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Lot 282
Pre-WW1 Imperial German Presentation Shooting Prize Statue of the Kaiser, fine bronze painted cast alloy bust of the Kaiser in full military regalia mounted onto a turned wooden plinth with plaque having engraved presentation “Entfernungsmefspreis der Infanterie-Schiessschule 1909”. Artist signature mark to the reverse of the bust. Stands 28 ½ cms tall. Accompanied by a paper card patriotic postcard frame of the Kaiser and Austrian Emperor. (2 items)
Lot 295
Section of Wreckage from German Zeppelin Shot Down in Salonika on 5th May 1916, interesting section of the aluminium struts which has been mounted onto a wooden plinth with a alloy figure of a Lion mounted within which holds a shield which is engraved “ZEPPELIN L53 BROUGHT DOWN BY NAVAL GUNFIRE AT SALONICA MAY 5TH 1916”. One section of strut has a backing plate added to strengthen. Measures 29 x 23cms approximately. Interesting to note that L53 was actually the last Zeppelin to be destroyed during the war when it was shot down on 11th August 1918, also not the incorrect spelling on the engraving of Salonika, typical of period souvenirs to be engraved with incorrect information and spellings. The IWM has film taken at the time of the crashed zeppelin which was brought down on the 5th May 1916 in Salonika and shows French, British and Serbian troops taking souvenirs from the wreckage. Zeppelin LZ 55 (LZ-85) was the ship which was hit by fire from HMS Agamemnon on 5th May 1916, the airship came down in the Vardar Marshes and 12 crew members were captured.
Lot 134
A 19thC Wedgwood dark blue jasperware vase and cover, of twin handled baluster form, decorated with vertical fluting, swags and acanthus leaves, raised on a square base, impressed marks, 24.5cm H, together with a campana vase, decorated with figures, raised on a cylindrical plinth, 17cm H, and a further vase, decorated with a band of classical figures, beneath acanthus leaves, raised on a square base, impressed marks, 17cm H, (AF). (3)
Lot 537
A late 19thC French green onyx and gilt metal clock garniture, the clock with enamel dial bearing Roman numerals, eight day movement with bell strike, the case surmounted with a figure after CH. Rucho. of a female lyre player, the case raised on scroll feet, 55cm H, the garniture figures of classical maidens, raised on a square plinth and scroll feet, 38cm H, no key.
Lot 189
Georgian mourning brooch, lozenge form, central painted image of a lady mourning with Lamb, anchor, willow and urn, plinth reads 'not lost but gone before', framed by a row of garnets and a row of seed pearls, reverse glazed panel containing two locks of hair, mounted in 15 ct gold, with later pin and catch fitting, 3.9 x 2.4cm. CONDITION15 ct gross weight 11.9 gramsone garnet missing from bottom of broochevidence of repairs to back of brooch and later catch has been addedlight scratches to glass
Lot 38
PRINCE - LIMITED EDITION PICTURE DISCS. Smashing selection of 3 x highly limited edition picture disc releases. Titles are Kiss (W 8751P - top Ex+ condition/no plinth), Paisley Park (W 9052 P - Ex+ very clean record/with hype sticker) and Sign O The Times (W 8399 TP - brill Ex+ copy with hype sticker).
Lot 82
PUNK - SHAPED DISCS. Hardcore collection of 30 x (largely 7" shaped) records. Artists/titles include Hot Food To Go - Erika's Hot Food To Go, Aircraft - Becky (Azra Records), The Damned - Thanks For The Night (only 1000 copies made, complete with plinth that has a tear), The Stranglers - All Day And All Of The Night , Always The Sun and Nice In Night, Anette & Die Muschelsucher - 1, 2, 3, Rocket From The Crypt - When In Rome, Various - Rough Mixes From Switzerland (including purple vinyl with p/s and olive coloured without sleeve), Siouxsie & The Banshees - The Peel Sessions 1977/78), The Adicts - Bad Boy, John Cooper Clarke, King Kurt, Devo, Stray Cats, The Tubes - Prime Time, Models, Transplants, The Clash - Interview With Joe Strummer (TL 60) and The Pogues. Condition is typically very clean Ex+.
