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Lot 65

A moulded cement garden ornament in the form of a Classical naked infant with drapes holding an urn and mounted on a square bulbous plinth (figure 70cms, plinth 40cms, as viewed, some damage to the base of the figure).

Lot 79

A late Victorian twin pedestal writing desk with lined top, moulded top rim and rounded corners and having nine plain drawers each with twin bun handles (some replaced) raised on castored plinth bases (120cms wide).

Lot 118

An early 19th century mahogany reading table, the rectangular top with moulded rim and a pair of opposed easel book stands (as viewed, ledge supports missing). The adjustable top with both lateral and vertical on an extending telescopic support mounted within the octagonal column which has a moulded collar and is raised on an inverted shaped plinth with castored bun supports.

Lot 119

A good late Victorian mahogany dressing table mirror, the plain domed plate in a moulded frame within serpentine moulded supports on an inverted and moulded plinth with central hinged jewel compartment and raised on foliate carved supports (67cms).

Lot 200

A contemporary Berlin blanc de chine porcelain figure of a standing gentleman with a cane and a sword on square plinth and another smaller of a small running boy with rifle and bird (as viewed, some damage) and a Lladro porcelain figure (4868) of a young girl in night attire (as viewed).

Lot 232

Two similar reproduced wooden figures of Blackamoors in traditional gilt decorated costume, one holding a large torch, both on plinth bases (as viewed, with damage).

Lot 248

A large and impressive pair of decorative brass beam scales raised on a fluted cylindrical column with chain supports for the two pans and the serpentine plinth base fitted with a set of nine brass bottle weights (1/2 kg. to 10g.).

Lot 249

A small brass chestnut roaster, a pair of brass candlesticks of knopped form, a brass chamber stick on rectangular plinth, a pair of wick trimmers and other brass items (a lot, as viewed).

Lot 300

A Dresden porcelain two branch candelabrum, the floral encrusted column with foliate drip trays and leaf shaped holders (one damaged) and the attendant figure modelled as an 18th century beau in a polychrome floral decorated suit with a waistcoat and breeches on shaped and scrolled plinth (approx 30cms high as viewed).

Lot 307

A pair of modern Chinese pottery figures of seated hounds each decorated with fruit and flowers on brown plinth bases (20cms).

Lot 314

A late 19th century pottery figure of a naked classical beauty standing with one foot on a raised rocky plinth ( 59cms high).

Lot 330

A 19th century Furstenberg figure depicting Ariadne chained to a rock awaiting her fate/slavation, with painted blue script "F" to the plinth (as viewed, signs of restoration and one wrist chain missing - approx 29cms).

Lot 331

A large 19th century Samson figure of Minerva in war-like pose, her scrolled shield decorated with the Medusa`s head and with an attendant owl on a flower strewn rococo scrolled plinth (approx 39cms).

Lot 1207

A Victorian mahogany sideboard, circa 1890, shaped cartouche back and breakfront front, with frieze drawers, above cupboard doors, on plinth base, 89cm h 170cm w

Lot 333

An unusual silver plated single arm balance scale with candle sconce, on wooden plinth This lot is available for Online Bidding

Lot 600

An Edwardian carved ash triple wardrobe with arch cornice, central mirror door enclosing fitted press section, and 2 carved panelled side doors, on plinth This lot is available for Online Bidding

Lot 129

AN EARLY 20TH CENTURY LACQUERED AND PATINATED BRASS THEODOLITE, by Stanley, London, number 25193, the mounted spirit level sighting tube pivoted between two uprights with vernier scale, the rotating calibrated compass inset plinth applied with spirit level and signed STANLEY, LONDON 25193, on a platform base with levelling screws, marked Stanley`s patent. 41cm(h)

Lot 437

BORDER FINE ARTS `THE BEN BLACK COLLECTION`, four groups and two wall masks, entitled `Between Acts`, `Reprise`, `Off Stage`, `Interlude`, `Auguste` and `Napoleon`, each figure with wooden plinth, wall masks with hats and ruffles. (6)

Lot 461

A BORDER FINE ARTS MODEL `THREE MUSKETEERS`, three terriers on a naturalistic base and wooden plinth with plaque reading Lowther 2008, limited edition number 383 of 500, sold with certificate and original box. 12cm(h) x 18cm(w)

Lot 462

A BORDER FINE ARTS MODEL `FELL MARE & FOAL`, the wooden plinth with plaque reading `The Jennifer Harrison Memorial Trophy, Lowther 2008`, limited edition number 304 of 750, sold with certificate and original box. 19cm(h) x 23cm(w)

Lot 466

THREE BORDER FINE ARTS DOG FIGURES a Beagle, Jack Russell family group and two Jack Russells, each wooden plinth with plaque reading Lowther 2008.

