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Lot 190
LATE GEORGE III MAHOGANY LONGCASE CLOCK, JAMES MCCABE, LONDON EARLY 19TH CENTURY the white enamel Roman numeral dial with two winding holes and signed James McCabe/ Royal Exchange/ LONDON; in a moulded arch case with brass finial and canted stop-fluted angles with brass insert, above an arched moulded door flanked by stop fluted angles with further brass inserts, on a moulded plinth base with a shaped apron and bracket forefeet; the eight-day twin train movement striking a bell(50cm wide, 232cm high, 26cm deep)
Lot 195
GEORGIAN STYLE MAHOGANY PARTNERS DESK LATE 19TH CENTURY the rectangular top inset with a brown leather tooled writing surface, above three frieze drawers, on banks of three further drawers, one with secret compartment, the same opposing, with additional slides to each side, on plinth bases with castors(161cm wide, 79cm high, 135cm deep)
Lot 263
Y REGENCY ROSEWOOD AND BRASS OPEN BOOKCASE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the superstructure with a scroll carved back and single shelf raised on brass scroll supports, the base of breakfront outline with central open shelves flanked by lotus carved and reeded tapered columns and side cabinets with brass grille inserts, on a conforming plinth base(183cm wide, 135cm high, 46cm deep)Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Lot 274
REGENCY ROSEWOOD BRASS MOUNTED LOW OPEN BOOKCASE EARLY 19TH CENTURY of breakfront outline with a three-quarter pierced brass gallery, above three sections with adjustable shelves and brass mounts, on a plinth base(183cm wide, 90cm high, 31cm deep)Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Lot 297
CABINETMAKER'S SAMPLE MINIATURE MAHOGANY LONGCASE CLOCK EARLY 19TH CENTURY the swan neck pediment above an arched 5 1/4 in. brass dial with Roman numeral chapter and basket engraving to the arch, flanked by bobbin moulded corners, above a shaped trunk door flanked by futher bobbin moulding, on a plinth base raised on bracket feet; the eight day twin train movement striking a bell(104cm high, 27cm wide, 14cm deep)
Lot 344
SCOTTISH MAHOGANY LONGCASE CLOCK, JOHN SMITH, PITTENWEEM EARLY 19TH CENTURY of neat size, the signed painted dial with Arabic chapter, subsidiary calendar and seconds dials and two winding holes, the arch painted with a bird and flowers, in a swan neck case with brass eagle finial above a crossbanded door flanked by quarter columns, on plinth base with bracket feet; the eight day twin train movement striking a bell(42cm wide, 209cm high, 22cm deep)
Lot 445
LARGE EDWARDIAN OAK CARTOGRAPHER'S DESK EARLY 20TH CENTURY the brown leather top with gilt embossed borders, above an arrangement of twelve short drawers to one side, and nine short drawers around a kneehole recess on the other, on plinth bases with castors(172cm wide, 79cm high, 116cm deep)
Lot 451
NAPOLEON III BRASS, TORTOISESHELL, AND EBONISED BOULLE MARQUETRY SIDE CABINET LATE 19TH CENTURY arc en arbelette form, with a black slate insert top, above a cupboard door with an oval panel flanked by gilt bronze terms, the whole covered in foliate and scroll marquetry, raised on a shaped ebonised plinth base(128cm wide, 111cm high, 40.5cm wide)Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Lot 457
VICTORIAN WALNUT AND KINGWOOD SIDE CABINET 19TH CENTURY the top over a plain frieze and pair of arch glazed doors backed with maroon silk and opening to adjustable shelves and plush lined interior, with glazed side panels, all on a plinth base with gilt metal mounts throughout(108.5cm wide, 143cm high, 35cm deep)
Lot 460
VICTORIAN BURR WALNUT, WALNUT, EBONISED AND MARQUETRY SIDE CABINET MID 19TH CENTURY of breakfront outline, the white marble top with outset rounded corners above a central door with an oval reserve with a musical trophy, opening to adjustable shelves, flanked and divided by ebonised columns and further panels with torches, on a plinth base; with gilt metal mounts throughout(136cm wide, 98cm high, 43cm deep)
Lot 486
