We found 173487 price guide item(s) matching your search
There are 173487 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
173487 item(s)/page
A 19TH CENTURY COPELAND PARIAN BUST PRINCESS ALEXANDRA (with earrings), impressed to the back 'PUBD FEB-1 1863 COPELAND', CRYSTAL PALACE ART UNION F.M MILLER SCULPR', the front edge of the socle plinth impressed 'CRYSTAL PALACE ART UNION', height 30cm (Condition Report: the socle plinth is badly chipped where it joins the bust)
A PAIR OF 19TH CENTURY PARIAN FEMALE FIGURES OF COMEDY AND TRAGEDY, modelled as standing on a circular plinth style base, unmarked, height 35cm and 34cm and a pair of unmarked 19th century W.H. Goss parian figures of Seasons, both modelled as standing and with gilt details and turquoise details, circular bases, height 34cm (4) (Condition Report: the figure holding the mask sounds like there is liquid inside it, dirty around the back of the base, the companion has firing inclusions and a slightly uneven base, the figure with the sheaf of wheat on her head has an uneven base but are in fair condition otherwise)
A 19TH CENTURY COPELAND PARIAN BUST 'ASLEEP', modelled by J.S. Westmacott, on a socle pedestal base printed in gilt with lines from a poem, impressed mark to rear of angel, height 23.5cm, together with a 19th Century parian figure of a young woman holding a water flask, the shaped octagonal plinth inscribed 'The gifted well of st keyne' (sic), height 28cm (2) (Condition Report: Asleep has rubbed gilding, firing crack in wings, chip to rear corner of foot rim and another small chip to back upper corner, the figure of the lady has chips to the hat brim, flowing water and side of well, missing one fingertip around the neck of the flask)
FOUR LATE 19TH AND EARLY 20TH CENTURY PARIAN AND BISQUE BUSTS, comprising a Goss 'Sister Dora', impressed title to plinth and factory marks to side, height 17cm, two unmarked busts of children with ringlets, the taller example on a socle plinth, height 20cm, the smaller height 15cm and a Continental porcelain bisque bust of Queen Alexandra, impressed title to front, incised numbers verso, height 24.5cm, together with two ebonised plinths (6) (Condition Report: Sister Dora and Alexandra are in good condition, the larger child has a dried white substance on the plinth, the smaller child has a dried glue at the join between the bust and the plinth)
FOUR W.H. GOSS PARIAN BUSTS, comprising General Gordon, printed mark to back, height 18.5cm, William Henry Goss, printed factory mark to the base, height 16cm, Lord Hartington, impressed marks to back, height 17cm and Sir Walter Scott wearing tartan plaid and on a socle plinth, height 13.5cm (4) (Condition Report: Gordon has a small chip to a front corner of the plinth, the other three appear to be in good condition)
FOUR SMALL ROBINSON & LEADBEATER PARIAN PORTRAIT BUSTS, all on integral square plinths, comprising Pope 'LEO XIII', height 17.5cm, 'LORD KITCHENER', inscribed verso 'BY W.C. LAWTON SCULPT COPYRIGHT FEB 9TH 1900', height 20.5cm, 'SCOTT', height 19cm and 'TENNYSON', height 19cm, all with impressed oval R&L factory mark (4) (Condition Report: Leo has a small chip to the front of the bust and another on the corner below, Kitchener has some dirty surface marks and a shallow chip to the corner edge of the plinth, Scott is ok and Tennyson has a chip on the front corner of the plinth, light scuff to back of shoulder)
TWO 19TH CENTURY SMALL COPELAND PARIAN PORTRAIT BUSTS AND ANOTHER, the Copeland comprising Duke of Wellington, modelled by Count D'Orsay, impressed marks to back of bust, on a socle plinth, height 19cm, Sir Walter Scott, lacks plinth, impressed marks to rear of bust, height 17cm and an unmarked bust, probably Byron, lacks socle plinth, height 14cm (3) (Condition Report: Wellington has several small nibbles / small chips to the bust and plinth, there are also yellowy surface marks, Scott lacks plinth and has firing cracks around the hole, Byron lacks plinth)
AFTER NIKOLAI IVANOVICH LIBERICH (1828-1883) a cast iron figure of a recumbent bloodhound, bearing signature and foundry marks to the collar, probably Kasli, length 37.5cm x height 17cm, on a separate oval oak base, length 40cm (2) (Condition Report: the black painted surface has flaked off in a number of places, dust in the crevasses, rocks slightly on a flat surface, oak plinth appears to have adapted to secure figure from sliding off)
