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Lot 301
An Art Deco early 20th century circa 1930s oak & leather top office writing desk table. The desk having a rectangular top with central green leather skiver. Central drawer below with fitted kneehole, flanked by single door cupboard spaces. each door with graduating geometric panelling. raised on plinth bases. Measures approx. 75cm x 147cm x 80cm.
Lot 79
A 19th century French gilt brass and enamel porcelain painted mantel clock. The cylinder head clock inset with Sevres manner porcelain painted dial depicting a winged putti with black enamel Roman Numeral chapter ring. Inset brass Japy Freres 8-day movement striking on a bell. Set to an ornamental gilt brass metal case with large figural porcelain painted twin handled campana urn over clock face. Raised on decorative large brass gilt socle plinth base. Measures approx. 52cm high x 27cm wide.
Lot 186
A 19th century French gilt brass and enamel porcelain painted mantel clock. The clock inset with Sevres manner porcelain painted blue dial having a floral spray roundel within black enamel Roman Numeral chapter ring. Inset brass 8-day movement striking on a bell. Set to an ornamental gilt metal metal case with grape and berry sides, large figural porcelain painted twin handled campana urn over clock face. Raised on decorative large gilt socle plinth base. No Pendulum. Measures approx. 36cm x 34cm.
Lot 26
A 19th century Victorian rosewood and amboyna wood serpentine fronted decanter case / miniature inlaid cabinet. The case having a hinged top and front opening to reveal a spacious interior with brass worked decanter and glass holders. The top inlaid with a central monogrammed brass cartouche. All raised on a plinth base. Measures approx. 26cm x 34cm x 26cm.
Lot 325A
A large mahogany and brass mantle clock with a cast brass figure of William Shakespeare writing at a lectern and with books on the floor. The inscription reads, 'William Shakespeare 1564-1616'. The clock is encased in mahogany. There are brass carry handles at the sides. The clock movement has the following engraving: 'ANSON CLOCK Co; NEW YORK. Condition: - not working - the brass is tarnished - the tip of the hour hand is bent - the key is present - some wear to the metal work surround of the clock - some polish residue in the crevices of the brass Dimensions: - figural casting: c.27cms - clock: c.27cms - plinth: c 8cms - total height: c. 62cms
Lot 1
An Edward VII Silver Trophy-Cup, by John Henry Potter, Sheffield, 1908, the bowl tapering and with everted rim, with spreading foot and tubular stem, engraved 'International Trophy Dragoon', on ebonised base with applied with shields, variously engraved with names, height including plinth 30.5cm, weighable silver 18oz 15dwt, 583gr
Lot 1002
A Rare 'Victoria' Forte-Piccolo-Zither Interchangeable Musical Box, Ser. No. 104, with the complete nickel-plated cylinder outfit playing eight airs each, single-section motor, safety check, tune indicator (loose but present), single-section comb with three-quarter length zither attachment, on silvered reeded cast bedplate, finely cast gilt brass Victoria pierced plaque behind, in ebonised interior under dustlid, title sheet with colour frame to inside of lid, in part grained and well-figured inlaid and crossbanded front and lid, raised upon plinth base with frieze drawer housing the cylinders - 26.1/2in. (67cm) wide, the cylinders 9.1/8in. (23cm)One tooth missing near treble end, tune counter detached, plays smoothly, cosmetic wear mainly to base drawer handles replaced
Lot 2636
Modern silver limited edition model of The Mary Rose, depicting the ship in full sail, with gilded details, hallmarked Ammonite Ltd, Birmingham 1982, model height 32cm, mounted upon rectangular wooden plinth with applied silver name plaque, no. 9/250, overall H36.5cmCondition Report:Some areas of damage and restoration, bowsprit to front and back reglued and now loose, some detatched silver ropes on sails. Heavily tarnished, would benefit from a clean. Gilding to some areas possibly retouched.
