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Lot 197
VICTORIAN BURR WALNUTWOOD AND LINE INLAID DAVENPORT DESK, the domed top stationary box above a sloping front with gilt tooled salmon coloured leather insert, enclosing a Sycamore lined interior with pair of short drawers and conforming pair of faux drawers over a panelled front with scroll supports and a panelled side cupboard door, enclosing four drawers and raised on a shaped plinth base with turned feet and white pot castors, 34 1/2" (87.6cm) high, 23" x 21 1/2" (58.4cm x 54.6cm)
Lot 226
LATE 19TH CENTURY EBONISED AND LINE INLAID DISPLAY CABINET, the oblong top above a glazed cupboard door, enclosing three fixed shelves to the red plush lined interior, flanked by floral and scroll gilt metal mounts to the uprights and flanked by a plinth base, the whole outlined in boxwood stringing, 47 1/2" (120.6cm) high, 28 3/4" x 14" (73cm x 35.6cm)
Lot 231
LATE VICTORIAN MARQUETRY INLAID WALNUTWOOD DAVENPORT, typical form with domed top stationery box above gilt tooled dark brown writing surface to the sloping front, over four drawers, fitted with turned wood knobs, and free standing column supports to the front raised on a shaped plinth base with brown pot castors, 31" (78.8cm) high, 21" x 21 1/4" (53.4cm x 54cm)
Lot 244
NINETEENTH CENTURY FRENCH RED SHELL AND GILT BRASS INLAID BOULE WORK EBONISED SIDE CABINET, the oblong top with wet lea moulding above a scrollwork panelled frieze and conforming cupboard door with raised oval panel to the centre, enclosing two shelves to the red plush lined interior, raised on a shaped plinth with applied gilt ormolu mounts, 44 3/4" (113.7cm) high, 35" x 14 1/2" (88.9cm x 36.8cm) (losses to inlays)
Lot 27
EARLY TWENTIETH CENTURY NEWHAVEN CLOCK CO. AMERICAN MAHOGANY CASED MANTEL CLOCK, the 5" painted Roman dial powered by an eight day movement, striking on a bell and gong and housed in an oblong, chamferred case with floral print to the glazed door raised on a plinth base, 18 1/4" (46.3cm) high
Lot 3
EARLY TWENTIETH CENTURY WALNUTWOOD AND GILT METAL MOUNTED MANTEL OR BRACKET C LOCK, the 6 1/2" brass dial with silver Roman chapter ring, scroll pierced spandrels and matted centre, powered by an eight day movement striking on two gongs, the back plate stamped RSM and rose motif, numbered 977, housed in a bonnet top case with cast finials, bevel edged glazed door and side panels and raised on a moulded plinth base, with turned feet, 18 1/2" (47cm) high
Lot 40
PROBABLY EIGHTEENTH CENTURY WHITE PAINTED CONTINENTAL LONGCASE CLOCK, signed Gil Minde, the 11 1/2" copper dial with silvered chapter ring, pierced gilt metal spandrels and inscribed circular plaque to the arch, powered by an eight day movement striking on a bell, housed in an arch top case with ball finials and long panelled trunk door with arch top raised on a panelled base with plinth, 89" (226cm) high
Lot 8
LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK with moon phase brass dial, signed Thomas Lister, Halifax, the 12" dial with Halifax moon phase and date aperture to the scroll engraved centre, powered by a 30hr movement striking on a bell and housed in a case with swan neck pediment and gilt wood ball and spike type finials above freestanding forecolumns and long trunk door with shaped top, flanked by quarter columns and raised on a panelled base with moulded plinth, front section missing, 86" (218.5cm) high overall
Lot 3
A good oak circa 1900 combination wardrobe, a stepped cornice with decorative frieze over twin long mirrored doors with arched top and carved panels, twin centre doors with raised and carved panels over a bank of two short and three long drawers with Nouveau style backplates and ring handles on a plinth base, (Note - this item matches Lot 65), 215 x 194 cms
Lot 1348
2nd-3rd century AD. A carved schist Atlant figurine, winged and nude, seated with right hand on the knee and left hand on the thigh; mounted on a custom-made stand. See Stanco, L. Greek Gods in the East: Hellenistic Iconographic Schemes in Central Asia, Prague, 2012; Nagar, S. Gandharan Sculpture: A Catalogue of the Collection in the Museum of Art and Archaeology, University of Missouri-Columbia, 1981. 5 kg, 23cm including stand (9"). Private collection, North London; acquired in the early 1980s. Also known as Bharavahaka, meaning that which carries, these are a class of Hindu and Buddhist nature deity known as a Yaksha that has incorporated Graeco-Roman ideas of Atlas. As a decorative element in Gandharan Buddhist sculpture they are shown as multiple figures that ran in a narrow band below the relief panels around the four faces of a stupa plinth. The local nature deities take on a protective, as well as supportive role, for Buddhist iconography and ideology. The images of the Atlant figures always shows them in Greaco-Roman style and this is an excellent example of the eastern Hellenistic art that flourished in Central Asia. Fine condition.
Lot 1361
2nd-4th century AD. A carved schist panel with the Buddha sat on a plinth under the Bodhi tree; to his left a group of five devotees with hands in prayer; to his right another devotee at the top corner and below, the girl Sujata with offering bowl; next to her is Herakles with club on shoulder, the whole scene is framed within an architectural niche with Corinthian column on which is a guardian figure; mounted on a custom-made stand. 80kg, 60cm x 57cm including stand Fine condition. ProvenanceProperty of a London gentleman; acquired before 1980. FootnotesThe panel depicts the Buddha after gaining enlightenment under the Bodhi tree at Bodh Gaya, Northern India. The figure of Sujata relates to the time when the Buddha gave up ascetic practices and accepted a bowl of food from her to break his fast. The figure of Herakles, a common attendant to the Buddha in Gandharan sculpture, and the Corinthian column, indicate the strong Graeco-Indian influences on the art of the region at this time.
