Georgian design serpentine mahogany twin pedestal partners desk, the top inset with tooled leather writing surfaces over six drawers, each pedestal fitted with drawer and one partitioned deep drawer, opposite panelled cupboard enclosing seven plan drawers, with panelled sides, fluted and floral carved decoration, brass drop handles, raised on plinth base, bearing ivorine retailors plaque reading 'JETLEY, LONDON' all drawers oak lined and fitted with HOBBS & CO locksDimensions: Height: 79cm Length/Width: 190cm Depth/Diameter: 114cm
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Victorian heavily carved oak buffet cabinet, projecting and gardroon carved canopy top over panelled back carved with grapes and vine, two tapering front supports with mask mounts, the rectangular top with foliate carved edge over two glazed doors, fitted with three adjustable shelves, the uprights carved with leaves and berries, plinth baseDimensions: Height: 185cm Length/Width: 148cm Depth/Diameter: 54cm
Large Georgian style mahogany breakfront bookcase, sloped pediment carved with foliage, the top section enclosed by astragal bevel glazed doors, the lower section enclosed by three cupboard doors decorated trailing flower head and cartouche mounts, on plinth base Dimensions: Height: 234cm Length/Width: 158cm Depth/Diameter: 46cm
Shapland & Petter of Barnstaple - Edwardian satinwood triple wardrobe, the two projecting dentil cornices with chequered inlaid, the central compartment enclosed by oval mirror with bevelled edge, two panelled doors enclosing linen slides and hanging space inlaid with floral lozenge motifs, fitted with drawers, plinth base, Dimensions: Height: 183cm Length/Width: 193cm Depth/Diameter: 56cm
Victorian walnut and burr walnut veneered side cabinet, the shaped back with large central mirror and two smaller side mirrors surrounded by carved detail and pillared supports over a base section with marble centre, two frieze drawers, pillared side supports and three mirrored doors, raised on a plinth base, 210cm high
A VICTORIAN NOVELTY SILVER INKWELL, by Horace Woodward & Co Ltd, London 1898, realistically modelled as a soldier with enamelled headband HMS Duke of Wellington, the body hinged at mid waist, to reveal a conical glass liner, retailed by H. M. Emanuel & Son, Portsea, Rd no. 315983, on wooden plinth. 17cm high overallCONDITION REPORTGood condition
A Silver Plate Model of a Horse, Modelled by Frederick 'Fred' Meldrum, Dated 1973, realistically modelled, on mahogany finish plinth and with applied silver plate plaque noting this as made to commemorate the bicentenary of the Sheffield Assay office, 30cm high . . Apparently unmarked. The engraving on the plaque reads 'This Horse Was Created by Frederick F Meldrum Esq Aged 85 To Commemorate the Bicentenary of the Sheffield Assay Office 1973. Examples of his work are owned by H. M. Queen Elizabeth II and King Faisal of Saudi Arabia'. The surface is overall tarnished. There is a scratch to one leg.
A Silver Plate Model of The Thoroughbred Margrave with Jockey Up, Possibly Modelled by Frederick 'Fred' Meldrum After John Frederick Herring, Circa 1970, realistically modelled and on ebonised wood plinth with silver plate plaque, 38.5cm high . Apparently unmarked. The engraving on the plaque reads 'Margrave Winner of the Great St Leger in 1833 J. Robinson Jockey Foaled in 1829 Sent to Virginia in the United States in 1835'. The surface is overall tarnished but otherwise in good condition.
A Walnut Eight Day Longcase Clock, case with caddied pediment, glazed viewing side windows, arched trunk door with matched walnut veneers, plinth with stepped skirting, 12-inch arched brass dial with Roman and Arabic chapter ring, N/S selection lever positioned at 3 o'clock, finely matted dial centre with subsidiary seconds and date aperture, signed on a silvered plaque Jos Smith Bristol, arch with automata rocking Tempus Fugit Memento Mori, four pillar movement, anchor escapement and rack striking on a bell, 235cm high Provenance: Tennants, 27th July 2011, Lot 1093 15.01.21 Case with restorations, top section above the bottom moulding of the pediment has been re-built, wooden dial surround has been replaced, case has been cleaned throughout to the surfaces, replaced mouldings in parts, plinth sides and skirting look replaced, dial appears complete, minute hand has been broken at some time and has been repaired, movement with one pillar missing, movement has only four pillars and should have five pillars, movement needs cleaning, (dial and movement are possibly later added to the case)
A Painted Pine Thirty Hour Longcase Clock, signed John Gilbertson, Ripon, circa 1780, flat top pediment, arch trunk door, 11-inch square brass dial, dial centre signed and finely engraved with floral decoration, date aperture, four pillar movement with an anchor escapement and outside countwheel striking on a bell, 208cm high 10.08.21 Hood with some chips, hood door hinges are later, case with woodworm holes throughout, right hand side of the case has been replaced, plinth has been re-built, dial is discoloured, movement needs cleaning, with pendulum and one weight.
