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Statuette feet. Smyrna, 4th-3rd century BC.Terracotta.Provenance: Smyrna, 1895-1905. Collection Paul Gaudin (Paris 1858-1921 Versailles), archaeologist, engineer and great patron of the Louvre Museum; Acquired between 1894 and 1905 and by family descent. Public auction, France, 2022.Measurements: 6 cm. high with pedestal.Statuette base or plinth with Greek text, probably the signature of the ceramist. This piece is part of an archaeological collection of 670 fragments, considered the second most important after the Louvre (1094 fragments) and ahead of those of the Istanbul Archaeological Museum (135) and the British Museum (108). According to Simone Besques (1972, p.155) "There are hardly any public or private collections that do not contain Smyrna figurines, most of which are unfortunately fragmentary. Nevertheless, they testify to the fact that from the 3rd century BC to the 2nd century AD, the most important Hellenistic and Greco-Roman workshops were located there, both in terms of the quality and originality of their production, and the fact that these figures remained intact until the Roman period".Smyrna was one of the original terracotta centres of Asia Minor. The city was refounded by Lysimachus around 288 BC, a short distance from its former location. Continued habitation until more recent times made systematic excavations impossible. Most of the Smyrna figurines on display in major museums in Europe and the United States are mostly fragments of heads. Smyrna figurines are easily recognised by the colour of their clay, which varies from brown to red. The clay is fine and homogeneous, and contains traces of gold and silver. Some samples still retain their colours. They are carefully modelled.In terms of subject matter, many popular types from the great terracotta art of the Classical or Hellenistic period prevail, such as those of Herakles, deities and athletes. Another favourite subject was clothed female figures of the "Tanagrian" type.There are also so-called "grotesque figures" with exaggerated anatomical deformities. They probably represented real people suffering from deforming diseases.The terracotta style of Smyrna shows great similarities with that of Myrina. It is likely that the same terracotta artists worked in both cities. It is more likely that there was a relevant relationship in Pergamon and Cyme. On the other hand, certain thematic types of the Smyrna workshop - the black figures and the grotesque ones - allude to the terracotta art of Alexandria, which ensures a close commercial and artistic relationship with that city. Figurines from Smyrna were highly prized in the ancient world. They were exported to Myrina, Priene, Pergamon, Troy, Tarsus, Delos, Athens, Cyprus and Black Sea cities.
A retro vintage mid 20th Century Meredew room wall teak sideboard / high board. Having a removeable top section with twin glazed doors and shelve section. Atop a rectangular unit with two pull down cupboard doors, and drawers. With inside wooden pulls, all raised on a plinth base. Measures approx. 165cm x 135cm x 45cm.
A retro vintage 20th century teak wood display cabinet / wall unit having a straight top over a glazed bowed front cabinet with shelving interior to left & a fall front door to the right with light up display section above. Base having a twin door cupboard space opening to reveal a shelving interior to the left with a bank of three drawers to the right. Raised on plinth base with castors. Measures approx. 185cm x 121cm x 47cm.
Believed Globe Wernicke - An early 20th Century mahogany stacking lawyers / barristers library bookcase display cabinet having three glazed lift and slide action doors with small knob handles. All being raised on a shaped scroll plinth base. No label present for Globe Wernicke. Measures approx. 118cm x 87cm x 35cm.
Edwardian mahogany inlaid triple wardrobe compactum. Raised on plinth base with triple section comprising stencil decorated linen cupboard over chest of drawers flanked by by upright sentry box wardrobes with mirror doors. Once owned by Sir George White of Bristol Tramways and Bristol aircraft factory. The vendors family acquired the items in 1960 when we moved into a Victorian house in Fishponds, Bristol. The previous owner told us that they once belonged to Sir George White they we were not sure about until about twenty years ago when we visited Sir George White’s house on Cotham Hill on a Doors Open day. All the doors and door frames in the house were inlaid mahogany and exactly the same style as the wardrobe and dressing table
TWO SIMILAR CERAMIC BUSTS On square plinth bases decorated with calligraphy and seals 66cm high Condition: All items are sold as seen and must be paid for and collected by Friday 23 December. This is a no reserve auction. Bidding starts at just $100 on all lots! This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A METALWARE FIGURE OF A SEATED BUDAI Raised on a plinth base decorated with Chinese characters, clasping beads in his right hand 38cm high Condition: All items are sold as seen and must be paid for and collected by Friday 23 December. This is a no reserve auction. Bidding starts at just $100 on all lots! This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A LARGE METALWARE BUDDHA HEAD On a circular plinth base decorated with Chinese characters 36cm high Condition: All items are sold as seen and must be paid for and collected by Friday 23 December. This is a no reserve auction. Bidding starts at just $100 on all lots! This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A wonderful organ from pre-revolutionary Russia. Famous maker (?.?????? factory (Odessa)), excellent instrument of incredible quality. This was the only factory in the Russian Empire where "sharmanki" were made. Despite the high cost, namely 900 gold rubles, this instrument was in great demand. Body made of wood in dark and light tones, on a plinth, with small legs, with two leather straps, ornamental and other decorative elements, intarsia, floral motifs. On the facade there is a decorative semi-volumetric image of an organ with tubular elements (presumably a horn) in an arch. On the sides of the arch is an image of two dancers (painting). On the back wall there is a panel (light wood): a fragment of a Caucasian village. Under the cover of the instrument there is a wooden program shaft with pins and brackets for 26 tone tracks, 8 melodic programs. Program change - manually, by moving the shaft along the axis. The organ features three registers of flute wooden labial pipes (low, medium and high). The drive is manual, from the handle. On the shaft - dance and song Georgian melodies. Height: 55 cm. Width: 45 cm. Depth: 32 cm. Condition: Very Good. Location: Switzerland, Degersheim.
