There are 173487 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeSally James Thomas (b.1973) ''Plinth III'' Signed, mixed media, together with Jo McDonald ''Snippits'', second hand books and cotton in a perspex box, 22cm by 22cm and 30cm by 30cm respectively (2) Provenance for Sally James Thomas Martin Tinney Gallery, Cardiff Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Beswick Shire Horses Including: Cantering Shire, model No. 975, grey gloss and Shire Mare, model No. 818, grey gloss; another similar on plinth and a Royal Doulton Cantering Shire in brown gloss (4) (a.f). One grey with glue to face ? and chip to hoof; the other has been glued to a wooden stand; the two cantering models are ok.
An exceptionally attractive French Ormolu and porcelain mantle Clock the two-train movement by Leroy & Fils, Paris, serial No. 16549 striking the hours and passing half hours on a bell, the porcelain face 3 1/2" diameter decorated in blue and gold having a colourful atmospheric depiction to the central reserve of a romantic scene in a classical garden with a chateau visible in the distance, the hours marked within individual reserves with Roman numerals.The decorative pendulum has a gilded bob-weight featuring a pair of opposing butterflies clinging to a sphere and it swings before a shaped porcelain panel with a scene of a planted urn on a stone walled terrace whilst beyond in a wooded valley with tall flowering plants is a viaduct enveloped in vegetation leading to a chateau with a pillared terrace high on the valley side. Beneath the pendulum is another flat porcelain panel set into the base, this beautifully portraying a Mediterraneanesque coastal scene with the turquoise seascape framed by an overhanging tree bough and a Yucca. These porcelain panels have various annotations to the reverse in red/brown freehand script with the numbers 16458, which ironically is one digit at variance from that of the mechanism. The very grand Ormolu frame features much symbolism with Angelic faces bearing crowns of fruiting Vines and elsewhere is much trailing foliage, leaf-scrolls and Fuchsia-like flower blooms. The cylindrical clock housing stands on a platform in turn supported on canted porcelain/enamelled Cobalt blue tapering square pillars with Ionic capital design scrolls and fruiting Vine crowned Angelic faces and at their bases Olympic torches, Rose blooms and ribbons. The whole is supported on four leaf-scroll detailed feet whilst the pediment is formed by a Cobalt blue and gold urn, the reserves front and rear illustrating colourful and skilfully portrayed flowers. The time piece is 14 1/4" high, 10" wide and 4 3/8" deep. This clock is sold together with a pair of associated Ormolu and porcelain two-light candelabra having been together for some considerable time. The candelabra each has a plinth base with a porcelain frieze raised on four compressed circular feet and a Cobalt blue, gold and white boss to the stem decorated with colourful flower blooms and with similarly decorated sconces supported on scrolling budded stems, each candelabrum also having a central finial surmounted by an opening flower bud. 11 3/8" high, 7 3/4" wide and 3 3/4" deep. Altogether forming a most magnificent mantelpiece garniture set. The winding key is present as is the smaller key for regulation of the movement from the front via the spindle for such purpose located above the twelve o'clock position. The clock has been running satisfactorily during cataloguing and in the run-up to the auction.
Richard Joyce for Pilkington, a Royal Lancastrian lustre vase, circa 1920, shouldered form, painted with pairs of Roman soldiers between olive trees and plinth, above a band of stylised honeysuckle motifs, the rim with band of vines, impressed and painted marks, 27.5cm high Provenance: Richard Dennis Pilkington's Pottery exhibition 1980, number 226; illustrated in Cross, A J, 1980, Pilkington's Royal Lancastrian Pottery, p.35, pl.xxiv
(See English version below)Fritz Behn (Klein Grabow 1878 – 1970 München). Leopard. 1909Bronze mit schwarzer Patina. 18 × 63 × 9,7 cm ( 7 ⅛ × 24 ¾ × 3 ⅞ in.). Auf der Plinthe links vorne monogrammiert: FB. An der Schmalseite der Plinthe links der Gießerstempel: BRANDSTETTER MÜNCHEN.[3450] Wir berechnen auf den Hammerpreis 30% Aufgeld.Fritz Behn (Klein Grabow 1878 – 1970 Munich). Leopard. 1909Bronze with black patina. 18 × 63 × 9,7 cm ( 7 ⅛ × 24 ¾ × 3 ⅞ in.). Monogrammed on the plinth at the front on the left: FB. On the short side of the plinth on the left the foundry mark: BRANDSTETTER MÜNCHEN.[3450] We charge 30% premium on the hammerprice.
(See English version below)August Gaul (Großauheim b. Hanau 1869 – 1921 Berlin). „Drei Pinguine“. Um 1903/11Bronze mit dunkelbrauner Patina, auf Marmorsockel montiert. Maße (ohne Sockel): 18 × 20,3 × 13,5 cm ( 7 ⅛ × 8 × 5 ⅜ in.). Hinten links an der Schmalseite der Plinthe bezeichnet: A. Gaul.Gabler 107-2. Gabler kennt keine Güsse zu Lebzeiten des Künstlers und nur einige Güsse neueren Datums (frühestens 1977). [3268] Wir berechnen auf den Hammerpreis 30% Aufgeld.August Gaul (Großauheim near Hanau 1869 – 1921 Berlin). ”Drei Pinguine”. Circa 1903/11Bronze with dark brown patina, mounted on a marble base. Dimensions (without base): 18 × 20,3 × 13,5 cm ( 7 ⅛ × 8 × 5 ⅜ in.). At the back left on the short side of the plinth inscribed: A. Gaul.Gabler 107-2. Gabler knows no casts during the artist's lifetime and only occasional casts with later dates (earliest 1977). [3268] We charge 30% premium on the hammerprice.
