGER-LECOULTRE to centre and numbered 100020 to suspension platform, the circular gilt on cream baton numeral chapter ring with Arabic quarters, the rectangular glazed case with canted angles and repeat signature to the hinged front door, on plinth base with adjustable feet, 22.5cm high.
A Victorian pollarded oak and inlaid secretaire bookcase, circa 1850 A Victorian pollarded oak and inlaid secretaire bookcase, circa 1850, the moulded cornice above a pair of glazed doors enclosing shelves flanked by turned ebonised columns, the secretaire drawer with an arrangement of pigeon holes and drawers with three hinged writing surfaces, with two cupboard doors below flanked by columns, on plinth base, 250cm high, 123cm wide, 54cm deep
A Napoleon III gilt-metal mounted marquetry side cabinet , circa 1870 A Napoleon III gilt-metal mounted marquetry side cabinet , circa 1870, the later pink marble top above a marquetry inlaid frieze with swags and central urn motif, the single panel door with marquetry cartouche containing an urn and flanked by detached tapering ribbed columns and lattice decorated side panels, on plinth with turned tapering legs, 116cm high, 84cm wide, 42cm deep
A Victorian mahogany pedestal desk, circa 1900 A Victorian mahogany pedestal desk, circa 1900, the rectangular top surrounded by three quarter brass gallery, with a tambour roll top enclosing pigeon holes and green leather tooled writing surface, with shaped apron to kneehole flanked by fluted uprights and eight short drawers, on plinth, the locks stamped J.T. NEEDS, 100 NEW BOND ST, J.BRAMAH, 106cm high, 153cm wide, 100cm deep Provenance: Reputedly from the offices of the Cliveden Stud, Cliveden
A Victorian walnut and inlaid davenport , circa 1850 A Victorian walnut and inlaid davenport , circa 1850, the three quarter brass gallery lid to the stationary compartment, sloping leather inset writing surface, with four drawers and four dummy drawers to the opposing side, on plinth 85cm high, 55cm wide, 61cm deep
A Gothic Revival oak pedestal writing table , circa 1880 A Gothic Revival oak pedestal writing table , circa 1880, the tooled leather inset top above a single pedestal base, with a blind frieze drawer and cupboard door enclosing four graduated drawers, on a plinth base with bun feet, 76cm high, the top 107cm x 58cm
Loading...