BILDSCHNITZER 19. Jh., Madonna als "Liebe Frau von Aparecida", Holz, vollplastisch geschnitzte Figur der bekrönten Maria mit weitem Mantel auf quadratischer Plinthe stehend, sehr feine Ausführung, H: ca. 21 cm. Altersspuren, zwei Ecken der Plinthe fehlend.| PICTURE CARVER 19. Century, Madonna as "Dear Lady of Aparecida", wood, fully carved figure of the crowned Maria with a wide cloak standing on a square plinth, very fine workmanship, H: approx. 21 cm. Signs of age, two corners of the plinth missing.
BILDHAUER/IN, Anfang 20. Jhd., "Bär als Wappentier" aus Bronze, Bär aufrecht stehend auf ovaler Plinthe, lange, ausgestreckte Zunge, Bronze, braun patiniert, auf rechteckigem, marmorisierten Steinsockel montiert. H: Figur ca. 9,5 cm, H: gesamt ca. 11,5 cm. Alters- und Oxidationsspuren.| SCULPTOR, early 20th century, "bear as heraldic animal" made of bronze, bear standing upright on an oval plinth, long outstretched tongue, bronze, brown patina, mounted on a rectangular, marbled stone base. H: figure approx. 9.5 cm, H: total approx. 11.5 cm. Signs of age and oxidation.
SEIFERT, VICTOR HEINRICH & SCHMIDT-FELLING, JULIUS PAUL u.a. 19./20. Jhd., Konvolut 4 Mädchenfiguren, 1. SCHMIDT-FELLING, JULIUS PAUL (1835-1920), Mädchen beim Vögelfüttern, auf Plinthe, Bronze, braun patiniert, Plinthe im Guss signiert: "SCHMIDT- FELLING", auf mamorisierten Steinsockel montiert, H:Figur ca.12 cm, H: gesamt ca. 15,5 cm; 2. BECK, ERNST (1879-1941), Mädchen mit Rechen und Gießkanne, barfüßig auf rechteckiger Plinthe, Bronze, rotbraun patiniert, Plinthe im Guss signiert: "E. BECK", auf schwarzem Holzsockel montiert. H: Figur ca. 9 cm, H: gesamt ca. 13,5 cm; 3. SEIFERT, VICTOR HEINRICH (1870-1953), Mädchen mit zwei Körben, auf Plinthe, Bronze, dunkel patiniert, Plinthe im Guss signiert : "V. SEIFERT", H: ca. 10,5 cm;4. Mädchen mit Krug, Bronze,dunkel patiniert, keine Signatur, H: ca. 15 cm. Je Altersspuren.| SEIFERT, VICTOR HEINRICH & SCHMIDT-FELLING, JULIUS PAUL and others 19th/20th century, mixed lot of 4 girl figures,1. SCHMIDT-FELLING, JULIUS PAUL (1835-1920), girl feeding birds, on plinth, bronze, brown patinated, plinth signed in casting: "SCHMIDT- FELLING", mounted on mamorized stone base, H: figure approx. 12 cm, H: total approx. 15,5 cm;2. BECK, ERNST (1879-1941), girl with rake and watering can, barefoot on rectangular plinth, bronze, reddish-brown patinated, plinth signed in casting: "E. BECK", mounted on black wooden base. H: figure approx. 9 cm, H: total approx. 13.5 cm;3. SEIFERT, VICTOR HEINRICH (1870-1953), girl with two baskets, on plinth, bronze, dark patinated, plinth signed in cast : "V. SEIFERT", H: approx. 10,5 cm;4. Girl with jug, bronze, dark patinated, no signature, H: approx. 15 cm. Each traces of age.
