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A PAIR OF GEORGE III BLUE-PAINTED AND PARCEL GILT CONSOLE TABLES of neo-classical design, each with an inset white-marble top within a gadroon edge over a fluted frieze centred by a tablet of a rams-mask and drapery swags, with a white painted (formerly bronzed) female term and leaf-carved rectangular back supports, on breakfront plinth bases with a central panel of fluting. 21" wide x 32" high.
A George III mahogany 8 day longcase clock, the dial inscribed Will Dobbie, Falkirk, with roman numeral chapter ring and gilt metal foliate spandrels, the hood with blind fret carved broken swan neck pediment and fluted columns over trunk with quarter columns on plinth base and ogee bracket feet, 7 ft 1 ins
An Aesthetic Movement walnut mirror back sideboard, the superstructure with foliate lozenge carved and pierced frieze and gabled finials over rectangular bevel plate flanked by lower arched mirrors and shelves, the base with three frieze drawers over recessed central divided panel fielded doors flanked by conforming further cupboards, with channel moulded uprights, on stile supports with plinth infill between, 195cm high, 183cm wide, 60cm deep.
A small bronze group of a Matadore and Bull, By Jill Cowie Sanders (fl. from 1960-), signed and numbered 13/100, on a veined black marble plinth, 16cm (Sculptor and teacher producing figurative works, commonly with simplified forms in smooth bronze. She was born in London and studied drawing and painting at St.Martin's School of Art, 1948-9, and Chelsea Polytechnic, 1950-2. From 1959-60 she studied and taught art at Cordova Museum, Lincoln, Massachusetts. Married John Sanders and moved to Spain)
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173444 item(s)/page