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Lot 291
A Songye Fetish Power Figure, DRC, of wood covered in a brown pigment and carved as a standing man, his head inserted with a pair of sheep horn tips, with long face, his hands clasped to his rotund stomach with deep belly button, wearing an animal hide and sacking skirt, with bent knees on an oblong plinth, 69cm, and A 20th Century Tuareg Leatherwork Pouch, of coloured cut leather with embroidered decoration to the oblong sleeve, the pouch pulling out at the base and with tasselled leather trim (2)Figure with some insect damage to the base, smoke treated.
Lot 110
A Meissen Porcelain Figure Group Allegorical of Winter, late 19th century, modelled as a young girl and boy, she warming her hands by a brazier and he resting upon a sled with a bundle of sticks holding an axe, on acanthus moulded oval plinth, underglaze crossed swords mark, impressed and incised numbers, 13.5 cm highProvenance: Dutton Manor, Lancashire Loss to the end of his axe handle and applied work. No repair
Lot 531
Two static display model aircraft by Space Models comprising of a resin construction Hawker Hurricane LF363 and Spitfire P735, together with a wooden display plinth, boxed.Hurricane approximately - 34cm wingspan - 27cm lengthSpitfire approximately - 31cm wingspan - 25m lengthBase (oval) approximately - 32cm long by 20cm wide
Lot 21
A modern ovoid vase decorated with coloured bands of orange, green and yellow 20cm high; together with a ceramic rectangular pocket decorated with fish 25cm high, and a ceramic pedestal bowl 24cm diameter. Together with five small early 20th century portraits on porcelain, mounted together on a wooden plinth, two further studio vases (6)
Lot 142
Imelda Staunton (as the Queen): two novelty nodding figuresSeason 6, Episode 2, 'Two Photographs'Together with a novelty nodding figure of Her Majesty Queen Elizabeth II, each modelled in a composite resin, all on circular plinth bases, the tallest: 18cm (3)Footnotes:The novelty figures of Imelda Staunton (as the Queen) are seen momentarily on the dashboard of Forbes Masson's (as Duncan Muir's) car. The actor plays the photographer chosen to capture Dominic West (as Prince Charles) and Rufus Kampa and Fflyn Edwards (as the Princes William and Harry) on holiday in Scotland, in opposition to the headline-grabbing photographs being released of Elizabeth Debicki (as Princess Diana).For further information on this lot please visit Bonhams.com
Lot 5
A blue and gold painted wood and composition sentry boxFirst seen in Season 1, created by The Crown's Construction DepartmentThe pitched roof with panelled front enclosing an arched niche flanked by panelled pilasters on a square plinth base, 137cm wide x 125cm deep x 305cm high, (53 1/2in wide x 49in deep x 120in high)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 104
Dominic West (as Prince Charles): an Empire-style mahogany and gilt-metal mounted pedestal partner's deskFirst seen in Season 5, in the Charles Study at Highgrove setThe gilt tooled leather writing surface above three drawers and a pair of cupboard doors flanked by classical terms on a breakfront plinth base, on paw feet, the reverse with similar decoration, together with a Regency-style mahogany and cut-brass inlaid armchair with scrolled arms on sabre legs, the desk dressed with a variety of props to include: photograph frames;a brass inkstand mounted with slate floral inlaid pietra dura medallions; a selection of books; a Baccarat glass paperweight commemorating Prince Charles' investiture in 1976; a Mulberry crocodile effect blotter; various pens; cups; a collection of cased rulers; and a variety of paper ephemera props created by the Graphics Department, the desk: 160cm wide, 84cm deep, 78.5cm high (62 1/2in wide, 33in deep, 30 1/2in high) (qty)Footnotes:Dressed by The Crown's Set Decorating Department and items may have changed from when used in filming.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 4
A blue and gold painted wood and composition sentry boxFirst seen in Season 1, created by The Crown's Construction DepartmentThe pitched roof with panelled front enclosing an arched niche flanked by panelled pilasters on a square plinth base, 137cm wide x 125cm deep x 305cm high, (53 1/2in wide x 49in deep x 120in high)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 20
