A figured mahogany longcase clock with moonphase, circa 1830, the four-pillar rack and bell striking movement with 12 inch white Arabic numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and signed “Hill, Bristol” to centre, with rose painted spandrels and rolling moonphase to arch, the arched-top case with scallop shell and rosette carved fluted frieze over wavy edge door and fluted Corinthian pilasters to hood, over short flame figured trunk door flanked by quarter columns, on conforming plinth base with bracket feet, 215cm high. Probably William Hill who is recorded in Moore, A J “The Clockmakers of Bristol 1650-1900” as working from St Augustine”s Back 1848-65
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A Victorian figured mahogany eight-day longcase clock, circa 1850, the four-pillar rack and bell striking movement with 12 inch circular white painted Roman numeral dial signed “W. Enock, Warwick”, in shallow break-arch pedimented case with turned pilasters to hood over short door and canted angles to trunk, on crossbanded plinth base with splayed bracket feet, 208cm high. William Enock is recorded in Loomes, Brian “Watchmakers & Clockmakers of the World Volume 2” as working in Warwick 1827-55
A mid 19th century Scottish mahogany drumhead longcase clock, the four-pillar rack and bell striking movement with 12 inch circular white Roman numeral dial with subsidiary calendar and seconds dials and signed “D. Kiddie, Glasgow” to centre, the case with foliate carved crest and tapered trunk fronted with raised panel door flanked by applied batons, on panel plinth base with canted skirt, 208cm high.
A late 19th century French gilt metal and polychrome painted porcelain mantel clock, the eight-day bell-striking movement with platform cylinder escapement and gilt Roman numeral dial, in tabernacle form case with putto decorated cupola and turned finials over Cupid and Psyche figural painted panels to sides and back, on conforming plinth base with ball feet, bears underglaze blue beehive mark to base, 45cm high.
An early 19th century French alabaster mantel clock, the bell-striking movement with silk suspension and Roman numeral enamel chapter ring applied to the engine-turned gilt brass dial within foliate cast bezel, in plinth form case with floral swag applied front and on compressed bun feet, with damage, 29cm high.
A late 19th century oak cased quarter chiming eight-day bracket clock by Winterhalter & Hoffmeyer, the three-train movement with Rise/Fall regulation and quarter chime on four gongs with hour strike on a further gong, the 8 inch rectangular brass dial with matted centre and applied silvered Roman numeral chapter ring, within a foliate cast spandrel mounted field with Slow/Fast and Chime/Silent subsidiary dials to upper angles, the foliate carved dome-top case with fluted Corinthian pillars to front and pierced frets to sides, on panel carved plinth base with pad feet, 60cm high.
A George IV mahogany chiffonier, the shelved superstructure with a three-quarter brass gallery on gilt metal columns, the base of broken outline with a pair of panelled doors flanked by similar doors with panelled sides and scrolling capitals on a plinth base, originally with brass grilles, 148cm high, 178cm wide, 42cm deep
A fine Martin Brothers stoneware model, 'Toby', dated 1894, detachable head with squint-eyes, mouth showing teeth and tongue, ruff around his neck, Toby recumbent on hind legs, glazed in brown, on circular stoneware base glazed in black and on ebonised plinth, incised mark around neck-rim Martin Bros., London + Southall, 8-1894, 11.5in.
A massive carved alabaster urn, Italian, probably late 16th or early 17th century, the concave shoulder rising to an everted rim, on a later socle of matching stone and a marble plinth, the handles carved as entwined snakes or serpents (damaged and with losses, approximately 25 loose pieces), 95cm (37 1/2in) high, including socle and plinth.
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