Lot 536

A 19TH CENTURY CARVED IVORY OKIMONO, an elderly fisherman hauling his nets with fish attached, on a oval plinth with signature to base. 19.5cm(h)

Lot 550

Attributed to Karl Kauba (Austrian 1865-1922) A CAST BRONZED COWBOY FIGURE a stereotypical cowboy with shotgun and pistol in hand seated on a galloping horse, signed `Kauber` to base, mounted on a rectangular marble plinth. 29cm(h)

Lot 582

AN UNUSUAL MUSICAL BIRDS EYE MAPLE CIGAR BOX early 20th century, formed as a canted rectangular radio, the hinged top enclosing a sectioned interior, the facia with two turning knobs, the left to open a side vesta drawer, the right to open a drawer and initiate the musical mechanism, winding key to the rear, on a narrow plinth base. 14cm(h) x 32cm(w) x 17cm(d)

Lot 748

AN EDWARDIAN INLAID ROSEWOOD DESK formally a dressing table, having two raised sections each with two small inlaid drawers, the central drawer and arched knee hole section flanked by four drawers, all with ivory and boxwood foliate scroll inlay, raised on moulded plinth bases. 119cm(h) x 137cm(w) x 59cm(d)

Lot 873

A LARGE VICTORIAN OAK SIDEBOARD having a raised and shaped back with roundal carvings, the moulded rectangular top over a single central frieze drawer with two panelled cupboard doors below, flanked by larger conforming doors with incised diagonal line decoration, raised on an inverted break-front plinth base. 133cm(h) x 199cm(w) x 63cm(d)

Lot 302

A George III mahogany cabinet in the manner of Gillows, the associated upper section with glazed doors enclosing adjustable shelves, the base with an arrangement of twelve drawers and two cupboards, flanked by foliate carved, beaded and reeded quarter pilasters, on shaped plinth base, 137cm wide x 231cm high.

Lot 310

An 18th Century oak cupboard, the moulded cornice above fielded panel door enclosing later shaped shelves, (lacking plinth), 57cm.

Lot 323

A Victorian figured walnut and gilt metal mounted credenza, the inverted bowfront top above central glazed door enclosing shelves, flanked by open shelves to each side, on plinth base, 142cm wide.

Lot 325

A Victorian mahogany bookcase, the moulded cornice above a pair of twin arch glazed doors enclosing adjustable shelves, the base with frieze drawer above a pair of arch panelled doors enclosing cellarette drawer, further drawers and shelves, plinth base, on flattened bun feet,

Lot 342

A George III mahogany floorstanding corner cupboard, with canted sides, the upper section with moulded cornice above glazed door enclosing green painted shaped shelves, the lower section with panel door, and plinth base, 76cm wide.

Lot 346

A 19th Century mahogany pedestal desk, the moulded edge top inset with gilt tooled green leather, above the usual arrangement of nine drawers, on plinth base, 152.5cm wide.

Lot 635

A 20th Century copy of an armour, complete with gauntlets, gorget and helmet, mounted on a wooden plinth.

Lot 528

AN XVIII CENTURY STYLE OAK BREAKFRONT WALL BOOKCASE, WITH SWAN NECK PEDIMENT AND FOUR GLAZED ASTRAGAL DOORS, ON PLINTH BASE, 171.5CMS WIDE.

Lot 429

A LATE REGENCY MAHOGANY BRACKET CLOCK by Thos. Leonard, 50 Tabernacle Walk, Finsbury Square, London, the "balloon"-shaped case on scroll supports and concave plinth with compressed bun feet, the silvered dial with Roman numerals and single fusee movement, 17½". See illustration

Lot 499

A VICTORIAN STYLE MAHOGANY MINIATURE SIDEBOARD, the raised back with central mirrored panel, above a shaped top with moulded front and three frieze drawers, above four cupboard doors with arched panels, on plinth base, 25½" wide

Lot 508

A PAIR OF VICTORIAN MAHOGANY FOOTSTOOLS, each with rectangular woolwork covers, the frames with brass round-headed stud decoration, on open plinth bases, 12½" wide

Lot 551

A REGENCY ROSEWOOD BREAKFRONT BOOKCASE, the rectangular front with projecting centre above a frieze with applied carved paterae decoration above open adjustable shelves, on a plinth base, 73" wide. See illustration

