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Click here to subscribeA late 19th Century bronze mounted rouge marble and black slate Mantel Clock, the case of waisted plinth form, surmounted by a classical female figure, with reeded sides, patinated in gilt metal mounts, raised on four bladed tapering feet, to a cast brass bezel, enclosing a 4 ½” dial, with engraved Roman numerals and gild spade hands, to a circular brass movement, with anchor escapement and strike on a bell, height 20”
A mid 20th Century walnut and burr walnut inlaid Mantel Clock, Junghans, the drum case on a rounded plinth base with bracket feet, to a spun brass bezel, with convex glass, enclosing a 7” silvered chapter ring, with applied Arabic numerals and dagger hands, to a signed brass movement with anchor escapement and strike on five rods, height 9”
An early 19th Century Oak, Mahogany and Satinwood inlaid 8-day Long Case Clock, Unsigned, the hood with pagoda top and depicting Britannia with a lion over free standing columns with gilt metal capitals to an ogee throat and long trunk door with further inlaid detail and flanked by quarter reeded columns and raised on a panel plinth base with bracket feet, to a 12” second period painted Arabic dial, the arch decorated with a painted scene of a cottage over floral spandrels and gilt detail to a pale green background, enclosing subsidiary seconds and date sector, with pierced and stamped hands to a false plate signed Walker & Hughes, movement with shoulder plates united by four knopped pillars, anchor escapement with strike on a bell (lacking), height 87”
An early 19th Century mahogany cased 8-day Long-case Clock, the arched hood surmounted by a scrolling pediment, over freestanding columns, with lacquered brass capitals, to a convex throat and arched long trunk door, to a plinth base, with arched second period 12” painted dial, surmounted by a ruined church, over painted rose spandrels and Arabic chapter ring, enclosing subsidiary seconds and date sector with pierced and stamped brass hands, to a cast false plate with movement united by four knopped pillars and anchor escapement, strike on a bell, (associated), height 82”
An oak cased 8-day Long-case Clock, the dial signed Thos Hardwick of Ridgmount, the hood overhanging cornice to dentil frieze, and fluted three quarter columns with brass capitals, to an ogee throat, over a shaped long trunk door, and plinth base, to a 12” square brass dial, with cast and applied scrolling foliate spandrels, and Roman and Arabic chapter ring, to engraved centre with subsidiary seconds and date sector and pierced hands, to an associated movement, with four knopped pillars and anchor escapement, with rack strike on a bell, height 77”
A Victorian walnut Music Cabinet, the top applied with two short brass gallery handles, inlaid throughout with boxwood neo classical designs and stringing, central glazed door flanked on either side by canted corners with a frieze drawer above and enclosing plush lined shelving on a plinth base, 22” wide
A large silver presentation cup, maker's mark rubbed, London 1925, in the Art Nouveau style, the hammered body with three outswept tendril like handles, to flared base, engraved 'City of Nottingham Presented to Mr Alderman E. Huntsman.... ...on the occasion of the opening of North Wilford Power Station. 17th November 1925'. 26.2cm high, 63 oz, on a black wood plinth, together with an electro plate entree dish, of lobed outlined, the lid engraved 'Presented to Alderman E. Huntsman From the staff Nottingham Reform Club. Nov. 23. 1928' (2)
AN EARLY VICTORIAN MAHOGANY LINEN PRESS of breakfront form, the top above a moulded frieze with two central panelled cupboard doors enclosing fitted slides and two long drawers, flanked by conforming cupboards enclosing six short drawers and four slides and a single short drawer, on a plinth base, 78" wide.
The Mackeson Gold Cup, in silver gilt and of Neo-Classical style, engraved with a steeple chaser and inscribed the date of the race, above chased and repousse stiff leaves and pomegranates, the border with oats, barley and hops, having two cast foliage decorated loop handles, on a knopped fan fluted decorated spreading circular foot and a conforming cover with a cast acanthus finial. 14in. (35.5cm.) high. Makers Mappin and Webb. Sheffield, 1971. 53oz. (1650g.). With a mahogany plinth and fitted storage box. Together with five gilt medallions, one with yellow enamel decoration and framed with a certificate of authenticity, one framed for 20the running of the race in 1979, with three more boxed. (6).
A late Victorian inlaid figured walnut veneered Davenport, fitted a stationary compartment with rising domed lid, a leather inset flap and frieze with inlay, the interior veneered in birds eye maple, one side with four graduated cedar-lined drawers, the reverse with dummy drawers with wood knob handles, the front with pilasters and inlaid panel, the plinth on bun feet with castors. 21in. (53.5cm.) wide.
A small early 19th century mantel clock, the 8-day twin fussee movement striking and repeating on a bell, the back plate inscribed Viner and Co. 233 Regent Street. London and also inscribed on the circular white enamel dial, with a gilt engine turned brass quadrant surround, the ebonized mahogany case inlaid brass marquetry and stringing, the sloping plinth top centred a cast gilt brass flaming finial, the sides with foliage gilt brass applique ring handles above red fabric backed pierced brass frets, a pull cord for the repeat, the plinth base with a brass moulding, on turned feet. 12.75in. (32.5cm.) high.
An early 20th Century mahogany Compendium Wardrobe by Gillows of Lancester, the moulded breakfront cornice over two panelled doors enclosing shelving, with five short and four full width drawers below, flanked on either side by panelled doors with interior mirrors, enclosing slides and hanging space respectively, on a plinth base, 87 ½” wide, 88 ½” high
A pair of cast metal figural Book Ends, each modelled as the prow of a boat, with a figure launching a hand held harpoon, on a stepped plinth base, with a naturalistic upright depicting seagulls and marked ‘A dead whale or a stow boat’ and marked verso ‘In honour of the Whaleman whose skill Hardihood and Daring brought fame and fortune to New Bradford and made its name known in every seaport of the globe’, height 7”
A late 19th Century black slate and variegated marble Mantel Clock, the case of plinth form, with inlaid panels and gilt highlights to a cast brass bezel, enclosing an Arabic chapter ring and matted centre with blued steel fleur de lys hands, to a circular brass movement with anchor escapement and strike on a coiled gong, height 12”
An early 20th Century mahogany cased Mantel Clock, WinterHolter and Hoffmeir, the lancet shaped case with boxwood detail, on a plinth base with four compressed bun feet, to a single arched glazed door, enclosing a 5” silvered dial with subsidiary for regulation over a Roman chapter ring with outside minute track and blued steel hands, signed ‘Edwards & Son, 161 Regent Street, London’, to a square brass movement with anchor escapement, (strike work removed), height 10 ¼”
A matched pair of Bow musicians, circa 1765 each seated on a tree stump with a dog by their side, on a rococo plinth, the man in black hat, blue coat and flower sprigged breeches, holding a whistle, 16cm high; the lady wearing a dress with blue bodice and floral sprigged skirt, 14.5cm high (2)
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