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An Edwardian walnut breakfront bookcase, upper section with a pair of glazed doors enclosing two shelves above a base of two drawers and two panelled doors to plinth base, 199 x 107 x 49cm. CONDITION REPORT The breakfront has a patch of fading in the middle, there are further surface scratches, there are further scuffs and water marks to the lower section front and both sides, and minor aesthetic damage to the plinth
An 18th century dresser, the base comprising an arrangement of seven drawers around a central fielded and panelled cupboard, all with brass swan neck drop handles and escutcheons, with an associated oak open plate rack with an arrangement of tiers, all supported on a plinth base, 214 x 187 x 58cm. CONDITION REPORT Various surface wear throughout including scuffs, scratches, splits, staining, etc, all commensurate with age
A very large early 20th century mahogany inlaid bookcase/display cabinet, two central bow-front astragal glazed doors, with astragal glazed doors to either side with diamond pattern, each interior with two shelves, serpentine inlaid door to either side with large oval panel and decorative inlay, on curving plinth support, 118 x 403 x 41cm. CONDITION REPORT not one piece, top and bottom plinth with four central cupboards
A Victorian mahogany matching linen press and single wardrobe, possibly converted from a triple, the double with mirrored door enclosing slides, two short and two long drawers, 199 x 126 x 60cm, the single enclosing a rail and pegs above a hinged compartment to base, both on plinth bases, 199 x 65 x 60cm.
A marble figure of a demure seated maiden in the Classical style, on an oval base, height 53cm. CONDITION REPORT Obvious signs of weathering and age, also two holes drilled into her back left shoulder blade. Various nibbles to the whole. General wear throughout, small chip to hairline on the neck. Hairline crack to plinth base. Minor chips to both ears.
A Chinese red lacquer and 'Shibyana' display cabinet, of hexagonal form, the pediment over an upper glass panelled section with single door enclosing two glass shelves, above a panelled base section decorated with figures, with single door, raised on bracket plinth base, 183.5cm high, 65cm diameter.
A George III oak glazed standing corner cabinet, the ogee cornice above a plain frieze and glazed door with arched bars, the base with conforming arch-moulded twin doors with bone diamond escutcheon, raised on a shaped plinth base, 202cm high, 93cm wide, 48cm deep.Footnote: Provenance:Selected works from Percy's Cafe Bar, Whitchurch, Shropshire.
*William Timym MBE (1902-1990)'Red Rum Spirit of the National'signed and titled in the bronze and impressed 'Aintree 27', bronze on a mahogany plinth30cm long overall25.5cm highWith a certificate confirming a special edition, this number 27, signed by the sculptor and J P V Hughes, Clerk of the Course.*Artist's Resale Right may apply to this lot.Condition report: Some surface dirt, in generally good condition.
Roman, bronze Bacchus (Dionysus), 1st-2nd cent. AD, 12cm x 8cm, on a circular lead-filled plinth 1.5cm high, standing youthful male figure, nude except for a mantle clasped on his right shoulder which falls to his left hip, his weight on his left leg with right leg extended forwards, musculature well defined, right arm extended downwards, holding the remains of a drinking vessel, left arm extended sideways, wearing a head-dress of vine leaves and bunches of grapes, face smiling, eyes recessed and would have been inlaid with silver. Left hand missing, otherwise in very fine condition with a red/green patina £400-£600 --- Provenance: P. Dawson Collection. Bacchus, god of wine and theatre with Bacchanalian drinking feasts and processions which led to a reputation for orgies
Roman, bronze Mercury, 2nd cent. AD, 10cm x 6.5cm on a rectangular plinth 1.7cm high, standing nude figure with right leg backwards and left leg bent forwards, right arm stretched sideways holding a dangling purse, left arm held to the side, holding a caduceus surmounted by a pair of wings and two entwined serpents, chlamys falls from left shoulder and hangs below the knee, head with clear facial details, curly hair and wearing a winged helmet. Small repair to right foot, otherwise very fine with a green patina £1,400-£1,800 --- Provenance: P. Dawson Collection
