We found 173487 price guide item(s) matching your search
There are 173487 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
173487 item(s)/page
Lot 56
A pair of Grainger Worcester pot pourris and covers circa 1840, each designed as an urn supported by swan moulded handles and finely painted with a basket of summer flowers upon a plinth against a lavender and gilded ground and within foliately cast rims and below a pierced cover, red painted script ‘Grainger Worcester’ (a/f), 28cm high (2)
Lot 110
A late George III oak crossbanded mahogany eight day longcase clock, the 13’ square painted dial signed John Grosvenor, Cotten, Wem, with subsidiary seconds dial and date aperture, outer ring of Arabic numerals, inner ring of Roman numerals, between painted spandrels depicting castles and churches (dial repainted), over a long shaped trunk door flanked by fluted quarter pilasters on a box base and cut out plinth, 196 cm high Literature:John Grosvenor, Coton, Wem, is listed in ‘Shropshire Clock and Watch Makers’ by Douglas J Elliott as 1783-1861, born 1783 in Whitchurch, Salop
Lot 120
A George III oak crossbanded eight day longcase clock, the 12’ square brass dial signed Samuel Wright, Northwich, with subsidiary seconds dial and date aperture, the hood with turned front corner pilasters over a long trunk door, on a box base and later skirting plinth, 218 cm high Literature: Samuel Wright, Northwich, is listed in ‘Watchmakers and Clockmakers of the World’ by G H Baillie as circa 1757
Lot 124
A George III oak crossbanded eight day longcase clock, the 12’ square brass dial signed John Jones, Wrexham, with date aperture and subsidiary seconds dial, the hood with silhouette cut pediment over leaf carved frieze and square glazed hood door, above a long shaped trunk door, crossbanded box base on cut out plinth, 205 cm high Literature:John Jones, Wrexham, is listed in ‘Watchmakers and Clockmakers of the World’, by G H Baillie, vol 1, as circa 1778
Lot 129
A George III oak crossbanded thirty hour longcase clock, the 13’ square painted face signed W Evans, Machynlleth, with subsidiary seconds dial, date aperture and false winding holes, the associated movement striking on a single bell, the hood with swan neck pediment over short trunk door on a box base and cut out plinth, 207 cm high
Lot 216
A mahogany breakfront press cupboard, early 19th century, the central section with two cabinet doors revealing four sliding shelves over two short and two long drawers, flanked by two hanging compartments to each side, each with false drawer fronts to the door, raised on a plinth base, 240 cm wide, 230 cm high, 53 cm deep
Lot 1
An early 19th Century oak cased 8-day Longcase Clock, D Wenham of Dereham, the arched hood surmounted by three later turned spherical finials, over freestanding reeded columns to an ogee throat and trunk with canted corners, a long trunk door to a plinth base, to a 12" third period painted dial, signed to the arch, over a Roman chapter ring with outside five minute track and subsidiary seconds, to a Walker & Hughes false plate and movement with anchor escapement and strike on a bell, (associated), height 84"
Lot 1
A good Victorian walnut Credenza with moulded edge , the frieze inlaid with neo-classical foliage etc, applied with gilt metal mounts throughout, central panelled door enclosing cupboard flanked on either side by two ogee fronted glazed doors, enclosing fitted plush lined shelving, interspersed by ring turned columns on a plinth base, 75 ?" wide (ILLUSTRATED INSIDE BACK COVER)
Lot 1
A MID VICTORIAN FIGURED MAHOGANY CLOTHES PRESS having a flared and moulded cornice, two indented panel doors, two short and three long graduated drawers with turned handles, flanked by a hanging compartment with full indented panel door to either side, on plinth base, 192cms wide x 240cms high
Lot 1
AN ARTS AND CRAFTS WALNUT SECRETAIRE CABINET, the rectangular top above three central short drawers flanked by two panelled cupboard doors all with pierced brass back plates and drop handles over a secretaire drawer enclosing drawers and pigeon holes and two long graduated drawers on a shaped plinth base, retailers label to rear Christopher Pratt & Sons, Bradford, circa 1900
Lot 1
A Goldscheider polychrome terracotta bust of a woman holding an apple, 1930s, on a black painted circular plinth base, impressed no. 6947 to reverse, circular plaque to base 'Goldscheider Wien', 25cm high (minor nicks to hair). See Pinhas, Ora. Goldscheider: A Catalogue of Selected Models. Shepton Beauchamp 2006, p. 172
Lot 1
Gilbert Bayes (1872-1953), an equestrian bronze John Churchill, 1st Duke of Marlborough, 1650-1722, brown patinated and parcel gilt, inscribed GILBERT BAYES 1934, on a bronze titled plinth with battle honours verso, 89cm high overall. Provenance: The Gilbert Bayes Charitable Trust. Exhibited: Royal Academy and Liverpool 1935, Glasgow 1936, Institute 1939 (150gns), Royal Academy Winter 1940, Russia 1942 (150gns)Literature: Modern Sculpture RBS, 1939, p. 2, illustrated; The Studio, Vol. 32, July 1946, p. 83, illustrated and Irvine, Louise and Atterbury, Paul. Gilbert Bayes: Sculptor 1872-1953. Shepton Beauchamp 1998, p. 163
Lot 1
Gilbert Bayes (1872-1953), a white marble double-sided relief on plinth 'Romance', inscribed Gather the Harvest of Worth/ All departeth save Fame, modelled in 1913, the plinth of black painted cast and rolled iron, 198cm high overall. Provenance: The Gilbert Bayes Charitable Trust. Exhibited: Royal Academy 1913 and 1914, Edinburgh 1914, Bristol 1915 and 1920,(250gns), Liverpool 1914 and 1922 (#210) and Royal Scottish Academy 1924. #Literature: The Studio, Vol 59, 1913 p306, illustrated; The Studio 1917 p. 108, illustrated; Royal Academy Pictures 1913, p. 49, illustrated and Irvine, Louise and Atterbury, Paul. Gilbert Bayes: Sculptor 1872-1953. Shepton Beauchamp 1998, p. 120
Lot 1
Roland, a cold painted bronze and ivory figure, Mephistopheles, his head cocked and a hand on his chin, wearing a hooded cloak with tights and pointed shoes, all painted red, his face and hands in ivory, the rusticated triform marble plinth inscribed 'Roland Paris', 24cm high overall (minor wear to paint)
Lot 1
A pair of Gothic Revival oak and inlaid glazed side cabinets, late 19th century, the overhanging tops with an inlaid freize and paired quadrant brackets, above a pair of doors each with two arch and cusped-top panels divided by lozenge section pilasters, on plinth bases, 87.5cm high, 164cm wide, 70.5cm deep
Lot 1
An Arts and Crafts oak low book cabinet designed by Charles Francis Annesley Voysey, with five panel doors, the centre with two drawers, the others each with a shelf, on a plinth base, 91cm high, 213.5cm wide, 50.5cm deep. Provenance: This low bookcase was designed by Voysey for the reconstruction and furnishing of the offices of the Essex and Suffolk Equitable Insurance Society at Capel House, New Broad Street, London, between 1906 and 1910. His design for the scheme, shown at the Royal Academy in 1909 (no. 1518), was published by The Builder on 30th October 1909
Loading...-
173487 item(s)/page