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A Harry Parr studio pottery figure of a flower seller, the young woman seated on an upturned basket between flower filled baskets and wearing a fringed blue shawl, loose yellow scarf and patched apron, ostrich feathers in her blue hat and tying a bunch of roses, on cut cornered base and ebonised wood plinth, 24cm overall, incised Hy Parr Chelsea 1931, 1931
A Flight, Barr & Barr vase, with gilt serpent handles, finely painted on the urnular bowl with Malvern Abbey framed by trees on a ground of gilt seaweed, between beaded collars, on spreading socle and square gilt plinth, 20cm h, impressed and painted marks and title Malvern Church Worcestershire in puce script, c1815-20.
A William IV brass inlaid mahogany longcase regulator, the 12-inch diam silvered dial with twin subsidiary dials signed Hardy Preston, the deadbeat movement with shaped plates and mercury compensated pendulum, the gothic style case inlaid with brass quatrefoils and stringing, having lancet arched hood and glazed conforming door flanked by fluted pilasters, on conforming base and stepped plinth, 200cm h
A Victorian neo classical style giltwood and composition oval overmantel mirror, the unbevelled plate in a cavetto frame with a ribbon bound border crested by a Venus' shell and festoons, pairs of candle branches to the scrolling foliate supports and a further shell to the apron, on egg-and-dart plinth, 139cm h, overall width 154cm
AN EARLY 20TH-CENTURY GUSTAV BECKER MAHOGANY-CASED TWO-TRAIN MANTEL CLOCK having an arched hood, the bevelled door between spindle-form columns on a plinth base and metal bun feet, the movement stamped GB flanking a crowned anchor, also R over P12, striking the half-hours on a coiled gong, the silvered arched dial with subsidiary slow/fast ring, the silvered chapter ring with Roman numerals, the centre inscribed 'Ex'd by S Smith & Son Ltd, Trafalgar Roman Square, London', 25.5cm, (10in) high (sold with key).
Hamburg American Clock Company AN EARLY 20TH-CENTURY GERMAN BRONZED SPELTER ELEPHANT NOVELTY CLOCK, the elephant standing on a stepped rectangular oak plinth, its raised trunk supporting a pendulum with spherical bob, the white-enamelled dial with Arabic numerals, with crossed arrows mark above 'FOREIGN', 30cm, (11.8in) high to top of pierced ribbon surmount.
AN EARLY VICTORIAN ROSEWOOD-CASED BRASS-DIALLED SINGLE-TRAIN MANTEL CLOCK in the gothic revival taste, having a pointed top between spire finials, the pointed-topped door having a carved fleur-de-lis, the ogee glazing above a bevelled gilt slip, on a reel-carved frieze, plinth base and three (of four) bun feet, the dial having Roman numerals, inscribed 'Simson, Southampton' (unrecorded by Baillie -perhaps a retailer?), the sides with lancet-glazed windows, the movement unmarked, 24.5cm, (9.6in) high.
A VICTORIAN WHITE MARBLE-TOPPED INLAID WALNUT CREDENZA, the top of double-lobed form with curved sides, on a foliate-inlaid frieze above a central door, with similar inlay and an oblong moulding with re-entrant top corners, enclosing a shelf, between turned columns and twin bow-fronted glazed ers, cabinets with matching moulding, each enclosing a shelf, on a shaped plinth and four bun feet, 151cm x 46cm x 91cm high, (59.5in x 18in x 36in).
T. Simpson & Sons, Halifax, A LARGE AND IMPRESSIVE LATE VICTORIAN POLLARD OAK MIRROR-BACKED SIDEBOARD, having a breakfront dentil cornice, the frieze having a central carved foliate lozenge within fluting and foliate stippled, the bevelled rectangular mirror plate within a moulded frame with breakfront corners, between two pairs of fluted pilasters framing stippled panels of cornucopia and foliate scrolls, above twin shelves with bevelled rectangular mirrors beneath, between foliate- carved brackets, the lower stage having a rectangular top on gadrooned frieze above a long drawer with bold cast brass pierced backplate bale handles, above scroll quadranrs and a 'dog-kennel', flanked by matching short drawers on twin cupboards between pairs of fluted pilasters, the doors each having a stippled panel of an eagle perched on an urn, one cupboard enclosing two tray shelves, the other a shelf above a ten-bottle cellaret, each door having a white enamel cartouche-form plaque, 'T. SIMPSON & SONS/CABINET MAKERS/HALIFAX', on a plinth base, 213cm x 67.5cm x 203cm high, (84in x 26.5in x 80in).
