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Lot 117
A pair of Empire style gilt metal candelabra each with a central caryatid draped in a chemise supporting three engine turned sconces, on scrolling anthemion branches united by a similarly decorated tapering column, on verde antico marble and gilt metal framed stepped plinth bases with paw feet (2) 18cm wide, 45cm high, 11cm deep
Lot 134
A late 19th century white marble figure of The Dying Gaul the naked gladiator bent down over his fallen sword with his head downcast, on an oval plinth carved with a mat having a Vitruvian scroll border 59m wide, 32cm high, 30cm deep The Dying Gaul (in Italian: Galata Morente) is an ancient Roman marble copy of a lost Hellenistic statue which was possibly originally executed in bronze and commissioned some time between 230 BC and 220 BC by Attalos I of Pergamon to honour his victory over the Celtic Galatians in Anatolia. The identity of the origianal sculptor is unknown, but it has been suggested that Epigonus, the court sculptor of the Attalid dynasty of Pergamon, may have been its author.
Lot 136
A 19th century white and grey marble Moorish style pavilion the stepped and fluted cornice above a faux dentil frieze, on four ribbed columns supporting trefoil carved and pierced arches, on moulded plinth base, some significant losses to marble at the corners 28cm wide, 57cm high, 28cm deep Provenance: from an English country house collection.
Lot 140
A French 19th century gilt brass four pillar mantel clock By Deniere & Matelin, Paris the eight day movement striking the hours and half hours on a bell, stepped pediment with roundel frieze above a lappet cast circular enamel dial with Roman and Arabic chapters, signed 'Deniere & Matelin, fab. de bronzes a Paris', on stepped and lappet cast plinth base with bun feet 19cm wide, 31.3cm high, 12.2cm deep
Lot 146
A French late 19th century white marble and gilt metal mounted mantel timepiece the drum shaped engine turned dial with enamelled Roman and Arabic chapters between twin columns with pineapple finials surmounted by an urn, the stepped plinth base on bun feet, movement stamped 'Gossellin, A Paris' 16cm wide, 28cm high, 9cm deep
Lot 152
A George III oak and mahogany veneered longcase clock By Ernest Mearns, Banff the twin train movement striking the hours on a coiled gong, the silvered roman and arabic dial with subsidiary seconds dial and calendar aperture within strapwork cast spandrels and maker's cartouche to the arch, the inlaid swan neck pediment above a jardiniere inlaid trunk door and apron, on cut plinth base 212cm high
Lot 154
A George III mahogany longcase clock By John Goodfellow, Inverness the twin train movement striking the hours on a bell, the broken arch pediment above a silvered Roman and Arabic dial with subsidiary seconds dial and calendar aperture within rococo cast spandrels and an elaborately engraved maker's cartouche to the arch, the arched trunk door above a panelled apron, on cut plinth base 212cm high
Lot 342
A Victorian burr oak and oak pedestal kneehole desk inlaid with stringing and rosewood banding, the moulded rounded rectangular top with a tooled tan leather inset above three drawers, the central frieze drawer controls locking of all the other drawers, each pedestal with three graduated drawers, rounded corners and plinth bases with concealed castors 122cm wide, 76cm high, 74cm deep
Lot 355
A Victorian figured walnut mirror back sideboard of serpentine form, the arched mirror plate within a scroll moulded frame with central shell surmount, the base with an egg and dart carved edge above a pair of burr walnut and foliate scroll fretwork cupboard doors flanked by reeded shell and scroll pilasters, on plinth base 178cm wide, 222cm high, 54cm deep
Lot 367
An early 20th century French pale green painted oak and pine cupboard painted decoration probably later, the frieze reads, 'VINCIT VERITAS' above a pair of bevelled glazed doors with lower armorial panels, the interior in two halves, each with adjustable shelves, the corners with reeded pilasters and the whole raised on a plinth base 131cm wide, 210cm high, 43cm deep
Lot 373
An Edwardian mahogany and satinwood crossbanded linen press inlaid with stringing, the moulded cornice with an arched pediment above a pair of panel cupboard doors enclosing four sliding trays, the lower section with two short and two long drawers, on a plinth base 129cm wide, 210cm high, 58cm deep
Lot 216
