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Click here to subscribeAN EARLY 20TH CENTURY CHINOISERIE LACQUER EIGHT-DAY LONGCASE CLOCK, the hood with barley twist columns and projecting moulded cornice, the trunk with long door and plinth base, decorated throughout with figures, birds and pagodas, the 11-inch square brass dial with twin-ringed winding holes and steel chapter ring, complete with pendulum and two weights. 199.5cm high
AN ART DECO PERIOD ALABASTER DESK LAMP, the lamp with mushroom shade, supported on a plinth base with twin inkwells. 36cm high, 32cm wideCONDITION REPORTThere is no plug, and it has not been PAT tested, the base of the lamp has been repaired, there are several small chips to the rim of the two lids and to the edge of the base
A LARGE MARQUETRY AND WALNUT PARTNERS DESK, the moulded rectangular top with gilt-tooled leather-inset writing surface within a floral marquetry border, over an arrangement of three frieze drawers to either side, raised on a pair of three-drawer pedestals, each incorporating a cupboard door, each decorated with classical figures within ovals, raised on a plinth base with chequered banding. 78cm high, 155cm wide, 125cm deepCONDITION REPORTThere appear to be no keys, there are several small losses to the foliate marquetry frieze, a few knocks to the mouldings around the drawers and cupboards, the leather has surface scratches, the interiors of the pine lined drawers are painted a pale green. it appears to be 19th Century, the drawers are part dove tailed
A VICTORIAN BURR WALNUT OPEN BOOKCASE, by Turner, Son and Walker, Liverpool, the moulded rectangular top over a pair of reeded pilasters with leaf and scroll-carved corbels, raised on a plinth base, labelled. 113.5cm high, 141.5cm wide, 29.5cm deepCONDITION REPORTOverall in good condition commensurate with age, there is a paper label with makers name on the back, the depth of the shelves is 18cm, one of the little wood brackets holding up the bottom shelf is damaged but would be easily repaired or replaced
A VICTORIAN GILT-METAL MOUNTED, FLORAL MARQUETRY AND BURR WALNUT PIER CABINET, of characteristic form with canted corners and glazed door, the canted corners and sides applied with masks, raised on a shaped plinth base. 106cm high, 81cm wide, 38cm deepCONDITION REPORTThe canted side and front panel has faded a little due to sunlight, there are a few scuffs and scratches commensurate with age, mounts secure
A VICTORIAN MAHOGANY FOUR-DOOR CHIFFONIER, the mirrored superstructure with foliate-carved crest, the moulded inverted breakfront top over a frieze drawer over a pair of panelled cupboard doors flanked by a further pair of cupboard doors, raised on a plinth base. 196cm high, 182cm wide, 59cm deepCONDITION REPORTOld dents and surface scratches to the top, there is a 15cm diagonal crack back left, the mirror frame is damaged at the base adjoining the chiffonier, there is a thumb nail size loss of veneer at the top of one of the central cupboard doors and there is a crack on the platform base
COXWOLD CABINET MAKERS, A UNICORN MAN OAK DESK, the moulded rectangular top over three graduated drawers and a cupboard door disguised as three drawer fronts, raised on a plinth base, with panelled sides and back, with carved unicorn signature. 74cm high, 137cm wide, 69.5cm deepCONDITION REPORTDark stain to the front edge of the desk, a few surface scratches to the top, otherwise in good condition
A George V silver low pedestal twin handled trophy cup, of plain lower bellied form having lion mask twin handles, with inscription reading 'To Mr & Mrs Damant from E. Wells P. Grossman & H. Barclay, Sept 27th 1913', on collet circular base, 38.6oz, maker E S Barnsley & Co (Edward Souter Barnsley), Birmingham 1912, further stamped Frasers Ipswich to the underside, bowl w.23cm, gross w.34cm, h.18cm, on ebonised low circular plinth
An Art Deco style and period gilt-bronze standing female figure – in stylised pose with outstretched arms and wearing an evening dress with enamelled painted 'jewelled' detail, raised upon lacquered turned wood soccle (damages to fingers and both thumbs away), after 'G. Gori', (full height including plinth 35.5cm)
A good 19th century mahogany desk; the three-quarter galleried top with sloping inset writing fall opening to reveal three maple fronted drawers and five pigeonholes, in turn flanked by two end drawers below the three quarter moulded gallery top, three frieze drawers with cast Aesthetic-style brass handles and above two pedestal base each with three further graduated drawers, raised on plinth base with rounded corners and recessed castors, the top section with two end thumbnail moulded drop leaves (152.5cm wide x 76cm deep x approx. 85cm high)