A LATE 19TH CENTURY FRENCH WHITE MARBLE AND GILT METAL CLOCK GARNITURE, the clock with urn surmount above a circular white enamel dial painted with floral swags, Arabic numerals, eight day movement, bell strike, sunburst pendulum with female mask to centre, the case with four Doric columns, shaped base on four short beaded feet, height 43cm, the garnitures of twin handled urn form, height 32.5cm (3 + pendulum - NO KEY) (Condition Report: clock winds, ticks and runs continuously but is chiming an hour behind, the gilding is worn in a number of places, a section of gallery is loose on the clock, a number of nibbles and small chips to the edges of the marble, one of the garnitures has a repaired section to the plinth, some metalwork is slightly bent and sections are loose and require tightening)
A PAIR OF VICTORIAN STAFFORDSHIRE POTTERY FLATBACK PORTRAIT FIGURES OF 'GLADSTONE' AND 'BEACONSFIELD', both modelled as standing with one hand resting on a plinth the other on the hip, titled in gilt to the oval base, approx. height 41cm (2) (Condition Report: both have some areas of pain loss and wear to the gilding, both have crazing and Beaconsfield (Disraeli) has two fine cracks in the base)
FIVE VICTORIAN STAFFORDSHIRE POTTERY PORTRAIT AND OTHER FIGURES, comprising a group titled 'Death of Nelson', height 19.5cm, 'Cardinal Manning', height 43cm, 'Tom King', 'D. Turpin' and figure of a cavalier standing beside a plinth, height 26cm (5) (Condition Report: Nelson group crazed, Cardinal has glued repair around neck, crazed, stained, firing faults and paint loss, Tom has crazing, paint loss, cracks through two freestanding legs of horse, Turpin has paint loss and crazing, cavalier has crazing, paint loss, crack through freestanding leg and firing cracks)
TAXIDERMY - TWO GREY / ENGLISH PARTRIDGE, one standing and the other sitting, the naturalistic mount on a rectangular oak plinth, bears plaque 'Barry Williams Taxidermist Cannock', length 30cm x height 29cm, together with another taxidermy grey / English partridge mounted on an oval mahogany finish plinth, length 24.5cm x height 24cm (2) (Condition Report: a few ruffled feathers but generally in good condition, a little dusty)
TAXIDERMY - TWO WOODCOCK, one standing and the other sitting, the naturalistic mount on a rectangular oak plinth, bears plaque 'Barry Williams Taxidermist Cannock, length 44cm x height 29cm (Condition Report: a few ruffled feathers, particularly tail feathers, the standing woodcock has a brass pin at the front of the wing which becomes visible if feathers are moved, a little dusty)
TAXIDERMY - A GREY SQUIRREL, mounted climbing a branch, on a rectangular mahogany plinth, height 29cm x width 43cm, together with a horn handled walking stick with spiked end, length 124cm and a pair of stag point antlers on skull section, seven point (4+3), mounted on a mahogany shield, height 71cm x widest span 60cm (3) (Condition Report: the squirrel is in dusty and worn condition, the walking stick is in usable condition and the antlers are loose on the mount and have two damaged tips, one of which also has a glued repair)
A pair of Paris porcelain pot pouri, 19th century, each modelled as a hemispherical urn on square plinth, the urns with cast pierced bronze covers and faun mask handles, the sides enamelled with exotic birds among foliage in the manner of James Giles, the plinths with beaded and fluted columns to the corners, the sides enamelled with alternating panels of exotic birds and butterflies, gilt highlights throughout, each 29cm high CONDITION REPORT:Both pieces show fine surface crazing throughout (extensive in places), rubbing to the gilt highlights, some staining, the odd firing pit and frit, and evidence of restoration to the faun mask handles. One piece shows a "V" shaped hairline crack to one of the butterfly panels, glazing faults to the top beaded ring, and small chips and nibbles to the corners. The other shows larger chips to the corners. Both finials show tarnishing and polish residues.
A freestanding brass ecclesiastical gaslight, early 20th century, the three branches punctuated with trailing vines, extending to the tubular upright upon a circular hardwood plinth base, 155cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
An industrial machinist's articulated lamp, mid 20th century, the green enamelled conical shade upon a box section arm with four adjustable joints, fixed to a hardwood plinth base, max height 68cm approx Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Maureen Coatman (British, 1919–2005), a clay bust of a young boy, signed at base of neck, finished in a bronze glaze and set to a natural wood plinth, 35.5cm high overallPROVENANCE: Commissioned from the artist by the sitter's family.BIOGRAPHICAL NOTE: Maureen Coatman was a British sculptor born in Woking, Surrey. She exhibited at the Royal Academy, and completed numerous private and public commissions, including for many churches and schools. She is best known for her bust of the racehorse Red Rum.