Lot 128
French walnut bonheur du jour, having a curved superstructure with two drawers to centre beneath a pierced gallery on top that surrounds a marble plinth. The lower section has an extending green leather writing surface with tooled decoration to outer edge, below this is a full width drawer, raised on cabriole legs with brass mounts to the front approx 75 w x 93 h x 54 d cms.
Lot 137
Verdigris cast bronze copy of the Roman horse head known as the 'Medici Riccardi Horse', circa 1990, raised on a stone plinth, approx 144 x 96w cms h, the horse head is 76 cms, support base 68 cms x 75 w x 60 d cms. Provenance: The E. W. Towler Collection, formerly of Glympton Park, Woodstock, Oxfordshire. Currently in situ and will need removal.
Lot 1138
A CHINESE BRONZE FIGURE OF SEATED BODHISATTVA MING DYNASTYRaised on a high plinth, seated in lalitasana, wearing an elaborate headdress and beaded necklaces, holding a small shell in her left hand, with a long inscription including a Hongzhi mark, together with a wood stand, 2.9kg, 35.5cm. (2)PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from the collection of Phillip Allen (1938-2022).
Lot 1283
SEVEN CHINESE BLANC DE CHINE BUDDHIST LION DOGS 17TH/18TH CENTURYAll with one foot resting on a ball and with joss sticks holders and raised on a rectangular plinth, 21.5cm. (7)PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.Provenance: from the collection of Phillip Allen (1938-2022).
Lot 1287
SIX RARE CHINESE IRON-BROWN WARES 17TH/18TH CENTURY All possibly Dehua, consisting of two small double-handled incense burners, and four joss-stick holders modelled as lion dog-like creatures, each raised on a rectangular plinth, 9.8cm max. (6)PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from the collection of Phillip Allen (1938-2022).
Lot 222
An Art Deco cast metal figural table lamp. Modelled as a standing female dancer holding a large glass globe on a stepped plinth base, height 56cm, together with two other Art Deco figural table lamps. (3)The glass globes are not original to the lamps but two are period, general wear and dirt no major condition issues.
Lot 269
An Art Deco gilt spelter figural table lamp. Possibly Lorenzl modelled as a female dancer on an onyx and marble base with an amber crizzled glass shade, height 47cm.Small chips and wear to Onyx plinth, a little bit of movement between the figure and base, a large crack in the glass shade images of which are on Lay's website.
Lot 289
Josef Lorenzl (Austrian-1852-1950). A bronze figure of a female dancer with flowing hair on an onyx plinth base signed Lorenzl to the bronze, height 33cm.There is an obvious casting join on the figure's left arm, it is slightly top-heavy heavy which has caused marks and scratches on her front hand.The base has light chips on the corners and is slightly grubby
Lot 706
A Victorian satin birch chest. Fitted two short and three long drawers, the lower drawer incorporating a plinth, on disc feet, height 112cm, width 122cm, depth 56cm.The left side of the chest has moisture? and or sun damage.There is some veneer loss, particularly to the edge of the top, and one area between two of the drawers, and the base of the lower drawer.The drawers run relatively smoothly, but there is some loss of the cockbeading.Please see the additional images online.
Lot 9
An Art Deco cast spelter figural table lamp. Modelled as a seated female on a marble plinth base, height 23.5cm, together with a French Art Deco gold painted spelter figural table lamp, with an indistinct label to figure, height 51cm. (2)The seated female has a loose right arm, and is slightly loose on the base, with a few marks and scratches.The standing female has a detached arm and a repainted gilt finish. Both lamps will need to be rewired.
Lot 446
Alabaster carved bust on a stone plinth in the form of a figure with a head covering and cloak.Height: 20 1/2 in x width: 12 in x depth: 8 in. />Condition: Light wear throughout. No major breaks, losses, or restorations. There is a brown wash over the whole sculpture. Streaks of this brown wash visible along the back. There is a hairline crack along the back of the work. Light wear to the base.
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173487 item(s)/page