A COMPOSITE GERMAN ARMOUR FOR FIELD AND TOURNAMENT USE, LATE 16TH CENTURY AND LATER comprising close helmet with heavy rounded one-piece skull rising to a low comb (one small internally patched repair), fitted at the nape with conical plume-holder, and formed with a hollowed rim to fit over a collar, visor with prominent step beneath its centrally divided vision-slit, prow-shaped upper bevor pierced at each side with a circular arrangement of eight holes around a further central hole, later bevor fitted at its right side with forked support for the upper bevor and formed at its neck with a hollowed rim continuing that of the skull, the bevor and upper bevor each secured at the right side by spring catches, the visor secured by a wing headed screw, gorget of three lames front and back, hinged on the left and secured at the right, medially-ridged breastplate projecting forward over the belly, boxed at each side, flanged outwards at its V-shaped lower edges to receive a single fauld lame, fitted with a pair of gussets formed en suite with the neck-opening, the inside thickened over the left of the chest, a pair of tassets of five lames, Italian late 16th Century backplate stamped with the letters GP for Gioco del Ponte at the base, a pair of full arm-defences, each comprising large pauldron of five lames, vambrace with tubular upper cannon surmounted by a turner, fully enclosed articulated couter with small pendant-shaped wing, tubular two-piece lower cannon, a pair of fingered gauntlets each formed of a long flared and pointed cuff embossed over the ulna, and fitted with a separate inner plate, five metacarpal-plates, a knuckle-plate decorated with a roped transverse rib, shaped finger-lame, scaled finger-defences and hinged thumb-defence with matching scales, a pair of leg-defences, each comprising cuisse of a main plate and short upper extension plate, winged poleyn of three lames, tubular two-piece greave with integral broad-toed sabaton of ten lames, the armour finely etched in its main bands and borders with scrolling leafy tendrils and flowerheads on a stippled ground, and in its subsidiary borders with narrow guilloche bands, the principal edges with finely roped turns, and the etching retaining some gilding: on a fully articulated stand on an oak plinth (expertly releathered throughout) Provenance The Roselius Haus, Bremen The helmet with its distinctive upper bevor is similar to those worn in the Saxon tournaments of the latter part of the 16th Century. See L. Rangström 1992, p.98, no. 80 and p. 351.
Lot 222
A Large Fine Quality 19th Century Brass Samovar. The urn with turned ebonised carrying handles on scrolling shell-crested mounts either side and an elaborate tap to the front. The lid fitted with a cylindrical steam chimney bearing a teapot stand to the top. Standing on a rising pedestal and square plinth base with short column feet, 27 ins (69 cms) high, 15 ins (38 cms) in width.
Lot 305
A Pair of Fine & Decorative 17th/18th Century Italian Columns. The square marbled tops above a carved & gilded Ionic capital with scrolling volute terminals. The simulated Siena marble columns meeting ornately carved bands of gilt scrolls and flowers with a punched ground. Standing 55½ ins (141 cms) high on a square stepped plinth bases painted with simulated tortoiseshell 12 ins x 12 ins (30 cms x 30 cms).
Lot 418
An Unusual 18th Century Walnut Alpine Housekeeper's Cupboard with clock, or Vaisselier à Horloge. The moulded cornice above two upper cupboard doors slotting onto pin hinges with moulded panels in between above small shelves and base cupboards on a breakfront plinth base. The clock fitted into a full length side cupboard. The oval sheet brass dial embossed with sprays of flowers and a star to the centre encircled by a silvered chapter ring with roundel plaques engraved WB HINK and A MULL ER. The movement now converted to discard the pendulum, 79 ins (200 cms) wide, 80 ins (203 cms) in height.
Lot 453
A 15th/16th Century Gothic Oak Choir Stall. The moulded top rail raised on a turned blade knopped pilasters, before large scrolling lobed arms terminating with grotesque face masks. The slanted back having a centre panel carved with three fleur-de-lis motifs within a Gothic tracery shield cartouche. The shaped seat raising to form a book rest with a carved head of a woman misericord. Standing on a plinth base 42 ins (107 cms) high, 33 ins (84 cms) wide.
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173487 item(s)/page