A 19th century oak and mahogany crossbanded eight day longcase clock by Joyce Jnr, Ruthin, the swan neck pediment over freestanding pilasters flanking the 36cm break arch painted dial, with subsidiary second dial and date aperture, signed with the makers name and enclosing the two train, four pillar movement, the case with a dentil frieze over conforming quarter pilasters flanking the rectangular door, upon a plinth base, 222cm high, two weights and pendulumCondition reportSome light crazing, fading and rubbing to the dial, case looks to be in good condition with only light general wear, joint split and further minor splits to the bottom board.Back board possibly later with a later brace applied to the inside, seat board is later, movement appears to operate when prompted however no guarantee of working condition.
A George III 8 day longcase clock, signed indistinctly 'Scott Newcastle', the arched hood with a fretwork pediment above fluted pilasters flanking the 34cm painted break arch dial, with landscape view, centred with subsidiary second and date dials, indistinctly signed with the makers name and enclosing the two-train movement, striking on a saucer bell, the case with canted corners and cross banded door, above a conforming lower panel and plinth base, two weights and pendulum, 224cm high, glass measurement 43cm H x 30cm W
A Regency rosewood and brass inlaid breakfast table, in the manner of George Oakley, early 19th century, the circular tilt top inlaid with brass circumferential stringing punctuated by roundel motifs, upon a quatre-form pedestal and plinth, extending to four sabre supports inlaid with foliate detail and culminating in brass paw feet and castors, 70cm H x 124cm DCondition reportGeneral light fading, minor scratches and stains to the top, some minor 'lifting' to the brass stringing with two lengths of stringing loss 31cm and 5cm.Several losses to the veneer on the table edge, 6cm, 4cm, two at 3cm and a further 2cm gap.Evidence of historic woodworm and restoration to the underside braces although this is not detrimental to the tables stability.Minor chips and scuffs to the plinth base, commensurate with age and use, one of the sabre supports appears to have been repaired.Overall the table appears sound with no play in the joints, there is some general wear and light restoration commensurate with age and use.
A late Victorian oak and pollard oak twin pedestal partners desk, the rectangular moulded top inset with a gilt tooled ox-blood red leather skiver, with three crossbanded frieze drawers to each side, upon twin pedestals each with three graduated drawers opposed by a cupboard door, over a plinth base with inset castors, 75cm H x 121cm W x 104cm D
A Globe Wernicke walnut three tier stacking bookcase, early 20th century, each tier with an 'up and over' glazed door, upon a plinth base, ivorine makers labels to the interior, 128cm H x 86cm W x 32cm DCondition reportAll 'up and over' doors work smoothly, some very light 'blistering' to the bookcase top, otherwise the bookcase appears sound with only general light wear, marks, scratches and fading commensurate with age and use
A SCOTTISH GEORGE IV MAHOGANY LONGCASE CLOCK, BY FENWICK OF TILLICOULTRY,the box hood with spiral turned columns, arched glazing enclosing a signed brass dial with Roman and Arabic numerals, waisted trunk body and plinth base, with weights and pendulum, 212cm highCondition Report: Case is good With weights and pendulum, brass disk needs to be rescrewed on for pendulum see images Slip of rim moulding missing from front doorOriginal clear glass within hoodSome small veneer losses and timber split to plinth base Movement untested See images
A FRENCH BRONZE AND GILT BRASS 'CHARIOT' MANTLE CLOCK, 19TH CENTURY,formed as Helios in a horse drawn chariot, the wheel formed as the clock dial, cast with Arabic numerals, on rectangular plinth, decorated with musical trophies, on compressed bun feet. 44cm wide, 36cm highCondition Report: See additional images
A 19TH CENTURY MAHOGANY CASED PEDESTAL CLOCK, with oval brass dial below and architectural top, on a stepped and panelled plinth base. 240cm high, 84cm wideCondition Report: Clock is in two sections Upper section with an upright side door for access to movementThe stepped base missing some veneer to sides and has cured worm holes to the pine underneath Some missing pieces of moulding, see specific imagesGlazed oval door with split to veneer (at 10 o'clock)Came to us without weights and pendulum
A CONTINENTAL TWO DOOR ARMOIRE, with moulded cornice and plain frieze, above a pair of paneled doors on plinth base and shaped feet, with brass escutcheons, 199 x 161cm, 65cm deep*Please note this lot is not on view in our Stephen's Green Saleroom. Please contact us for further informationCondition Report: 65cm deepGood overall conditionModern exampleAdditional images available onlineSmall circular drill holes on back panel for cablesSee additional image of the back panel
A FRENCH 19TH CENTURY BRONZE AND GILT BRASS MANTLE CLOCKthe white enamel drum dial signed Cresson Bould, Montmarte 9, surmounted by a flower filled urn and flanked by reclining amorini, the bowed pedestal base filled with a porcelain panel with amorini flanked by square floral panels, on a similarly bowed plinth with foliate mounts. 55cm wide x 50cm high
An Italian 19th/early 20th Century bronze statue of two putti upon a marble plinth with beaded detail, 12cm high CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
-
173487 item(s)/page