An Oak and Mahogany Thirty Hour Longcase Clock, signed William Buck, Gayle, circa 1830, flat top pediment, inlaid mahogany crossbanded trunk door flanked by inlaid canted corners, 14-inch square painted dial with Roman numerals, dial painted with a bird and vases with flowers, date aperture, four pillar movement with an anchor escapement and outside countwheel striking on a bell, 211cm high 09.08.21 Case with small scratches and minor dents in parts, lower edge of the plinth with pieces of beading missing, dial is clean, movement is complete, with pendulum and one weight.
An Oak Thirty Hour Longcase Clock, signed T.Travis, circa 1760, flat top pediment, stepped trunk door, 11-inch square brass dial with a silvered chapter ring signed, date aperture, four pillar movement with an anchor escapement and outside countwheel striking on a bell, 205cm high 10.08.21 Right hand side of the case with cracks, trunk door with small chips and small cracks to the top corners, fromt of the plinth with a crack, dial is discoloured, movement is dirty, rope is worn, with pendulum and one weight.
An Oak Tubular Bell Chiming Longcase Clock, early 20th century, arched pediment, bevelled glass hood door, pierced sound fret side doors, trunk door with a bevelled glass panel, plinth with recessed panel, 12-inch arch brass dial with an Arabic numeral chapter ring, strike/silent and chime/silent selection levers at 3 and 9 o'clock, seconds dial, arch with moonphase disc, triple weight driven movement, quarter chiming on eight tubular bells and striking another tubular bell for the hours, 224cm high 10.06.21 Case with minor chips and dents to the edges in parts, feet with minor scuff marks in parts, dial with minor discolouring in parts, movement is complete, with three weights and a pendulum.
An Eight Day Longcase Clock, signed Simon Aish, Sherborne, circa 1720, flat top pediment, walnut veneered trunk door, 12-inch square brass dial with a silvered chapter ring signed, dial centre engraved with scroll and bird decoration, seconds and date aperture, ringed winding holes, five pillar movement with an anchor escapement and rack striking on a bell, later case, 203cm high 12.08.21 Later case has been polished throughout, restoration to the hood, trunk door and plinth appear to have been re-veneered, case with chips to the edges and cracks in parts, dial with small scratches, movement needs cleaning, with two brass cased weights and a pendulum.
A Mahogany Eight Day Half Hour Passing Strike Longcase Clock, signed John Dickman, North Shore, Sunderland, 1816, arched pediment, arched inlaid trunk door flanked by fluted inset pilasters, 13-inch circular painted dial, date and seconds dials, four pillar movement with an anchor escapement and rack striking on a bell and half hour strike on a smaller bell, 221cm high 09.08.21 Case with small scratches and minor dents in parts, front bottom edge of the plinth with a small crack, dial markers are rubbed and with small scratches in parts, movement is dirty, with pendulum and two weights.