A reproduction of Saint Edward's Chair (The Coronation Chair)Season 1, Episode 5, 'Smoke and Mirrors'Gold-painted and simulated oak fibre-glass throne faithfully recreated after the Gothic original, the arched panelled back with downswept arms mounted with tan leather, with Gothic arched panelled sides above a solid seat and pierced quatre-foil frieze enclosing a fibreglass copy of the Coronation Stone of Scone (Stone of Destiny), supported by four lions on a plinth base, with red velvet upholstered squab cushions, together with golden canopy used during the filming of the scene, with turned handles, to be held by bearers; and the Art Department design drawing for the Coronation canopy, the chair: 117cm wide x 72cm deep x 211cm high, (46in wide x 28in deep x 83in high) (3)Footnotes:Commissioned by the Set Decorating department.The original Coronation Chair was made by order of Edward I at the beginning of the 14th century to enclose the Stone of Scone, which he brought from Scotland to Westminster Abbey in 1296. This Stone had originally been used in the Coronation of Scottish Monarchs but was seized during Edward's invasion of Scotland during the First Scottish War of Independence. In 1996 it was returned to Scotland and kept with the Scottish Crown Jewels when not required for Coronations. The Chair has been in use at Coronation ceremonies since 1308 when Edward II was crowned King of England, but it was not until Henry IV's crowning that it became the official chair for the ceremony. It was most recently used in May 2023 during the Coronation of King Charles III. Monarchs used to sit on the stone itself until a wooden platform was added in the 17th century.Carved from oak by Walter of Durham, the Coronation Chair is considered to be the earliest known piece of English furniture made by a known maker.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 158
A pair of French Empire style rouge marble lidded urns with acanthus leaf ormolu mounts, on square plinth basesProvenance: Malcolm Deas Collection 40cm wide x 75cm high Qty: 2 Some minor wear and oxidation to the ormolu, noticeable particularly on the knop and the base of the handles. Minor chip missing from the ormolu banding around the top of the plinth on the corner of one. Slightly irregular fitting of the banding around the plinths with some evidence of repair. Minor scratches and surface dirt to the marble. Some minor hairline fractures. Minor scratches and surface dirt to the marble.
Lot 568
16th Century Italian Three Large Historiated Initials:- from a Benedictine book, vis:- left to right 'The Two Maries and The Angel of the Tomb with Seascape in background', signed on plinth B.F. (165 x 162mm)'Christ Washing Peter's Feet, John the Baptist in Attendance with Towel with the eight other Disciples', (177 x 168mm)'The Birth of The Virgin, St Anne Lies in Canopied Bed with Attendant Figures' (167 x 162mm)Each on a gold leaf ground. All forming a triptych in an early 20th century 'Medici' style frame with pilaster columns and gilded decoration (290 x 670mm overall) fair condition but gold leaf flaking.Provenance: Messrs Christie, Holford Collection 12 July 1927, lot 33Provenance: John. P. Love Collection
Lot 244
A 19th century library mantle timepiece with white enamel Roman dial, moon hands and single fusee drum movement. The gilt metal drum head case with eagle finial flanked by two female classical seated figures reading upon an alabaster plinth base upon turned feet, 12" highDial - damage around winding hole with later bezel cover, hair line cracks between 10 & 1.Movement - not tested.Case - generally good, some tarnishing to the gilding, minor chips to the edges/corners of the alabaster and age related marks.
Lot 284
A George III and later mahogany eight day longcase clock, the 12" break arch brass dial with silvered Roman chapter ring, Arabic five minutes, the centre signed Francis Dorrell, London, subsidiary seconds, date aperture and urn and eagle engraving, strike/silent ring to the arch, foliate scroll spandrels and five knopped pillar movement. The case with break arch hood, fluted pillars with cast brass corinthian capitals over a moulded top door flanked by inset quarter columns upon a panelled plinth base with canted corners, 91 3/4" high, 2 x brass cased weights, pendulum and keyDial - dial good although a little tarnished.Movement - untested, crutch broken, probably a marriage.Case - generally good but probably of later date.
Lot 27
After Michelangelo, Lorenzo de Medici bronze sculpture in the manner of Barbedienne Fondeur (1810-1892) 9.5cm wide 27cm high excluding the plinth. Provenance: Enid Boulting (1928-2021), fashion model; former wife of Roy Boulting, film director (1913-2001) and later wife of the 9th Earl of Hardwicke, thence by descent. Good, Not signed.
Lot 1149
A JAMAICAN SPECIMEN WOOD TABLE, THE CIRCULAR TOP INLAID WITH A STAR, THE SPIRAL TURNED COLUMN ON A TRIPARTITE PLINTH WITH BUN FEET, INSCRIBED WITH AN 1800 DATE ON THE UNDERSIDE. Dia. 50 x H 72cms.William Walker of Kelton Mains, Dumfriesshire, who had been a West Indies trader, died in November 1820 .William Walker of Dumfries identified himself as formerly of St Thomas-in-the East Jamaica. He was possibly the William Walker who owned Mount Champneys and Hermitage.
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