A late 19th Century mahogany and inlaid Mantel Clock, the arched case with cast and applied side carry handles, to a front panel decorated with classical inlaid floral and foliate decoration, to a plinth base and raised on four brass ball feet, to a cast brass bezel, enclosing a 4” Arabic enamelled dial, with floral swag decoration and blued steel fleur de lys hands, to a circular brass movement with anchor escapement and strike on a blued steel coil gong, height 12”
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A mid 19th Century rosewood boxwood and ebonised Carriage Clock, Hry Marc A Paris, the plinth case with cast carry handle and inlaid scrolling foliate designs, to a cast brass bezel, enclosing a 3” Roman enamelled dial with outside minute track and blued steel hands, to a circular brass movement with silk suspension and anchor escapement strike, height 8 ¼”
A late 19th Century black and variegated marble mounted Mantel Clock, the plinth shaped case with domed pediment, with inlaid panels to a plinth base with cast brass bezel and enclosing a two part Arabic enamel chapter ring with fleur de lys hands, to a circular brass movement with anchor escapement and strike on a blued steel coil gong, height 12 ¼”
A late 19th Century black slate Mantle Clock, the architectural case with palladium pediment over six three standing columns to a plinth base, with cast brass bezel enclosing a 3½“ chapter ring with outside minute track and blued steel hands to a matted centre and circular brass movement with anchor escapement, strike on a coiled gong, height 12”
A mid 19th Century rosewood and brass inlaid Timepiece Case, the octagonal surround surmounted by an urn shaped finial, on a plinth shaped base, with applied foliate detail, raised on four compressed bun feet, to a cast brass bezel, enclosing a further cast floral and foliate dial and surround, with Roman numerals and blued steel hands, to a circular brass movement with short bob pendulum, height 16 ½”
A mid 20th Century German oak cased Mantel Clock, Gustave Becker, the arched case with barley twist columns, to a shaped plinth base, to a glazed door enclosing a 5 ½” arched silvered dial with subsidiaries for regulation and chime/silent, over an Arabic chapter ring with outside minute track and blued steel spade hands, to a signed brass movement with anchor escapement and strike on five rods, height 13”
An early 20th Century oak cased Mantel Clock, the case with overhanging cornice, to a stepped pediment and raised on a plinth base, to a 6 ½” silvered dial, with applied gilt spandrels and Arabic chapter ring, with matted centre and blued steel hands, to a spring driven movement, with anchor escapement and strike on a coil gong, height 14”
A mid 19th Century mahogany and boxwood line inlaid 8-day Long-case Clock, Thos of Barton, the hood with swan neck pediment, centred with a sphere and finial and flanked by further globe and spike finials, over fluted columns, to a ogee throat and long shaped trunk door, with canted corners, to a plinth base, and later bracket feet, to a 13” third period painted dial, with cottage scene to the arch, over painted tulip spandrels and Roman chapter ring, with outside minute track and subsidiaries for seconds and date, and pierced and stamped hands, to a signed false plate and movement with four knopped pillars and anchor escapement, with rack strike on a bell, height 87”
An early 19th Century 8-day Long-case Clock, Unsigned, the arched hood with scrolling pediment, and globe and eagle finial flanked by globe and spike finials, over freestanding plain columns, to a convex throat and long arched trunk door, to a plinth base with bracket feet, to a third period painted arched dial, with floral decoration to the arch, over gilt and floral spandrels enclosing a Roman chapter ring with outside minute track, and subsidiary seconds with date sector and pierced and stamped brass hands, to a Walker & Rogers false plate, to a movement with plates united by four knopped pillars and anchor escapement, with rack and strike on a bell, height 89”
A mid 18th Century oak cased 30-hour Long-case Clock, Robt Guymer of Norwich, the hood with overhanging cornice surmounted by a ‘whale tail’ pediment, with three gilt wood flaming urn finials, over freestanding columns to an ogee throat, and long trunk door with plinth base, to an 11” brass dial, with Roman chapter ring and inside quarters track with fleur de lys half hour markers, matted centre and pierced blue steel hand, to a posted movement, with count wheel and anchor escapement, strike on a bell, height 83”
An early 20th Century mahogany cased 8-day Long-case Clock, Unsigned, the arched hood with pierced sound frets to canted corners, over an ogee throat and glazed trunk door with further canted corners, to a plinth base, 12” arched brass dial with subsidiaries for strike/silent and St Michaels/Westminster/Whittington, over cast and applied spandrels, and Roman and Arabic chapter ring, with further chime/silent at 3 and subsidiary seconds to a matted centre and pierced and blued steel hands, to a triple weight movement, with anchor escapement and strike on nine tubular bells, height 84”
A late 19th Century oak and brass bound Seaman’s or Captain’s Chest, applied on either side with heavy brass ring handles, the front with a recessed brass handle, enclosing a sparsely fitted interior, with candle box etc, plinth base with short bracket feet, the top inset with a brass name plate inscribed ‘John E Payne, Wisbech’, 1881, 34 ¾” wide
A Staffordshire pearlware cow creamer and cover, modelled standing with brown spotted decoration, on a green rectangular plinth base, 11cm high, (tail and head restored), a Staffordshire pottery cow creamer and cover, printed in blue with the 'Willow' pattern, standing on a green mound base, 13cm high, circa 1900 (damaged), and a Staffordshire pottery cow creamer and cover, in standing pose with iron red patch and gilt decoration, on an oblong shaped base, 12.5cm high, (damaged)
French brass mantel clock circa 1880, the architectured upright case reserved with silvered panels of scrolling foliage and side columns, gilt metal face with Arabic numerals, two train movement striking the half by Marti with Brocot suspension. Height 37cm on gilt wood plinth (pendulum and two keys)
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