An early 19th century Anglo-Indian carved ebony cheval glass, the rectangular plate supported by turned and carved columns, each bearing the family Arms of Norton and Rose within reserves, with square plinth bases, on lion paw feet, 167 x 118 cm Provenance:Research has confirmed the arms on one panel are the arms of George Norton, called to the bar in 1816, who in 1825 became advocate-general in Bombay and from 1827-1854 advocate-general in Madras. The other panel to be those of the Rose family of Waddesdon, Buckinghamshire, possibly the family of George Norton's wife, whose father was John Rose, who was admitted to Grays Inn, in 1800, the second son of Thomas Rose of Winchendon, Buckinghamshire.The research by the College of Arms is available from the auctioneers.
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A George III mahogany eight day longcase clock, the break arch hood with small swanneck pediment, 12inch brass dial with strike/silent to the arch, signed Jn Barber Stratford, seconds dial and date aperture, Rococo spandrels, five pillar movement with replacement seatboard, the trunk with break arch door, upon a panelled plinth base 219cm (85in)
19TH CENTURY CARVED IVORY STUDY OF A RECUMBENT LION, with his tail over his back, crossed paws and exposed teeth, on a rectangular moulded plinth with canted angles. 9.3cm long. CONDITION REPORT: Rather grubby and discoloured, some cracks with age visible, he may have had a tongue which is not in evidence now, crack through front left paw, minor chips and one particular chip around base rim.
LATE 18TH CENTURY 8 DAY LONG CASE CLOCK in overall chinoiserie lacquered and painted case, having arched brass face with Roman numerals and date aperture, painted arched door on panelled base with later plinth, 8 day two train movement striking on one bell. The unnamed face 40.5 x 30cm, overall 246.5cm including finial. CONDITION REPORT: Evidence of fire damage, some minor losses to the case. Plinth base is a replacement, minor losses to mouldings to the case in places, the glass is cracked.
A WILLIAM IV MAHOGANY SMALL SIDEBOARD, the pedimented back with scroll and leaf surmounts and applied florettes, moulded edged top with three cushion frieze drawers, arched central niche flanked on either side by a cupboard door with bowed tapering Grecian style panel, moulded pilasters, on plinth, 53" x 15 1/2" x 49 3/4" (Illustrated)
AFTER HENRI FUGERE (1872-1944), A bronze and ivory figure of a young female dancer with a large bronze bow in her ivory hair, playing castanets and wearing a tight bodice and short flounced skirt with one leg raised and displaying ribbon tied stockings, standing in one foot on a red stained marble swept plinth, signed, figure 12 1/2" high, 17 1/4" high overall (Illustrated)
A WILLIAM IV MAHOGANY PEDESTAL SIDEBOARD, the inverted breakfront top with raised back carved with foliate scrolls and flowerheads centred by a shell, three panelled frieze drawers with bead and reel edging, two similar cupboard doors below enclosing drawers and a cellarette, on plinth, 67" x 29" x 39 1/4"
A GENTLEMAN'S ART DECO SATINWOOD DRESSING CHEST, the inset top with moulded cornice and recessed central section with glass shelf, six drawers below with silvered drop handles flanked on either side by a cupboard door enclosing six slides and a tie rack, reeded corner columns, on plinth, 35 1/4" x 20" x 32 1/2" (Illustrated)
AN EDWARDIAN MAHOGANY LIBRARY TWO STAGE BOOKCASE, crossbanded with stringing, moulded and key inlaid cornice over three astragal glazed doors enclosing adjustable shelving, protruding breakfront base with three frieze drawers over three panelled doors below, brass drop handles, on plinth, 73" x 24" x 91 1/2" (Illustrated)
AN OAK AND MAHOGANY THIRTY HOUR LONG CASE CLOCK, swan neck hood on reeded column supports either side of door to 10' square brass dial with Roman numerals, corner spandrels, dial inscribed Presbury Coventry, single finger, quarter pilaster supports either side of door, separate plinth base having ogee bracket feet, approximately 212cm high (several modifications, alterations, replacements etc) (one weight and penulum)
A LALIQUE MOULDED AND FROSTED GLASS NUDE MAIDEN FIGURINE, 'Danseuse Bras Leves' (originally by Marc Lalique 1960), modelled as female nude standing with arms stretched above head leaning to one side leaning against naturalistic rocks on oval plinth, engraved Lalique France to base, approximately 24.5cm high
A CLOCK GARNITURE, the circular white enamel dial having floral swag and Arabic numerals detail supported on four gilt columns with climbing ivy and leafage capital, acorn finials and basket pediment, basket of flowers pendulum, all set on stepped rectangular plinth and tapering feet, together with gilt twin handled urn garnitures with gilt acorn finials, stepped square plinth bases and tapering feet, clock approximately 46cm max high (one garniture handle detached) (key)
