A Matched Set of Four Dixon, Austin & Co Pearlware Figures of the Seasons, circa 1820, each as a classical figure, painted in colours and lustre on titled square bases, impressed marks, 24cm high; A Whieldon-Type Creamware Figure of a Girl, carrying a basket, 11cm high; A Pearlware Figure of Venus, standing with a child and dolphin on a rectangular plinth, 17cm high; A Similar Figure of Charity, standing with two children on a rectangular plinth, 20cm high; and A Pearlware Figure of Ceres, probably Portobello, standing holding a cornucopia on a mound base, 20.5cm high (8). Dixon, Austin & Co. four seasons Autumn and Spring with repair to the necks. Lustre wear and base chips throughout. Whieldon figure with some small base chips. Pearlware venus with a firing tear to the reverse, base chips and crazed. Figure of Charity with chips to the base. Ceres with small base chips, no restoration.
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A Chinese Blue Glazed Porcelain Figure of a Kylin, 19th century, modelled crouching with tail raised, 18cm long; A Similar Figure of a Recumbent Goat, 21cm long; A Tang Style Figure of a Caparisoned Horse, standing four-square on a plinth base, decorated in Sancai glazes, 36cm high; and A Han Style Terracotta Figure of a Seated Attendant, 16cm high (4)
A Victorian Glazed Oak Stationery Cabinet, of rectangular form with brass handles, the hinged top and glazed fall enclosing an arrangement of drawers and compartments and with a pair of German porcelain inkwells and covers, on a plinth base, 38cm wide. In restored condition with minor scratches, wear and splitting. Inkwells probably not original to the box.
An Arts & Crafts Oak Table Cabinet, early 20th century, of tapering rectangular form, the panelled door with leaded glass panel enclosing two drawers, on plinth base, 29cm wide. In restored condition with some surface scratching and minor splitting and shrinkage. Small silver of wood missing fran base edge of door 2.5cm in length approx 4mm width, outer wood surfaces lightley sounded at some point, left side slightly faded, left front edge of cabinet bearing multiple dents and minor losses. Faint marks to left side panel & key within.
A Pair of Gilt and Patinated Bronze Figural Candlesticks, late 19th century, as two putti draped in leaf swags supporting an urn on a fluted and leaf-sheathed column and circular base, swept circular black marble plinth, 49.5cm high, converted to electricity, with later fittings and shades. Drilled for electricity. Some loss to patination and possibly some reworking of patination.
Late 18th / early 19th century oak longcase clock, the square brass dial signed Jn Wood, Stroud, dial with Roman and Arabic numerals, subsidiary seconds dial at 12, date aperture at 6, the case with dentil cornice over twin columns on plain trunk and plinth base, h214cm, with pendulum and two weightsCondition Report: Case in good condition, no signs of any major damage or restoration.
Victorian mahogany bookcase with moulded cornice over two glazed doors revealing four shelves, over two panelled doors on plinth base, h225.5cm w130 cm d41cm Condition Report: General wear and tear, 4 shelves, no pegs for adjustingsome warping, cracks to cornice, scratches to glass, knock to side of left door, crack to top of lower tier, cracks to veneer on right side, losses to veneer No Key but unlocked
Early 20th century mahogany and marquetry inlaid eight day longcase clock, the arched brass dial with mounted brass scrolling foliage, the silvered chapter ring with Arabic numerals, subsidiary seconds dial at 12, strike/silent dial to arch, with presentation plaque to John Brough by the Congregation of Trinity Presbyterian Church Streatham, the case with broken swan neck pediment above twin reeded columns on brass caps, the trunk door with oval bevelled glass panel and floral marquetry inlaid decoration, on plinth base with bracket feet, striking on a gong, h235cm, with two weights and pendulumCondition Report: Overall condition is good, no signs of any damage to the case.
