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CUTLER-OAK TWIN PEDESTAL ROLL TOP DESK, stamped to the drawers 'Cutler Desk Factory, Buffalo, New York', the tambour front opening to reveal a fully fitted interior of various drawers, pigeon holes, the pedestals with upper slides and twin banks of four opening drawers, chamfered panels to the sides and back, on plinth bases, 130cms H, 138cms W, 90cms DProvenance: private collection Conwy
REGENCY MAHOGANY TWIN PEDESTAL SIDEBOARD, having a carved and beaded panel railback to an inverted breakfront top over three shaped frieze drawers and further beadwork detail, on twin pedestals with beaded edge raised flame mahogany panel doors, flanked by turned and capped pillars on plinth bases, 118.5cms H, 173cms W, 64.5cms DProvenance: deceased estate Conwy
JAMES BURROUGHS IRONBRIDGE INLAID OAK & MAHOGANY LONGCASE CLOCK, hunt scene hand painted arched top dial set with Roman numerals, subsidiary seconds dial and calendar date aperture, before a twin weight pendulum driven bell strike movement (pendulum and weights included), the cast back plate stamped 'Finnemore & Son', the hood with broken swan neck pediment and applied brass floral roundels above an arched glazed single door flanked by boxwood inlaid pillars, further inlays to the whole front, short shaped top trunk door on a stepped trunk base with plinth surround, 207cms H, 55cms WProvenance: deceased estate Conwy
EDWARDIAN MAHOGANY TWIN PEDESTAL DESK / EX DRESSING CHEST, with a rectangular top and kneehole centre section with an arrangement of nine opening drawers, all having fancy brass back plates and swing pull handles, on corner bracket plinth bases, 81cms H, 127cms W, 55cms DProvenance: private collection Gwynedd
VICTORIAN BURR WALNUT TRIPLE WARDROBE, having a shaped moulded cornice with a breakfront large central mirror, the door opening to reveal mahogany interior slides and three opening drawers with turned knob detail, flanked by twin arched panel doors with interior slide out hanging hooks and lower drawer, amber glass knobs to all the doors, on a breakfront plinth base, 208cms H, 222cms W, 77cms DProvenance: private collection Anglesey
11th-12th century, gilt-bronze gargoyle/dragon, 9.5cm x 2cm, haunched on its two legs, wings closed at the side with the tail wrapped under the body; the long neck is marked with chevron grooves indicating the spine, while the head is turned to the side; globular raised eyes and an open mouth with the tongue protruding; seated on a multi-stepped plinth with a shaft below for attachment. Fine with around 30% of gilding remaining £300-£400 --- Provenance: found near York, c. 2012 Gargoyles are said to ward off evil spirits. St Romanus of Rouen saved France from a dragon named La Gargouille that rose out of the river Seine.
A Chinese Sino-Tibetan bronze figure,20th century, of a lama seated on a rectangular plinth, wearing a long robe with a scrolling border, his right hand in karana mudra, his left hand holding a sutra, 16cm high二十世纪 西藏铜上师坐像Condition ReportSurface scratches and dents. The two rear feet of the plinth missing. 1428g.
A Japanese bronze okimono,19th-20th century, of a warrior in full armour standing on a rock with his right hand raised, a scroll in his left hand, all on a square plinth,37cm highCondition ReportSurface scratches and dents.Figure a bit loose to base. Item missing from right hand. Base not flat.Small holes in various locations.
A cold painted Art Deco spelter figurine,1930s, in the manner of Lorenzl, modelled as a dancing girl, raised on a waisted onyx plinth, remnants of a silvered label to the base, 28cm highCondition ReportThe cold painting rubbed away in areas. The left arm with a notable nick underneath the elbow. With spotting throughout. The base with scuffs and marks.
A Roche Bobois 'Edito' fabric armchairdesigned by Sacha Lakic, in 'Nuit' blue and 'Snow' white, raised on a revolving plinth,69cm wide 76cm deep66cm high, seat 40cm,with a conforming footstall55cm wide51cm deep30cm high (2)Buying this armchair at auction could save up to 0.12 tonnes of CO2e compared to buying new.Condition ReportUsed condition. Some minor knocks to the base and feet. Fabric in good overall order.
A walnut cabinet,mid-19th century, in the French style, with applied gilt brass mounts, on a shaped plinth base, with brass patent makers label for Tho's Restell Universal lock to inside of door,107cm wide37cm deep141.5cm highCondition ReportSome old restaining to isolated areas of the walnutOld splits to the top panel and one knock to the leading edge
A Regency rosewood cabinet, in the gothic style, with gilt brass gallery and open shelves above a glazed door flanked by gadroon moulded columns, on a plinth base,68cm wide35cm deep145cm highCondition ReportA faint crack in the veneer accross the topSmall veneer loss to the end of one shelf and a small loss the the back edge of one side.
