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Lot 753
AN OAK LONGCASE CLOCK, signed David Collier, Gatley, the eight day movement with anchor escapement striking on a bell, 13" square brass dial with Roman and Arabic numerals, foliate chased centre with penny moonphase over calendar dial, the burr walnut banded case with caddy top, with turned wood and brass finials over verre eglomise frieze dated 1765, turned columns, moulded door and canted base, on plinth, 90 1/2" high (Est. plus 21% premium inc. VAT)Possibly a marriage of case/movement(?), movement good and quite clean, face good bar much wear to silvering of chapter ring, unusual case in generally very good condition bar split to throat moulding to right of front and along the right hand side and shrinkage splits to base, with weights and pendulum
Lot 831
AN AESTHETIC SATIN WALNUT DAVENPORT, the superstructure with turned gallery on hinged lid opening to stationery compartment and ink bottles, leather lined slope opening to interior with a pair of small drawers, the front with gilded panel painted with a crane within a geometric panelled surround and flanked by turned columns, panelled side door enclosing four drawers, on moulded plinth and brass castors, 24" x 23 1/4" x 35 1/2" (Illustrated) (Est. plus 21% premium inc. VAT)High quality piece in generally good condition, some fading to top and one side, small veneer loss to right of leather, replaced veneers to left side, also some scratching and minor shrinkage cracks below leather of slope, appears to have been some water damage to slope and some lifting of replaced veneers and also to veneers under lid
Lot 564
AN ITALIAN CARVED MARBLE FIGURE OF A SEATED YOUNG GIRLEarly 20th CenturyModelled washing her feet, seated on a tasselled towel, 86cm high Condition report: Worn overall with general weathering, having been exposed to the elements for a period. The figure and base have been cleaned at some point. Noticeable loss to the edge of the collar of the dress along the front right and various other smaller losses in areas with rough, worn edges. General loss of detail, with small nicks and holes in areas, small fissures. Further discolouration in areas and various marks.The figure stands on a waisted plinth.
Lot 612
A BRONZE HEAD CAST FROM THE MODEL AFTER AUGUSTE RODIN (1840-1917)Circa 1980Inscribed to cast ‘A.Rodin No.10’ and copyright ‘By Musee Rodin 1905/6?’, and ‘Georges Rudier Fondeur, Paris’, the interior of the neck with an applied cast label ‘A. Rodin’, mounted on a black marble plinth, 26cm high ‘Tête d'esclave’ was conceived in 1898 and this version in 1904, executed in a numbered edition of 12 and cast circa 1980s.Condition report: Generally rubbed and worn in areas commensurate with use and age. Minor spots of Verdi-gris, including to the back of the ears and a small scuff/scratch to the back of the head.
Lot 640
A PAIR OF FRENCH BRONZE AND MARBLE FIGURAL SIX-LIGHT CANDELABRALate 19th CenturyEach modelled as a classical female wearing a robe mounted on a red marble plinth, 100cm highCondition report:- One candelabra is missing its screw thread needed to attach the branches- Numerous small nibbles to the marble bases - Remnants of wax and general wear throughout
Lot 657
A LOUIS XV ORMOLU-MOUNTED VERNIS MARTIN STRIKING MANTEL CLOCKMid-18th CenturyThe case decorated with floral sprays on a yellow ground, with pierced brass grille sides, standing on a plinth base, the enamel dial inscribed ‘Biesta a Paris’, Roman hours and Arabic minutes, the movement with countwheel strike on bell, silk suspension, pendulum and key, 59cm high Condition report: Overall losses to the decorative paintwork of the case, with areas lacking to the front below the dial. The base also with losses, shrinkage, wear and worm. Tarnishing to the mounts and rubbing to the gilding. Mounts slightly loose and with gaps noticeable to the base, probably where the base as slightly shrunk. Green lacquered backing to the grille sides is worn and damaged with numerous holes. The dial with light hairline crack running from the number 60. Minor losses to the winding holes. The movement will need a thorough overall by a qualified clock restorer. Key, pendulum and smaller key attached.
Lot 659
‘AMAZON’, CAST FROM THE MODEL BY ALBERT HINRICH HUSSMANN (1874-1946)Early 20th CenturyThe equestrian gilt-bronze mounted with a carved white marble figure, inscribed to cast ‘A.HUSSMANN.’ mounted on an onyx and green marble plinth, 43cm high Condition report:The figure with broken ankle, contained within a bag and should be a reasonably easy restoration. Dirt and dust to the figure, notably to the head, whereas the face is relatively clean. Tarnishing, dit and dust to the ronde overall, as to be expected. Minor small chips to the points of the corners, as to be expected.
Lot 1020
IN THE MANNER OF HOLLAND & SON; A REGENCY BRASS INLAID ROSEWOOD CENTRE TABLEWith circular snap top on three downswept supports, 117cm diameter; 70cm highCondition report: One leg has broken next to the mount, causing the table to slightly lean. There are also two breaks or cracks either side of the triform plinth, supporting the same leg. Various veneer chips in areas, including some losses to the damaged foot/leg, losses along the edges and to the boulle inlay brass work in areas, together with some lifting of the ebony stringing.Some old marks to the top and base, with some discolouration, a few water spots in areas, scuffs and scratches as to be expected from age and use. Pleases see additional photographs on www.bellmans.co.ukThe gilding to the mounts are worn and tarnished. The mounts to the feet are rather unusual examples, terminating with a serpent head. With flower head mounts further up the scroll supports, one missing a central roundel, the others oxidised. Pull handle to the underside, loose one side.
