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Click here to subscribeA 19th century style garden figure of a bather surprised, she stands scantily draped on a circular base, on octagonal plinth, 141cm high**Please note that some of the lots in this auction are held offsite and others may require specialist lifting equipment therefore please ensure collection arrangements are made prior to making any journey to the saleroom. Many thanks**
A classical fluted column, moulded socle, shallow square plinth, 100cm high**Please note that some of the lots in this auction are held offsite and others may require specialist lifting equipment therefore please ensure collection arrangements are made prior to making any journey to the saleroom. Many thanks**
A French style campana shaped courtyard urn, half fluted base, rectangular panelled pedestal, the plinth with three-quarter spheres to angles, the urn 63cm high, 148cm high overall**Please note that some of the lots in this auction are held offsite and others may require specialist lifting equipment therefore please ensure collection arrangements are made prior to making any journey to the saleroom. Many thanks**
A large circular classical lobed saucer shaped courtyard fountain, the bowl with moulded edge raised on a circular column within three scroll buttress supports and linked by a canted triangular plinth, 91cm diameter, 30cm high**Please note that some of the lots in this auction are held offsite and others may require specialist lifting equipment therefore please ensure collection arrangements are made prior to making any journey to the saleroom. Many thanks**
A large classical revival krater shaped garden vase, cast overall with dancing figures, stepped plinth, 1.24m high**Please note that some of the lots in this auction are held offsite and others may require specialist lifting equipment therefore please ensure collection arrangements are made prior to making any journey to the saleroom. Many thanks**
A large Victorian cast iron saucer shaped garden urn, everted egg and dart rim, fluted waisted base, square plinth, 127cm diameter, 82cm high**Please note that some of the lots in this auction are held offsite and others may require specialist lifting equipment therefore please ensure collection arrangements are made prior to making any journey to the saleroom. Many thanks**
A Neo-classical garden vase of stop fluted urnular form cast with drapes and lion masks, square base, on a stop fluted plinth, 96cm high overall**Please note that some of the lots in this auction are held offsite and others may require specialist lifting equipment therefore please ensure collection arrangements are made prior to making any journey to the saleroom. Many thanks**
A pair of 19th century terracotta stop fluted chimney pots, square plinth bases, 70cm high**Please note that some of the lots in this auction are held offsite and others may require specialist lifting equipment therefore please ensure collection arrangements are made prior to making any journey to the saleroom. Many thanks**
A pair of columns, quite plain, moulded socle, shallow square plinth, each 100cm high (2)**Please note that some of the lots in this auction are held offsite and others may require specialist lifting equipment therefore please ensure collection arrangements are made prior to making any journey to the saleroom. Many thanks**
After the antique - A garden bust of Clytie, circular base, raised on a cylindrical column, quite plain, on a square plinth, the bust 75cm high, 176cm high overallModelled on the ancient Roman marble bust dating AD 40-60 acquired by Charles Townley during he second tour of Italy in 1772 for five-hundred Duckets**Please note that some of the lots in this auction are held offsite and others may require specialist lifting equipment therefore please ensure collection arrangements are made prior to making any journey to the saleroom. Many thanks**
An early 20th Century Continental probably French silver and enamel cartouche shaped snuff box, the cover painted with an Arcadian scene of a Gentleman playing the mandolin with two Ladies seated by a plinth within landscape, framed with engraved scrolling frame punctuated by cobalt blue and blue mottled enamel vignettes, the border and reverse case embossed with scrolling flowers and foliage, apparently unmarked, 7.5 x 6.5cm, mirrored interior (wear commensurate with age and use, bubbling to glaze on cover panel)