A LARGE AND IMPRESSIVE VICTORIAN AESTHETIC PERIOD POLLARD OAK AND EBONISED MIRROR-BACKED SIDEBOARD in the manner of A. Jonquet or Wyman & Sons, London, c.1880-1885, having an ebonised balustrade on a moulded rectangular cornice with dentil frieze, above a bevelled rectangular mirror plate between ebonised pierced panels centred by vacant shields with ribbons, a lozenge, fruit and foliage, with gilt-backing, framed by fluted pilasters with frontal supports having doric pillars on foliate stippled and stop-fluted supports, on a shelf with reeded front, in turn upon fluted supports, and brackets, the lower stage having a rectangular top above a long central drawer flanked by two shorter drawers all with original brass backplate bale handles and ebonised mouldings, the central drawer above an ebonised balustrade foliate-carved quadrants and 'dog=kennel', the other drawers on foliate-pierced ebonised and gilt cupboard doors matching the back panels, one enclosing a shelf, the other a revolving circular three-bottle cellaret, on a plinth base, 221cm x 76cm x 202cm high, (87in x 30in x 79.5in).
An oak and chequer strung longcase clock, 18th century, with shaped pediment and ogive cornice above a square glazed door flanked by turned pilasters enclosing an 11" brass dial with matted centred and Roman numerals marked Phillips, Tenbury, pierced foliate corner spandrels, 30 hour movement, striking on a bell above a full length arched top crossbanded trunk door, cushion moulding and panel base raised on a shaped plinth and bracket feet, 85" high
A George III oak and mahogany crossbanded longcase clock, late 18th century, the pediment surmounted by two turned finials over an ogive cornice and blind fretwork design frieze above a square glazed door flanked by fluted pilasters enclosing a 12" brass dial with Roman numerals, subsidiary seconds dial and date aperture and marked Evans & Sons, Salop, pierced foliate spandrels to the corners, eight day movement striking on a bell over an ogive moulding and shaped top crossbanded full length trunk door between fluted quarter pilasters, further ogive moulding and raised base board and later shaped plinth, 82" high
A George III crossbanded oak longcase clock, late 18th century, with shaped pediment and blind fret carved frieze above a square door flanked by fluted brass capped pilasters enclosing a 13" white enamel dial with Roman numerals, subsidiary seconds dial and date aperture, foliate painted corners, eight day movement striking on a bell above a shaped top, trunk door flanked by fluted quarter pilasters over an ogive moulding raised baseboard on a shaped plinth and bracket feet, 88.5" high
A George III oak and mahogany crossbanded and chequer strung longcase clock, early 19th century, the arched hood surmounted by eagle and ball finials over an arched glazed door flanked by fluted brass capped pilasters enclosing a 14" engraved brass dial with silvered chapter ring, Roman numerals, subsidiary seconds dial and date aperture and marked A Rowley, Shrewsbury, cherub mask spandrels, the arch with central boss inscribed 'Tempus Fugit' between dolphin spandrels, eight day movement striking on a bell over a plain frieze and ogee arched top, crossbanded three quarter length trunk door flanked by fluted brass capped quarter pilasters over an ogive moulding and raised crossbanded base board with fan inlaid top corners between canted angles and raised on a plinth and bracket feet, dial varnished, 89" high
An early Victorian mahogany inverted breakfront side cabinet, mid 19th century, the rectangular top above three frieze drawers and two inset panel cupboard doors flanked by similar cupboard doors applied with gilded acanthus carved capitols, one cupboard enclosing a frieze drawer and raised on a plinth base, 66.5" wide, 15" deep, 37.5" high
A mahogany triple breakfront library bookcase, in George III style, the Greek key ogive cornice above three ogee arch ribbed glazed doors enclosing adjustable shelves over three ribbed panel cupboard doors and raised on a plinth base, retailer's label for S & H Jewell, 131-2 High Holborn, London, WC1, 78" wide, 94" high, 18" deep.
A Victorian mahogany cabinet bookcase, mid 19th century, the moulded cornice above two arched glazed doors enclosing four adjustable shelves and flanked by scroll carved lappets, over a bevelled top and two arched panel doors enclosing a single shelf and flanked by lappets and raised on a plinth base, 48.5" wide, 18" deep, 87" high
A Victorian mahogany pedestal desk, mid 19th century, with spindle gallery shelf and writing slope flanked by eight gallery drawers with locking bars, the interior bird's eye maple lined with two short drawers and six pigeon holes above three frieze drawers and six pedestal drawers on plinth base, distressed, 60" wide, 32" deep, 46.5" high
A George IV mahogany and inlaid chest of drawers, circa 1830, the crossbanded top above a chequer strung frieze and three cockbeaded drawers over three graduated cockbeaded drawers with kite shape ivory escutcheons and oval brass stamped swing handles and raised on a moulded plinth and shaped bracket feet, escutcheon lacking, 49" wide, 21.5" deep, 41.5" high
A late 18th century Turner & Co. blue jasper vase, two white handles curling in towards the flared neck from the pale blue shoulders of the ovoid body sprigged with Apollo driving his chariot of the sun through the sky on one side and with Diana driving her deer drawn vehicle bearing the crescent moon on the other, the socle on polished black basalt canted square plinth, impressed marks, 28cm high (D).
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173444 item(s)/page