A 19th century Irish cut-glass urn and cover (27.5cm)Condition Report: There is a small area of very minor rim fritting to the lip of the bowl. To the inside of the bowl there is a 2cm mouth-shaped piece which has been ground away - indicating previous damage. original air bubbles are visible in the lower urn-shaped section, the square-shaped plinth base has the pontil ground quite a way from the centre and exhibits scratches commensurate with age and in one corner has sustained a chip. One of the other corners also sustained a slight chip and has been ground away. The cover also slight rim fritting to the inside of the lip although appears to be in reasonably good condition otherwise. The faceted tip of the finial may have also sustained minor damage. The piece is not perfect
A late-nineteenth century eight-day Vienna Regulator with a 6" white enamel two-piece dial, Roman numerals and minute track, with pierced steel hands and a 7" spun brass bezel, makers name indistinct, single weight timepiece movement with rectangular plates and dead beat escapement, adjustable pallets and beat adjustment, visible 6" spun brass pendulum with an ebonised wooden rod, in a light mahogany case with reeded ebonised mouldings and finials, balustrade pediment with a carved lions mask and semi-circular moulding on a raised center, glazed full length arched door with an ogee plinth and turned pendant finials, With pendulum weight and key. H130 W35 D14
An early 19th century oak cased longcase clock with a pagoda pediment and three ball and spire finials, open fretwork to the centre of the hood and a recessed break arch door flanked by two reeded pillars with brass capitals, trunk with canted corners, long oak door and a break arch top, on a rectangular plinth with a raised oak panel and bracket feet, 12� wide painted dial, long Roman numerals and minute track, spandrels painted with corresponding depictions of flowers on a green background with highlighted gesso work, the arch depicting a classical urn within an oval cartouche, subsidiary seconds dial and semi-circular calendar aperture with a date disc behind, matching steel hands and seconds hand, dial pinned to the movement via a Wilson falseplate, eight-day rack striking weight driven movement with a recoil anchor escapement sounding the hours on a cast bell.With weights and pendulum.
A mid-nineteenth century eight-day Vienna Regulator in a light mahogany case with ebonised mouldings and highlighted detail, break arch pediment with a central carved urn on a raised plinth, glazed full length arched door flanked by two reeded pilasters with carved corbels and paterae, on a shallow angled plinth with carved decoration and pendant finials, with a white enamel two-piece dial, Roman numerals, minute track and subsidiary seconds dial, steel pierced hands and spun brass bezel, single weight timepiece movement with tapered plates and a dead beat escapement, adjustable pallets and beat adjustment, visible spun brass pendulum with an ebonised wooden rod. With key.H 130 W40 D17
An Edwardian mantle clock in an arched mahogany case inlaid with satinwood stringing on a moulded plinth with ball feet (one missing), arched rear door with brass sound fret, eight-day French striking movement with a recoil anchor escapement striking the hours and half hours on a coiled gong, with a white convex enamel dial, upright Arabic numerals and minute track, steel spade hands within a cast bezel and convex glass. With pendulum.H 26 W 19 D14
A Victorian silver trophy cup, having floral engraved decoration, gilt washed interior and twin handles with beaded and acanthus leaf decoration, raised on a domed footrim with further engraved decoration and beaded border, the crowned VR cypher above inscription "Presented to The Aberdeenshire Volunteer Artillery And Rifle Association July 1879" and "Won By Pte John Reid 10th Coy Inverurie 1st Aberdeenshire Rifle Volunteers", maker Elkington & Co. (Frederick Elkington), London, 1878, 33.9oz, with ebonised plinth and hand written card To Mr John Reid Winner of Queen's Cup Aberdeen, housed in a green baize lined oak case, w.32, d.23, h.42cm.
Emile Pinedo (French 1840-1916), a bronze figure of Napoleon, in standing pose resting against a tree stump, wearing bicorne hat, cloak and boots, arms folded on his chest, legs crossed, with fragment of a wheel at his feet, raised on a three tier stepped marble plinth with a crown over N to the front, the bronze signed behind his right boot and with foundry mark verso flanked by the numbers 36 and 5, h.38cm.
An Edwardian silver trophy cup, having twin handles and raised on four trefoil shaped feet with presentation inscription "Newport Redmarley Point To Point Races, A.J. Goodwin, Bodenham, Much Marcle, April 1908", maker Goldsmiths and Silversmiths Co., London, 1906, mounted on an oak plinth, 21.9oz.
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