Lot 145

* WWI - Germany. Putter (Fritz, German WWI ace fighter pilot, 1895-1918). Memorial statue surmounted by a German eagle with wings outstretched, bronze finish column engraved with the words ‘Flieg deutscher Adler flieg!’, with applied wreath badge below showing an early monoplane flying over the countryside, within oak and laurel leaf frame surmounted by a crown, the whole raised on black marble square plinth with legend plaque ‘Fritz PŸtter Leutnant der Reserve FŸr AusfŸhrung Im der Flugerkrieg 31.5.1918’, some old damage, overall height approx. 14 in (25cm) Having volunteered for service on 24th August 1914, Putter began pilot training on 20th May 1916. He was posted to Flieger-Abteilung 251, flying reconnaissance missions between Reims and Verdun in support of the 3rd Army. He was assigned to the Royal Prussian Jagdstaffel 9 in March 1917, flying fighter aircraft under the tutelage of Hartmut Baldamus and Hermann Pffeifer. Putter had considerable success shooting down enemy observation balloons and is credited with downing seventeen enemy aeroplanes. He received Germany’s highest award for valour, the Pour le Merit, on 30th May 1918. On 16th July of the same year he was flying a mission with incendiary ammunition onboard which self-combusted, setting the aircraft and pilot on fire. Putter managed to land the burning plane and was rushed to hospital but later succumbed to his wounds. (1)

Lot 41

ULRICA HYDMAN-VALLIEN FOR KOSTA BODA, SWEDEN, PAINTED GLASS VESSEL, CIRCA 1980, the mottled blue glass painted with an abstracted face on a speckled white ground, signed, bears original paper label, etched marks to base 48744, raised on an ebonised plinth (2), 26.5cm high

Lot 70

PILKINGTON ROYAL LANCASTRIAN, CLASSICAL FIGURE, CIRCA 1910, modelled as a classical female figure in pleated dress and flowing cloak raised on a plinth with Greek key frieze, impressed mark, incised initials, 21cm high

Lot 101

MOORCROFT, TWO CERAMIC LAMP BASES, LATE 20TH CENTURY, one of shouldered form, decorated with fruiting holly trees, the other of baluster form decorated with stylised trees, fitted for electricity and raised on a wooden plinth (2), 29cm and 34cm high

Lot 102

MOORCROFT, TWO CERAMIC LAMP BASES, LATE 20TH CENTURY, both of baluster form, one decorated with `Finches` pattern, the other decorated with sunflowers, fitted for electricity and raised on a wooden plinth (2), 22cm and 27cm high

Lot 103

MOORCROFT, TWO CERAMIC LAMP BASES, LATE 20TH CENTURY, both of baluster form, one decorated with tulips, the other decorated with orchids and waterlilies, fitted for electricity and raised on a wooden plinth (2), 34cm and 33cm high

Lot 198

ERNST BARLACH FOR SCHWARZBURGER WERKSTÄTTEN, `RUSSISCHE BETTLERIN MIT SCHALE`, PORCELAIN FIGURE CIRCA 1906. impressed monogram to plinth, impressed marks under base `Schwarzburger Werkstatten fur Porzellankunst` and `U11/ GW`, 24cm high

Lot 216

MARTINE BEDIN FOR MEMPHIS, `CUCUMBER` VASE, CIRCA 1985. with yellow glazed inverted rim and flattened circular body, black plinth base, printed mark `Memphis/ Milano/ Made in Italy by Flavia Montelupo F.no/ designed by Martine Bedin`, 32cm high

Lot 288

GEORGE WAGNER, GILT BRONZE AND IVORY FIGURE, CIRCA 1910, cast and carved as a scantily clad maiden, raised on a green marble plinth, cast foundry marks in the bronze `Akt Ges v H.Gladenbeck & Sohn, Berlin D 5013`, etched mark to plinth `G. Wagner`, 29cm high

Lot 294

LORENZL (STYLE OF), BRONZE AND IVORY FIGURE OF A GIRL, CIRCA 1925. cast as a girl in pyjamas and high heels, raised on a stepped onyx plinth base, unsigned, 24cm high

Lot 313

AUSTRIAN SECESSION, MANTEL CLOCK, CIRCA 1910, the circular silvered dial with embossed numerals within beaten copper square case, supported on turned column with embossed silvered backplate, depicting a chariot race and inscription `Wettlauf der Zeit` (`Race against Time`), the corresponding copper base raised on a marble plinth, later contemporary quartz movement, 49cm high