A GILT BRONZE FIGURE OF AMITAYUSQianlong mark and period, dated 1770The crowned figure seated in dhyanasana holding hands in dhyana mudra above his feet, seated on a rectangular plinth with draping cloth above the inscription Da Qing Qianlong gengyin nian jing zao, complete by a separately cast flaming mandorla to the back. 21.2cm (8 3/8in) high (2).For further information on this lot please visit Bonhams.com
A PAIR OF COPPER ALLOY 'BOYS' JOSS STICK HOLDERS AND STANDS19th centuryThe kneeling boys modelled in mirror image, raised on a squared plinth, each holding a waisted form vase, wearing an ample coat with incised quatrefoil pattern, with a smiling expression and the hair combed in bunches to each side of the head. 22.2cm (8 3/4in) high (4).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
A PAINTED PEWTER MODEL OF A LADYEarly 19th centuryStanding on a plinth, wearing a long heavy robe with a ruyi-shaped large collar and a richly decorated overskirt, holding a flywhisk in her left hand, the hair combed in a spiralling chignon.45cm (17 3/4in) highFootnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
A WOOD CARVING OF A SEATED SCHOLAR19th centurySeated on an elevated plinth, wearing a scholar's hat and a long heavy robe draping to his feet, holding with his right hand a waist belt, the long facial hair flowing over the chest.33cm (13in) highFootnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
A PAIR OF FAMILLE VERTE BISCUIT 'LION' JOSS STICK HOLDERS AND A PAIR OF CORAL GLAZED ZHADOUKangxi and 19th centuryThe Buddhist lions seated facing left and right on a raised plinth, variously with a cub and brocade ball, each supporting a tall receptacle with a lotus terminal, decorated in green, ochre, brown and transparent glazes; together with a pair of coral glazed zhadou, the interiors glazed turquoise. The lions: 14.6cm (5 3/4in) high (4).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價Exhibited: The lion joss stick holders, Oriental Works of Art, Gerard Hawthorn Ltd., Summer 1997, no. 14.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
TWO SOAPSTONE FIGURAL CARVINGS18th centuryComprising: a small figure of Guanyin holding a ruyi in one hand and prayer beads in the other, the hair combed in a high chignon covered by a cowl, together with a figure of a monk seated on a rockwork plinth with his right knee raised, wearing ample robes, holding a fold in the left hand, the partially shaven head with long curls falling at the nape of the neck.The monk: 9cm (3 1/2in) high (2).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價Exhibited: The monk, Oriental Works of Art, The Oriental Art Gallery Ltd., June 1995, no. 69.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
A PAINTED AND GILT SOAPSTONE MODEL OF A SEATED LUOHAN17th/18th centuryThe figure seated on a plinth set upon an octagonal footed stand, the left leg raised and the right extended down to one side, the smiling face gazing downwards, the right hand raised to play with one long eyebrow, the robes incised with shou roundels and floral hems, heightened in gilt and with red and green painted decoration.18cm (7 1/8in) highFootnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
A SILVER WIRE-INLAID IRON INCENSE BURNER AND COVERKorea, 19th centuryInlaid with silver wire, of square section with rounded sides with reserved figures of deer, cranes, and a scholar riding a buffalo, set on a recessed square plinth supported by four splayed feet, the mouth flat and extended, all with key fret and stylised flowers motif, the cover with angles sides and leaf-shaped apertures to the square body below the knop, wood box and cover. 31cm (12 1/4in) high (4).For further information on this lot please visit Bonhams.com
A BRONZE 'ELEPHANT AND BOY' INCENSE BURNERMeiji PeriodThe elephant standing four-square on a plinth supported by reishi sprays, the trunk raised to one side, the cover in the form of a saddle supporting a seated smiling boy, all finely cast with gilt and silver wire inlay detailing.36.5cm (14 3/8in) high (3).For further information on this lot please visit Bonhams.com
A GILT BRONZE SINO-TIBETAN FIGURE OF GELUKPA LAMA19th centurySeated on a double plinth wearing an ample robe and the typical head dress, with the right hand raised in vitarkamudra and the left hand holding a pustakam. 9.5cm (3 3/4in) highFor further information on this lot please visit Bonhams.com