(See English version below)Gerhard Marcks (Berlin 1889 – 1981 Burgbrohl/Eifel). „Kleine Danae“. 1937Bronze mit brauner Patina. 27,5 × 26 × 16,5 cm ( 10 ⅞ × 10 ¼ × 6 ½ in.). Auf der Plinthe hinter dem linken Fuß mit dem Künstlersignet. Auf der hinteren Schmalseite der Plinthe mit dem Gießerstempel: RICH. BARTH BLN MARIENDORF.Rudloff 341. Einer von etwa 16 Güssen. [3393] Wir berechnen auf den Hammerpreis 30% Aufgeld.Gerhard Marcks (Berlin 1889 – 1981 Burgbrohl/Eifel). ”Kleine Danae”. 1937Bronze with brown patina. 27,5 × 26 × 16,5 cm ( 10 ⅞ × 10 ¼ × 6 ½ in.). On the plinth behind the left foot with the artist's signet. On the rear short side of the plinth with the foundry mark: RICH. BARTH BLN MARIENDORF.Rudloff 341. One of circa 16 casts. [3393] We charge 30% premium on the hammerprice.
(See English version below)Hans Martin Ruwoldt (1891 – Hamburg – 1969). Panther. Bronze mit graugrüner Patina, auf Bronzesockel montiert. Maße (mit Sockel): 32,5 × 69 × 17 cm ( 12 ¾ × 27 ⅛ × 6 ¾ in.). Auf der Plinthe hinten links monogrammiert: H R. Dort auch, an der Schmalseite der Plinthe, der Gießerstempel: GUSS WITTKAMP ELMENHORST.[3293] Wir berechnen auf den Hammerpreis 30% Aufgeld.Hans Martin Ruwoldt (1891 – Hamburg – 1969). Panther. Bronze with grey green patina, mounted on bronse base. Dimensions (with base): 32,5 × 69 × 17 cm ( 12 ¾ × 27 ⅛ × 6 ¾ in.). Monogrammed on the plinth at the back on the left: H R. There too, on the short side of the plinth, the foundry mark: GUSS WITTKAMP ELMENHORST.[3293] We charge 30% premium on the hammerprice.
(See English version below)Otto Herbert Hajek (Kaltenbach/Böhmen 1927 – 2005 Stuttgart). „Räumliche Konstruktion 5“. 1956Bronze mit grüngrauer Patina. 37,5 × 14,7 × 9,5 cm ( 14 ¾ × 5 ¾ × 3 ¾ in.). Auf der Plinthe signiert: HAJEK.Koos P 48. Unikat. [3260] Wir berechnen auf den Hammerpreis 30% Aufgeld.Otto Herbert Hajek (Kaltenbach, Bohemia 1927 – 2005 Stuttgart). ”Räumliche Konstruktion 5”. 1956Bronze with green-grey patina. 37,5 × 14,7 × 9,5 cm ( 14 ¾ × 5 ¾ × 3 ¾ in.). Signed on the plinth: HAJEK.Koos P 48. Unique work. [3260] We charge 30% premium on the hammerprice.
A late 19th / early 20th century Milners Safe Co. mahogany safe cabinet, the single panelled door above four short drawers, on a plinth base, 44cms (17.25ins) wide.Condition ReportThe safe has been converted to shelving, the front and top are sun faded, general wear you would expect for age, good overall condition
A mdi 20th century War Department oak chest of two short and three graduated long drawers, on a plinth base, 106cms (41.25ins) wide.Condition Reportsome staining/mark to the top, small scuffs to edges, polish on bottom drawer is slightly deteriorated. drawers run freely, good overall condition.
A 19th century ivory walking stick handle in the form of a recumbent whippet, with glass inset eyes, curled up inside a ladies shoe, 9cms (3.5ins) long.Condition ReportThere is a split to the whippets front leg, age crack to the base and a small loss to the plinth under his right leg, otherwise good condition. Total weight 53.2g.
PAIR OF FRENCH PATINATED BRONZE FIGURES of aristocratic 18th Century Lady and Gallant in conversation, on slate plinth bases, 46cms high overall, together with 19th Century electroplated pedestal bon bon vase, foliate stem modelled with a leopard on rockwork base, blue glass liner, 15cms high and a Japanese carved wood vase stand, dragon form cabriole legs with platform under tiers, 80cms high (4) Condition Report: the bronze figures - patina slightly worn, fan bent, surface with moderate verdigris to feet, stamped numerals 1555 + 1556. The vase - silver plate worn, one retaining nut missing.
PAIR AESTHETIC-STYLE POLLARD OAK BEDSIDE CABINETS, fitted frieze drawers and panelled doors, bronze handles and later white marble tops, 54 x 41 x 71cm (2) Condition: chip to plinth corner, one door warped, tops later.There is general wear to both, most of the marble corners are chipped.There are cracks on both drawers, one door is warped and will not close properly .There are some loose back panels on one and one piece is cracked on one side.
Loading...
