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A MID 19TH CENTURY FRENCH GILT METAL AND PORCELAIN MOUNTED FIGURAL MANTEL CLOCK, the case surmounted with two putti, one of which holds an oval porcelain panel painted with a cherub, the circular porcelain dial with pink and gilt ground and black Roman numerals, eight day movement by J Marti numbered 2149MF, bell strike, the lower case with foliate scroll sides , the front inset with three porcelain panels, on two rectangular plinth feet, the rear or the case stamped P.H. Mourey, height 33.5cm together with a separate rectangular marble stand, 46cm x 20.2cm x 2.8cm (2) (Condition report: no key or pendulum, movement is overwound, cherubs on the case are in need of tightening, some wear to the gilding)
A LATE 19TH CENTURY GILT METAL AND ALABASTER FIGURAL MANTEL CLOCK, the drum shaped clock surmounted by urn of fruit and flowers, scrolls and tools, the enamel dial with Roman numerals, eight day movement with bell strike, indistinctly stamped, on a shaped rectangular alabaster base with gilt mounts, with pendulum and key, together with a giltwood plinth and a 19th century glass dome with an ebonised base, clock height 31.5cm, overall height 44cm x width 43cm (Condition report: the movement is overwound but has been heard ticking and striking one hour fast, the figure wobbles on the base, there is a glued repair to the repainted gilt urn and a number of cracks in the metalwork, the glass dome has little chips all the way around the base edges)
A 1930'S SHORT & MASON OF LONDON WALNUT CASED 'STORMOGUIDE', the Art Deco style case surrounding a chromed framed and circular dial with 'Patent Rising Falling' red / black apertures, No. 407451, silver plated rectangular instruction panel to the stepped plinth, height 38.5cm x width 45cm (Condition report: a few surface scuffs to the case, the dial has some light patches of discolouration, the back of the case has a number of marks to the wood)
A COLLECTION OF 19TH AND EARLY 20TH CENTURY TREEN, METALWARE, ETC, comprising an Art Nouveau bronze desk calendar or photograph frame, with dolphin side supports, the plinth base with central 'H' within a circle, height 10cm x width 22.5cm, a pair of Victorian brass and agate mounted candlesticks with integral sconce and drip-pan, on waisted stem with ring handles, on domed base mounted with three cabochon banded agate, height 16.5cm, a cold painted spelter pin cushion in the form of a parrot, height 9.5cm, a Victorian glass spirit flask with brown leather sleeve, an ebonised owl inkwell with pen rest base, a carved wooden bear vesta holder / striker, height 10.5cm, a copper ashtray advertising Bradshaw's Drapery Warehouse Birmingham, a circular brass dish with pierced rim, diameter 18.7cmand a Scandanavian carved wooden jug ( 10) (Condition report: one of the agate cabochons is chipped, owl and bear are very dusty, parrot has splits in the spelter feet but don't appear to be broken off, generally all items are in useable condition)
A 19TH CENTURY TREACLE GLAZED STONEWARE BUST OF AN EARLY 19TH CENTURY GENTLEMAN WEARING GARTER STAR, SASH AND EPAULETTES , possibly Nelson, on a plinth style base, height 20cm, together with two Victorian treacle glazed flasks of a man in a top hat seated on a barrel, both unmarked, heights 21.5cm x 24cm (3) (Condition report: the bust a broken and chipped front corner, a portion of which has been glued back in, a number of chips around the foot rim, the back of the bust has a glaze chip below the moulded hair ribbon, glaze fault at the base of the sash, the larger flask has a patch of Sellotape residue on the back but is in good condition, the smaller one has a chip to the front of the hat, a hand written label and residue of a label is on the back, patches of glaze loss to the underside)
A 19TH CENTURY CARVED SERPENTINE FIGURE OF THE DYING GAUL, AFTER THE ANTIQUE, on an integral oval plinth, height 27cm x length 42cm (Condition report: the oval end near the outstretched leg has a 7.5cm long section repair in the plinth, a repair to the front of the plinth in line with the ankle, another repair to the corner of the plinth below his hand, a number of chips around the edge of the plinth of varying sizes, there is a chip in his thigh nearest the sword, a white paint mark to one side of his face and other spots of white household paint throughout)
