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Lot 501
An 18th century oak 30hr brass dial longcase clock by Thomas Dicker of Silchester, the hood with ogee cornice above a plain frieze and turned 3/4 columns, the trunk with plain door on a plain base box with later plinth base, the 10in brass dial with moulded corner spandrels, silvered Roman chapter ring and a single hand, the centre signed Tho.s Dicker SEN.r, Silchester, the 30hr birdcage movement striking on a bell, with pendulum and weight, 47cm wide x 26cm deep x 189cm high.
Lot 541
A pottery and ebonised torchere stand, circa 1900, possibly Austrian, the plain top on a knopped capital above a tapering earthenware stem moulded in relief with flowers and foliage, picked out in underglaze colours against a yellow ground, set on a square plinth base, 109cm high.General wear to the wood elements. Evidence of old worm in places. Ceramic elements have visible crazing overall, as well as general signs of age and use. Please refer to images.
Lot 172
Two Victorian parian figures, comprising a Copeland model of Sabrina after William Calder Marshall, the interior of the base printed with lines from Milton's poem Comus, impressed 'COPELAND' and 'Marshall Fec't', 29cm high; and a model of William Shakespeare, modelled leaning against a plinth with a pile of books and a scroll, with an associated wooden base, unmarked, 35.5cm high overall; together with a Sevres biscuit bust of a North African woman modelled by Leopold Savine, signed 'L Savine', 16cm high(3)Sabrina - Chip and crack to base. Firing cracks. Scuffs and scratchesShakespeare - one arm broken with finger detached, scroll broken and restored.Savine - Chipped, cracked.
Lot 169
§ NICOLAS PARTY (SWISS 1980-) UNTITLED SCULPTURE (ELEPHANT PLINTH MAQUETTE) - 2010 Acrylic on Card Dimensions:18.5cm x 10cm x 10cm (7.25in x 4in x 4in)Note: Note: We believe this work to be a unique, hand painted developmental piece that was the made in advance of the exhibition 'Elephants at the Woodmill' at artist led space, The Woodmill, in London in February 2011.This was the first outing of Nicolas' elephant plinth works, shown later that year at The Modern Institute's 'Dinner For 24 Elephants.'Through Nicolas Party’s dream-like lens, traditional portraiture and still life subjects are transposed into a world that is vivid and surreal. Party works across painting, sculpture and installation, usually implementing a signature jewel-toned palette. While his subjects invariably derive from nature, Party renders their organic forms smooth and geometrical, elucidating their underlying form: a head is portrayed as a sphere; a tree as a cylinder surmounted by a cone; an elephant as a cuboid. This unique hand-painted sculpture was a preparatory piece for Nicholas Party’s 2011 exhibition ‘Elephants at the Woodmill’. Each side of the cuboid bears a detailed painting of an elephant’s form, creating an interesting interplay between the flat planes and the three-dimensionality of the subject and plinth. ‘Elephants and the Woodmill’ brought together artists from London’s Woodmill Studios, and was the culmination of Party’s residency with Studio Voltaire’s New Work Scotland programme. Party’s seventeen elephant plinths were placed throughout the exhibition space, with Woodmill studio members displaying their works upon the plinths. New York-based Party was born in Lausanne, Switzerland in 1980. In his late teens and early twenties he was a graffiti artist, and would sneak out at night to paint on walls and trains. He drew constantly, and on the strength of his work was accepted to Lausanne School of Art. Party then studied for an MA at the Glasgow School of Art, graduating in 2019. He has since built up an international reputation, and is recognised as one of the biggest names in contemporary art. His work is held in public collections in London, Zurich, Essen and Nanjing.
Lot 394
A Georgian oak cased long case clock, by J N Stokes of St Ives, number 667, the brass dial bearing Roman and Arabic numerals, subsidiary seconds dial, with cherub and scroll spandrels, chain driven, the case with scroll carving to the top, on a plinth base, with key and weights, 190cm high. (AF)
Lot 577
A Victorian oak mirror back sideboard, the shaped pediment carved with a mask flanked by fruit and griffins, over a similarly carved frieze, above a square bevelled mirror plate, flanked by two rectangular mirrored plates below carved scallop shells, flanked by musicians on leaf carved scrolls, a shelf below above lion's mask and fluted capital supports, the base with four small drawers, carved with masks above doors similarly carved, flanked by four putti figure heads, raised on a shaped plinth base, 298cm high, 182cm wide, 66cm deep.
Lot 1597
Large quantity of recent issue large & small scale Cars including 2 x 1/18th scale 1996 Williams Renault FW18 Damon Hill World Champion; Shell Classico Collection various large & small scale Racing Cars; Dinky The Collection Jaguar E-type & XK150; Vanguards 1/43rd scale Vauxhall Cresta PA, plus others similar (see photo) - Excellent to Mint in Fair to Excellent packaging and unboxed approx 1/24th scale Shell Collection Jaguar XJ220 - Good Plus (requires cleaning) on plastic display plinth. (23)
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173444 item(s)/page