Roman, a bronze Chariot or Cart Fitting, 2nd-3rd cent. AD, 13.5cm x 8.5cm, modelled as a bust of a young man dressed in a paludamentum (a cloak fastened with a circular clasp at the right shoulder), the head moulded in the round with long hair brushed forward, looking straight ahead with large lentoid eyes, silver inlaid pupils and closed mouth, the bust set on a decorated plinth with flaming torches at each side and open at the back with semi-circular attachments, the base showing the remains of an iron nail for attachment. Excellent condition, smooth light green green patina £2,000-£2,400 --- Provenance: Gorny & Mosch Auktion 218 (Munich), 18 December 2013, lot 304. The symbolism of the upright torch indicates the regenerative power of the flame, life and truth
Heroische Reitergruppe Massiver Bronzeguss, hinten an der Plinthe die Signatur "P" im Kreis und die Marke der Bildgießerei Wilhelm Füssel in Berlin-Charlottenburg. Drei leicht abstrahierte nackte Reiter in heroischer Pose. Zwei Figuren etwas locker, Gebrauchs- und Altersspuren. Maße ca. 40 x 40 x 40 cm, Gewicht ca. 32 kg. Interessantes Spiel gegensätzlicher Bewegungen im Raum. Zustand: IIA heroic group of riders Cast in solid bronze, the signature "P" in a circle and the mark of the foundry Wilhelm Füssel in Berlin-Charlottenburg at the back of the plinth. Three, slightly abstract, nude riders in heroic poses. Two figures slightly loose, signs of age and handling. Dimensions approx. 40 x 40 x 40 cm, weight approx. 32 kg. Interesting spatial play with contrasting movements. Condition: II
GROßER WASSERKESSEL AUF RECHAUD. Frankfurt a. M. Datierung: Um Mitte 19. Jh. Meister/Entwerfer: Wilhelm Conrad Hessenberg & Söhne. Technik: Silber. Holzhenkel. Beschreibung: Rechaud mit vierfach gekehlter Plinthe und kleinem Brenner. Der große Kessel mit Stülpdeckel und godroniertem Korpus. Auf Schulter graviertes Wappen. Gewicht: ca. 2370g. Maße: Höhe (bei aufgestelltem Henkel) 35,5cm. Marke: BZ Frankfurt a.M leicht verschlagen, MZ Wilhelm Conrad Hessenberg & Sohn (ab 1834, Scheffler Hessen Nr.584a). Erläuterungen zum KatalogFrankfurt a. M Deutschland Silber 19. Jahrhundert Wasserkessel Hessenberg, Wilhelm Conrad & Söhne LARGE SILVER KETTLE WITH WOODEN HANDLE ON RECHAUD. Frankfurt a. M. Date: Around mid-19th century. Maker/Designer: Wilhelm Conrad Hessenberg & Sons. Technique: Silver. Wooden handle. Description: Rechaud with fourfold grooved plinth and small burner. The large kettle with a snap-on lid, a godrooned body and engraved coat of arms. Weight: ca. 2370g. Measurement: Height (with raised handle) 35,5cm. Mark: Inspection mark Frankfurt a.M slightly indistinct, maker's mark Wilhelm Conrad Hessenberg & Son (from 1834, Scheffler Hessen no.584a). Explanations to the Catalogue
PAAR DREIFLAMMIGE LEUCHTER. Kopenhagen. Datierung: Nach 1977. Meister/Entwerfer: Georg Jensen. Entwurf Gundorph Albertbus, 1933. Technik: Silber. Beschreibung: Je ovale Plinthe mit martellierter Oberfläche. Aus vegetabilem, knospenartigem Nodus drei schlanke Leuchterarme mit Vasentüllen aufsteigend. Gewicht: ca. 1070g. Maße: Höhe 16cm, Breite 22cm. Marke: Denmark, Sterling, Dessin GA (lig.), MZ Georg Jensen im Oval, Modell-Nr.673B. Literatur:David Taylor, Jason Laskey: Georg Jensen - Holloware - The Silver Fund Collection, London 2003, für Modell siehe S.235. Erläuterungen zum KatalogKopenhagen Dänemark Silber 20. Jahrhundert Leuchter Jensen, Georg PAIR OF THREE-ARMED SILVER CANDLESTICKS. Copenhagen. Date: After 1977. Maker/Designer: Georg Jensen. Design by Gundorph Albertbus, 1933. Technique: Silver. Description: Each with oval plinth with martelé decor. Three slender candlestick arms with vase-shaped nozzles, growing out of nodus resembling a flower bud. Weight: ca. 1070g. Measurement: Height 16cm, width 22cm. Mark: Denmark, Sterling, Dessin GA (lig.), maker's mark Georg Jensen in an oval, model-no.673B. Literature:David Taylor, Jason Laskey: Georg Jensen - Holloware - The Silver Fund Collection, London 2003, for this model see p.235. Explanations to the Catalogue
Will Spankie (b.1967) Compass birdbath Purbeck stone and oak plinth, 2018 45cm high x 40cm across. Horatio's Garden will receive 50% of the hammer price. The ideas behind Will's sculptural work are often influenced by organic forms, material and the environment. He is interested in the geometric structures, patterns, symmetry and proportion found both in nature and the unfolding of numbers in space. Other pieces have an historical element to them, either on a personal level or as part of the commissioning process with the client. Will works predominantly in stone and wood because they are durable, lovely to carve and have their own innate beauty. He also teaches stone carving and letter cutting courses on a private basis, in schools, prisons and through local adult education colleges. Will is a Friend of the Edward Johnston Foundation and a member of the Landcape and Art Network. He exhibits regularly at the Garden Gallery, near Stockbridge in Hampshire and the Montcrieff - Bray Gallery, Petworth, West Sussex.
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173487 item(s)/page