A LATE 19TH CENTURY WHITE MARBLE, BRONZED AND GILT METAL FIGURAL CLOCK GARNITURE, the clock with surmount of bow, arrows in quiver in a foliate surround, the drum shaped clock case mounted as being carried by two bronzed putti, the enamel dial with Arabic numerals and floral swags, indistinct lettering 'REGARD-BE?CO', the eight day movement with bell strike by A D Mougin, the sunburst pendulum centred by a female mask, rectangular white marble plinth base with gilt metal beading, on four knopped feet, height 35cm x width 25cm, the garnitures of urn form with bronzed cherub handles, height 31cm, with key, pendulum and photocopy of a valuation dated March 2005 (3 + key, pendulum and copy of valuation) (Condition report: the clock, winds, runs and chimes half hourly, chip to the enamel above 12, some small chips to edges of the marble, otherwise in generally good condition)
A LATE 19TH CENTURY FRENCH GILT BRASS FIGURAL MANTEL CLOCK BY JACQUIER, surmounted by the three Graces holding aloft a cherub with a floral garland, after Clodion, the enamel dial with Arabic and Roman numerals, the eight day movement with bell strike signed 'JACQUIER A PARIS', the shaped plinth base mounted with birds to one side and bow, quiver of arrows, flaming torch and garland of flowers to the other, ring handles to the sides and on beaded and fluted tapering feet, height 41.3cm, with key, pendulum and photocopy of receipt dated 2008 (Clock + key, pendulum and copy of receipt) (Condition report: in good condition overall, the enamel dial has some damage below 30, the clock winds, runs and chimes but at time of report was striking 5 hours behind, a few areas of wear to the gilding)
A LATE 19TH / EARLY 20TH CENTURY CAST LEAD GARDEN FIGURE OF A BOY PLAYING A FLUTE, standing on a circular plinth base, height 65cm (Condition report: the flute is bent and can be removed from the figure due to it having become detached from the lower hand, it has an overall weathered condition)
A PAIR OF 19TH CENTURY FRENCH BURR WALNUT AND MARQUETRY INLAID BOOKCASES, the double glazed doors enclosing two shelves with velvet lining, brass ormolu banding, and flanked by a pair of female masks, on a wavy plinth width 122cm x depth 37cm x height 103cm (two keys) (condition:-an overall good condition, top appears to be refinished, some sunlight bleaching, very small veneer loss to front top edge)
A pair of faux terracotta garden urns,of recent manufacture, the lidded twin handled urns of Neo-classical style raised on rectangular plinth bases,42cm wide 138 highCondition ReportThe urns are in two sections and the cover is fixed, a stain has been used in the crevices to give an aged appearance chip to underside of corner of one plinthminor scuffs throughout
Oak longcase clock, the hood with swan neck pediment, turned columns, the trunk with arched door, plinth base, 12" arched painted dial signed Jas. Stephen, Old Meldrum, eight day movement striking on a bell, the case defective.Condition report:The clock body comes in pieces, the base is detached and a lot of the moulding and wooden parts are loose and in bits, there is also some sign of old worm to the body. The clock face is good just some light crazing. Comes with two weights and a pendulum.
A William IV mahogany chiffonier, plain rectangular top, fitted with three frieze drawers, spaced by flower head bosses over three panelled doors, plinth base, width 174cm, height 99cm, depth 34cm.Condition report:Staining and scratches to top. Rubbing around the handles. Crack to left door. Water staining to inside of middle door. Shelves behind each door. Please see additional uploaded images.
George III mahogany inlaid and painted longcase clock, the broken arch hood with brass ball finials and flanking Corinthian pilasters above a rectangular panel door flanked by fluted quarter pilasters and conforming plinth base, the brass mounted and painted dial with Roman numerals, subsidiary seconds dial and date aperture, signed Ninyon? Brighthelmstone, the two train movement with anchor escapement striking on a bell11.75ins x 16.5ins high
18th / 19th Century rouge marble and ormolu mounted pedestal urn, the gilt finial above a pair of maskheads, bead mouldings and patera, on a square plinth base, 19.5ins high (restorations)I believe to be more like 19th Century and has had some extensive repair work to pedestal and base of urn with heavy filling, there are also areas of filling nearer the tope of the urn (see images)
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173444 item(s)/page