Friedrich II. mit seinen WindspielenBronze 2-farbig patiniert, Marmor-Plinthe. H 19,5 cm, gesamt 22,5 x 22 x 16 cm. Flankiert von seinen Hunden auf einem Baumstamm sitzender König von Preußen, genannt Friedrich der Große. Minimaler Grünspan. Friedrich II with his wind chimesBronze 2-color patina, marble plinth. H 19,5 cm, total 22,5 x 22 x 16 cm. Flanked by his dogs sitting on a tree trunk King of Prussia, called Frederick the Great. Minimal verdigris.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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MOREAU, Louis (nach)(1855 Paris - 1919 ebd.) AdlerjägerMetallguss mehrfarbig bronzeartig patiniert, Holz-Plinthe mit Marmorierung. Bezeichnet, auf dem Sockel bezeichnet mit Titel "Chasseur d' Aigles". H 60 / 71 cm. Der jugendliche Bogenschütze trägt triumphierend den Adler auf der Schulter. Patina etwas berieben, Plinthe mit offenen Leimfugen und teils fehlender Marmorierung. Französischer Bildhauer in Paris. Literatur : Thieme Becker. MOREAU, Louis (after)(1855 Paris - 1919 ibid.) Eagle HunterMetal casting polychrome bronze patina, wood plinth with marbling. Inscribed, inscribed on the base with title "Chasseur d' Aigles". H 60 / 71 cm. The youthful archer triumphantly carries the eagle on his shoulder. Patina somewhat rubbed, plinth with open glue joints and partly missing marbling. French sculptor in Paris. Literature : Thieme Becker. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Deckelvase mit blauem Fond. KPM Berlin. Zeptermarke, 1. H. 20. Jh. Ohne Malereimarke. Aufglasurblauer und unterglasurblauer Teilfond, Goldstaffage. H 36 cm. Weimarvase. Ovoider Korpus mit Zungenbandrelief, zwei Akanthusblatthenkel, Knaufdeckel, kanneliertem Rundfuß, auf Rundplinthe. Deckel restauriert. Lidded vase with blue background. KPM Berlin. Scepter mark, 1st h. 20th c. Without painting mark. Onglaze blue and underglaze blue partial background, gold staffage. H 36 cm. Weimar vase. Ovoid body with tongue band relief, two acanthus leaf handles, knobbed lid, fluted round foot, on round plinth. Lid restored. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Jugendstil-Tierfigur Ochse. Hutschenreuther. Löwenmarke, Abteilung für Kunst, 1918-1938. Unterglasurbemalung. 16 x 27 x 7 cm. Auf flacher Plinthe stehender Ochse mit erhobenem Kopf. Haarriss am Schwanz. Art Nouveau animal figure ox. Hutschenreuther. Lion mark, Department of Art, 1918-1938. Underglaze painting. 16 x 27 x 7 cm. Ox standing on flat plinth with raised head. Hairline crack on the tail. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Tiger. KPM Berlin. Zeptermarke, Jahreszeichen 1927. BARYE, Antoine-Louis(1795 Paris - 1875 ebd.) Weiß. H 18,5 cm, L 36 cm. Schreitender Tiger, auf einer Rechteckplinthe. Tiger. KPM Berlin. Scepter mark, year mark 1927. BARYE, Antoine-Louis(1795 Paris - 1875 ibid.) White. H 18.5 cm, L 36 cm. Walking tiger, on a rectangular plinth. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Barock-Aufsatzsekretär. Ende 18. Jh.Nussbaum und andere Hölzer furniert und marketiert. Ca. 210 x 112 x 68 cm. Schreibschrank mit aufklappbarer Schreibplatte und 2-türigem Aufsatz mit geschweiftem Giebel; kommodenförmiges Unterteil mit 3 frontal geschwungenen Schüben, auf geschweifter Sockelzarge, dekoriert mit Bandintarsien und rocaillenförmigen Schlüsselbeschlägen; evtl. passend ergänzter Aufsatz innen mit 2 Einlegeböden und 3 kleinen Schüben, Schreibteil mit 1 offenen Fach, 6 kleinen Schüben und 1 größeren Schub. Restauriert mit Ergänzungen, Alters-/Gebrauchsspuren, min. Trockenrisse.2 Schlüssel.Shipping not available.Baroque top secretary. Late 18th centuryWalnut and other woods veneered and marbled. Approx. 