A PAIR OF CLOISONNÉ ENAMEL MODELS OF COCKERELS19th centuryEach standing on a plinth supported by lingzhi feet, the body of each bird with cloisons shaped and filled as multi-coloured feathers, with a separate attached plumage for the tail.33.7cm (13 1/4in) high (2).For further information on this lot please visit Bonhams.com
A PAIR OF GREEN-GLAZED BISCUIT HAT STANDS19th centuryThe sectioned body with pierced ruyi-head decoration and winged scroll legs, supported on a square plinth, glazed with sancai green, amber and cream glaze.31cm (12 1/4in) high (2).For further information on this lot please visit Bonhams.com
A LATE 19TH CENTURY WALNUT VIENNA WALL CLOCK, half turned fluted pillars to the door, enclosing an enamel dial with Arabic numerals, seconds dial, unsigned, height 100cm (two weights, pendulum and winding key) (condition:-missing surmount) and an early 20th century mahogany Vienna wall clock, the silvered dial with Arabic numerals, height 114cm (pendulum) (condition:-missing plinth to bottom left side) (2)
A GEORGIAN MAHOGANY EIGHT DAY LONGCASE CLOCK, the hood with a swan neck pediment and eagle pediment, twin cylindrical pillars flanking a glazed door enclosing a cream painted dial, bell striking movement, strike/silent dal to arch, roman and Arabic numerals, and a seconds dial, on a plain trunk (two weights, pendulum and trunk door key) (condition:-repairs to dial, trunk door loose, and pieces to plinth loose)
A GEORGE III OAK AND ROSEWOOD CROSSBANDED 30 HOUR LONGCASE CLOCK, the hood with a swan neck pediment, brass finial, and fluted pillars flanking a glazed door enclosing a painted 10 inch dial, bell striking movement, subsiderary date aperture, singed John Peberdy of Leicester, height 217cm (one weight and pendulum) (condition:-historical crack to glazed door, some alterations to plinth)
ASSORTED CERAMICS AND GLASSWARE INCLUDING SPODE, WEDGWOOD AND ROYAL CROWN DERBY, a Bisto (Bishop & Stonier) twenty piece dolls dinner service, transfer printed with comical scenes of wooden dolls, a boxed Royal Doulton 'Sleigh Bells' collectors plate, a Royal Brierley Studio iridescent glass vase, height 15cm, a Royal Crown Derby hexagonal Imari trinket box, a Royal Worcester blush ivory coal scuttle vase, shape no.916, printed and painted with floral sprays, s.d., a Beswick beagle, matt glaze, on a plinth, six pieces of Wedgwood jasperware and a Royal Worcester blue and white mug to commemorate the 350th anniversary of the founding of Pembroke College, Oxford, 1974, etc, s.d.
TWO BOXES OF ASSORTED WHITE METAL WARE AND A TWENTY ONE PIECE SYLVAN NURSERY WARE TEA SET, the tea set printed with Nursery Rhyme characters, comprising a teapot, a milk jug, a sugar bowl, six tea plates, six tea cups and six saucers, teapot impressed 'Sylvan, England, 120', the box of metal ware to include pieces unmarked or with stamped marks, to include four pewter tankards, two EPNS tankards, a stainless steel milk jug and sugar bowl, an EPNS trophy cup with plinth, a white metal nut cracker in the form of a reindeer, a small white metal rose bowl, a silver-plated sugar caster, a stainless steel pierced bowl, various trays, boxed 'Arthur Price' salad servers, a silver handled pie server, a letter opener in the form of a dagger with sheath, a silver handled bread knife and a quantity of collectable teaspoons etc (2 boxes) (Condition report: tea set pieces appear in good condition with crazing, signs of light use and a little wear)
Ragna Reusch (Eutin 1963). Frau in grüner Badehose. 2019. Mit der Kettensäge aus einem Eichenstamm 'geschnitzt', Farbfassung. H. 168 cm, Stahlplinthe 23 x 23 cm. - Deutsche Bildhauerin. R. studierte Grafik-Design, Illustration und Bildhauerei in Bielefeld und Bremen, schnitzt schon seit ihrer Kindheit figürlich und arbeitet im großen Format bevorzugt mit der Kettensäge. Ihre Motive sind meist üppige Frauenfiguren aus Eiche. Seit 2009 zahlreiche Gemeinschafts- und Einzelausst. Die Künstlerin lebt und arbeitet in Ahausen (Niedersachsen). Reusch, Ragna (Eutin 1963). Woman in Green Swimming Trunks. 2019. Carved from an oak trunk with a chain saw, colour finish. H. 168 cm, steel plinth 23 x 23 cm. - German sculptor. R. studied graphic design, illustration and sculpture in Bielefeld and Bremen, has been carving figuratively since childhood and prefers to work in large format with the chainsaw. Her motifs are mostly voluptuous female figures made of oak. Since 2009 numerous collective and individual exhibitions. The artist lives and works in Ahausen (Lower Saxony).