GÖRLING, FELIX u.a. 20. Jhd. Konvolut 3 Figuren: ein weiblicher Akt und zwei antike Bronzerepliken, 1. GÖRLING, FELIX (1860-1932), Guss eines weiblichen Akts an stoffumhüllter Säule, Metallguss in Bronzeart, dunkel patiniert, im Guss signiert: "F. Görling", Guss H. Gladenbeck u. Sohn, auf dunklem, gedrechselten Holzsockel montiert, H: Figur ca. 19 cm, H: gesamt ca. 22 cm2. 2 antike Bronzerepliken, Bronze, dunkel patiniert, ein tanzender Faun auf rechteckiger Plinthe sowie eine männliche Figur mit Schlange, einen Palmettenkranz empor haltend, auf rundem Bronzesockel, H.: ca. 14,5 cm. Je Altersspuren.| GÖRLING, FELIX, etc. 20th century mixed lot of 3 figures: a female nude and two antique bronze replicas,1. GÖRLING, FELIX (1860-1932), Casting of a female nude leaning on a fabric-covered column, bronze-type metal casting, dark patina, signed in the casting/ inscribed: "F. Görling", casting by H. Gladenbeck and Son, mounted on a dark, turned wooden base, H: Figure approx. 19 cm, H: total approx. 22 cm2. 2 antique bronze replicas, bronze, dark patina, a dancing faun on a rectangular plinth, as well as a male figure with a snake, holding a wreath of palmettes, mounted on a round bronze base, H.: approx. 14.5 cm. Each traces of age.
HEYNEN-DUMONT, KARL (1883-1955), u.a., 20. Jh. Konvolut 2 Tierfiguren, 1. Spatz auf einem Ast mit Plinthe, Bronze, dunkel patiniert, Plinthe im Guss signiert: "K. HEYNEN- DUMON", H.: ca. 9,5 cm. Wohl fehlender Sockel, da Klebespuren auf Unterseite der Plinthe, 2. Eidechse, Bronze, goldbraun patiniert, keine Signatur, H.: ca. 1.5 cm, L.: ca. 14,5 cm.| HEYNEN-DUMONT, KARL (1883-1955) and others, 20th century Mixed lot of 2 animal figures, 1. Sparrow on a branch with plinth, bronze, dark patina, plinth signed in the cast: "K. HEYNEN-DUMON", H.: approx. 9.5 cm. Probably missing base, as there are traces of glue at the bottom of the plinth, 2. Lizard, bronze, golden brown patina, no signature, H.: approx. 1.5 cm, L.: approx. 14.5 cm.
BECK, ERNST u.a. 20. Jhd., Konvolut 6 Knabenfiguren. 1. barfüßige Knabenfigur mit Korb und Schlapphut , Bronze, braun patiniert mit runder Plinthe auf schwarzem, quadratischen Marmorsockel, H: Figur ca. 12 cm, H: gesamt ca. 16.2 cm;2. BECK, ERNST, Junge mit Korb und Holzschuhen, Bronze, braun patiniert mit rechteckiger Plinthe, im Guss signiert/bez.: "E. BECK", auf dunklem, runden Metallsockel, H: Figur ca. 9 cm, H: gesamt ca. 15 cm.3. rauchender Junge mit Korb, Bronze, dunkel patiniert mit rechteckiger Plinthe, im Guss signiert/bez.: "MORATH. FWB.", auf grauem Marmorsockel, H: Figur ca. 11.5 cm, H: gesamt ca. 15.5 cm;4. barfüßiger Junge mit Kappe und Flasche in der Hand, Bronze, mit runder Plinthe, Unterseite mit Filz überzogen, darauf undeutlich bezeichnet, H: Figur ca. 10.5 cm, H: gesamt ca. 14.5 cm;5. Schusterjunge mit Kappe, Bronze, braun patiniert mit runder Plinthe, auf marmorisiertem, runden Steinsockel, H: Figur ca. 10.7 cm, H: gesamt ca. 15 cm.6. Kleiner Jäger mit Flinthe, erlegtes Rebhuhn hoch haltend, auf Baumstumpf stehend, Bronze, dunkelbraun patiniert, auf schwarzem Marmorsockel, H: Figur ca. 9 cm, H: gesamt ca. 12.5 cm. Je Altersspuren.| BECK, ERNST and others, 20th century, mixed lot of 6 boy figures,1. barefoot boy figure with basket and slouchy hat, bronze, brown patina with round plinth on black, square marble base, H: figure approx. 12 cm, H: total approx. 16.2 cm;2. BECK, ERNST, boy with basket and wooden shoes, bronze, brown patina with rectangular plinth, signed/inscribed in the cast: "E. BECK", on a dark, round metal base, H: figure approx. 9 cm, H: total approx. 15 cm.3. Smoking boy with basket, bronze, dark patina with rectangular plinth, signed/inscribed in the cast: "MORATH. FWB.", on a gray marble base, H: figure approx. 11.5 cm, H: total approx. 15.5 cm;4. barefoot boy with cap and bottle in hand, bronze, with round plinth, bottom covered with felt, which is indistinctly inscribed, H: figure approx. 10.5 cm, H: total approx. 14.5 cm;5. Shoemaker with cap, bronze, brown patina with round plinth, on marbled, round stone base, H: figure approx. 10.7 cm, H: total approx. 15 cm.6. Small hunter with a gun, holding a shot partridge, standing on a stump, bronze, dark brown patina, on a black marble base, H: figure approx. 9 cm, H: total approx. 12.5 cm. Each traces of age.