TWO GILT METAL AND MARBLE COLUMN PEDESTALS LATE 19TH/ EARLY 20TH CENTURY the first with a square green marble platform with shaped canted angles above a laurel leaf capital and pink veined marble column raised on a stepped plinth; the second with a square platform above a Corinthian capital and slender rouge and faux marble column mounted with further foliate bands, raised on square stepped plinth(111cm high, 30cm wide; and 115cm high, 30cm wide)
Lot 57
GEORGIAN OAK LONGCASE CLOCK, JOHN BOWN, PORTSEA 18TH CENTURY the signed brass dial with a silvered Roman numeral chapter, date aperture and subsidiary seconds dial, in a case with a dentil moulded cornice, above a shaped trunk door and plinth base; the eight-day twin train movement striking a bell(56cm wide, 190cm high, 29cm deep)
Lot 629
BIEDERMEIER SATIN BIRCH AND EBONISED CONSOLE TABLE AND PIER MIRROR 19TH CENTURY the console with a rectangular top above a plain frieze with a central drawer and sawtooth inlay, raised on scroll supports with hoof feet on a concave platform base; the mirror with a pediment top and ebonised panel with a gilt metal eagle mount, above an arched mirror plate flanked by ebonised columns on a plinth base with conforming panel(Console 96cm wide, 74cm high, 43cm deep; mirror 115cm high, 67cm wide)
Lot 66
SCOTTISH OAK LONGCASE CLOCK, J. & W. MITCHELL, GLASGOW 19TH CENTURY the circular Roman numeral enamel dial with two winding holes and a subsidiary seconds dial, in an straight oak case with moulded trunk door and conforming plinth base; the eight day twin-train movement striking a bell(48cm wide, 185cm high, 25cm deep)
Lot 717
SCOTTISH FIRECLAY 'EGLINTON' URN AND PLINTH 19TH CENTURY of campana form with a leaf moulded rim, the body with a relief medieval scene above a spiral fluted socle, the square plinth with moulded grapes and leaves,stamped on the base CRAIGS KILMARNOCK(40cm wide, 120cm high, 40cm deep overall)
Lot 88
GEORGE III BLACK LACQUERED LONGCASE CLOCK, ROBERT CLIDSDALE, EDINBURGH 18TH CENTURY the arch brass dial with a silvered chapter ring marked with Roman and Arabic numbers, with a matted centre with two winding holes, date aperture, subsidiary seconds dial, and Strike/Silent dial to the arch, the name plate signed 'Robt Clidsdale/ Edinburgh', in an arch moulded hood and corner columns, above an arch moulded trunk door with prints of George III and Queen Charlotte, on a plinth base decorated with Chinoiserie; the eight day twin train movement striking a bell(49cm wide, 222cm high, 23cm deep)
Lot 463
A good pair of French early 19th Century winding clamps on marquetry inlaid base, the clamps with roundel turned tops to bone bird cages, each mounted on a wooden bar united by a rounded end rectangular plinth veneered in exotic woods centred by a floral marquetry panel, with wooden fixing screw, plinth with arms at minimum 48cms, max height 15cms.
Lot 185
SCHÄFER. SCHÄFER. Meissen. Meister/Entwerfer: Modell P. Scheurich. Material: Porzellan, sparsam farbig staffiert. Beschreibung: Junger, unbekleideter Schäfer, auf flacher, quadratischer Plinthe, an einen Baumstamm gelehnt. Maße: Höhe 35,5cm. Marke: Schwertermarke, F276, Bossierernr. 42, Malernr. 12. Erläuterungen zum Katalog Meissen Deutschland Jugendstil / Art Déco 20. Jahrhundert Hirte Scheurich, Paul SCHÄFER. PORCELAIN FIGURINE OF A SHEPHERD. Meissen. Maker/Designer: Model P. Scheurich. Technique: Porcelain, scarcely decorated with colour. Description: Young, undressed shepherd, on a flat, square plinth, leaning against a tree. Measurement: Height 35,5cm. Mark: Swordsmark, F276, porcelain former no. 42, painter no. 12. Explanations to the Catalogue Meissen Germany Art Nouveau 20th century Shepherd Scheurich, Paul
Lot 41
PRUNKVOLLER EMPIRE TAFELAUFSATZ. PRUNKVOLLER EMPIRE TAFELAUFSATZ. Weimar. Datierung: Um 1873. Meister/Entwerfer: Robert Härtel. Technik: Silber geprüft. Beschreibung: Oktogonale Plinthe, darauf einmal eingezogener Rundfuß mit Akanthus- und Palmettenrelief. Um den schlanken, stabförmigen Schaft vier ganzfigurige Allegorien der vier Jahreszeiten gruppiert. In antikisierenden Gewändern und jeweils mit den zugehörigen Attributen in Händen. Darüber die ausladende, flach gemuldete Schale mit Akanthusrelief auf der Unterseite. Unterhalb des leicht ausgestellten Randes breites Fries mit ländlichen Darstellungen wie der Jagdwirtschaft, der Tierzucht, Feldarbeit und dem Weinbau. Auf