AFTER DAVID CORNELL (BRITISH, B.1935), A BRONZE STUDY 'CHAMPION FINISH', depicting Lester Piggot riding Nijinsky, titled and signed in mould 'David Cornell, 1985', on a marble plinth, total height 18cm x width 24cm (1) (Condition Report: appears in good condition, some light scratches to base, dusty)
A BESWICK 'BLACK BEAUTY AND FOAL', a Connoisseur model mounted on a wooden plinth, matt glazed, height 20cm, together with a German bronzed spelter figurine of a Roman Gladiator, mounted on a square marble base, height 26cm (2) (Condition Report: a small scratch to wooden base of Black Beauty, Roman Soldier has nibbles around marble base and missing the top of the decoration on top of helmet)
A GROUP OF LILLIPUT LANE SCULPTURES, comprising The Coronation At Lancaster Station L2616 1953-2006 supported by a wooden plinth, together with a Britain's heritage Shakespeare's Birthplace L2214, Edinburgh Castle L2247, Eilean Donan Castle and Historic Castles of Britain 'Stokesay' (5) (Condition Report: Coronation at Lancaster Station has very tiny nibbles, covered walkway has lost its roof, the other four pieces have chips and nibbles in varying degrees, very dusty)
A PAIR OF SPELTER MARLY HORSES, painted black, surmounting a wooden plinth, indistinct signature to base, height 42.5cm x width 35cm x depth 18cm (2) (Condition Report: generally ok, one of the reins has been replaced by green plastic coated garden wire, the other has some paint loss, one horse has losses/poor casting to ears)
AN EARLY 20TH CENTURY WALNUT CASED CHIMING BRACKET CLOCK, the caddy hood with foliate carved detail, the dial door with three quarter Doric columns enclosing the brass dial with silvered chapter ring, Arabic numerals, eight day movement, Westminster chime, on a plinth style base with turned feet, height 46.5cm, lacks pendulum, with key (1 + key) (Condition Report: the clock is very tightly wound with some slight play, no pendulum, not seen running, fading to walnut at the back of the clock, wear to the silvered dial)
Heinrich Baucke (1875 Düsseldorf - 1915 ebenda)Der Gladiator, Bronze, braun patiniert, Höhe 50 cm, im Guss signiert, Gießerstempel 'Düsseldf. Broncebildgießerei', partiell leicht berieben und bestoßen, Plinthe leicht verbogen, partiell leichte KorrosionsspurenHeinrich Baucke (1875 Düsseldorf - 1915 ibid.)The Gladiator, bronze, brown patina, height 50 cm, signed in the casting, foundry stamp 'Düsseldf. Broncebildgießerei', partly slightly rubbed and bumped, plinth slightly bent, partly slight traces of corrosion
MEISSEN "Tintenfass und Federschale" 1850-1924 "Tintenfass", lange blaue Knaufschwerter, 1. Wahl, partieller kobaltblauer Fond, feine polychrome Aufglasurbemalung und Vergoldung, eiförmiges Gefäß getragen von Karyatiden auf runder Plinthe, ägyptisch mit Haube auf Tatzenfüßen, herausnehmbarer Einsatz mit Innendeckel, Deckel mit Zapfenknauf und Spitzenmalerei, H: 16 cm. "Federschale", Porzellan, weiß, glasiert, Polychrom bemalt, auf dem unglasierten Stand Schwertermarke, L: 23,5 cm. Leichte Altersspuren. | MEISSEN "Inkstand and feather bowl" 1850-1924"Inkstand", long blue pommel swords, 1st choice, partial cobalt blue background, fine polychrome onglaze painting and gilding, ovoid vessel supported by caryatids on a round plinth, Egyptian with bonnet on paw feet, removable insert with inner lid, lid with pintle knob and lace painting, h: 16 cm. "Feather bowl", porcelain, white, glazed, polychrome painted, on the unglazed stand sword mark, l: 23,5 cm. Slight signs of age.
MEISSEN “Knabe mit Ziege”, 1. Wahl, Entwurf Johann Carl Schönheit, Ausführung nach 1934, auf ovaler Plinthe stehend, polychrom bemalt. H: 14,5 cm. Altersspuren, Bestoßungen.| MEISSEN "Boy with goat", 1st choice, designed by Johann Carl Schönheit, executed after 1934, standing on an oval plinth, polychrome painted. H: 14,5 cm. Signs of age, bumps.
A 19th century Italian relief carved oak Cassone, with hinged cover, the front panels decorated with figural landscape scenes within floral surround to composition capped columns, width 157.5cmHeight 71cm, depth 70cm.Top has some splits.Some minor losses to hard edges.Plinth with some nibbles.
An Edwardian chiming mantle clock by W. Bruford & Son, Eastbourne & Exeter, with brass bun feet and a raised moulded plinth with canted reeded corners in a arch case, a silvered dial, chapter ring with Roman numerals, subsidiary dial for slow/fast regulation, 28.5 by 18.5 by 38.5cm high, together with another Edwardian, inlayed mantle clock, 45.5 by 13.3 by 24.5cm high, both with keys. (2)
An Ashford hardstone obelisk table thermometer, circa 1860, pietra dura inlaid with flowers and specimen stones, on a stepped plinth, height 35cmIVORY SUBMISSION REF: GQSGDTV4 The top approx. 1” has been re-glued.Chip to tip and small chip top left.Top is loose to base.Chip to two corners of base.
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173487 item(s)/page