Ernst Barlach (Wedel/Holst. 1870 - Rostock 1938). Russisches Liebespaar. Entwurf 1908, Erstausformung 1909 in den Schwarzburger Werkstätten Unterweißbach, die vorliegende Ausformung von 1995. Porzellan, weiß. Prägestempel 'Schwarzburger Werk-stätten für Porzellankunst' und geprägter schnürender Fuchs, Modellnr. 'U9'. Auf der Plinthe auf der Plinthe 'lithographische' Sign. 'E. Barlach'. Steg der Mandoline rep. H. 21 cm, B. 36,5 x 27,5 cm. - Deutscher Bildhauer, Schriftsteller und Zeichner. B. studierte 1888-95 an der Hamburger Kunstgewerbeschule und der Dresdener Akademie. Anschließend lebte er für zwei Jahre in Paris. Zunächst betätigte er sich vorwiegend als Keramiker, u.a. für die Manufaktur Mutz in Altona. Eine Russlandreise 1906 beeinflußte ihn nachhaltig; er stellte Skulpturen des russischen Volkslebens erstmals 1907 bei der Berliner Secession aus. In der Folge erhielt er auch zahlreiche prominente öffentliche Aufträge. B. gehört zu den von den Nationalsozialisten besonders intensiv bedrängten Künstlern, und viele seiner Werke wurden beschlagnahmt oder vernichtet. Heute gilt er als einer der bedeutendsten Bildhauer des 20. Jhs. Mus.: Hamburg (Ernst-Barlach-Haus), Nürnberg (Germanisches Nationalmuseum), Schwerin u.a. Lit.: Schult (WVZ) u.a. Barlach, Ernst (Wedel/Holst. 1870 - Rostock 1938). Russian Lovers. Designed in 1908, first moulded in 1909 in the Schwarzburger Werkstätten Unterweißbach, the present version from 1995. Porcelain, white. Stamped 'Schwarzburger Werk-stätten für Porzellankunst' and embossed lacing fox, model no. 'U9'. On the plinth 'lithographic' sign. 'E. Barlach'. Bridge of the mandolin rep. H. 21 cm, w. 36,5 x 27,5 cm. - German sculptor, writer and illustrator. B. studied 1888-95 at the Hamburg Kunstgewerbeschule and at the Dresden academy. He lived in Paris for two years before working as ceramicist in Hamburg, among others for the Altona manufactory Mutz. A journey to Russia became distinctive for his work. He first exhibited sculptures from Russian folk life at the Berlin secession in 1907. Subsequently he received many important public commissions. B. was very much pressurized by the Nazis, a. many of his works were seized or destroyed. Today he is appreciated as one of the most important sculptors of the 20th cent. Mus.: Hamburg (Ernst Barlach Haus), Nuremberg (Germanisches Nationalmuseum), Schwerin a. others. Lit.: Schult (cat. rais.) a. others.
Gerhard Marcks (Berlin 1889 - Burgbrohl 1981). Gehende Katze (Kater Schwarzmann). 1977. Bronze mit goldbrauner Patina. Auf der Plinthe mit dem Künstlersignet bez., am seitl. Plinthenrand Gießerstempel 'GUSS BARTH RINTELN', num. Ex. '10/10'. H. 17,8 cm, 27 x 6,7 cm. - Gerhard Marcks zählt neben Lehmbruck u. Barlach zu den bedeutendensten deutschen Bildhauern der Gegenwart. Ab 1907 teilte er sich ein Atelier mit R. Scheibe, erste autodidaktische Tierplastiken nach Studien im Zoologischen Garten von Berlin zeigen die Nähe zum Oeuvre des Tierbildhauers A. Gaul, der ihn als Modelleur an die Schwarzburger Werkstätten vermittelte. 1918 wurde er durch B. Paul an die Berliner Kunstgewerbeschule berufen, bevor W. Gropius ihn 1919 als Leiter der Bauhaus-Töpferei nach Weimar abwarb. Dort traf er 1921 L. Feininger, der ihn zur Beschäftigung mit dem Holzschnitt anregte. 