210 x 112 x 68 cm.Writing cabinet with hinged writing top and 2-door attachment with curved pediment; commode-shaped lower part with 3 frontally curved drawers, on curved plinth frame, decorated with ribbon inlays and rocaille-shaped key fittings; possibly. matching supplemented attachment inside with 2 shelves and 3 small drawers, writing part with 1 open compartment, 6 small drawers and 1 larger drawer. Restored with additions, signs of age / use, min. dry cracks.2 keys.Shipping not available..*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Mokkaservice + 8 Teile Porzellan. Herend. Stempelmarke, 2. H. 20. Jh. Polychrome Kakiemonmalerei über Linienvordruck. 29 Teile. Mokkakanne (H 19 cm), Milchkännchen, Zuckerdose, 6 Mokkatassen, 6 Untertassen, 6 Gebäckteller, 1 Kuchenplatte (L 44 cm), 2 verschiedene Vasen (H 7,5 und 13 cm), 1 Kerzenleuchter, 1 Ascher, 1 Ovalschälchen und 1 Durchbruchschale (18 x 18 cm). Bestoßung an der Plinthe der Kratervase, Zuckerdosenknauf minimal bestoßen, partiell minimaler Goldabrieb. Mocha set + 8 pieces porcelain. Herend. Stamp mark, 2nd h. 20th c. Polychrome Kakiemon painting over line preprint. 29 pieces. Mocha pot (H 19 cm), creamer, sugar bowl, 6 mocha cups, 6 saucers, 6 pastry plates, 1 cake plate (L 44 cm), 2 different vases (H 7,5 and 13 cm), 1 candlestick, 1 ashtray, 1 oval bowl and 1 breakthrough bowl (18 x 18 cm). Bump on the plinth of the crater vase, sugar bowl knob minimally bumped, partial minimal gold abrasion. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
CAUER, Emil(1867 Kreuznach - 1946 Gersfeld) WasserschöpferinAlabaster oder Cauermasse, Onyxmarmor-Plinthe in Messingfassung, Sockel mit Gips gefüllt. Signiert mit undeutlichem Zusatz ("10"?). H 41,5 / 47,5 cm. Kniender Akt einer jungen Frau, die sich mit einer Muschelschale in der Hand zum Wasser niederbeugt. 1 Handgelenk geklebt, minimale Haarrisse im Natursteinsockel, sonst kaum Alters-/Gebrauchsspuren.Bildhauer in Berlin und Rom, Schüler seines Vaters Karl. Die Marmorfigur "Wasserschöpferin" von 1900 befindet sich in der Nationalgalerie Berlin.Literatur : Thieme/Becker.Shipping not available. CAUER, Emil(1867 Kreuznach - 1946 Gersfeld) Water creatorAlabaster or Cauermasse, onyx marble plinth in brass mount, base filled with plaster. Signed with indistinct addition ("10"?). H 41,5 / 47,5 cm.Kneeling nude of a young woman leaning down to the water with a conch shell in her hand. 1 wrist glued, minimal hairline cracks in the natural stone base, otherwise hardly any signs of age/use.Sculptor in Berlin and Rome, student of his father Karl. The marble figure "Wasserschöpferin" from 1900 is in the National Gallery in Berlin.Literature : Thieme/Becker.Shipping not available.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
RODIN, Auguste (nach)(1840 Paris - 1917 Meudon) Der DenkerBronze schwarz patiniert, Diabas-Plinthe. Bezeichnet, auf der Plinthenfront bezeichnet, Gießermarke Ara-Kunst mit Zählung "267". H 36 / 39 cm. Nachguss der berühmten Figur, die Rodin als zentrale Figur über dem "Höllentor" konzipiert hatte und später als monumentale Version 1904 auf der Weltausstellung von St. Louis zeigte. Schüler der späteren Ecole d'art décor unter Lecoq de Boisbaudran, dann im Atelier von Barye und Carrier-Belleuse. Gehilfe des Bildhauers Rasbourg in Brüssel, arbeitete