Lot 1135
A MAHOGANY APOTHECARY CHESTWith 26 various drawers, on plinth base, 127cm wide; 89cm highCondition report:This piece has been constructed from earlier 19th century and later elements. Decorative and functional.With some minor scuffs, knocks and small chips in areas. The top is more of a brown mahogany in comparison to the front which is a redder brown.
Lot 49
A hand cranked watchmaker's lathe, mid 19th centuryGeared mechanism in brass and steel with turned wooden handles, brass dogs holding a later three jaw chuck, compound slide, engraver rest, mounted on wooden plinth with parts for a pivot polisher Size: 15in (36cm) longFor further information on this lot please visit Bonhams.com
Lot 1554
A Victorian burr walnut veneered pot cupboard, c1880, with roundel carved triangular back, panelled door and skirted plinth, pierced brass strapwork hinges, 82cm h; 40cm w and a mirror back mahogany corner shelf, c1880, shaped back, bowed shelf above spindle gallery, bevelled plates, 64cm h; 42cm w (2) Pot cupboard with losses and tears to veneer, later faux burr painting, other faults, abrasions and losses. Corner shelf with splits, drill holes to back and wear and abrasions
Lot 255
A Victorian figured walnut and ebonised pier cabinet, with concave canted corners flanking a single glazed door enclosing two lined shelves, raised on a plinth base with short turned feet, 81cm wide, 40cm deep, 110cm highCondition report: Split to topSome losses to gilt mountsGeneral wear - dinks to edges
Lot 322
A composition stone lion and lioness, the recumbent figures on rectangular plinths, 100cm long, 42cm deep, 65cm high (2)Condition report: Lion: Broken and missing tail. Break to one hind leg.Lioness: Broken and missint tail. Old crack in centre front of plinth running into her side.Both with lichen growth.
Lot 68
A singing birdcage automaton, 20th century, brass-cased, with a dome top, the round suspension loop above the top disc decorated with scrolls, the two singing birds, in yellow and red, the red slightly higher, amongst leaves and foliage, the circular base cast with garlands of flowers, raised on three short turned brass fee stamped to the base 'Reuge Music, Sainte Croix, Made in Switzerland', 25cm highCondition report: Loop chrome, cage appears OK, a few dents to the plinth. Birds feathers slightly worn. Red bird's breast feathers unstuck. The yellow bird has a missing eye. Working order.
Lot 1378
Early 19th Century oak and mahogany crossbanded longcase clock, the square hood with swan neck pediment above a rectangular panelled door flanked by fluted quarter pilasters above a conforming plinth, the painted dial with Roman numerals, signed indistinctly and inscribed Tewksbury, with gilt hands, date aperture and single train thirty hour movement
Lot 1389
George III carved oak longcase clock, the square hood above a rectangular panelled door on a plinth base, the 11in square brass and silvered dial with Roman and Arabic numerals, subsidiary seconds and calendar aperture, inscribed Rich Chalklen, Wrotham, with a two train movement striking on a bellCase is clean and in very good condition. Movement is clean and with new gut. Runs and strikes correctly although we never give guarantees it will continue to do so. Carving assumed to be of a later date.
Lot 1398
19th Century longcase clock, the arch top dial having painted decoration with Roman numerals and moonphase and subsidiary dials (at fault), with two train movement above a shaped flush panelled crossbanded door and conforming plinth base (at fault), with pendulum, weights and winding key, 87ins high x 23ins wide
Lot 1406
19th Century Continental oak longcase clock, the floral carved hood with a bar glazed pendulum window above a rectangular panel door and moulded plinth base, the convex enamel dial with Roman numerals and two train weight driven movement, 7ft tall approximatelyThere is evidence of slight historic woodworm in the back board only. The pendulum to this clock is missing and therefore it cannot currently run. Also has minor damage to the floral surmount.
Lot 1407
Late 19th / early 20th Century mahogany longcase clock in George III style, with an arched hood above an arched panel door flanked by quarter columns above a panelled plinth base, the silvered and gilt brass dial with Roman and Arabic numerals and subsidiary seconds with two train movement, striking on a gong
Lot 1511
19th Century Continental walnut armoire, the heavy moulded and dentil cornice with a shaped surmount above a pair of rectangular fielded panel doors, flanked by plain moulded pilasters with carved capitals above a conforming plinth base simulated as drawers with a void interior, raised on large bracket feet, 77.5ins wide
Lot 1679
Set of ten (eight plus two) 19th Century carved oak dining chairs with padded backs and overstuffed seats, on turned supports with barley twist stretchers, together with a Victorian oak rectangular wind-out extending dining table with three extra leaves, extending to 119ins x 53.5ins and a near matching buffet with a shelf back above two drawers and two fruit carved panel doors above a plinth, 55ins wide
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173487 item(s)/page