Lot 141
VICTORIAN POLLARD OAK TWIN PEDESTAL DESK, polished as walnut, the canted oblong top with gilt tooled leather insert, set above three frieze drawers, the central one with part fitted interior, and six drawers to the pedestals, fitted with turned wood handles, and raised on conforming plinth bases, 29? (73.7cm) high, 54? x 26 ¼? (137.1cm x 66.6cm), veneer lifting to the top
Lot 161
REGENCY ROSEWOOD SMALL SIDE CABINET, the oblong top set above a plain frieze with split turned border, and pair of cupboard doors, each with brass trellis work and pale green fabric lined central panels, flanked by reeded uprights, and raised on a conforming plinth base, 38? (96.5cm) high, 33 ½? x 15 ½? (85.1cm x 39.3cm)
Lot 179
PAIR OF GEORGE III MAHOGANY SHOTGUN AND FISHING ROD CABINETS, each with moulded cornice above a six panel glazed cupboard door, enclosing a green baized lined and fitted interior, and raised on a slightly advanced base with a single, panelled cupboard door, and plinth base, the shotgun cabinet fitted for six guns and with long, two handled drawer to the glazed interior, the fishing rod cabinet fitted for eight rods and accessories, 82? (208.3cm) high, 32 ½? x 14? (82.5cm x 35.6cm), (2)
Lot 30
CHRISTIAAN HUYGENS, MODERN DUTCH BURR WALNUT CASED GRANDMOTHER CLOCK, the colour printed dial with moonphase aperture and subsidiary date aperture, set beneath a bygone street scene to the arch, powered by a movement driven by three brass weights and striking on a rack of eight rods, housed in an arch top case with gilt metal figures to the fore corners, pierced side frets, scroll cresting and wavy plinth to the panelled base, 77? (195.6cm) high
Lot 571
A Copeland Spode porcelain vase attributed to Charles Ferdinand Hurten: of amphora form, painted to each side with a large tied floral bouquet on a ground of scrolling flowers and foliage, on square plinth base, green printed factory mark, circa 1880, 25 cm [minor stress cracks to underside of base].*Note compare with a signed plaque by Hurten from the Rhead-Cronin Collection sold in these rooms 22nd January 2014.
Lot 802
Thomas Ogden, Halifax, an eight-day longcase clock with 'Halifax' moonphase aperture: the eight-day duration movement striking the hours on a bell and having arched tops to the plates along with finned pillars both typical of this maker, the twelve-inch brass break-arch dial having a raised, silvered chapter ring engraved with black Roman hour numerals, outer Arabic five-minute numerals, decorative half-hour markings and diamond quarter-hour markings, engraved at VI o'clock with the makers name Thos. Ogden, Halifax, the matted dial centre having ringed winding holes, a date aperture with engraved surround and a round moonphase aperture with date as typical from the Halifax region, with cast-brass female-head spandrels to the four corners, the arch with a round silvered boss engraved with the inscription Moveo dum Moneo (I warn whilst I move) and with cast-brass dolphin spandrels to either side, contained in a modern walnut flat-top case with three-quarter turned pillars to the hood, a plain trunk and standing on a plain plinth to the base, height 226 cms.* Biography Thomas Ogden was a member of the well-known clockmaking family from Yorkshire founded by James Ogden born circa 1640. Thomas Ogden, born 1693 and the son of Samuel, lived near Ripponden before moving to Halifax in the 1740s where he died in 1769.
Lot 911
A mahogany 'Jupes Patent' circular extending dining table in the Regency taste:, the segmented flame veneered top with a rosewood crossbanded and strung border incorporating eight additional numbered leaves, having a brass roundel to the centre on a cylindrical central column with quadruple cluster column surround, concave sided square moulded platform and brass mounted block feet, 140.5cm (4ft 7 1/4in) diameter, extending to 180cm (5ft 11in) - the leaves housed in a lockable rack with brass carrying handles to the sides, on a plinth base.
Lot 938
A pair of Victorian walnut, floral marquetry and gilt metal mounted low display cabinets:, with rectangular moulded tops and cushion friezes decorated with floral foliate stems, the plush lined interiors each enclosed by a pair of ogee pointed cartouche glazed panel doors, flanked by pilaster stiles, headed with applied floral foliate and guilloche ornament and with further marquetry pendant floral foliage, on shaped plinth bases, 122cm (4ft) wide, 105cm (3ft 5 1/4in) high.
Lot 941
An Aesthetic movement oak, inlaid and decorated bedroom suite:, with inlaid panels of chevrons and flowerheads and painted gilt ground panels of butterflies amidst flowering stems, comprising a combination wardrobe, with a moulded cornice, the central section fitted with sliding trays and two short and two long drawers below, flanked by a full length hanging cupboard with drawer at base, enclosed by a central mirror panel door, flanked by a panel door to either side, on a plinth base, 216cm (7ft 1in) long, a dressing table with swing frame mirrored superstructure, flanked by two enclosed cupboards and with single central drawer and open compartment below, flanked by an enclosed cupboard to either side, 137cm (4ft 6in) wide and a pedestal cupboard, 40cm (1ft 3 3/4in) wide.
Lot 948
A 19th Century French kingwood, tulipwood marquetry and gilt metal mounted serpentine fronted secretaire:, the cavetto moulded top surmounted by a panel of white marble, decorated throughout with an Arabesque marquetry of scrolling foliate designs in tulipwood, having a frieze drawer and hinged fall below enclosing a coromandel lined interior with fixed shelf, four small shaped front drawers and plush inset writing surface, having four drawers below between rounded stiles with applied gilt metal foliate scroll and palmette designs, having quarter veneered serpentine sides, on a plinth base with gilt metal moulding, 72cm (2ft 4 1/2in) wide, 141cm (4ft 7 1/2in) high.
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173487 item(s)/page