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Lot 1
A Victorian walnut ebonised Davenport,c.1890 the gallery rail surmounting a compartment flanked by two glass inkwells, the fall front inset with a tooled leather writing slope, birds eye maple fitted interior, raised upon four drawers with opposing dummy drawers on plinth base with casters, 90x56cm.
Lot 1
A George IV mahogany longcase clock, circa 1820, the swan neck hood with reel turned columns, flanking a break arch enamel dial signed L. White, Birmingham, moon phases in the arch, with subsidiary dials and spandrels painted to symbolise the four continents, the eight day rack striking movement with anchor escapement, the trunk with crossbanded door, plinth with circular panel, pendulum and two weights, 225cm.
Lot 1
A George III mahogany longcase clock by Thos. Ore, Birmingham, the hood and trunk with brass capped reeded columns, the break arch enamel dial with gilt painted swags, subsidiary seconds and calendar aperture, the eight day rack striking movement with anchor escapement, the trunk door with ogee moulded top on plain plinth, pendulum and one weight, 220cm.
Lot 1
A walnut grandmother clock, circa 1930, the break arch hood with reeded columns, enclosing an engraved brass dial with subsidiary dials for chime/silent and Whittington/Westminster, the three train movement with nine coiled gongs and dead beat escapement,the trunk with glazed door showing gridiron pendulum and brass weights, on panelled plinth, 174cm.
Lot 1
A George III mahogany longcase clock by Wm. Robb, Montrose, the swan neck hood with brass capped Corinthian columns, the brass dial with silvered chapter ring, name engraved boss and calendar aperture, the eight day rack striking movement with anchor escapement, the trunk and plinth with later inlay, 210cm.
Lot 1
A Dutch walnut longcase clock, the foliate and blind fret hood with brass capped columns and with pierced fretwork panels, the later associated eight day movement having a brass dial applied with a painted panel, the chamferred trunk with a shaped door, over a plinth with bombe chamfer corners and on paw feet, 236cm.
Lot 1
An early 19th Century mahogany longcase clock by Hiltons, Halifax, the swan neck hood with columns enclosing arched enamel dial, the arch painted with a lady and horse in a landscape with a country house, the thirty hour rack striking movement with anchor escapement, the broad trunk with flame door and reeded quarter columns, the crossbanded plinth base on raised feet, 237cm.
Lot 1
A circa 1862 Dresden porcelain mantel clock of huge proportions, modelled as a young woman resting on a pillar, profusely decorated all over with painted decoration, plus applied floral encrusted decoration, raised on a plinth base decorated with two rectangular panels depicting exotic birds in landscapes, the movement by Japy Frères of Paris, with blue Roman numerals and black Arabic numerals to the chapter ring on circular white enamelled dial (provenance: from direct descendants of Doctor John Augustus Voelcker and believed to have come from the International Exhibition held in London 1862), 75.5 cm high x 43.5 cm wide
Lot 1
A late 18th century oak longcase clock, the dentil cornice above fretwork frieze, and 12 inch brass dial with pierced spandrels and silvered chapter ring set with Roman numerals inscribed "William Martin, Bristol", the case with long door above a moulded plinth base, 215 cm high (see lot 308 for illustrations)
Lot 1
A late 18th century oak and mahogany crossbanded longcase clock with broken arched pediment above fluted freestanding standing pilasters, the 8 day arched dial signed Joyce, with rolling moon and pierced spandrels with silvered chapter ring set with Roman numerals and minutes, the centre ring set with date ring below a minute ring with floral engraved decoration, the case with arched long door flanked by fluted quarter pilasters, on a moulded plinth base, 233 cm high (see lot 308 for illustrations)
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172950 item(s)/page