Lot 339

ART NOUVEAU, COPPER GONG AND STAND, CIRCA 1900, with repousse decoration of stylised plant forms on a stepped plinth, 70cm wide, 76cm high

Lot 37

A Connoisseur Model by Beswick of Red Rum on a wooden plinth

Lot 38

A Connoisseur Model by Beswick of Spirit of Affection on a wooden plinth

Lot 203

A selection of military Buttons, Royal Berkshire Cap Badge on wooden plinth, military Print and a Cap

Lot 35

A pair of silver plated metal columnar table lamps, last quarter 20th century, each with Composite capital, fluted shaft, square section plinth and stepped base, the electrical fitments on raised stems with fir cone finials, 87cm high overall

Lot 63

A French Louis XV style silvered metal mounted cream lacquered mantel clock, circa 1900, the eight-day bell striking movement with platform lever escapement and white enamel Roman numeral dial with retailers signature HOWELL & JAMES LIMITED..., the waisted case with rocaille cast edge mounts to front and on festoon swag applied concave fronted plinth base with scroll feet, 27cm high. Condition Report:** Movement is intact but not currently running as is overwound, however escapement appears free from damage so probably just requires a clean and overhaul. Dial has a series of hairline cracks to the upper numerals of the chaper ring but appears free of chips/losses to enamel. Case has overall wear and crazing to cream lacquer finish with noticeable flaking to carcass joints within the case, the metal mounts are complete but are tarnished and worn. Generally a very decorative clock with an attractive `lived in` feel. Clock does not have a winding key.

Lot 66

A French Jacob Petit Paris porcelain cased mantel clock, late 19th century, the eight-day bell striking movement with white enamel Roman numeral dial signed W. B. PROMOLI, RUE DE BOULOGNE 4, A PARIS to centre, the waisted case with floral spray painted panels on a mid green ground within elaborate rocaille moulded gilt highlighted borders, the underside with underglaze blue J.P. mark, on original matching porcelain plinth, (slight damage to clock case), 44cm high overall. Condition Report:** Movement appears complete and original however would benefit from a clean and overhaul. Ddial appears undamaged but is dirty. The case has a chip/loss to the extreme right hand scroll otherwise is in very good condition with only very light gilt wear, as well as some surface wear to green ground where clock sits in the base. Clock comes with pendulum but no winding key.

Lot 135

A Victorian coromandel and mahogany crossbanded kidney shaped desk, circa 1870, in the manner of Gillows of Lancaster, the tooled leather inset above an arrangement of eleven graduated drawers, on a plinth base 75cm high, 130cm wide, 64cm deep Condition Report:** Marks, scratches and abrasions consistent with age and use. Some old closed splits, some sections of replacement and losses to veneers, minor chips. Overall varnished surface appears `bloomed` affecting colour and patina of timber. Some additional marks to top. There are 4 castors which appear to be original and which are sunk into the underside of the plinthFurther images are available upon request for visual reference to condition

Lot 138

A George II Chinoiserie lacquered and parcel gilt circular occasional table, circa 1750, the hinged top decorated with flora, fauna and figures by a pavillion, the gun barrel turned stem and three cabriole legs with further painted decoration, 73cm high, 74.5cm diameter Condition report: ** Marks, scratches and abrasions consistent with age and use. Old closed splits. Minor chips. Additional scratching and fragmentary loss to lacquer work, particularly to raised sections and outermost edges of legs. Old worm holes to plinth at top of stem. Holes and section of loss around brass catch to underside of top and later screws therefore catch probably replaced.

Lot 152

A mahogany pedestal desk, circa 1780 and later, the rectangular top with gilt tooled red leather inset above an arrangement of drawers, the opposing side with a drawer and a pair of cupboards, on plinth bases, 79cm high, 168cm wide, 122cm deep .Please note: This desk is of late 19th/early 20th century manufacture in George III style, and not as described in the catalogue.Condition Report:** Marks, scratches and abrasions consistent with age and use. Some old closed splits, minor chips. Some sections of replacement and losses to veneers. Handles and locks replaced. Later bracket and drill holes where central drawers are supported. Top and central drawer later adaptions. Overall desk appears to be of late 19th/early 20th century date in George III style and not as described in the catalogue.

Lot 170

An oak breakfront bookcase, in George III style, of recent manufacture, the cornice, above astragal glazed upper section enclosing shelves, on a base centered by a pair of cupboard doors flanked by drawers, on a plinth base, 220cm high, 230cm wide, 49cm deep, Condition Report:** Marks, scratches and abrasions consistent with age and use. Good condition overall reflecting recent date of manufacture.

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