1928 erhielt er den Villa-Romana-Preis u. übernahm die Leitung der Kunstgewerbeschule Burg Giebichenstein in Halle. 1933 von den Nazis aus dem Lehramt entlassen, verbrachte er die Jahre des inneren Exils in Ahrenshoop. Ab 1945 unterrichtete er an der Landeskunstschule Hamburg, 1950 übersiedelte er nach Köln. Marcks schuf zahlreiche Skulpturen für den öffentlichen Raum. Er thematisierte als Bildhauer wie als Zeichner den Menschen, dabei wurde die archaische Kunst Ausgangspunkt für eine beseelte, in sich ruhende Kunstform. Zu seinen bekanntesten Werken zählen die 'Bremer Stadtmusikanten'. Mus.: Bremen (Gerhard Marcks Haus), Köln (Wallraf-Richartz-Mus.), Hannover u.a. Lit.: Thieme-Becker, Vollmer, Der Neue Rump u.a. Marcks, Gerhard (Berlin 1889 - Burgbrohl 1981). Walking Cat (Kater Schwarzmann). 1977. Bronze with goldbrown patina. Inscribed with the artist's signet on the plinth, foundry stamp 'GUSS BARTH RINTELN' on the lateral plinth rim, num. copy '10/10'. H. 17,8 cm, 27 x 6,7 cm. - German sculptor, graphic artist a. draughtsman, since 1907 he shared a studio with R. Scheibe, he taught at the Berlin art school before being called as teacher to the Weimar Bauhaus by W. Gropius, inspired by L. Feininger he started producing woodcuts, in 1928 he was awarded the Villa Romana prize a. became head of the art school Burg Giebichenstein in Halle, expelled by the Nazis in 1933 he lived in Ahrenshoop, in 1945 he became lecturer at the Hamburg Landeskunstschule. Mus.: Köln (Wallraf-Richartz-Mus.), Bremen, Hannover a. others. Lit.: Thieme-Becker, Vollmer, Der Neue Rump a. others.
Ernst Fuchs (Wien 1930 - Wien 2015). Sphinx. 1977. Bronze, dunkel patiniert. Ed. Hilliard Collection GMBH, seitl. sign. 'Ernst Fuchs', num. Ex. '124/1000', Gießerstempel 'venturi arte'. Figur: H. 19,5 x B. 35 x T. 15,5 cm, Marmorplinthe (min. best.): H. 4 x B. 34,5 x T. 20 cm. - Gutachten: Zertifikat Venturi Arte und Hilliard Collection vom 20.12.1977. - Maler, Graphiker, Bildhauer und Architekt, einer der Hauptvertreter des Phantastischen Realismus. Bereits mit 16 Jahren begann er ein Studium an der Wiener Akademie, u.a. bei A. Gütersloh, und schon 1949 hatte er seine erste Einzelausstellung in Paris, wo er sich auch niederließ. 1962 kehrte er nach Wien zurück, zehn Jahre später erwarb er die Otto-Wagner-Villa, die heute das Ernst-Fuchs-Museum beherbergt. Mus.: Wien (Ernst-Fuchs-Mus.). Fuchs, Ernst (Wien 1930 - Wien 2015). A Sphinx. 1977. Bronze, dark patinated. Ed. Hilliard Collection GMBH, sideways sign. 'Ernst Fuchs', num. copy '124/1000', foundry stamp 'venturi arte'. Figure: h. 19,5 x w. 35 x d. 15,5 cm, marble plinth (slightly chipped): h. 4 x w. 34,5 x d. 20 cm. - Expertise: Certificate by Venturi Arte and Hilliard Collection from 20 December 1977. - Painter, graphic artist and architect, one of the main exponents of Phantastic Realism. Already at the age of 16 he began studying at the Vienna academy, among others under A. Gütersloh, and as early as 1949 he had his first solo exhibition in Paris where he settled in 1950. In 1962 he returned to Vienna where he bought the Otto Wagner Mansions in 1972 that later became the Ernst Fuchs Museum. Mus.: Wien (Ernst-Fuchs-Mus.).