A HEAL & SON LONDON SATINWOOD TWIN PEDESTAL DRESSING TABLE, having central long drawer over kneehole flanked by short drawers over banks of three deeper drawers on plinth base, central oval mirror with brass cantilevered candlesticks either side over two jewel drawers, urn finials, carved Greek key and scroll detail to top, stamped Heal & Son London to central drawer, all drawers with turned handles, approximately 138cm x 60cm x 164cm high (key)
A CARVED HARDWOOD BLACKAMOOR STAND, having female figure leaning on vine with moulded leaf mounts, supporting structured fabric platform (missing one tassle) on octagonal ebonised plinth with carved stylised floral design with carved cloth over, approximately 140cm high, together with later detachable lamp addition, carved orb fitment supported on three elephants atop ebonised circular plinth, approximately 33cm high, max 174cm high
A MAHOGANY EIGHT DAY LONG CASE CLOCK, having circular 12' white enamelled dial with Roman numeral chapter ring inscribed TB Whitehall Nottingham, plain dome hood, shaped panel door, stepped box and plinth base, approximately 180cm high (weights and pendulum) (dial overpainted and with losses)
A FIGURAL CLOCK GARNITURE, the onyx clock having spelter cupid mount over circular white dial with Arabic numerals on scrolled gilt metal feet, movement impressed 468, Medaille d'or Paris 1900, Samuel Marti, the matching garnitures modelled as Les Bulles and Taquinerie on onyx plinth with gilt metal scroll feet, impressed Ferrand France, clock approximately 39cm high, garnitures approximately 31cm high (pendulum and key)
A CONTEMPORARY FRENCH LOUIS XV STYLE CLOCK, with ormolu mounts to include cherub finial and scroll feet, gilt dial with individual Roman numeral cartouches, VI inscribed Made in Italy and Love under, movement stamped Germany 351-060, 32cm high, all set on tapering plinth with faux marble top over mask ormolu mount and beading to floral inlay, plinth approximately 190cm high
A VICTORIAN OAK AND POLLARD OAK MIRROR BACK SIDEBOARD, the base having central fall front with carved fruit, leaf and fish design with two long drawers under having copper Art Nouveau stylised tulip handles flanked by two cupboards having fruit, leaf and urn carvings, one to shelved interior, the other to cellarette, on stepped plinth base and squat bun feet, the central mirror back over flanked by two smaller mirrors, all with bevelled glass having matching fruit, leaf and fish carvings over with scroll cresting with carved leafage either side reeded pediment, carved moulded baluster supports under roundel with shaped cornice raised on shaped moulded plinths, approximately 185cm x 65cm x 22.5cm high (key)
AN OAK AND MAHOGANY EIGHT DAY LONG CASE CLOCK, shaped panel door with half bobbin pilasters either side and beaded borders above and below, swan neck hood with floral brass roundel mounts either side ball and eagle finial, column supports either side door with urn finials over, arched dial with gent shooting game with working dog over Roman numeral dial and Arabic dial within, floral spandrels and 'John Hall Sleaford 1810', all on shaped bracket plinth. Approximately 222cm high, (dial over painted) (two weights, pendulum and key) (splits and losses)
A FRENCH COBALT BLUE AND GILT CLOCK GARNITURE, the cobalt urn clock with segmented Roman numeral dial inscribed N. Cheneau Dijon over cherubs to gilt plinth base, bird and floral finial, approximately 52cm high, the two six sconce candelabra garnitures having lion mask ring handles, garland to front on shaped bracket feet, plinth approximately 52cm high
AN ART NOUVEAU OAK BOOKCASE, with glazed leaded double doors having green glass feature drops to four shelf interior, the side panels having inlaid stylised floral motif, shaped and moulded cornice and plinth set on four bracket feet, lock stamped IG, approximately 116.5cm x 32.5cm x 133.5cm high (key)
A ROYAL VIENNA ERNST WAHLISS ART NOUVEAU FIGURE, depicting maiden in flowing robes having flowers in each hands set on floral encrusted plinth, impressed Made in Austria and 4731 6, red Vienna sticker and painted 4731 II 136. 11 to base, approximately 38cm high (chips to robe and plinth a/f), together with Art Nouveau maiden in flowing robes with grapes in both hands and to plinth, impressed Made in Austria and 4730 6, red Vienna sticker and painted 4730 II 136 11 to base, approximately 38cm high, (cracks and chips) (2)
A VICTORIAN FRENCH MANTEL CLOCK, of balloon form having floral ceramic painted panels under on stepped gilt metal plinth base with scroll and floral bracket supports, basket of flowers finial with garlands streaming down either side birds in nest over circular white enamel dial having Roman numerals and Arabic dial inscribed Au Negre Sarazin Bart St Denis 19, eight day movement striking on a bell, impressed 69. 7104, pendulum impressed 7104, approximately 30cm x 14cm x 35cm high (key)
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173444 item(s)/page