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A gilt metal and malachite horse mantle clock, 20th/21st century, the full length standing horse with front left leg raised over a circular dialed clock, the Roman numeral dial encased within gilt metal surround, quartz movement, raised on stepped rectangular malachite plinth, width 35 cm, (fitted green box).
A malachite, silver and silver gilt table centre piece depicting a Bedouin camp, 20th/21st century, the central raised gilt metal tent with seated gilt metal figure upon rug flanked by two large palm trees, a seated camel watching two figures tend to a fire, raised on a malachite plinth, bears marks to silver mounts, width 35 cm, (fitted green case).
An Edwardian mahogany and satinwood breakfront credenza. The raised back with gilt brass gallery to the top, with three fielded panels below flanked by stop fluted columns. The base with moulded edge top, over three short drawers to the frieze, with three fielded panelled doors below with satinwood cross banding. The whole on a plinth base. 140 cm high x 170 cm wide x 35 cm deep. (Alterations)
A Victorian aesthetic satin burr ash chest of drawers, the rectangular top over two short and four long graduated drawers, on a plinth base. 135 x 122 x 55 cm. Provenance: From the estate of Marit Allen, Journalist, Editor, Costume Designer. First working as fashion assistant on Queen magazine in 1961 and then moving to Vogue in 1964 and later on becoming fashion editor of vogue, Marit Allen is widely dedicated with championing young fashion designers and was always well admired in the industry. In 1973 when the director Nicolas Roeg asked her to design the costumes for Julie Christie in the film `Don`t Look Now` Allen soon established herself as a prolific costumier and she continued to work right up to her death. She worked on about 40 films, and was nominated for a Bafta and two Emmy awards.
A Thomas Wharton gilt metal cased Robinson Crusoe clock, the dial inset palm tree case with verge movement flanked by a figure of Daniel Defoe`s Robinson Crusoe with arm raised, carrying umbrella and parrot with a gun and axe, on oval stepped plinth base, with registration patent lozenge and cast signature, height 22.2cm, width 18.6cm (illustrated))
Aline Magnusson terracotta sculpture of a ram, raised on light oak rectangular plinth base, length 30cm, height 22cm, signed and dated 1993 on plinth base NB: Aline Magnusson is an Irish born sculpture, some of her most noted work include `Cat Tinkerbell`, `Piglet Glader` featured in bronze, on streets in Stockholm (illustrated)
Four 19th century Staffordshire figurines, comprising a figure of a lady and gentleman surrounding by foliate, raised on naturalist form base, height 9.5cm, figure of a boy seated with a poodle raised on naturalistic form base, height 14cm, pair of greyhounds with dead rabbits in their mouths, raised on rectangular plinth bases, 15cm
A pair of exceptional quality heavy gauge table candlesticks of inverted baluster form, having cast decoration of mask heads, scrolls and foliate, raised on shaped circular plinth bases, with engraved initials CBI, with scones, made by John Round & Son Ltd, Sheffield, 1903/04, height 33cm (weighted bases) (illustrated)
A Victorian mahogany tall library bookcase, with swept corners above two domed glazed panelled doors flanking the central domed glazed fixed panel, the base section featuring two secret frieze drawers overhanging two domed panelled cupboard doors, raised on plinth base and bun feet width 149cm (illustrated)
An imposing and good quality Victorian carved mahogany mirror-back sideboard, the mirror decorated with birds, fruiting vines, scrolls and foliage, above the base section with serpentine fronted central recess incorporating a drawer, flanked on either side by domed panelled cupboard door, the whole raised on a plinth base, width 228cm (7ft 6in) (illustrated)
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