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A Victorian oak and mahogany cased thirty-hour longcase clock, with painted arch-top dial, incorporating two subsidiaries, signed J C Elliott, Leeds, 229cm high 23.02.21 Hood with some veneer lifting in parts, case with small chips in parts, plinth with a loose front panel and the bottom skirting is springing away from the carcass and with small chips to veneers and some veneer lacking, dial is discoloured and with some paintwork lacking in parts, dial with scratches and crazing marks, hands are discoloured, movement is dirty, with pendulum and one weight.
DELABRIERRE, PAUL-EDOUARD (1829-1912) "Große Figurengruppe" Braun patinierte Bronze mit fein ziseliertem Federkleid auf oblonger Terrainplinthe, im Guss sign., H: 40 cm. Leichte Altersspuren. DELABRIERRE, PAUL-EDOUARD (1829-1912) "large group of figures". Brown patinated bronze with finely chiselled plumage on oblong terrain plinth, signed in the casting, h: 40 cm. Slight signs of age.
PAAR LEUCHTERENGEL Süddeutschland, 18.Jh., Holz, geschnitzt und gefasst, als Gegenstücke gearbeitet, die Engel jeweils auf einer Plinthe stehend, die Arme sind jeweils angewinkelt und leicht vor den Körper geführt, wobei der eine Engel noch einen Leuchter in der Hand hält, die aufgestellten Flügel rahmen dekorativ das mit üppigen Locken beschnitzte, feine Gesicht der Engel, in kantigen Falten ist das Gewand in mehreren Lagen um den Körper geführt und springt an den Seiten auf, H: ca. 70 cm. Altersspuren. PAIR ANGELS South Germany, 18th century, wood, carved and painted, worked as counterparts, the angels each standing on a plinth, the arms bent and slightly raised in front of the body, one of the angels holding a candlestick in his hand, the raised wings decoratively framing the angels' faces carved with luxuriant curls, the robe is folded in several layers around the body, springing up at the sides, h: approx. 70 cm. Signs of age.
A 19TH CENTURY WALNUT COLOURED DAVENPORT, having skiver insert lift-up slope, revealing drawer fitted interior, upper candle drawer, with four graduating drawers, with four dummy opposing, carved and scrolling column supports, on plain plinth base, w ith squashed bun feet, and recessed castors 84cm high (inclusive of pierced brass gallery), 56cm wide
A 19TH CENTURY MAHOGANY ADJUSTABLE READING STAND, the rectangular top having, two sectional opposing ratchet adjustable readings stands, height adjustable supported on a turned single column, on a triform plinth base, with squashed bun feet and reces sed castors, 101cm high (maximum), 87cm in diameter
A VICTORIAN QUALITY MADE BURR WALNUT FINISHED PIANO TOPPED DAVENPORT, with sprung driven upper section, fitted for storage, having typical four drawer side with four drawer dummy opposing, 'S' shaped carved four legs, on a plinth, with squashed bun f eet and recessed castors, 92cm high (inclusive of gallery) when closed, 55cm body width (excluding knob handles)Condition report –Overall impression a good piece, overall good colour, there are signs, evidence of use and wear, some dents, at some point I would suggest it has been restored. The retractable top sits a little wonky, sits up on the left hand side, stays like it when up, means can easily open bottom drawer of superstructure, you have to physically raise right hand side of retractable section. Veneer lifting a little on faux drawer side of pedestal. No stops to writing drawer fully out, split to base of this drawer under writing slope. The top gallery of retractable section, doesn’t fit well, can see gap under it, may be replacement.
A 19TH CENTURY ELM BLANKET BOX of plain form, the lift-up lid revealing candle box interior, having twin flush folding brass carry handles, on a plain plinth base with squashed bun feet below, 38cm x 93cmCondition report – There has been a lot of historic worm damage, the lid has holes and pieces missing, wobbles a little, doesn’t sit flat, replaced bun feet, a few splits, one front left one on left side.
A 20TH CENTURY PINE HALL / PANTRY CUPBOARD having two sets of doors, the upper having three shelves inside and the lower one shelf, on open bottom plinth baseCondition report – Looks like it has been cut at the back base to fit over a skirting board, must have been a fitted piece, missing moulding top left and middle on right, problem to base, damage bottom left, carcase 76cm wide x 197cm high x 25cm deep, no floor in bottom cupboard. The back is hardboard.
LATE 19TH CENTURY FRENCH FIGURAL MANTEL CLOCK, by Henri Marc, with two train eight day movement, the white enamel Roman numeral dial inscribed maker's name, the case surmounted with the figure of a king on horseback above assorted weaponry and armour, raised on a rocky outcrop, the heavily cast case mounted with foliate swags, porcelain panels and further weaponry within scroll and gadrooned borders, raised on five feet, 64cm high, raised on a lacquered plinth and under a glass dome, 72cm high
LATE 19TH CENTURY FRENCH MARQUETRY MANTEL CLOCK, the two train eight day movement by J.F. Allard, with silvered Roman numeral dial, with ormolu gridiron bob, the kingwood case formed as four pillars above a stepped base on block feet, inlaid with scrolls and foliage, 47cm high, raised on a matched plinth and under a glass dome, 67cm high
Taxidermy: A Cased Long-Eared Owl (Asio otus), circa 1880-1900, a full mount adult stood atop a white painted plinth, set against a plain white painted interior, enclosed within a pine framed single-glass display case, 36cm by 21.5cm 35.5cm, mounted very much in the manner of North East Taxidermist's such as Robert Duncan and Joseph Cullingford, each adopted this simple, clean, yet very effective process of letting the natural beauty of the specimen show, and not be overpowered by a cluttered interior. Bird is slightly faded, 03/12/20
GUY PORTELLI (British b.1957), bronze of a seagull in flight, on hardwood plinth, signed on bronze base, overall height 53cm.Good condition. Slight separation of gull from stem from original manufacture.Guy Portelli is responsible for a number of public works of art including the 1066 950th Anniversary memorial in Battle.
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