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An Edwardian mahogany and satinwood marquetry lancet bracket clock, 11.5cm silvered chapter ring inscribed with Roman numerals, surmounted by a subsidiary fast/flow chapter, twin-winding holes, 8-day movement striking on a gong, applied with foliate C-scroll spandrels, the cresting inlaid with ribbon-tied trailing bellhusks, the plinth with scrolls conforming, spherical finials above fluted columnar pilasters, bun feet, 36.5cm high, c. 1910
An Edwardian mahogany musical longcase clock, 32.5cm arched brass dial inscribed Curtis & Hawspool, Leicester, silvered chapter ring applied with Arabic numerals, Chime/Silent and Whittington/Westminster selectors to arch, the ground pierced and applied with dense scrolling foliage, triple winding holes, eight day movement chiming on nine tubular bells, the case with swan neck pediment and brass capped fluted Doric columns, glazed door to waist, plinth base, bracket feet, 236cm high, c.1905
A George II walnut longcase clock, 30cm arched brass dial with silvered chapter ring inscribed Edward Brooks, Derby, the arch with roundel inscribed Tempus Fugit, Roman and Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, 8-day movement striking on a bell, the case with moulded outswept cornice, Doric columns, crossbanded rectangular door to waist, outlined with feather banding, plinth foot, 229cm high, c.1755This semi-automaton clock was made by Edward Brookes, who was not only a first cousin of the painter Joseph Wright ARA but was also an apprentice of John Whitehurst FRS from 1749 to 1755, his aunt Hannah having married John ('Equity') Wright, Derby's leading attorney. Brookes' father Edward was also an attorney and had originally recruited the elder Wright into his practice. Brookes was working until the 1770s after which he moved away.
A pair of Meissen porcelain figural groups, Boy And Girl In Period Costume and Gallant Biedermeier, modelled Heinrich Göschl (1839-1896), each couple dressed in the fashions of their respective epoch, marbled oval plinth bases, gilt line rims, 21cm and 20cm high, incised model numbers: K. 162 and K. 163, each impressed: 141, crossed swords in underglaze blue, c. 1880
A good Derby Named-View demi-lune bough pot, An Engagement, well-painted in the manner of George Robertson with a naval battle from the Anglo-Dutch Wars, twin-snake handles, the gently flared rim with gilt trefoils and sprigs, the plinth base with leaves and berries, gilt line borders, associated pierced cover, 26cm wide, titled in blue script, blue crown, crossed batons and dots over D, c. 1797-1800
A glazed mahogany bookcase, in two parts raised on a plinth, 127 cm w x 52 cm x 220 cm h sound overall, glazing undamaged, a multitude of surface marks/scratches/indents commensurate with use and type, both upper parts are vertically divided in half, upper part printed paper line, bottom part painted whitePanes - have minute bubbles/pits in at least one pane - others may have been replaced at a later stage
Victorian mahogany dressing chest, by Howarth's, Manchester, having a canted rectangular mirror with carved crest supported on acanthus carved brackets with single jewellery drawers at either side, the base fitted with two short and two long graduated drawers with turned wooden knobs, raised on a plinth base, width 124cm, depth 57cm, height 180cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Victorian burr walnut mirror back credenza, the back with caved foliate bordered arched mirror, over a marble topped base with a central fretwork panel flanked on either side with mirrored doors on the angle, opening to shelves, all raised on a plinth base, width 135cm, depth 44cm, height 164cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Victorian walnut and inlaid breakfront side cabinet, having a boxwood inlaid frieze with bellflower trails, over a central recessed panel cupboard door, inlaid and flanked with ormolu mounts and opening to red velvet covered interior with a single shelf, flanked on either side with a glazed door opening to two further shelves, all raised on a plinth base, width 137.5cm, depth 39cm, height 102cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Victorian mahogany cylinder front bureau bookcase, circa 1870, ogee moulded cornice over two arched glazed panel doors opening to adjustable shelves, the base with a pull out cylinder secretaire fitted with maple faced drawers and pigeonholes, with lift up writing slope, over two arched moulded panel cupboard doors beneath opening to a shelf, all raised on a plinth base, width 130cm, height 232cm, depth 60cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
William IV rosewood chiffonier, circa 1835, breakfront, the top with gadrooned edge over two central foliate tapestry inset doors, opening to a single shelf, flanked with lappet carved capped columns with a bowed open shelf at each end, all raised on a plinth base, width 189cm, depth 49cm, height 95cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Victorian mahogany twin pedestal sideboard, circa 1870, having a carved panel back centred with a vacant shield, over an inverted breakfront top, with an ovolu moulded long frieze drawer flanked by two similar short drawers, each pedestal having a cupboard door flanked with carved scrolled brackets and enclosing a cellarette and shelves, all raised on a plinth base, width 237cm, depth 79cm, height 138cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Victorian mahogany twin pedestal desk, having a tooled red leather top within a moulded edge, raised on pedestals, each with three drawers with turned wooden knobs, raised on a plinth base, width 122cm, depth 67.5cm, height 75cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
A chestnut 'owl' cabinet,c.1905, designed by Ambrose Heal, with two cupboards, each centred with a circular panel, with chip carved edges and wood latches to the centre, over two short and three long drawers with recessed fret cut handles, on a plain plinth, stamped to the reverse '498', 111.5cm wide52.5cm deep151.5cm highCondition report: Split to the left side of the left front cupboard door - appears to have been restored. A split to the panel of the right cupboard door - this is on the front of the cabinet. Scuffs and marks to the edges and the front and sides. Plinth unscrewed for transport - screws present.
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173487 item(s)/page