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Click here to subscribeA Good reproduction Regency style Breakfast Sideboard of small proportion with half veneered, string inlay cross banded top. The central flight of four graduating drawers having hardwood linings and being flanked by short drawers over single brass diamond grill panel doors, the top left and central drawers fitted with velvet lined compartments for cutlery. Standing on a shaped plinth base. 46``w x 30``h x 13 1/2``d.
A Good reproduction Regency style Breakfast Sideboard of small proportion with half veneered, string inlay cross banded top. The central flight of four graduating drawers having hardwood linings and being flanked by short drawers over single brass diamond grille panel doors, the top left and central drawers fitted with velvet lined compartments for cutlery. Standing on a shaped plinth base. 46``w x 30``h x 13 1/2``d.
AN EARLY 20TH CENTURY SILVER PLATED PRESENTATION MODEL OF AN ARMY GARRISON, in the form of a fort, modelled with a look out tower, and crenellated walls, flying the Union Jack, on a turned wood circular base, the whole mounted on an oblong plinth, inscribed "With Best Wishes for Your Future Happiness From Your Colleagues in the New Territories" to a metal plate, 22.5cm high, 19cm wide
A LATE 19TH/EARLY 20TH CENTURY MEISSEN MINIATURE MUSIC STAND, the sheet music supported on a rococo scroll column, plinth base, underglaze blue crossed swords mark and incised numerals, 9cm high, together with a Dresden tea bowl, externally painted with floral sprays within trellis reserves against a yellow ground, underglaze blue mark to base, 6cm diameter (2)
AN EARLY 19TH CENTURY MAHOGANY CONSOLE TABLE, IN THE MANNER OF WILLIAM KENT, having a later oblong top over a frieze, centred by a coiled serpent, flanked by egg and dart moulded panels, over a laurel border, extending to each side, supported on a finely carved eagle with outspread wings, standing on a rocky base, from an oblong plinth with gadrooned border, 94cm high, 150cm wide, 64cm deep. A coiled serpent forms the apex of the Cavendish family crest (Dukes of Devonshire) and this table may have a link to the family, whose London home was designed by Kent in the 18th century, however no further evidence has come to light. See illustration
A VICTORIAN FIGURED WALNUT, MARQUETRY AND LINE-INLAID BONHEUR DU JOUR, the raised superstructure surmounted by a three-quarter brass gallery rail with two doors enclosing shelves and drawers, the lower section with a drawer fitted internally with a hinged adjustable writing slope and compartments for pens and inkwell, above a panel door enclosing shelves, flanked by pilasters on plinth base with ceramic castors, 56cm wide. See illustration
A LATE VICTORIAN MAHOGANY, ROSEWOOD AND WALNUT COLLECTOR`S CABINET, the rectangular top with moulded edge, the sides with raised moulded panels with brass drop handles, two conforming panel doors to the frieze enclosing a configuration of eight variously sized drawers, recessed brass handles, two further short and one long drawer to the base, on a plinth, 42.5cm wide
A B NORDISKA KOMPANIET, STOCKHOLM c 1930s, a walnut, satin birch and ebonised dining suite comprising a rectangular draw leaf on square legs, 65cm x 220cm extended, a set of four single chairs and a pair of carvers, each table having a square open back with horizontal rails, upholstered drop-in seat and conforming legs; a sideboard, having three twin panelled cupboard doors, the satin birch interior fitted with shelves and four drawers with bar handles, on stepped plinth base, 150cm long x 46cm wide x 83cm high, cabinet maker`s metal label and stamped R36106-C 11133. See illustration
A Victorian longcase clock, the 8 day movement with dead beat and striking on a bell, the circular silvered 12in dial with Roman Numerals and subsidiary second hand, inscribed Ex E Emanuel, Portsmouth, the case oak with pollarded veneer, the glazed hinged domed top door with foliage carving over a panelled base on a plinth. 194cm high.
*Bernhardt (Sarah, 1844-1923). Two full-length portraits of the actress, c. 1880, albumen prints, full length showing the actress in a pale trouser suit, in the first leaning on a plinth with a bust behind her, the second leaning against an easel with a palette in hand turned obliquely to the camera, mounted as a pair on an old card mount, 14 x 9.5 cm (2)
A Chinese unglazed pottery figure of a horse, on a rectangular plinth, 25cm high, Tang dynasty (AD 618-907), The above dating has been confirmed by thermoluminescent test at Research for Archaeology and the History of Art, Oxford University, sample number 381e11, obtained 15th June 1983. In light of the changing international market for the auctioning of Oriental Works of Art, Dreweatts advises prospective bidders that we will require registered bidders to provide additional evidence of identity and, at our sole discretion, we may also request financial references that might include the lodging of a £2,500 security deposit by a bank transfer or debit card prior to the commencement of the sale.In the event that a deposit is sought it will be returned, without interest and at the bidder’s cost with respect to transaction charges, within 7 working days of the end of the sale. In all circumstances it is at Dreweatts sole discretion as to whether we are prepared to accept bids from any bidder and we urge interested bidders to make their sale registration applications as early as possible, and in any event no later than mid-day on Monday 5th March.
A William IV figured mahogany sideboard, the raised panelled back with elaborate foliate scroll moulded supports and the plain rectangular top above a central and two flanking drawers, raised on two plain rectangular plinths, enclosed by doors with decorative columnar mounts on plinth bases (152cms wide, as viewed, some veneer chips and splits)
Two antique Chinese gilded metal figures, one of a standing woman in traditional dress on a naturalistic scrolled plinth, the other of a gentleman and a lioness asleep together, together with a large jade coloured circular disc with a central aperture and decorated with figures in horse drawn carriages within a Greek key border (30 cms dia)
Bronze figural sculpture by William Voller, modelled with Piatti seated with his violoncello, upon a rectangular base, 11" high, also upon a mahogany rectangular plinth *This bronze is illustrated on p21 in the book by John Dilworth, Andrew Fairfax and John Milnes - The Voller Brothers, Victorian Violin makers (oxford, 2006) **Sotheby`s sold a bronze by William Voller depicting Antonio Stradivari dated 1896, in their auction of 20th June 1995, (lot 112)**
An impressive Georgian style mahogany breakfront bookcase, the projected moulded cornice over boxwood and ebony inlaid frieze panel over astragal glazed doors enclosing adjustable shelves, reeded top over crossbanded boxwood and ebony strung panelled doors, raised on plinth base, with a silver plaque ``Presented to Blyth & Blyth on their 125th Anniversary by Miss MJ Fergusson, 10th July 1973, 280cm wide x 298cm high x 50cm deep
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