zwei gegenständigen Kartuschen auf der Fußoberseite einmal ligiertes Monogramm "CAP" bzw. das Datum "26. August 1873". Maße: Höhe 38,5cm, ø 34cm. Marke: Unten auf Plinthenkante bez. "R.Haertel fec.". Provenienz: - Wohl Großherzog Karl August und die Herzogin Pauline von Sachsen-Weimar-Eisenach anlässlich ihrer Hochzeit am 26. August 1873 überreicht. - Privatsammlung Wien. - Privatsammlung Berlin. Der Bildhauer Robert Härtel (1831-1894) erhielt zu Beginn seiner Ausbildung in Weimar Zeichenunterricht bei Friedrich Preller und ging dann dort bei einem Goldschmied in die Lehre. In den folgenden Jahren trat er als Bildhauer in das Atelier Ernst Hähnels in Dresden ein. Neben Statuen für die Semperoper in Dresden führte er auch immer wieder Aufträge für die Großherzöge von Sachsen-Weimar-Eisenach aus. So schuf er unter anderem eine Figur der Poesie für Amalia von Sachsen-Weimar-Eisenach (1830-1872) oder 1868 das beeindruckende Relieffries mit der Darstellung der Hermannsschlacht für das Großherzogliche Museum in Weimar. Aufgrund dieser Nähe Härtels zu dem großherzoglichen Haus sowie dem gravierten Datum und Monogramm auf dem Fuß des Aufsatzes, liegt es nahe zu vermuten, dass der hier vorliegende Tafelaufsatz anlässlich der Hochzeit Großherzog Karl Augusts mit Herzogin Pauline von Sachsen-Weimar-Eisenach am 26. August 1873 in Auftrag gegeben wurde. Erläuterungen zum Katalog Weimar Silber 19. Jahrhundert Tafelaufsatz Härtel PRUNKVOLLER EMPIRE TAFELAUFSATZ. SPLENDID SILVER EMPIRE CENTERPIECE. Weimar. Date: Around 1873. Maker/Designer: Robert Härtel. Technique: Silver, tested. Description: Round, indented foot with acanthus and palmette relief on octogonal plinth. Four plastic figurines, representing the four seasons, surrounding the slender shaft. Each wearing antique robes and holding corresponding attributes in their hands. Above, a protruding, flatly hollowed bowl with acanthus relief on its underside. Below the slightly flared edge, a wide frieze with depictions of rural topics such as hunting, farming, field work or winegrowing. In two cartouches on opposing upper sides of the foot the monogram "CAP" and the date "August 26, 1873". Measurement: Height 38,5cm, ø 34cm. Mark: On the bottom of the plinth's edge inscribed "R.Haertel fec.". 900 silver, tested. Provenance: - Was probably given to grand Duke Karl August and Duchess Pauline of Saxe-Weimar-Eisenach as a wedding present on August 26, 1873. - Private collection Vienna. - Private collection Berlin. The sculptor Robert Härtel (1831-1894) started his education in Weimar by taking drawing lessons with Friedrich Preller, where he then was apprentice to a goldsmith. During the following years, he joined the studio of Ernst Hähnel in Dresden as a sculptor. Besides statues for the Semper Opera in Dresden, he also repeatedly executed commissions for the Grand Dukes of Saxony-Weimar-Eisenach. For example, he created an allegory of poetry for Amalia of Saxony-Weimar-Eisenach (1830-1872) or 1868 the impressive relief frieze with the depiction of the Battle of Hermann for the Grand Ducal Museum in Weimar. Because of Härtel's close relationship to the Grand Ducal house and due to the engraved date and monogram at the foot of the centerpiece, it is reasonable to assume that the object was commissioned on the occasion of the wedding of Grand Duke Karl August with Duchess Pauline of Saxony-Weimar-Eisenach on the 26th of August 1873. Explanations to the Catalogue Weimar Silver 19th century centerpiece
Lot 94
A Billings Boats 1/75 scale model of a Smit Rotterdam ocean going tug, serial No. BB478, model length 95cm, beam 18cm, for motorised use, fitted with twin screws and twin rudders, requires 7-12 volt battery, also supplied with paperwork relating to the model, built to a good standard and housed on a wooden home made display plinth
Lot 22
A Stuart Turner stationery beam engine comprising of green and black body with wooden clad vertical single cylinder with steam and exhaust ports, fitted with slip eccentric of usual specification powering a spoked flywheel with adjacent pulley wheel, free running example housed on wooden display plinth
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173487 item(s)/page