Lot 1143
Thomas Stewart, Auchterarder: a Georgian oak longcase clock, the arched painted roman dial decorated with rose designs, subsidiary seconds and date dials, two train movement with anchor escapement, the case with swan neck pediment, shaped waist door, panel base on plinth (with single weight and pendulum), 84in. high to top of brass finial.
Lot 1144
John Sanderson, Wigton: a pine thirty hour longcase clock, the brass roman dial centred by inscription "Remember Man That Die thou Must And after that too Judgement Just", with date aperture to centre, single train movement with anchor escapement, plain pine case with rectangular waist door, panel base on plinth, 74in. (188cms) high. NB John Sanderson was orphaned as a child and was brought up by his father's brother. He then went on to father a child by the wife of this uncle who had brought him up. When the child was baptised, he had to face the shame of this being announced in church before every member of his family and the rest of the parish. His early mistake caused him to turn to religion and for a while he turned to Quakerism. The inscription on this clock appears to have been his favourite verse. Almost all of his output was in thirty hour square dial clocks with anchor escapements and some with lantern movements.
Lot 1147
Payne & Co: a late 19th Century French faux tortoiseshell effect and gilt bronze mantel clock, the 4 1/2in. enamelled arabic dial with foliate design, two train movement, the backplate stamped 'Ad Mougin, Ch. Vcne Paris 47592', striking on a gong, the case with caddy top, urn finials, foliate motifs, on plinth base with bayleaf band, fluted feet (with pendulum), 12in. high.
Lot 1292
A Victorian inlaid figured walnut cabinet, the rectangular top with rounded corners above a frieze decorated with scrolls and gilt metal mounted gadrooning, the arched glazed panel door inlaid with stringing and enclosing lined shelves, flanked by pilasters mounted by giltmetal leaf pattern capitals, raised on a plinth base, 32 x 13 1/2 x 41in. high. See illustration
Lot 1914
George III oak and mahogany crossbanded longcase clock, the pagoda top with a painted glass frieze above a shaped door flanked by quarter fluted pilasters and a plinth base, the gilt brass and silvered dial with Arabic and Roman numerals, subsidiary seconds and calendar, inscribed William Lawton, Newton, the eight day movement striking on a gong
Lot 1915
George III oak longcase clock, the broken arch hood above a crossbanded arched panel door and conforming plinth base, the brass dial with Arabic and Roman numerals, strike silent selector to the arch, subsidiary seconds dial and date aperture within floral spandrels, signed George Brown, Beverley, the two train movement with anchor escapement striking on a bell
Lot 1917
Mahogany longcase clock, the broken arch hood with flanking pilasters above a figured, arched and moulded panel door with conforming plinth base, the painted dial signed Sam Harley Salop, with Arabic and Roman numerals, subsidiary seconds dial and date aperture, the two train movement striking on a bell (the dial and movement 19th Century, the case modern)
Lot 1919
Pine longcase clock with broken arch hood above a rectangular door and plinth base, the painted dial with Arabic numerals, moonphase arch, subsidiary seconds and date aperture with a two train movement, with anchor escapement striking on a bell, (the dial and movement 19th Century, the pine case modern)
Lot 1924
George III mahogany cased eight day longcase clock having arched hood enclosing a brass dial with silvered chapter ring, Roman numerals and strike silent dial, subsidiary seconds with date aperture, inscribed Junior Gatward Hitchin, the two train movement striking on a bell above a flush panelled door and conforming plinth base
Lot 1961
18th Century oak longcase clock, the rectangular hood with broken arch window and flanking pilasters above a rectangular panelled door and conforming plinth base, the brass dial with silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date dial to the arch, signed Benjamin Huntsman, Doncaster, with a two train movement
Lot 1995
19th Century mahogany longcase clock having arched hood with brass dial and silvered chapter ring with Roman numerals, date aperture and two train weight driven movement striking on a bell, flanked by turned pilasters above a flush arched top door and conforming plinth base with pendulum and weights
Lot 1996
19th Century mahogany longcase clock, the broken arch hood with swan neck pediment above an arched panel door flanked by spiral quarter pilasters and conforming plinth base, the gilt brass dial with mask head and dolphin spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds and date dials, signed William Robb Montrose, the two train movement with anchor escapement striking on a bell
Lot 1999
Late Victorian oak longcase clock, the arched hood with turned columns above an arched door with floral carved panels and a plinth base, the gilded brass dial with silvered chapter ring, Roman and Arabic numerals and chime/strike and seconds subsidiary dials, the three train movement striking on gongs
Lot 2000
Early 19th Century mahogany longcase clock, the square hood with swan neck pediment and blind fretwork decoration above a shaped panel door and plinth base with bracket supports, the painted dial with Arabic and Roman numerals with subsidiary seconds, the two train movement striking on a bell
Lot 2003
George III oak longcase clock, the square hood with swan neck pediment and flanking pilasters above a rectangular panel door and conforming plinth base, the brass dial with mask head spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed Thomas Brown, Birmingham, the two train movement with anchor escapement striking on a bell
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173487 item(s)/page