auch für die Porzellanmanufaktur Sèvres. "R. ist neben Medardo Rosso der Hauptvertreter des Impressionismus in der Skulptur.". Literatur : Thieme/Becker. RODIN, Auguste (after)(1840 Paris - 1917 Meudon) The ThinkerBronze black patinated, diabase plinth. Inscribed, inscribed on the plinth front, foundry mark Ara art with count "267". H 36 / 39 cm. Cast after the famous figure Rodin conceived as the central figure above the "Gates of Hell" and later showed as a monumental version in 1904 at the World's Fair of St. Louis. Pupil of the later Ecole d'art décor under Lecoq de Boisbaudran, then in the studio of Barye and Carrier-Belleuse. Assistant to the sculptor Rasbourg in Brussels, also worked for the porcelain manufactory Sèvres. "R. is, along with Medardo Rosso, the main representative of Impressionism in sculpture.". Literature : Thieme/Becker. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
PREISS, Ferdinand(1882 Erbach - 1943 Berlin) "Mohrenknabe"Bronze patiniert, Ivorine(?), teils lackiert, Marmorsockel. Bezeichnet. H 19 / 26 cm. Ein Getränk auf dem Tablett bringender Knabe mit Turban. Verfärbung an der Bronze-Plinthe. Der gelernte Elfenbeinschnitzer gründete 1906 mit Arthur Kassler die Firma Preiss & Kassler, die für ihre Chryselephantine- Figuren international bekannt wurde.. PREISS, Ferdinand(1882 Erbach - 1943 Berlin) "Mohrenknabe"Bronze patinated, ivorine(?), partly lacquered, marble base. Inscribed. H 19 / 26 cm. A drink on the tray bringing boy with turban. Discoloration on the bronze plinth. The trained ivory carver founded in 1906 with Arthur Kassler the company Preiss & Kassler, which became internationally known for its Chryselephantine figures... *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Bronzevase im Empire-Stil. Gravur auf der Schulter "B. Barbedienne". 2. Hälfte 19. Jh. Bronze. H 27 cm. Gestufte Quadratplinthe mit Tatzenfüßen. Vase mit Tatzenfüßen und Aigikranion an der ausgeprägten Schulter. Teils geschlossene Bohrlöcher von entfernter Elektrifizierung, 2 Vasenbeine mit Rissen, Sockel ergänzt(?). Bronze vase in Empire style. Engraved on the shoulder "B. Barbedienne". 2nd half 19th c. Bronze. H 27 cm. Stepped square plinth with paw feet. Vase with paw feet and aigicranion at the pronounced shoulder. Partially closed drilled holes from removed electrification, 2 vase legs with cracks, base supplemented(?). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Großer lächelnder und sitzender Buddha. Wohl 19. Jahrhundert. Burma. Holz. H 63 cm. Stärker verwitterte Figur eines sitzenden Buddhas mit der Geste der Erdberührung. Die Hände überproportional groß. Reste dunkelroter Farbfassung. Im hinteren Sockel leeres Reliquienfach. Größere Fehlstellen an Hand, der Sockelkante und der Krone. Provenienz : Privatsammlung, erworben in den 1960er Jahren auf dem deutschen Kunstmarkt. Large smiling and sitting Buddha. Probably 19th century. Burma. Wood. H 63 cm. More weathered figure of a seated Buddha with the gesture of touching the earth. The hands disproportionately large. Remnants of dark red colored paint. In the rear plinth empty reliquary compartment. Larger missing parts on hand, the edge of the plinth and the crown. Provenance : Private collection, acquired in the 1960s on the German art market. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Große Kratervase mit Biskuitrelief. Neapelmarke, wohl Ginori, Ende 19. Jh./20. Jh. Weiß. H 46,5 cm. Kraterform mit zwei Handhaben, gerade godroniertem Fuß und Quadratplinthe. Umlaufend die reliefierte Biskuitdarstellung des Gottes Helios im von vier Pferden gezogenem Sonnenwagen, verso ein schwebendes Puttenpaar mit schnäbelnden Tauben. 