Cristallerie Lalique & Cie gegr. 1885 von René Lalique. Paar Lampenfüße 'Joséphine' mit Schwanenmotiv. Entwurf 1948 von Marc Lalique, Ausführung um 1980. Kristallglas mit kanneliertem Schaft und versilberten Details, mittig Schwanenreliefs. Plinthe bez. ' Lalique ® France' (graviert). Elektrifiziert. Leichte Gebrauchsspuren. H. 44,5 cm. - Lalique & Cie, Cristallerie est. in 1885 by René Lalique. Pair of lamp feet 'Joséphine' with swan motif. Designed in 1948 by Marc Lalique, executed around 1980. Crystal glass with fluted stem and silver-plated details, swan reliefs in the centre. Plinth marked ' Lalique ® France' (engraved). Electrified. Slight signs of use. H. 44,5 cm. -
Paar Napoléon III Leuchter. Paris, um 1880. Bronze, feuervergoldet. Geschweifter Fuß mit Festonbehang, gewölbter Schaft mit Festons, Tülle mit Perlrand. Gießerstempel: 'Susse. Fr(èr)es. Ed(iteur)s. Paris'. Plinthe mit Lochbohrung. H. 26,5 cm. - A Pair of Napoléon III Candlesticks. Paris, c. 1880. bronze, fire-gilded. Curved foot with festoon hanging, domed stem with festoons, spout with beaded rim. Founder's stamp: 'Susse. Fr(èr)es. Ed(iteur)s. Paris'. Plinth with perforated hole. H. 26,5 cm. -
Ernst Fuchs (Wien 1930 - Wien 2015). Limitierte Bronze-Uhr 'Die Janus Uhr' mit Werk von IWC. Um 1981. Bronze, patiniert und tlw. goldfarben gefasst, signiert, nummeriert: Ernst Fuchs, 'IWC International Watch Co. Schaffhausen', 'Venturi Arte', num. 21/789. Im Sockel befindliches Unruhwerk mit Halb- und Stundenschlag auf Glocken. Drehlünette für 24 Std., darauf Indizes und röm. Ziffern mit Zeiger, seitlich drei Aufzuglöcher für die Zeiteinstellung, Schlüsselaufzug. Darstellung des Januskopfes von Tag- und Nachtansicht mit Drehmechanismus auf sechseckiger Marmorsäule (kl. Besch.). Mit 2 Schlüsseln. Säule H. 90,5 cm, Uhr H. 67,5 cm. - Maler, Graphiker, Bildhauer und Architekt, einer der Hauptvertreter des Phantastischen Realismus. Bereits mit 16 Jahren begann er ein Studium an der Wiener Akademie, u.a. bei A. Gütersloh, und schon 1949 hatte er seine erste Einzelausstellung in Paris, wo er sich auch niederließ. 1962 kehrte er nach Wien zurück, zehn Jahre später erwarb er die Otto-Wagner-Villa, die heute das Ernst-Fuchs-Museum beherbergt. Mus.: Wien (Ernst-Fuchs-Mus.). Fuchs, Ernst (Wien 1930 - Wien 2015). A Limited Bronze Clock 'Janus' with Movement by IWC. Around 1981. Bronze with patina, partly gold coloured, signed, numb.: Ernst Fuch, 'IWC International Watch Co. Schaffhausen', 'Venturi Arte', 21/789. Movement inside the base, half and full hour strike on bell. Lunette moveable for 24 hours, indices and roman numerals with hand, three winding holes. Marble plinth (small dam..). With 2 keys. Column H. 90,5 cm, clock H. 67,5 cm. - Painter, graphic artist and architect, one of the main exponents of Phantastic Realism. Already at the age of 16 he began studying at the Vienna academy, among others under A. Gütersloh, and as early as 1949 he had his first solo exhibition in Paris where he settled in 1950. In 1962 he returned to Vienna where he bought the Otto Wagner Mansions in 1972 that later became the Ernst Fuchs Museum. Mus.: Wien (Ernst-Fuchs-Mus.).
Japy Frères gegr. 1773 in Montbéliard. Napoleon III Pendule. Frankreich, um 1870/80. Bronze, Messing, vergoldet. Plinthe und Sockel mit polychrom bemalten Porzellan-Tafeln von Blüten und Vogel. Weißes Emaille-Zifferblatt, blaue röm. und arab. Ziffern, Louis-Seize Zeiger. Schlossscheiben-Schlagwerk auf Glocke, Fadenaufhängung. Mit Pendel und Schlüssel. Platine verso gemarkt. Rest. H. 27,5 cm, B. 21,5 cm, T. 9,5 cm. - Japy Frères est. 1773 in Montbéliard. A Napoleon III Pendule. France, around 1870/80. Bronze, brass, gilded. Plinth and base with polychrome coloured porcellain panels. White enamel, blue roman and arab. numerals, Louis-Seize hands. Locking plate striking mechanism on bell, thread suspension. With pendulum and key. Movement marked. Restored. H. 27,5 cm, w. 21,5 cm, d. 9,5 cm. -
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