Late 18th century mahogany longcase clock, the arched silvered dial with Roman and Arabic numerals, subsidiary seconds dial at 12, chime/silent dial to arch, signed Henry Baker, London, to dial centre, three train movement, chiming the quarter hour on eight bells, the mahogany case with caddy top, the glazed trunk door (cracked) flanked by twin columns, moulded trunk door above panelled plinth base on bracket feet, h246cm, with three brass cased weights and pendulumCondition Report: Cannot guarantee it works Large and numerous cracks to door of hoodGeneral wear and tear commensurate with use and age including scratches and knocks Some losses to cornice, Moulding missing both sidessub dial hand detached but present
George III mahogany eight day longcase clock, the silvered dial signed to plaque to arch John May, Southampton, silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial at 12, date aperture at 6, strike/silent above 12, twin train movement striking a bell on the hour, the case with two brass finials above glazed door flanked by twin columns, having plain trunk and plinth base on bracket feet, h222cm, with pendulum and two weights Condition Report: We cannot guarantee whether the clock is in working order.Trunk door is locked and with no key.Scratches to glass.Chips to capital of one column, minor chips to other column.Case in good condition with only minor wear, to include knocks and scratches.
Late 19th century metal mantel clock, the Roman enamel dial indistinctly signed by retailer D. SCHWARK & SON, LEAMINGTON', the gilt metal case with urn finial flanked by two Classical ladies, on plinth base and scroll feet, striking on a bell, h34cm w28cm Condition Report: We cannot guarantee whether the clock is in working order
19th century Scottish eight day longcase clock, the painted arched dial decorated with female agricultural workers representing the four seasons to the spandrels, labourers with castle to background to arch, indistinctly signed A Johnstone to dial with Roman numerals, having two subsidiary dials, the trunk with turned pilasters and marquetry inlaid shell patera to door, on bracket feet and plinth base with shaped apron, h214cm
Group of Art Nouveau piecesto include a copper bowl with Yorkshire rose embossed to the centre 27.5cm across, a pewter crumb scoop 25.5cm, a Paul Milet for Sevres speckled blue vase with metal mounts and handles 21.5cm high and an alabaster figure of a girl mounted on an onyx plinth 25cm (4)Condition report: Paul Millet vase badly damaged with cracks and chips visible, metalware worn and alabaster figure small damages
A Copeland parian bust of William Gladstone 34cm highCondition report: Collection of dirt in creases of suit and round the base. Light marking and slight discolouration overall with 3 longer marks to the reverse, longest measuring 3cm approx. Brown colouring and marking to base near the wooden plinth. Rubbing to the wooden plinth.
A carved dragon figure on wooden plint and a white bud vase decorated with blossom motif. Together with various blue and white plates (qty)Condition report: Marking, scratches and discolouration throughout. Vase decorated with blossoms has cracking to glaze and a discoloured fracture line. Plates have chipping to rims and glaze, with some bases having brown dicolouration marks. Craved dragon has loss to one horn, and markings to exterior. Lose from base and tacked on - wooden plinth has slight ware.
Two Staffordshire pearlware figures of a gardener and a fisherwoman, tallest 17cm highCondition report: Rubbing to galze and pattern. Male fiugure has loss on the base near the foot and loss to the hand, the thumb. A minor crack on the shoulder measuring 1 cm approx. Loss of glaze to the round fruit, tree stump and flower pot. Slight cracking to the base. Female figure has minor chipping to her bonnet and hand with loss of some paint. Chipping to base plinth. early 19th century, pre 1830
An early 21st Century contemporary mahogany replica of a 'Jupe' radial extending circular dining table, possibly by Brights of Nettlebed, with central brass segmented paterae and cross-banded border, over a plain apron, supported by a central column flanked by four pillars, united by a quatre-foil base with brass mounted plinth feet, height 74.5cm, diameter when closed 153cm and diameter when opened 218cm, stamped with US patent number D530,115. Complete with a free-standing insert leaf rack, with brass carry handles, accommodating the eight numbered insert leaves, S/D.NB - Originally designed and patented in the reign of William IV by Robert Jupe and first produced by John Johnstone of New Bond Street.
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