2 Pferdebeine und beide Taubenköpfe restauriert. Large crater vase with bisque relief. Naples mark, probably Ginori, late 19th c./20th c. White. H 46,5 cm. Crater form with two handles, straight godronated foot and square plinth. Circumferentially the relief bisque depiction of the god Helios in a sun chariot drawn by four horses, verso a floating pair of putti with beaking doves. 2 horse legs and both dove heads restored. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Paar Amphorenvasen mit Trachtendarstellung. Ungemarkt, 1. H. 19. Jh. Polychrom bemalt, goldstaffiert. H 23,5 cm. Ovoider Korpus, zwei Rosettenhenkel, Kraterhals, Rundfuß, auf Quadratplinthe. Hellgrüner Fond, schauseitig eine goldgerahmte Rechteckkartusche mit der Darstellung eines Bauern bzw. einer Bäuerin in Trachtenkleidung in einer Berglandschaft, verso Blumenmalerei. Minimaler Goldabrieb, Korpusansatz jeweils restauriert. Pair of amphora vases with traditional costume depiction. Unmarket, 1st half 19th c. Polychrome painted, gold decorated. H 23,5 cm. Ovoid body, two rosette handles, crater neck, round base, on square plinth. Light green background, on the outside a gold-framed rectangular cartouche depicting a farmer or a peasant woman in traditional costume in a mountain landscape, verso floral painting. Minimal gold abrasion, body base restored in each case. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Barock-Kommode. Wohl Ende 18. Jahrhundert.Nussbaum furniert und maserfurniert. Ca. 80,5 x 106 x 62 cm. 3-schübige Kommode mit geschweiftem Korpus, auf geschwungener Sockelzarge, dekoriert mit gespiegeltem Maserfurnier und Bandlwerkmarketerie, verziert mit Schwanenhals-Messinggriffen und Grotesken-Beschlägen. Alters-/Gebrauchsspuren, restauriert mit Ergänzungen.1 Schlüssel.Shipping not available.Baroque commode. Probably late 18th century.Walnut veneered and burl. Approx. 80.5 x 106 x 62 cm.3-bay chest of drawers with curved body, on curved plinth frame, decorated with mirrored burl veneer and ribbonwork marquetry, decorated with swan-neck brass handles and grotesque fittings. Traces of age/use, restored with additions.1 key.Shipping not available..*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Ovaler NähtischVerschiedene Hölzer, furniert und marketiert. Ende 19. Jh. Ca. 85 x 54 x 37 cm. Zierlicher ovaler Nähtisch auf 4 geschwungenen Beinen, verstrebt durch Sockelplatte; abnehmbare Deckplatte und herausnehmbarer, in gelbem Samt ausgekleideter, 3-fach geteilter Einsatz; dekoriert mit Blumenmarketerie und Messingapplikationen. Alters-/Gebrauchsspuren, restaurierungsbedürftig. Shipping not available. Oval sewing tableVarious woods, veneered and marked. Late 19th c. Ca. 85 x 54 x 37 cm. Decorative oval sewn table on 4 curved legs, braced by plinth; removable top and removable insert lined in yellow velvet, divided into 3 parts; decorated with floral marquetry and brass applications. Signs of age/use, in need of restoration. Shipping not available..*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Bronze pocket watch stand in the form of a goose, inscribed 'France', upon a green onyx plinth base, 3.5'' high; together with a bronze winged figure holding a flaming torch, upon a marble base, 8.5'' high (at fault) (2)-The figure has one wing detached and the top of the item in the left hand is missing.