A Late Victorian Mahogany, Tulipwood Banded and Ebony Strung Breakfront Bookcase, circa 1900, the moulded cornice with Greek Key pattern above a strung frieze and central astragal glazed door enclosing rosewood-grained adjustable shelves, the base with three moulded cupboard doors above a plinth base, on bracket feet, 185cm by 52cm by 226cm
FOLLOWER of RAEBURN THREE QUARTER LENGTH PORTRAIT OF A LADY in white dress with delicate pink silk shawl and white cap, standing in a parkland setting, her an resting on a stone plinth, oil on canvas, 125cm x 100cm, (re-lined), in a moulded gilt frame Provenance: The William Mowat-Thomson Collection
LATE 19TH CENTURY FRENCH ORMOLU MANTEL CLOCK, the two train eight day movement by Japy Freres & Co., the white enamel dial with Roman numerals, the case surmounted by a Classical lady holding a bird, the base cast with floral swags in relief, on a giltwood plinth, on a further ebonised plinth with glass dome, 45cm high overall Provenance: The William Mowat-Thomson Collection
GRAND TOUR CARRARA MARBLE TORSO OF APOLLO, on a marble rectangular base with concave sides, on a simulated scaglio marble plinth, 173cm high overall Apollo is one of the Olympian deities in both Greek and Roman mythology. He is most notably connected to being the god of archery, music and dance, truth and prophecy, the Sun and light, poetry, healing, and more. He is the son of Zeus and Leto, the twin brother to Artemis, the goddess of the hunt, and is considered to be one of the most important and recognisable deities, and a symbol for the Greek nation. He and his sister Artemis are even considered to be the inventors of archery. He is the patron deity of Delphi and is connected to the oracle at Delphi, and the prophecies foretold there. Apollo is often at the centre of a majority of Greek and Roman mythology. Apollo has been a popular subject in art, from Archaic Greece through to the contemporary period. In Classical Greece, he was often considered the epitome of the male form and was depicted as a youthful and beardless version of himself, such as in this portrait. Provenance: The William Mowat-Thomson Collection
VICTORIAN MARBLE BUST OF HUGH LIDDELL GRAINGER OF AYTON, with socle base, and on a simulated scagliola marble column plinth with square base, the bust 70cm high, 186cm high overall Ayton Castle, in the Scottish Borders, is widely regarded as one of Scotland's finest baronial style buildings and was designed by James Gillespie Graham, one of Scotland's leading Gothic revival architects of the early 19th Century Provenance: The William Mowat-Thomson Collection
BARON CARLO MAROCHETTI MID 19TH CENTURY MARBLE BUST OF SIR HUGH HAMILTON DALRYMPLE, Sixth Baronet of Leuchie, signed 'C. Marochetti and dated 1849' to the left edge, on a socle base, on a simulated scagliola marble column plinth with square base, the bust 67cm high, 182cm high overall Provenance: The William Mowat-Thomson Collection
LATE 19TH CENTURY CONTINENTAL BISCUIT PORCELAIN FIGURAL COMPORT, the pierced glazed basket over two semi-clad Classical females kneeling on a shaped oblong cushion, raised on a rectangular base decorated in relief with urns flanked by griffins and floral swags, 40cm high, raised on a giltwood plinth on four ball feet, 47cm high overall Provenance: The William Mowat-Thomson Collection
FRENCH EMPIRE ORMOLU MANTEL CLOCK, the circular dial contained within a 'Roman' plinth with outset urn, the timepiece with two train eight day movement, the chapter ring with Roman numerals, with classical figure mount holding a fruiting cornucopia, the rectangular base with applied enthymion leaf frieze, on scroll cast bracket feet, 52cm high Provenance: The William Mowat-Thomson Collection
EARLY 19TH CENTURY WEDGWOOD BLACK BASALT SUGAR BOWL AND COVER, of ovoid form, the domed cover with figural finial, impressed 'Wedgwood' mark to base, 13cm high, on a later Wedgwood plinth, along with a 19th century black basalt sugar bowl and cover, also a cream jug, a pin dish and a jar and cover (6) Provenance: The William Mowat-Thomson Collection
Corgi Classics - 11 boxed diecast vehicles from Corgi Classics. Lot includes a Code 3 Corgi Leyland Esso Tanker by Deals on Wheels; #31001 Shap Fell Set 'BRS'; Limited Edition AN40306 Burlingham Seagull 'Ulsterbus' with plinth and certificate and similar. Models appear to be in Excellent - Mint condition some showing signs of display, housed in Good - Very Good boxes with some storage imperfections. Two of models including Code 3 are in plain cardboard boxes. (This does not constitute a guarantee)
VINTAGE OAK FOUR-DRAWER CHEST, 107 x 45 x 89cms, together with VINTAGE CHILD'S BUREAU & CHAIR, 68 x 39 x 87cms (3)Regarding the chest of drawers.The drawers do feel a little stiff but all open and close well, all sit nice and flushThe bottom drawer’s base looks stained, not sure why, there is also a split in the back but is together and feels good.All handles and locks look good but missing key.Looking at the top, there is a ‘clean’ split, it does come apart when lifting. It could easily be re-glued and you would never tell. Light surface scratches, no real issues.All corners look good.Feet look good, no damage, stands well, no rocking.No worm anywhere.There is also a split on the one side, looks like it has been previously re-glued, needs a little filler and sanding, does not really affect the drawers. The other side looks good.All keyholes have their brass inserts.Sits on fixed plinth, all feet look good.
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