Hunting / Point-to-Point Interest: A George V silver cup and cover, urn-shaped in the Neo-Classical manner with fluted sections on raised circular foot with C-scoll handles, the detachable cover with reeded border and fluted section beneath baluster shaped finial, the body engraved: BURTON HUNT STEEPLECHASES 1930 THE MILITARY RACE Won by Sir Hugh Cholmeley's MUSH, by Walker & Hall, Sheffield, 1930, 36.46 ozt (1134 grams) 41 cm high, on original ebonised circular plinth base with retailer's stamp
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A George III joined oak two-part floor standing corner cupboard, the stepped pediment over a pair of two panel doors on brass butterfly hinges, enclosing a blue painted interior with three shelves, over a conforming base section with single shelf and moulded plinth base, 75½in. (191.75cm.) high, 34in. (86.25cm.) wide.
A Victorian walnut, marquetry, ebonised and ormolu mounted credenza, the moulded top over a marquetry frieze and central cupboard door with marquetry urn and swagged decoration, enclosing a single shelf, flanked by bowfronted glazed doors enclosing two shelves, on a chamfered plinth and ebonised toupie feet, 65¼ x 17in. (165.75 x 43.25cm.), 41¼in. (104.75cm.) high.
A fine quality burr amboyna, partridgewood, ebony and marble side cabinet or commode, c.1900, in the Regency Egyptian Revival manner, the mottled grey marble top with cut front corners, over a single frieze drawer and pair of doors flanked by faux fluted ebony and boxwood pilasters terminating in Egyptian masks, opening to reveal a bank of four mahogany drawers with turned ebony handles and edge banding, lined in mahogany and cedar wood, on an ebony plinth base with brass castors, 35½ x 19¾in. (90 x 50cm.), 34¼in. (86.5cm.) high.
A good quality 1930s Art Deco red walnut and ash dressing table, the plain rectangular top with central swing mirror flanked by a pair of small cupboards with hinged mirrored doors, over three shallow frieze drawers, the pedestals each with an ash veneered door enclosing open drawers on runners, on recessed plinth bases, 51 x 20½in. (129.5 x 52cm.), 48in. (122cm.) high.
An Art Deco walnut part glazed breakfront bookcase by Heal & Son Ltd., c.1930, with 'H. & Son Ltd.' ivorine label inset to inside of door, the centre section with two eight pane astragal glazed doors with hobnail bosses at the intersections, enclosing three fixed satin walnut shelves, flanked by two open banks of adjustable bookshelves, on a plinth base, 54 x 12in. (137.5 x 30.5cm.), 48in. (122cm.) high.
A very rare Channel Islands silver model of a Guernsey cider press, Bruce Russell, Guernsey, a beautifully modelled piece depicting a Shire Horse pulling a press wheel within the traditional Guernsey circular press, on a polished circular wooden plinth with realistically carved horseshoe prints to top, 8½in. (21.7cm.) diameter.* Condition: Silver chain attachment from harness to press broken, light scratching to wooden base, otherwise very good.
An impressive brass inlaid rosewood musical boardroom clock with triple fusee movement, late 19th century, the gilded brass arched dial with all over floral and foliate engraving, 7 3/8in. silvered chapter ring and silvered Chime/Silent and Cambridge Chimes/Chime on 8 Bells subsidiary dials to the arch, the substantial engine turned movement playing on a nest of eight bells, also chiming the hours on a large gong, within a breakfront case with fluted frieze and gilt brass Corinthian columns, the front inlaid in brass with stylised foliate decoration, spandrels and stars, gilt brass caryatid and foliate grilles to sides, surmounted by a moulded rounded arched cornice and five brass pineapple finials, 28¾in. (73cm) high, on a later shallow mahogany plinth. (2)
An 18th century Channel Islands longcase clock by Nicolas Blondel, the eight day, bell strike movement with four turned knopped pillars and anchor escapement, numbered 'No.143' to the backplate, the arched brass dial with brass urn spandrels and convex arch roundel signed 'Nicolas Blondel A Guernesey', the dial with Roman chapter ring with outer Arabic minute track, matted centre with bevelled and cross hatch engraved date aperture and subsidiary seconds at noon, black pierced steel hands, in a good brass strung mahogany case with stepped arched hood with canted corners and later gilt brass finials, on a plinth base, 227.25cm. (89½in. ) high.
A William IV mahogany cased double fusee bracket clock, eight day double fusee movement, silvered dial with Roman numerals and signed 'Thistle & Leversham, Stogursey', striking the hour and half hour on a bell, the case with pierced windows to either side, floral & foliate decoration to top and corners, on plinth base and bun feet, 17½in. (44.5cm.) high.
A Burmese giltwood figure of a seated Buddha, ate 19th / early 20th century, seated and making the Bhumisparsha Mudra with the right hand, the robes jewelled with green and clear glass, inset glass eyes, on an integral plinth base with applied scroll decoration, 18¾in. (47.7cm.) high.* Condition: Some rubbing to gilding in places and some losses to beaded edge moulding to front of plinth and to edges of robe in places. Large crack to wood around waist and below left wrist. Overpainting to back of plinth in iron red. A few minor losses to spiked 'hair'.
A Victorian brass and cut glass Corinthian column oil lamp, the ebonised column on a brass plinth with wreath decoration and stepped square foot, the diamond cut glass bun form reservoir below a brass 'Best Duplex' burner and etched Art Nouveau style clear glass globe decorated with poppies, 28½in. (72.5cm.) high plus chimney.
A pair of bronze and marble urns after the antique, late 19th century, the brown patinated campana form urns with twin handles and fruiting vine and lizard decoration, on stiff leaf bordered pedestals, raised on fluted white marble columns with canted square bases and bronze beaded borders, 12½in. (31.75cm.) high. (2)* Condition: Bronze urns in good condition with no damage. Some verdigris to interiors. One handle a little loose. One large and one small chip to circular edge on one marble plinth. A few other small chips to lower corners of plinths.
James Osborne (British, 1940-1992), bronze figure of a racing greyhound, the Waterloo Cup winner 'Ballyregan Bob', the muscular dog modelled running, mounted on slate plinth atop a stepped black marble base, signed 'JAMES OSBORNE', 11in. (28cm.) high, 13¾in. (35cm.) long.* Condition: In very good condition with dark brown patina. No faults.
A Louis XV style ebonised and gilt metal mounted Boulle work cabinet, late 19th Century, with tortoise shell and brass inlaid decoration, the black marble top above single frieze drawer, over two cupboard doors enclosing two shelves, flanked by figural pilasters, raised on plinth base, 108 cm high x 128cm wide x 43cm deep
A French kingwood and gilt metal mounted cabinet, 19th century, the rectangular white marble top above cupboard door inset with Sevres style porcelain plaque, enclosing later mirrored fall front and fitted drinks holders, flanked by figural pilasters, on plinth base, 117cm high x 82cm wide x 40cm deep
An inlaid eight day mahogany longcase clock signed T.H.Jenkins Carmarthen, 19th century, the arched painted dial decorated with ruins and flanked by gilt metal and barley twist columns, the rectangular door flanked by similar columns on a plinth base, one winder and two weights, height 207.5cm, width 47cm.
A George III mahogany and inlaid eight day longcase west country clock, the 32cm circular brass dial signed Willm West, St Ives, the case with shell inlay above a cockbeaded rectangular door and star inlaid motif to the plinth base, winder, two weights and a pendulum, height 113cm, width 48.3cm. Condition report: No damage or woodworm, just requires a clean up.
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