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An Art Deco walnut twin pedestal desk, the moulded top inset with green leatherette above seven drawers flanked by moulded corners, on plinth bases, height 77cm, width 115cm, depth 60cm, together with a matching chair.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Victorian oak Wellington chest, fitted with seven drawers, on a plinth base, height 103cm, width 48cm, depth 35cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 20th century Empire style mahogany work/side table, the hinged top revealing a fitted interior above a drawer, on turned supports with applied brass mounts, terminating in a shaped plinth base and turned feet, height 78cm, width 58.5cm, depth 38cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A late 19th century French gilt metal mounted glass scent bottle, contained within a gilt metal 'beehive' case of cylindrical basket weave form, raised on an alabaster plinth, height 16.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An art pottery jar and cover in the form of a grotesque bird, 20th century, based on a Martin Brothers Wally bird, raised on a circular wooden plinth, height 28cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An Art Deco patinated cast spelter figure of a recumbent lady and a dog, raised on a veined marble plinth, width 37cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A group of twelve Chas Stadden painted metal military figures, boxed, another Chas Stadden figure (lacking box), height 11cm, and a Royal Hampshire cold painted metal equestrian figure group, 'The 8th Hussars', sculpted by Richard Hanley and raised on an oval wooden plinth, height 19cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Victorian style stripped pine chest containing thirteen drawers with turned wood handles on a plinth base, height 84cm x depth 48cm x width 120cm, and an associated bookcase enclosed by a pair glazed doors below an arched cornice, height 86cm x depth 28cm x width 132cm, some damages to both. (2)
A pair of Chinese carved hardwood Shishi lions, each raised on plinth bases carved with lotus, both of the lions with one foot raised on a ball, with black and red painted areas, height 22cm, together with a carved painted wooden figure of a deity, picked out in gilt and polychrome enamels, height 30cm, damages (3)
Paire de vases en marbre et bronze doré, de Henry Dasson, 1890A pair of ormolu-mounted red marble vases by Henry Dasson, 1890Each of baluster form, with domed lids and scrolling foliate handles issuing from lion heads, with berried ivy above foliate upswept water leaves, the waisted socle with ribbon-tied berried laurel moulding, on square plinth with recessed panels and flowerhead filled entrelac, terminating in small bun feet, the handles signed 'Henry Dasson et Cie 1890', 19.5cm wide, 44.5cm high (7 1/2in wide, 17 1/2in high). Footnotes:Henry Dasson (1825-1896) was one of the most celebrated Parisian bronzier ébénistes. His business was located at 106, rue Vieille-du-Temple, Paris. His work is renowned for the fine quality of the metalwork, ormolu and guilding. Specializing in the reproduction of the period styles of Louis XIV, XV and XVI furniture, Dasson often used to copy items whilst adding his own style. Successes at the Paris Expositions Universelles in 1878 onwards brought his work into demand on the Continent and in England where he established an elite clientele including the Royal familyThis lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Bang & Olufsen: a pair of BeoLab 4000 speakers in gold finish, serial no. 15381449, with various power and link cables, 32cm high, together with a Goldring Lenco GL78 turntable housed in a teak plinth, with left and right output and power cable, 16 x 46 x 36cm, approximately 46cm high when lid is lifted, and a SubZero SZ-PPA1 phono preamplifier with power cable (4)It is the buyer's responsibility to ensure electrical items are professionally rewired for use.
Entomology: A Display of Tropical Butterflies & Moths, circa late 20th century, a colourful display of fifteen various tropical butterflies and moths, mounted upon ebonised poles, with square supporting block plinth, enclosed beneath a circular glass dome, with original ebonised base raised upon three pedestal feet, diameter 20.5cm, overall height 56cmSwallowtail butterfly 2nd from the top is missing the lower part of the right wing, missing after the photograph was taken, 14/04/23
Y ANTOINE BOURAINE (1886-1948) THE SEALION bronze, ivory, raised on onyx plinth, cast La Stele foundry mark Dimensions:31cm highNote: Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference MY7SNAWY. Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside Great Britain, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
§ CHARLES D'ORVILLE PILKINGTON JACKSON (1887-1973) 'DAWN', 1925 bronze, signed and dated in the bronze PILKINGTON JACKSON/ 1925, raised on a stepped slate plinthDimensions:63cm high, 76cm high including plinthProvenance:Provenance: Stanley Cursiter and by descentNote: Note: The sculptor Charles Pilkington Jackson set up his first studio in 1912 with the founder William McDonald. Commissions included collaborations with Sir Frank Mears and Sir Robert Lorimer. After the First World War, he set up on his own at 12, Church Lane, Edinburgh (now Gloucester Lane). During the 1920s Pilkington Jackson principally worked on memorials, among these the Elsie Inglis Memorial with Sir Frank Mears in 1922 and the Alloa War Memorial with Sir Robert Lorimer in 1925. He also produced some portraiture and allegorical work during this period including the current lot. 'Dawn' was cast by McDonald and Creswick between July 24th and March 1925, and the orb of the sun was cast separately. The marble base was supplied by Galbraith and Winton. Never on the open market before now this is the only example of this figure known to have been cast. The figure was given by Pilkington Jackson to the Orcadian artist Stanley Cursiter, in exchange for two oil paintings which the artist produced of Pilkington Jackson's studio at 12, Church Lane. The work of Carl Milles was an important influence on Pilkington Jackson, who visited the Swedish sculptor in 1929. After the Second World War, he continued to work, his career culminating in the monumental sculpture The Bruce at Bannockburn, cast in 1964.
A Copeland parian bust of Sir Titus Salt, c.1880, after a marble original by John Adams-Acton, British, 1830-1910, impressed SIR TITUS SALT BART to base and to verso JOHN ADAMS-ACTON FECIT, PUB_D. BY. J. RHODES. 1877, impressed mark COPELAND Y 77 to lower verso, on associated ebonised wood plinth base, 37cm highCondition Report: Small filled crack to left jacket lapel with further light marks. Some nibbles and a small loss to the base of the parian bust. Some rubbing/ fading to sides of ebonised plinth. Visible postcode written to reverse of plinth base.
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172950 item(s)/page