8th Durham Rifle Volunteers Officer’s Pouch Belt Plate 1860-1880, a fine quality example, crown, plinth and laurel pattern in bronze with plated shaped back plate. This fitted with a shield bearing the Arms of Gateshead, a goat’s head erased over a castle. The reverse with four screw post fasteners complete with nuts, very good condition
Small Table Head Bust of Adolf Hitler, painted alloy small table head bust of Adolf Hitler with small square base and rod fitting, originally would have been placed on a marble or stone plinth. Artist marked to the base "Schmidt-Hoffer". Some scuffs to the finish revealing the alloy body but still a good example. Stands 18 ½ cms tall (not including fixing rod). Re-offered due to non-payment.
A George III design walnut bracket clock, 14cm silvered chapter ring with Roman numerals, Arabic subsidiary, three winding holes, adjusting chapters for Whittington/Westminster/Winchester, Chime/Silent and Fast/Slow, inscribed Garrard, the movement Elliott, London, caddy top, the moulded door enclosing pierced trellis, skirted base, plinth feet, 45cm high over handle
A large George II design giltwood and ebonised console table, in the manner of William Kent, rectangular Guatemala type green marble top above a leafy frieze, shaped apron with vacant cartouche and scrolling acanthus flanked by bold eagle supports, plinth base, 83cm high, 213.5cm wide, 65cm deep, 20th century
A Victorian walnut cylinder bureau bookcase, moulded cornice above a pair of glazed doors enclosing three shelves, the projecting base with retractable door enclosing a sliding plateau with hinged writing surface adjustable on a ratchet, small drawers and pigeonholes, above a further pair of glazed doors enclosing a shelf, flanked by leafy scroll brackets, plinth base, 226.5cm high, 99.5cm wide, 55cm deep, c.1850
A William IV mahogany linen press, outswept cornice above a pair of panel doors enclosing five sliding trays, the base with two short and two long cockbeaded drawers, three linings stamped From Adamson’s Furniture Warehouse Clapham Road, plinth base, 211cm high, 148cm wide, 62cm deep, c.1835
An early Victorian mahogany breakfront library bookcase, moulded cornice above three glazed doors, each enclosing four shelves, divided and flanked by scroll brackets, the projecting base with three panel doors, the left locked, the central enclosing a shelf, the right enclosing four drawers, plinth base, 243cm high, 217.5cm wide, 53.5cm deep, c.1845
An Edwardian satinwood crossbanded mahogany twin pedestal Carlton House type desk, shaped superstructure with four small drawers above an inset writing surface and three frieze drawers, three further drawers to each pedestal, bracket-form plinth base, 97cm high, 122.5cm wide, 66cm deep, c.1905
A 19th century oak, mahogany and marquetry longcase clock, 33.5cm arched brass dial inscribed Thos Fielders, London, Roman and subsidiary Arabic numerals, subsidiary seconds dial, rolling moon phase to arch, one section painted with HMS Victory, twin winding holes, eight day movement striking on a bell, the case with swan neck pediment, shaped rectangular door to waist inlaid with a shell patera, flanked by inset quarter-columns, bracket-form plinth base, 221cm high, 54cm wide, 27.5cm deep
A George III Irish mahogany longcase clock, 33cm arched painted dial inscribed Robt.Young, Ballymena, Roman numerals, painted to the arch with a young girl sleeping, to spandrels with flowers, subsidiary seconds dial, date aperture, twin winding holes, eight-day movement striking on a bell, the hood with swan neck pediment and brass ball and spire finial, Doric columns, rectangular door to waist flanked by spirally fluted canted angles, shaped plinth base, 221cm high, c.1820
A Sheraton Revival satinwood crossbanded mahogany and marquetry longcase clock, 32cm arched brass dial with silvered chapter ring, Roman and subsidiary Arabic numerals, subsidiary seconds dial, Westminster chime/Silent to arch, the case with swan neck pediment above a frieze inlaid with an urn and scrolling acanthus, bevelled glazed door to waist, the base inlaid with a further urn, a wreath and ribbon-tied swags, bracket-form plinth foot, 236cm high, 51cm wide, 33cm deep
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173444 item(s)/page