BAROCK-BILDSCHNITZER 18. Jh., "Maria Immaculata", Holz, gefasst, vollplastisch geschnitzte Figur der auf der Weltkugel stehenden bekrönten Maria, ihren Fuß auf die Schlange setzend, ursprünglich wohl mit Attribut in der Montur in ihrer ausgestellten linken Hand (Hand lose anbei), auf quadratischer Plinthe montiert (wohl ergänzt), H: Figur auf Weltkugel ca. 119 cm, gesamt ca. 130 cm. Alters- und Trocknungsspuren, Hand beschädigt und lose anbei, Fassung part. überarbeitet und beschädigt, restaurierungsbedürftig.| BAROQUE CARVER, 18th century, "Maria Immaculata", wood, painted, fully carved figure of the crowned Maria standing on the globe, putting her foot on the snake, originally probably with an attribute in the outfit in her exhibited left hand (hand attached loosely), mounted on a square plinth (probably supplemented), H: figure on globe approx 119 cm, total about 130 cm. Signs of age and drying, her left, exhibited hand is damaged and loose, version part. revised and damaged, in need of restoration.
BECK, ERNST u.a. 19./20. Jhd., Konvolut 6 männliche Bronzefiguren versch. Berufsarten, 1. BECK, ERNST (1879-1941), Musiker mit Blasinstrument auf rechteckiger Plinthe, Bronze, braun patiniert, rückseitig im Guss signiert "E. Beck" und vorne bezeichnet "DORFMUSIKANT", auf grünlichem Steinsockel, H: Figur ca. 14.5 cm, H: gesamt ca. 18.5 cm;2. BECK, ERNST (1879-1941), stehender Arbeiter auf Hacke gestützt, auf Plinthe, Bronze, gold-braun patiniert, im Guss signiert "E. Beck", auf dunklem Marmorsockel, H: Figur ca. 15 cm, H: gesamt ca. 17.3 cm;3. GRAEFNER, LUDWIG (19./20. Jh.), "Der kleine Schuhmacher" auf Plinthe, Bronze, braun patiniert, Plinthe im Guss signiert "Graefner", auf geädertem, dunklem Marmorsockel, H: Figur ca. 16 cm, H: gesamt ca. 21 cm;4. Räuchermann in Form eines Wachmanns, Kopf aufklappbar, Bronze, gold-braun patiniert, auf runder, gestufter Plinthe, H: ca. 20 cm;5. Mann mit zwei Gänsen unter den Armen an einem Baumstumpf gelehnt, Bronze, dunkel patiniert, auf runder, gestufter Plinthe, H: ca. 15.5 cm;6. Landinspektor, bez. in Plinthe: "Onk. Bräsig", Bronze, dunkel patiniert, auf gestuftem Steinsockel, H: Figur ca. 10cm, H: gesamt ca. 14 cm. Je Altersspuren.| BECK, ERNST and others 19th/20thcentury, mixed lot of 6 male bronze figures of different professions,1. BECK, ERNST (1879-1941), musician with wind instrument on a rectangular plinth, bronze, brown patina, signed on the back in the cast "E. Beck" and inscribed "DORFMUSICANT" in the front, on a greenish stone base, H: figure approx. 14.5 cm, H: total approx. 18.5 cm;2. BECK, ERNST (1879-1941), standing worker leaning on a hoe, on a plinth, bronze, golden-brown patina, signed in the cast "E. Beck", on a dark marble base, H: figure approx. 15 cm, H: total approx. 17.3 cm;3. GRAEFNER, LUDWIG (19th/20th century), "The little shoemaker" on a plinth, bronze, brown patina, plinth signed in the cast "Graefner", on a veined, dark marble base, H:figure approx. 16 cm, H: total approx. 21 cm;4. Incense smoker in form of a security guard, head can be opened, bronze, golden brown patina, on a round, stepped plinth, H: approx. 20 cm;5. Man leaning against a stump with two geese under his arms, bronze, dark patina, on a round, stepped plinth, H: approx. 15.5 cm;6. Land inspector, inscribed in plinth: "Onk. Bräsig", bronze, dark patina, on stepped stone base, H: figure approx. 10 cm, H: total approx. 14 cm. Each traces of age.
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173444 item(s)/page