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Click here to subscribeA beautiful French patinated bronze figure 'Triumphato', after Ernest Rancoulet (French 1870-1915) The finely cast model after the original, modelled as two winged putti one with bow and quiver of arrows on his back, with scrolling clouds under foot and raiased on a globe shaped base, further mounted on a circular plinth base with title plaque inscribed 'Triumphato', signed to base 'Rancoulet', 64cm high.
An early 20th Century Winterhalder and Hofmeier eight day mantle clock The arched architectural case with glazed arched door, raised on a stepped on a plinth base and raised on compressed bun feet, enclosing silvered dial with 4 inch chapter ring, with black Roman numerals, stamped Lamer Kuss & Co. beneath slow/fast and chime/silent dial, 29cm high.
A French Japy Freres mantle clock, late 19th Century The variegated and stepped rectangular marble plinth base, supporting a cast spelter figure of a cupid holding a quiver of arrows, reclining before rockwork forming the clock, with white enamelled dial and Arabic black numbers and central floral swag design, surmounted by a Corinthian column finial, movement stamped with makers mark and striking on a gong, with plaque 'L'Amour En Fete Par Moreau', 30cm high.
A French Louis XVI Ormolu Mounted Black and White marble mantel clock, by Gavelle , Le Jeune , Paris The suspended white enamel dial with black Arabic numbers and subsidiary seconds, raised on black marble obelisks columns detailed with ormolu musical trophies conjoined by suspended chains, raised on a white marble plinth base and surmounted by ball finials, the two train movement striking on a gong, with pendulum, 31cm high. CONDITION REPORT: Pendulum was suspended on a silk string, however arm moves are not connected, cannot say if working, chimes work, clock age late 19th century, all parts appear original very attractive looking clock.
A Doulton Burslem Luscian Ware pedestal vase, painted by Edward Raby, Circa 1910 The gilt square section base, supporting a lobed footrim, the short stem rising to a rounded ovoid body, with gilt shoulder and ivory everted rim, adorned with twin loop satyr mask handles, the body painted in blue tones depicting poppies, picked out with gilt highlights, green printed factory marks, 34cm high. CONDITION REPORT: lot 1198 - Finial completely restored, remodelled and re-gilded restored chip to the inner lip of the cover, approx 1x1cm. Also, extensive rubbing to the gilt at the inner area, unnoticeable when cover on top of vase. Replacement screw to the base of the vase, a new screw has been fitted to join the stem and body of the vase together, this does not attract from the appearance of the vase, however it may have slightly been over tightened and therefore caused the base to issue two hairline cracks, each approx 3cm in length. Very small chip to the plinth base at the corner, approx 0.3cms in size.
A Staffordshire pearlware spill holder Modelled in the form of a recumbent lurcher, with a series of holes to its back, raised on an oval plinth base, with all over ivory, green and treacle glazes, 6cm high, 13cm long. CONDITION REPORT: Crazing visible throughout. No signs of chips/cracks and restoration. Difficult to date the figure as the base and foot rim is glazed with little wear, (please refer to images.)
A Victorian mahogany twin pedestal writing desk The raised back with a spindled gallery flanked by three small drawers either side above a leather inset writing surface, with a central hinged writing slope over three frieze drawers supported on two pedestals, each with three graduated cockbeaded drawers, turned wooden handles, plinth base, 140 x 108 x 73cm
A Victorian burr walnut credenza The break front top above an inlaid frieze and a single cupboard door inlaid with a central pendant and geometric stringing, flanked by two convex glazed cupboard doors, overall with gilt metal embellishments raised on a plinth base and vase shaped feet, 152 x 107 x 40cm CONDITION REPORT: Split/ gap in back boards left hand side. Minor loss of veneer on rim of top. Some gilt metal work missing around right hand cabinet door and left hand cabinet door. More than half missing on both doors. Damage to velvet lining on interior. Replaced lock on centre cabinet door. Crack to left hand side cabinet door approx 12 inches long. Rear foot replaced. Minor wear to top.
An early 20th Century mahogany Chippendale style compactum wardrobe The inverted cornice with a rope effect border above a scrolling blind fretwork frieze, the central inverted panelled cupboard door above three small drawers and flanked by two panelled doors, raised on a bowfront plinth with a rope effect border and raised on carved cabriole legs, ball and claw feet along with a conforming mahogany bed. Wardrobe measurements 185 x 210 x 60cm and the width of the bed 140cm.
An exceptional Victorian ebonised , gilt metal and boulle work music cabinet The rectangular top above a gilt metal mounted openwork frieze and a single glazed door with an ornate boulle work and gilt frame, enclosing a velvet lined interior with a single shelf,raised upon a plinth base with a gilt metal border and gilt metal flower head embellishments, 68 x 100 x 41cm
An early 20th century mahogany Chippendale style three-piece bedroom suite comprising tallboy, dressing table and pot cupboard The bowfront tallboy with a moulded rope border above a scrolling blind fret work frieze, two short drawers, two long drawers and a pair of inverted panel cupboard doors, upon a plinth base with a rope effect border raised on carved cabriole legs and ball and claw feet, the conforming dressing table with a shaped mirror raised upon fluted columns with vase finials above a bowfront top fretwork frieze, centred with a single frieze drawer and flanked by two small drawers either side raised on heavily carved cabriole legs and ball and claw feet and a conforming pot cupboard (3). Tallboy measurements 92 x 119 x 54cm, the dressing table measurements 122 x 158 (with the mirror) x 56cm.
A Victorian burr walnut cylinder Davenport The hinged rectangular and gilt metal galleried top above a convex fall front enclosing a sliding compartmentalised interior above a single glazed door flanked by two tapering fluted columns, raised on a plinth base, bun feet and castors, 55 x 100 x 46cm CONDITION REPORT: Lot 1341 - Fading to timber, cylinder top works, frame to cylinder with knocks, dents and scratch marks, some water damage. Top metal rail loose Interior - leather scratched and starting to split, veneer splitting. Replaced interior in desk with later screws. Material new with possibly glass and beads. Front - loss of veneer, knocks and scuffs etc. Fading to cylinder front. Left side - Fading knocks and dents some loss of veneer Right Side - fading, water damage, knocks and dents. A gap of 1/4 inch between sliding cylinder front and right hand side.
A Victorian burr walnut Davenport The rectangular hinged stationary compartment above a red leather inset writing slope over four small drawers opposed by four faux drawers, with two leaf carved curvilinear supports and scroll terminals, raised on a shaped plinth base and bun feet, 56 cms x 85cms x 56 cms.
A Victorian burr walnut davenport The hinged leather inset writing slope concealing a maple interior with four drawers, above a sliding and hinged compartmentalised stationary drawer and a moulded beaded door which encloses four short drawers, with two curvilinear uprights each with scrolling leaf terminals upon a shaped plinth base, on leaf carved bun feet and casters 59cms x 89cms x 58 cms.
A 19th Century French ormolu and marble mantel clock, by Millet of Paris, figural decoration of Putti playing the cymbals, 8 day half hour striking movement with enamel dial, flanked by fauns holding hunting horns, raised on a plinth with classical decorated panels, foliate scrolls and mask heads, terminating in turned supports, 67cm wide x 59cm high
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