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A Regency mahogany library table, by Dunn & Co. The rectangular top fitted on each side with drawers and dummy drawers on a plain, tapering, rectangular section pedestal. The concave quadruple plinth base with scrolling carved feet. Impressed maker`s mark Dunn & Co. Width 54ins., x 26ins. (See illustration)
A large mid 19th Century double mahogany Compactum, shaped cornice above two breakfront arched panelled doors enclosing slides and further over two two half width and two full width drawers flanked by further full height panelled doors enclosing hanging space, on plinth base 94" wide x 86" high
Donald Gilbert (1900-1961) A bronze sculpture of a crouching monkey, raised on a stepped variagated stone plinth base, signed in the bronze `D. Gilbert 1920`, (plinth repaired) 29cm high overall Donald Gilbert was a sculptor and artist. He had studied at the Birmingham Central School of Art, The Royal College of Art and The Royal Academy. His works include busts of John Logie Baird (on display at the National Portrait Gallery, London) and Edward Elgar at the Guildhall Worcester. He also designed many wares for the Denby Pottery and Ashtead Pottery.
A thirty hour oak longcase clock, the 12 inch square brass dial signed `THO Lister`, with central date aperture and rolling moon, within a silver chapter ring of Roman and Arabic numerals, between pierced scrolling leaf corner spandrels, the four pillar movement striking on a single bell, the caddy top hood with square glazed hood door, between tapering turned front corner hood pilasters over a long crossbanded trunk door, between front corner quarter turned pilasters, on a crossbanded box base and cut out plinth, 219cm high
A Victorian oak low library/collectors cabinet, in the 17th century taste, the rectangular twin plank top with moulded edge over two heavily carved cabinet doors, decorated with mask and cherub mouldings, within scrolling leaves, the geometrically moulded single panel to each door with central mask moulding, raised on a plinth support, with proud front corners and centre, the doors opening to accommodate adjustable shelves, 162cm wide, 109cm high, 45cm deep
A Victorian ebonised, amboyna banded break-front credenza, the crossbanded top with proud corners, over a single panel central cabinet door with geometrically banded central decoration, the amboyna banded frame with lappeted gilt metal mounts, between line strung tapering turned columns, with Corinthian gilt metal capitals, flanked by a single glazed cabinet door to each side, revealing two fixed shelves, flanked by front corner turned line strung tapering pilasters, on a break-front plinth and short turned front feet, 169cm wide, 109cm high, 37cm deep
An antique oak dresser of plain form, the canopied back with moulded cornice, serpentine apron and baluster turned pendant finials with two open plate shelves and hooks and the lower part enclosed by a pair of plain panelled doors with small brass bun handles on plinth base (133cms wide x 193cms high).
A most impressive French Art Deco black slate and green marble clock garniture in the Egyptian style, the clock surmounted with a reclining bronze sphinx and flanked by two seated winged jaguars and the eight day striking movement flanked by two tapering marble sections and decorated overall with engraved and silvered hieroglyphs and animals, together with a pair of matching obelisks of square tapering form, stamped to the base "Blanpain (?)" and with the inscribed number 6326 (clock 51cms wide x 43cms high, obelisks 58cms high, as viewed, slight damage to the plinth of one obelisk).
A small bronze rectangular plaque commemorating the 1936 Berlin Olympics, decorated with a pigeon on a plinth with the linked rings behind and inscribed "Olympya 1936", believed to commemorate a release of the birds at the opening ceremony, in original presentation case and a small bronze medallion inscribed Postagalamb Sport Egyesulet and embossed with two pigeons on a plinth inscribed "Colombia 1882" in original presentation box.
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